A demo of educational AI-powered tools by a Microsoft product manager (in March of 2024) showed "how AI has the possibility to transform various job sectors and the education system," according to one report.

But that demo "includes a segment on Copilot in Excel that is likely to resonate with AI-wary software developers," writes long-time Slashdot theodp: The Copilot in Excel segment purports to show how even teachers who were too "afraid of" or "intimidated" to use Excel in the past can now just use natural language prompts to conduct Excel analysis. But Copilot advises the teacher there are no 'outliers' in the exam scores for their 17 students, whose test scores range from 27%-100%. (This is apparently due to Copilot's choice of an inappropriate outlier detection method for this size population and score range). Fittingly, the student whose 27% score is confidently-but-incorrectly deemed to be of no concern by Copilot is named after Michael Scott, the largely incompetent and unprofessional boss of The Office. (Microsoft also named the other exam takers after characters from The Office).

The additional Copilot student score "analysis" touted by Microsoft in the demo is also less than impressive. It includes: 1. A vertical bar chart that fails to convey the test score distribution that a histogram would have (a rookie chart choice mistake), 2. A horizontal bar chart of student scores that only displays every other student's name and shows no score values (a rookie formatting error)... So, will teachers — like programmers — be spending a significant amount of time in the future reviewing, editing, and refining the outputs of their AI agent helpers?
"Not only does it illustrate how the realities of AI assistants sometimes fall maddeningly short of the promises," argues the original submission. "The demo also shows how AI vendors and customers alike sometimes forget to review promotional AI content closely in all the AI excitement!"

An anonymous reader shared this report from The Wrap Tesla this weekend introduced a new "Tron: Ares" mode, giving drivers an opportunity to turn their on-screen vehicles into the glowing Light Cycles that have been a big part of the Disney franchise since 1982.

The optional update started rolling out on Friday, as Tron: Ares debuted in theaters. Tesla announced the update on X: "The grid has expanded to your Tesla — Tron: Ares update rolling out now." The feature is activated in Tesla's Toybox "infotainment" system, and turns the driver's vehicle avatar into a red Light Cycle. For drivers who have the "ambient lighting" feature, the mode will also expand the theme throughout the cabin.
There was also a sleek black Tesla Optimus robot at the premier of Tron: Ares.

Ironically, the Hollywood Reporter writes that by box office figures, "Tron is in big trouble," selling fewer tickets than expected (despite the movie's $180 million pre-marketing budget). While Tron's audience reviews gave it an 86% score on Rotten Tomatoes, its score with critics is just 57%.

The Los Angeles Times says the movie "has glowing style, but its storytelling doesn't compute." (Or, as the New York Times puts it, "Who needs logic when you have neon?")

Sony and AMD are collaborating on new GPU technologies for the next-generation PlayStation (likely the PS6), introducing innovations like Radiance Cores for advanced ray tracing and "Universal Compression" for improved performance and efficiency. The Verge reports: Sony's next console (presumably the PS6) is coming in "a few years time," according to someone who I'd believe to make that claim. Mark Cerny, lead architect on the PS5 and PS5 Pro, joined Jack Huynh, SVP and GM of AMD's computing and graphics group, in a YouTube video wherein the pair spend nine minutes going through some very specific, co-developed advancements in graphics technology that will come to the next console. But the pair cautioned that the technologies are still in "every early days" and "only exist in simulation right now."

Much of it boils down to how the companies are working to make it easier for future GPUs to handle graphics upscaling, ray tracing, and the super-intensive path tracing techniques used to make game worlds look more realistic. Cerny says "the current approach has reached its limit," so Sony is working with AMD to integrate components of its next-gen RDNA architecture in future consoles. AMD's Huynh introduced Radiance Cores (similar in theory to Nvidia's RT Cores) that are dedicated to handling ray tracing and path tracing. In addition to Sony's new consoles having the new cores, they will almost certainly be built into AMD's future desktop GPUs, too, and likely within whatever it's assisting with in its Xbox partnership.

YouTube has launched a "second chance" program allowing some creators previously banned for COVID-19 or election misinformation to apply for new channels, as long as their violations were tied to policies that have since been deprecated. Bans for copyright or severe misconduct still remain permanent. The Verge reports: Under political pressure, the company had said last month that it was going to set up this pilot program for "a subset of creators" and "channels terminated for policies that have been deprecated." [...] The new pilot program kicks off today and will roll out to "eligible creators" over the "next several weeks," YouTube says. "We'll consider several factors when evaluating requests for new channels, like whether the creator committed particularly severe or persistent violations of our Community Guidelines or Terms of Service, or whether the creator's on- or off-platform activity harmed or may continue to harm the YouTube community."

The pilot won't be available if you were banned for copyright infringement or for violating YouTube's Creator Responsibility policies, the company says. If you deleted your YouTube channel or Google account, you won't be able to request a new channel "at this time." And YouTube notes that if your channel has been banned, you won't be eligible to apply for a new one until one year after it was terminated. "We know many terminated creators deserve a second chance -- YouTube has evolved and changed over the past 20 years, and we've had our share of second chances to get things right with our community too," YouTube says. "Our goal is to roll this out to creators who are eligible to apply over the coming months, and we appreciate the patience as we ramp up, carefully review requests, and learn as we go."

A Pew Research Center survey, released today, found that TV remains the dominant screen for American children aged twelve and younger. 90% of parents reported that their child watches TV. Tablets are used by 68% of children in this age group. 61% use smartphones.

The survey of U.S. parents also documented emerging technology patterns. About one in ten parents said their child between five and twelve years old uses AI chatbots such as ChatGPT or Gemini. Roughly four in ten parents reported that their child uses voice assistants like Siri or Alexa. YouTube appeared in 85% of households. Half of parents said their child uses gaming devices. About four in ten reported desktop or laptop use. The survey found that 62% of parents said their child under two watches television. 42% of parents said they could be doing better at managing screen time for their children.

An anonymous reader shares a report: YouTube megastar Jimmy Donaldson, the creator behind the platform's biggest channel MrBeast, is worried there are "scary times" ahead for the creator economy as AI video tools make it increasingly difficult to tell what is real.

"When AI videos are just as good as normal videos, I wonder what that will do to YouTube and how it will impact the millions of creators currently making content for a living.. scary times," Donaldson said on X on Sunday. Donaldson's concerns come on the heels of OpenAI's release of a Sora social media platform able to AI generated short-form videos, including of individuals who "upload" themselves onto the app. Meta launched its similar video-generating Vibes platform last month.

An anonymous reader shares a report: It's been a while since Apple last mocked Windows security, but the iPhone maker has just released an ad that hits Windows hard. The eight-minute commercial pokes fun at the CrowdStrike Blue Screen of Death (BSOD) issue that took down millions of Windows machines last year.

Apple's ad follows The Underdogs, a fictional company that's about to attend a trade show, before a PC outage causes chaos and a Blue Screen of Death shuts down machines at the convention. If it wasn't clear Apple was mocking the infamous CrowdStrike incident, an IT expert appears in the middle of the ad and starts discussing kernel-level functionality, the core part of an operating system that has unrestricted access to system memory and hardware.

Steve Jobs died 14 years ago. But the blog Cult of Mac remembers that "Jobs himself was not sentimental." When he left Apple in the mid-1980s, he didn't even clear out his office. That meant personal mementos like his first Apple stock certificate, which had hung on his office wall, got tossed in the trash. Shortly after returning to Apple in the late 1990s, he gave the company's historical archive to Stanford University Libraries. The stash included records that Apple management kept since the mid-1980s. The reason Apple handed over this historical treasure trove? Jobs didn't want the company to fixate on the past...

All of which goes some way to saying why it was so heartening that Steve Jobs' death received so much attention. He wasn't the richest technology CEO to die. But the reaction showed that his life — faults and all — meant a lot to a great number of people. Jobs helped create products people cared about, and in turn they cared about him.
The site Mac Rumors remembered Sunday that Jobs "died just one day after Apple unveiled the iPhone 4S and Siri." Six years later, Apple CEO Tim Cook reflected on Jobs while opening Apple's first-ever event at Steve Jobs Theater in 2017. "There is not a day that goes by that we don't think about him."

And Sunday Cook posted this remembrance of Steve Jobs. "Steve saw the future as a bright and boundless place, lit the path forward, and inspired us to follow.

"We miss you, my friend."

Ha Dang, a self-taught accountant from Scunthorpe who trained via YouTube, won the inaugural Microsoft Excel UK Championships on September 30. The victory earned him a spot at the Microsoft Excel World Championships in Las Vegas, a three-day tournament inside a 30,000-square-foot esports arena where players compete for $5,000 and are broadcast on ESPN.

Thirty competitors sat shoulder to shoulder through three gruelling rounds of spreadsheet challenges. Each round featured a custom case with seven levels of increasing difficulty. The second round case, Right Royal Battle Part II, took 80 drafts to perfect. Players calculated troop sizes from emoji battalions and army movements across fourteenth-century France. Hadyn Wiseman, who once held the Guinness World Record for most backflips in a minute, placed fourth. Lara Holding-Jones finished thirteenth. Jaq Kennedy founded the UK chapter last year. National chapters have since formed in Germany, Brazil, and Chile.

An anonymous reader quotes a report from MacRumors: iFixit today disassembled the AirPods Pro 3, giving us a look at what's inside and how the AirPods Pro 3 have changed in comparison to the AirPods Pro 2. [...] To get a look at other components inside the AirPods Pro 3, iFixit essentially had to destroy them because Apple didn't design them to be repaired. Since the first version of the AirPods launched, they've included a battery that is sealed shut with glue, and that hasn't changed with the AirPods Pro 3. iFixit says battery replacements are so difficult that many repair shops won't even attempt to do it. The AirPods Pro Charging Case has the same glued-in battery.

There's no way to attempt a battery repair without causing blemishes on the plastic of the earbuds and the casing, because they have to be pried open. Heat needs to be used to melt the adhesive, and there's no easy way to disconnect the flex cable that's inside each earbud. With the need for specialized equipment and the inability to repair the earbuds and the case without causing damage, the AirPods Pro 3 earned a 0 out of 10 repairability score from iFixit.

In India, Bollywood stars are asking judges to protect their voice and persona in the era of AI. From a report: One famous couple's biggest target is Google's YouTube. Abhishek Bachchan and his wife Aishwarya Rai Bachchan, known for her iconic Cannes Film Festival red carpet appearances, have asked a judge to remove and prohibit creation of AI videos infringing their intellectual property rights. But in a more far-reaching request, they also want Google ordered to have safeguards to ensure such YouTube videos uploaded anyway do not train other AI platforms, legal papers reviewed by Reuters show.

A handful of Bollywood celebrities have begun asserting their "personality rights" in Indian courts over the last few years, as the country has no explicit protection for those like in many U.S. states. But the Bachchans' lawsuits are the most high-profile to date about the interplay of personality rights and the risk that misleading or deepfake YouTube videos could train other AI models. The actors argue that YouTube's content and third-party training policy is concerning as it lets users consent to sharing of a video they created to train rival AI models, risking further proliferation of misleading content online, according to near-identical filings from Abhishek and Aishwarya dated September 6, which are not public.

alternative_right shares a report from 404 Media: Critics of YouTuber Ethan Klein are pushing back on subpoenas that would reveal their identities as part of an ongoing legal fight between Klein and his detractors. Klein is a popular content creator whose YouTube channel has more than 2 million subscribers. He's also involved in a labyrinthine personal and legal beef with three other content creators and the moderators of a subreddit that criticizes his work. Klein filed a legal motion to compel Discord and Reddit to reveal the identities of those moderators, a move their lawyers say would put them in harm's way and stifle free speech on the internet forever.

[...] On July 31, a judge allowed Klein's lawyers to file a subpoena with Reddit and Discord that would reveal the identities of the people running r/h3snark and an associated Discord server. On September 22, lawyers for the defendants filed a motion to quash the subpoenas. "On its face, the Action is about copyright infringement," the latest filing said. "At its heart, however, the Action is about stifling criticism and seeking retribution by unmasking individuals for perceived reputational harms TEI [Klein's production company] attributes to [John Doe moderators] unrelated to TEI's intellectual property rights." [...]

The anonymity of places like Reddit and Discord grant a layer of protection to people seeking to critique power. This case could set a dangerous precedent, the lawyers believe. "If the court allows TEI's Subpoenas, it would enable TEI to impose a considerable price on Does' use of the vehicle of anonymous speech -- including public exposure, real risks of retaliation and actual harm, and the financial and other burdens of defending the Action," the filing said. The filing added: "Very few would-be commentators are prepared to bear costs of this magnitude. So, when word gets out that the price tag of criticizing Ethan is this high -- that speech will disappear. But that is precisely what Ethan Klein wants."

An anonymous reader shared this report from Ars Technica: Late last week, The Hollywood Reporter ran a story about an "AI Stan Lee hologram" that would be appearing at the LA Comic Con this weekend. [Watch it in action here.] Nearly seven years after the famous Marvel Comics creator's death at the age of 95, fans will be able to pay $15 to $20 this weekend to chat with a life-sized, AI-powered avatar of Lee in an enclosed booth at the show. The instant response from many fans and media outlets to the idea was not kind, to say the least. A writer for TheGamer called the very idea "demonic" and said we need to "kill it with fire before it's too late...."

But Chris DeMoulin, the CEO of the parent company behind LA Comic Con, urged critics to come see the AI-powered hologram for themselves before rushing to judgment. "We're not afraid of people seeing it and we're not afraid of criticism," he told Ars. "I'm just a fan of informed criticism, and I think most of what's been out there so far has not really been informed...." [DeMoulin said he saw] "the leaps and bounds that they were making in improving the technology, improving the interactivity." Now, he said, it's possible to create an AI-powered version that ingests "all of the actual comments that people made during their life" to craft an interactive hologram that "is not literally quoting the person, but everything it was saying was based on things that person actually said...." [Hyperreal CEO and Chief Architect Remington Scott] said Hyperreal "can't share specific technical details" of the models or training techniques they use to power these recreations. But Scott added that this training project is "particularly meaningful, [because] Stan Lee had actually begun digitizing himself while he was alive, with the vision of creating a digital double so his fans could interact with him on a larger scale...."

Still, DeMoulin said he understands why the idea of using even a stylized version of Lee's likeness in this manner could rub some fans the wrong way. "When a new technology comes out, it just feels wrong to them, and I respect the fact that this feels wrong to people," he said. "I totally agree that something like this-not just for Stan but for anyone, any celebrity alive or dead-could be put into this technology and used in a way that would be exploitative and unfortunate." That's why DeMoulin said he and the others behind the AI-powered Lee feel a responsibility "to make sure that if we were going to do this, we never got anywhere close to that."
The "premium, authenticated digital identities" created by Hyperreal's system are "not replacing artists," says Hyperreal CEO/Chief Architect Remington Scott, but "creating respectful digital extensions that honor their legacy."

Still, DeMoulin says in the article that "I suppose if we do it and thousands of fans interact with [it] and they don't like it, we'll stop doing it."

"The internet is full of people claiming to uncover conspiracies in politics and business..." reports the Wall Street Journal.

"Now an unlikely new villain has been added to the list: theoretical physicists," they write, saygin resentment of scientific authority figures "is the major attraction of what might be called 'conspiracy physics'." In recent years, a group of YouTubers and podcasters have attracted millions of viewers by proclaiming that physics is in crisis. The field, they argue, has discovered little of importance in the last 50 years, because it is dominated by groupthink and silences anyone who dares to dissent from mainstream ideas, like string theory... Most fringe theories are too arcane for listeners to understand, but anyone can grasp the idea that academic physics is just one more corrupt and self-serving establishment... In this corner of the internet, the scientist Scott Aaronson has written, "Anyone perceived as the 'mainstream establishment' faces a near-insurmountable burden of proof, while anyone perceived as 'renegade' wins by default if they identify any hole whatsoever in mainstream understanding...

As with other kinds of authorities, there are reasonable criticisms to be made of academic physics. By some metrics, scientific productivity has slowed since the 1970s. String theory has not fulfilled physicists' early dreams that it would become the ultimate explanation of all forces and matter in our universe. The Large Hadron Collider, the world's largest particle accelerator, has delivered fewer breakthroughs than scientists expected when it turned on in 2010. But even reasonable points become hard to recognize when expressed in the ways YouTube incentivizes. Conspiracy physics videos with titles like "They Just Keep Lying" are full of sour sarcasm, outraged facial expressions and spooky music...

Leonard Susskind, director of the Stanford Institute for Theoretical Physics, says physicists need to be both more sober and more forceful when addressing the public. The limits of string theory should be acknowledged, he says, but the idea that progress has slowed isn't right. In the last few decades, he and other physicists have figured out how to make progress on the vast project of integrating general relativity and quantum mechanics, the century-old pillars of physics, into a single explanation of the universe.
The bitter attacks on leading physicists get a succinct summary in the article from Chris Williamson, a "Love Island" contestant turned podcast host. "This is like 'The Kardashians' for physicists — I love it."

Tim Berners-Lee writes in a new article in the Guardian that "Somewhere between my original vision for web 1.0 and the rise of social media as part of web 2.0, we took the wrong path Today, I look at my invention and I am forced to ask: is the web still free today? No, not all of it. We see a handful of large platforms harvesting users' private data to share with commercial brokers or even repressive governments. We see ubiquitous algorithms that are addictive by design and damaging to our teenagers' mental health. Trading personal data for use certainly does not fit with my vision for a free web. On many platforms, we are no longer the customers, but instead have become the product. Our data, even if anonymised, is sold on to actors we never intended it to reach, who can then target us with content and advertising...

We have the technical capability to give that power back to the individual. Solid is an open-source interoperable standard that I and my team developed at MIT more than a decade ago. Apps running on Solid don't implicitly own your data — they have to request it from you and you choose whether to agree, or not. Rather than being in countless separate places on the internet in the hands of whomever it had been resold to, your data is in one place, controlled by you. Sharing your information in a smart way can also liberate it. Why is your smartwatch writing your biological data to one silo in one format? Why is your credit card writing your financial data to a second silo in a different format? Why are your YouTube comments, Reddit posts, Facebook updates and tweets all stored in different places? Why is the default expectation that you aren't supposed to be able to look at any of this stuff? You generate all this data — your actions, your choices, your body, your preferences, your decisions. You should own it. You should be empowered by it...

We're now at a new crossroads, one where we must decide if AI will be used for the betterment or to the detriment of society. How can we learn from the mistakes of the past? First of all, we must ensure policymakers do not end up playing the same decade-long game of catchup they have done over social media. The time to decide the governance model for AI was yesterday, so we must act with urgency. In 2017, I wrote a thought experiment about an AI that works for you. I called it Charlie. Charlie works for you like your doctor or your lawyer, bound by law, regulation and codes of conduct. Why can't the same frameworks be adopted for AI? We have learned from social media that power rests with the monopolies who control and harvest personal data. We can't let the same thing happen with AI.
Berners-Lee also says "we need a Cern-like not-for-profit body driving forward international AI research," arguing that if we muster the political willpower, "we have the chance to restore the web as a tool for collaboration, creativity and compassion across cultural borders.

"We can re-empower individuals, and take the web back. It's not too late."

Berners-Lee has also written a new book titled This is For Everyone.

The heliosphere "plays a major role in why life is possible on our planet," reports CNN, "and how it perhaps once existed on others such as Mars." (Basically solar winds create "a constant flow of charged particles" that form "an enormous bubble that protects the planets in our solar system from cosmic radiation permeating the Milky Way".)

NASA says the heliosphere's boundary is three times the distance between Earth and Pluto. (After leaving the heliosphere NASA's Voyager probes collected key data about the heliosphere.) But now there's a new mission to investigate "how that solar wind interacts with interstellar space at the boundary of the heliosphere," CNN reports — called the Interstellar Mapping and Acceleration Probe (or IMAP): The spacecraft's 10 instruments will also fill gaps in the existing map of the heliosphere, pieced together from data collected by previous missions, and help further explain how the heliosphere largely shields our solar system from damaging cosmic rays, the most highly energetic particles in the universe. Along with two other space weather missions that lifted off aboard the same rocket on Wednesday, IMAP will help scientists better predict when solar storms unleashed by the sun could affect our planet. When aimed at Earth, harsh radiation from the storms, also known as space weather, can pose risks to astronauts on the International Space Station as well as interfere with communications, the electric power grid, navigation, and radio and satellite operations.

"This next set of missions is the ultimate cosmic carpool," said Dr. Joe Westlake, director of NASA's Heliophysics Division, during a news conference on Sunday. "They will provide unprecedented insight into space weather. Every human on Earth, as well as nearly every system involved in space exploration and human needs, is affected by space weather...." The IBEX, or Interstellar Boundary Explorer, satellite has been mapping the heliosphere since launching in 2008. But IMAP can explore and map the boundaries of the heliosphere like never before because it has instruments with faster imaging that are capable of 30 times higher resolution. Once it reaches an orbit about 1 million miles (1.6 million kilometers) from Earth in about three months, IMAP will also capture observations of the solar wind in real time and measure particles that travel from the sun, study the heliosphere's boundary between 6 billion and 9 billion miles (9.7 billion to 14.5 billion kilometers) away, and even collect data from interstellar space.
Also launching was the SWFO-L1 mission, which CNN says is "intended to act as a solar storm detector, providing early warnings to protect astronauts in low-Earth orbit and satellites that provide critical communications on Earth. It's a tool that will be even more necessary as astronauts venture farther into deep space."

NASA streamed the launch live on YouTube.

YouTube's new "Labs" program plans to "offer a glimpse of the AI features it's developing for YouTube Music," reports Ars Technica.

But Ars Technica adds that this future "starts with AI 'hosts' that will chime in while you're listening to music. Yes, really." (YouTube says the AI aims to "deepen your listening experience"...) The "Beyond the Beat" host will break in every so often with relevant stories, trivia, and commentary about your musical tastes. YouTube says this feature will appear when you are listening to mixes and radio stations. The experimental feature is intended to be a bit like having a radio host drop some playful banter while cueing up the next song. It sounds a bit like Spotify's AI DJ, but the YouTube AI doesn't create playlists like Spotify's robot...

After joining, the YouTube Music app will get a new button on the Now Playing screen with the familiar Gemini sparkle logo. Tapping that will allow you to snooze the commentary for an hour or the remainder of the day. There is no option to completely disable the AI host in the app, so you'll have to opt out of the test if you decide Beyond the Beat is more trouble than it's worth.
YouTube calls it "a way for users to take our cutting edge AI experiments for a test drive," promises that "a limited number of US-based participants can test early prototypes and experiments and influence the future of YouTube. Sign up at YouTube.com/New."

Ars Technica believes "This is still generative AI, which comes with the risk of hallucinations and low-quality slop, neither of which belongs in your music. That said, Google's Audio Overviews are often surprisingly good in small doses."

Ruby Central, a non-profit organization committed to "driving innovation and building community within the Ruby programming ecosystem since 2001," removed all RubyGems maintainers from the project's GitHub repository on September 18, granting administrative access exclusively to its employees and contractors following alleged pressure from Shopify, one of its biggest backers, according to Ruby developer Joel Drapper. The nonprofit organization, which operates RubyConf and RailsConf, cited fiduciary responsibility and supply chain security concerns following a recent audit.

The controversy began September 9 when HSBT (Hiroshi Shibata), a Ruby infrastructure maintainer, renamed the RubyGems GitHub enterprise to "Ruby Central" and added Director of Open Source Marty Haught as owner while demoting other maintainers. The action allegedly followed Shopify's threat to cut funding unless Ruby Central assumed full ownership of RubyGems and Bundler. Ruby Central had reportedly become financially dependent on Shopify after Sidekiq withdrew $250,000 annual sponsorship over the organization platforming Rails creator DHH at RailsConf 2025. Andre Arko, a veteran contributor on-call for RubyGems.org at the time, was among those removed.

Maintainer Ellen Dash has characterized the action as a "hostile takeover" and also resigned. Executive Director Shan Cureton acknowledged poor communication in a YouTube video Monday, stating removals were temporary while finalizing operator agreements. Arko and others are launching Spinel, an alternative Ruby tooling project, though Shopify's Rafael Franca commented that Spinel admins shouldn't be trusted to avoid "sabotaging rubygems or bundler."

YouTube's parent company, Alphabet, said it will reinstate creators previously banned for spreading COVID-19 misinformation and false election claims, citing free expression and shifting policy guidelines. The Hill reports: "Reflecting the Company's commitment to free expression, YouTube will provide an opportunity for all creators to rejoin the platform if the Company terminated their channels for repeated violations of COVID-19 and elections integrity policies that are no longer in effect," the company said in a letter to Rep. Jim Jordan (R-Ohio), chair of the House Judiciary Committee. "YouTube values conservative voices on its platform and recognizes that these creators have extensive reach and play an important role in civic discourse. The Company recognizes these creators are among those shaping today's online consumption, landing 'must-watch' interviews, giving viewers the chance to hear directly from politicians, celebrities, business leaders, and more," it added in the five-page correspondence.

Alphabet blamed the Biden administration for limiting political speech on the platform. "Senior Biden Administration officials, including White House officials, conducted repeated and sustained outreach to Alphabet and pressed the Company regarding certain user-generated content related to the COVID-19 pandemic that did not violate its policies," the letter read. "While the Company continued to develop and enforce its policies independently, Biden Administration officials continued to press the Company to remove non-violative user-generated content," it continued. Guidelines were changed after former President Biden took office and urged platforms to remove content that encouraged citizens to drink bleach to cure COVID-19, as President Trump suggested in 2020, or join insurrection efforts launched on Jan. 6, 2021, to overthrow his 2020 presidential win. But the company said the Biden administration's decisions were "unacceptable" and "wrong," while noting it would forgo future fact-checking mechanisms and instead allow users to add context notes to content.

An anonymous reader quotes a report from Reuters: A new dark web portal to recruit spies for the UK was launched last Friday (19th September), as the UK steps up its commitment to national security. Harnessing the anonymity of the dark web for the first time, MI6's new secure messaging platform -- Silent Courier -- enables anyone, anywhere in the world with access to sensitive information relating to terrorism or hostile intelligence activity to securely contact the UK and offer their services. Instructions on how to access the portal will be publicly available on MI6's verified YouTube channel as the UK reaches out to potential new agents in Russia and around the world. MI6 advises individuals accessing its portal to use trustworthy VPNs and devices not linked to themselves, to mitigate risks which exist in some countries.

The announcement was made by the outgoing Chief of MI6, Sir Richard Moore, in Istanbul where he stated that the platform will make it easier for MI6 to recruit agents online. As MI6 establishes its official presence on the dark web to reach new recruits and tackle hostile actors seeking to undermine UK security, Sir Richard said that the UK's intelligence services are "critical to calibrating risk and informing decisions" in navigating threats from hostile actors -- making platforms like these even more important in keeping our country safe. Sir Richard said: "Today we're asking those with sensitive information on global instability, international terrorism or hostile state intelligence activity to contact MI6 securely online. Our virtual door is open to you." Foreign Secretary Yvette Cooper said: "National security is the first duty of any government and the bedrock of the Prime Minister's Plan for Change. As the world changes, and the threats we're facing multiply, we must ensure the UK is always one step ahead of our adversaries. Our world class intelligence agencies are at the coalface of this challenge, working behind the scenes to keep British people safe. Now we're bolstering their efforts with cutting-edge tech so MI6 can recruit new spies for the UK - in Russia and around the world."