Today 34-year-old chess champion Magnus Carlsen married 26-year-old Ella Victoria Malone, "in a ceremony packed with guests on a sunny winter day in Oslo," reports Chess.com. According to Norwegian newspaper Dagbladet, a film crew from Netflix was also present. The streaming giant is shooting a chess-related TV show rumored to air in 2025... Ella Victoria is now expected to have a more central role in her husband's career. According to VG, she played a crucial role in securing Magnus a deal with fashion brand G-Star Raw...

Their wedding was surely a fairy tale, but the Carlsens aren't heading for their honeymoon just yet. Magnus is set to make his debut for St. Pauli in the German Bundesliga on January 10, when he'll face Dusseldorf led by none other than GM Gukesh Dommaraju.
The article adds that "For Carlsen, this caps off a whirlwind week that began in New York, highlighted by his eighth World Blitz Championship title," a victory that they say was "controversially" shared with Russian grandmaster Ian Nepomniachtchi. CNN reports: [Carlsen] had taken a 2-0 lead in the four-game contest before Nepomniachtchi launched a stunning comeback to level the scores, sending the match to a sudden death tie-break. The pair then drew the next three games, and it was later determined that they would share the title after the proposal was accepted by Arkady Dvorkovich, the president of chess governing body FIDE. "I thought, at that point, we had already played for a very long time and I was, first of all, very happy to end it, and I thought, at that point, it would have been very, very cruel on both of us if one gets first and the other gets second," Carlsen later told reporters....

[T]he decision to share the Blitz title with long-time rival Nepomniachtchi has sparked outcry from some of the world's top players — the first time in history that a world championship title has been shared. "This is a situation where I cannot stand with what Magnus has done," prominent player Hikaru Nakamura said on his YouTube channel. "I do not think that there is any precedent for this, when you put out rules about the game itself and then suddenly you decide, 'It's okay, we're going to go home' ... It's unconscionable to me...."

"FIDE goes from forfeiting Carlsen (over the jeans debacle) to creating an entirely new rule," Hans Niemann, whom Carlsen had defeated in the quarterfinals, wrote on X, formerly known as Twitter. "Seems like the the regulatory body of chess has no intention of being unbiased. They seem to only care about what one player thinks...." Former world champion Garry Kasparov made a pointed reference to the jeans controversy, writing on X: "I thought the first FIDE tiebreak was pants."
Magnus apparently tells his opponent "If they like refuse, we can just play short draws until they give up," according to a behind-the-scenes video clip posted to X.com. The CEO of FIDE, Emil Sutovsky, re-posted it on X.com, complaining that FIDE president Dvorkovich's decision to accept the players' proposed draw was made "under the spur of a moment, and of course, the video appeared much later. I do think it is VERY BAD though..."

FIDE later told CNN that "This situation has already prompted valuable discussions within FIDE management to improve our regulations." (And their article adds that some — including grandmaster Ivan Sokolov — suggested ties be settled with a new chess format known as Armageddon.) "In Armageddon, White has more time but a draw on the board counts as a win for Black," explains the Guardian — adding that back in 1983, "Fide determined the winner of a Candidates match by a roulette wheel."

The Guardian adds that Russian-born FIDE president Arkady Dvorkovich "probably felt he had little choice but to rubber stamp the agreement by the players." He would have been pilloried in Moscow as preventing a Russian world champion had he ruled otherwise, and a negative could also have provoked a series of the notorious Berlin draws, the standard method for a quick mutually agreed half point. However, that course of action would have brought the players into disrepute, and it is more likely that an inspired game or a blunder would have settled the final. The audience on Wall Street applauded the decision, but the considerable online reaction from professional players and fans has been mostly critical.

It was the first ever shared over-the-board individual world title in chess history.

In 2024, Americans spent 23% less on streaming subscriptions compared to 2023, driven by rising costs, streaming fatigue, and increased password-sharing restrictions. The findings have been reported in Review's annual State of Consumer Media Spending Report. TechSpot reports: Of those surveyed, 27.8 percent said they are experiencing streaming fatigue - or the feeling of being overwhelmed by the growing number of streaming apps on the market. And with the cost of goods and services at an all-time high, it's hitting folks in the wallet as well. The report additionally found that the average American has two streaming subscriptions, and watches three hours and 49 minutes of content each day. More than a quarter of subscribers - 26.5 percent - share subscriptions with others to save on cost although with recent crackdowns on password sharing, that might not be an option for much longer.

As such, Reviews recommends downsizing the number of subscriptions you pay for each month or spending more time using free services if you're looking to cut down on costs in the New Year. For example, you could stagger subscriptions by signing up for a service temporarily to watch a specific show or movie and canceling when you are finished. It's also wise to keep an eye out for free trials, discounts, and limited-time streaming deals like those occasionally offered from Internet and mobile providers.

Samsung and Google are introducing Eclipsa Audio, an open-source 3D audio standard set to debut on select YouTube videos and Samsung's 2025 TVs and soundbars. The new format "could eventually serve as a free alternative to Dolby Atmos, the dominant 3D audio format that hardware makers like Samsung pay to license for TVs and other equipment," reports The Verge. "Samsung says that similar to Atmos, this audio format supports adjusting 'audio data such as the location and intensity of sounds, along with spatial reflections' to create a 3D experience." From the report: The two companies first announced a partnership to develop spatial audio technology in 2023, initially calling it Immersive Audio Model and Formats (IAMF). At the time, Samsung spatial audio head WooHyun Nam said the format would provide "a complete open-source framework for 3D audio, from creation to delivery and playback."

The IAMF spec has also been adopted by the Alliance for Open Media, a group that has been pushing for royalty-free codec support since 2015 and counts companies like Amazon, Apple, Microsoft, and Netflix -- along with Samsung and Google -- among its members. If they also add support for this audio format, it could help it catch on, although it's already taken years for their AV1 video codec to see more use. Samsung and Google are also creating a certification program with the Telecommunications Technology Association "to ensure consistent audio quality" across devices using the format, which also sounds similar to the way companies like Dolby and THX manage the labeling for their specs.

An anonymous reader quotes a report from Rolling Stone: Sun pours through the lush foliage of a jungle, bleaching the pale limestone as a rotting man stands in the center of an otherwise empty arena, his yellow eyes leering from beneath a fringe of limp, blonde hair. Positioned around the edge are a hundred bodies, Orcs and Trolls and bipedal oxen shouting, demanding, the death of the dishonorable. Their voices swell into a cacophony of noise before one rings out above the rest, howling, 'Kill the cheater and you'll get 20 gold!' There is silence, and then another frenzy. As I watch, eyes fixed on the dim glow of a laptop screen, I think of the colosseum in Rome -- sweat running down the muscled arms of battle-tested gladiators, the crowd cheering for blood.

This might sound like a moment pulled from a high fantasy drama made for prestige TV, but this is World of Warcraft, a now 20-year old online RPG. Instead of actors parading in front of green screens, this story's cast are streamers that occupy a virtual world. Tensions are high not because they're scripted, but because in World of Warcraft's Hardcore mode, death is permanent. Dejected, though acknowledging the transgression made, Sequisha -- the streamer who was promptly executed for cheating -- sighs, and goes back to the character select screen. He creates a new avatar; it's time to start the game all over again.

Sequisha's execution and subsequent reincarnation is just one of hundreds of stories playing out everyday in World of Warcraft as streamers have flocked to the massively multiplayer online RPG (MMORPG) to play together. Through their strife, and a commitment to staying in-character via roleplay, groups like the guild OnlyFangs have turned World of Warcraft into an RPG within an RPG, playing out improvisational personal drama where the stakes are high. In Hardcore mode, World of Warcraft has become the best soap opera on the internet, all playing out across over dozens of OnlyFangs creator streams every day. The new "Classic" and "Hardcore" servers were launched in celebration of World of Warcraft's 20th anniversary, helping to reignite interest in the game and increase viewership on platforms like Twitch and YouTube. The Hardcore server, where character death is permanent, attracted top streamers, leading to the formation of guilds like OnlyFangs.

After a successful first season, OnlyFangs reshuffled its roster, embracing a more immersive roleplaying approach in its second season. "What they didn't know was their experiment in World of Warcraft roleplay would inadvertently create one of the best emergent dramas on the internet," reports Rolling Stone.

Samsung is set to debut its new Odyssey 3D monitor at CES 2025, reviving the glasses-free 3D experience that manufacturers pushed on consumers over a decade ago. While details remain limited, the monitor reportedly utilizes a lenticular lens, stereo cameras, and AI to convert 2D content into lifelike 3D visuals, with a focus on appealing to gamers for broader adoption. Ars Technica reports: According to the South Korean company's announcement, the monitor's use of a lenticular lens that is "attached to the front of the panel and its front stereo camera" means that you don't have to wear glasses to access the monitor's "customizable 3D experience." Lenticular lenses direct different images to each eye to make images look three-dimensional. This is a notable advancement from the first 3D monitor that Samsung released in 2009. That display used Nvidia software and Nvidia shutter glasses to allow users to toggle between a 2D view and a 3D view through a few button presses and supported content.

Another advancement is the Odyssey 3D's claimed ability to use artificial intelligence "to analyze and convert 2D video into 3D." We've recently seen similar technology from brands like Acer, which announced portable monitors in 2022 and then announced laptops that could convert 2D content into stereoscopic 3D in 2023. Those displays also relied on AI, as well as a specialized optical lens and a pair of eye-tracking cameras, to create the effect. But unlike Acer's portable monitors, Samsung claims that its monitor can make 2D content look like 3D even if that content doesn't officially support 3D. [...] Interestingly, Samsung's announcement today only mentioned the release of a 27-inch, 4K resolution 3D monitor, despite Samsung teasing a 37-inch version in August. It's possible that the larger version didn't work as well and/or that demand for the larger size would be too small, considering the high price and limited demand implications of a glasses-free 3D monitor aimed at gamers. Further reading: Samsung, Asus, MSI Unveil First 27-inch 4K OLED 240Hz Gaming Monitors

Leading monitor manufacturers Asus, Samsung, and MSI unveiled the world's first 27-inch 4K OLED gaming monitors with 240Hz refresh rates, all featuring Samsung Display's fourth-generation QD-OLED panel technology.

Asus ROG Swift OLED PG27UCDM and MSI MPG 272URX QD-OLED models include DisplayPort 2.1a support, enabling 4K resolution at 240Hz without compression. Both offer DisplayHDR True Black 400 certification and three-year burn-in protection warranties. Samsung's Odyssey OLED G8 specifications remain partially undisclosed. All monitors feature 0.03ms response times and pixel density exceeding 160PPI.

Release dates and pricing details have not been announced.

In a press release today, Apple said their TV Plus subscription service will be free this weekend (January 3 through January 5). From the press release: Apple TV+ is ringing in the New Year by offering an all-access pass to customers all around the world. Enjoy Apple TV+ for free the first weekend of 2025 (January 3 through January 5), Apple TV+ will be free on any device where Apple TV+ is available. All you need is an Apple ID to see what all the buzz is about. "A full weekend may be enough to binge some of Apple's top shows, including Severance, which has its hotly anticipated season 2 launching on January 17th," notes The Verge's Umar Shakir. "The free days could also help potential subscribers get a taste of Apple's eclectic mix of sci-fi shows, such as the space race drama For All Mankind, postapocalyptic thriller Silo, and the Godzilla serial Monarch: Legacy of Monsters."

A rare Sony KX-45ED1 television, considered the world's largest CRT TV, has been preserved from destruction in Japan, marking a significant moment for gaming history preservation. The 440-pound display was salvaged from an Osaka restaurant days before its scheduled demolition, following a two-week international rescue operation.

Gaming enthusiast Shank Mods, aided by local contacts and industrial shipping experts, secured the functioning 45-inch unit, which originally sold for $40,000 in the late 1980s. The TV, valued by retro gaming enthusiasts for its authentic, lag-free display capabilities, could potentially become a public exhibit pending future funding.

"Drones collided, fell from the sky and hit a little boy after 'technical difficulties' during a holiday show..." reports the Orlando Sentinel.

They note that a press release from the city said the 8 p.m. show was then cancelled: The company behind the drones, Sky Elements, was in its second year of the contract with the city, the release said. Sky Elements said they operate drone shows throughout the country with millions of viewers annually and are committed to maintaining FAA safety regulations, the company said in a statement released Sunday afternoon. The organization wished for a "speedy recovery" of those impacted by Saturday's show at Lake Eola, the statement said. "The well-being of our audience is our utmost priority, and we regret any distress or inconvenience caused," the statement said. "We are diligently working with the FAA and City of Orlando officials to determine the cause and are committed to establishing a clear picture of what transpired."

The show is in its third year, often drawing crowds of roughly 25,000, according to the city. But there has never been an incident before. The Federal Aviation Administration regulates drones and light shows and permitted the Holiday Drone Show at Lake Eola on Saturday. Now they are investigating the incident which they said began as drones collided and fell into the crowd at the park, spokesperson Kristen Alsop said in an email... Eyewitness videos on social media show multiple green and red drones falling from the sky.
The mother of the 7-year-old boy hit by a falling drone told a local TV station that the holiday show "ended in nightmares," adding that it happened just days before Christmas. She believes big-audience drone light shows need more safety precautions. "This should not happen. No family should be going through this." She added on Facebook that her 7-year-old son is now "going into emergency heart surgery off of just trying to watch a drone show."

She adds that the city of Orlando and the drone company behind the light show "really have some explaining to do." Responding to comments on Facebook, she posted two hours ago: "Thank you everyone. He is still in surgery."

Chinese TVs, once dismissed as "cheap and low-quality," are making strides in the premium market, overtaking Samsung, the world's top TV manufacturer. From a report: TCL, a leading Chinese TV brand, surpassed Samsung in the 80-inch and larger TV market for the first time in the second quarter. Another Chinese electronics company, Hisense, is closely trailing Samsung in this market.

TCL maintained the lead in the 80-inch and larger TV market in the third quarter with a 23% market share( based on shipments), surpassing Samsung Electronics for the second consecutive quarter, according to market research firm Omdia on Dec. 19.

Samsung's share fell from 26% in the third quarter of last year to 19% this year. Hisense is also closing in on Samsung, narrowing the market share gap from 11 percentage points to just 1.65 points over the past year. LG Electronics is facing similar challenges, losing its third-place market share position to Hisense last year.

An anonymous reader quotes a report from The Register: China's Electronics Video Industry Association last week signed off on a standard for a universal remote control -- a gadget Beijing thinks locals need because they're struggling with multiple remotes, but which is also a little more significant in other ways. The standard requires remote controls to allow voice control, and to use one of three means of wireless comms: Bluetooth, infrared, and Star Flash -- more on that later. It has been hailed as a boon for consumers who apparently struggle to find the right remote control to use as they navigate between televisions and set-top boxes.

This standard reportedly detects which device a user wants to control, makes the connection, and eases the chore of directing a stream from a set-top box to a display. Device-makers have been told that televisions and set-top boxes must support the standard, and they've quickly complied: local media report that Chinese consumer electronics outfit Konka has already delivered the first Smart TV capable of handling the universal remote. Building a standard ecosystem for universal remotes has obvious benefits for consumers, who should be able to use one unit across multiple devices and won't be tied to proprietary tech. But this move has other benefits for Beijing, thanks to its requirement to use China's home-grown Bluetooth alternative, Star Flash.

Star Flash is one of the projects run by the SparkLink Alliance -- a group that lists hundreds of Chinese developers and manufacturers as members. Huawei contributes tech to the group. Chinese IoT hardware vendor Qogrisys has described it as an upgrade to both Bluetooth and Wi-Fi that incorporates ideas used in 5G networks, is capable of handling multiple simultaneous device connections, sips power sparingly so battery-powered devices go longer between recharges, and can stream lossless stereo audio. Chinese consumer electronic and automotive brands are already keen to use Star Flash, and the Alliance is promoting its use in industrial settings too. China will promote use of universal remotes in 2025 -- meaning the protocol may soon appear in millions of domestic devices, giving manufacturers scale to justify further investment.

An anonymous reader quotes a report from 9to5Google: Besides phones and tablets, Android is available on smartwatches, TVs, and even cars. Google today announced Android XR as the next form factor the operating system is coming to. Google is using the catch-all term of extended reality (XR) to describe virtual (VR), mixed (MR), and augmented reality (AR). Android XR is for all device types, including headsets that offer video or optical see-through, screen-less "AI glasses," and AR glasses with displays. Going into Android XR, Google believes it has a proven track record of creating platforms. That is more than just making an operating system for themselves, but also catering to OEM partners, cultivating a developer ecosystem, and managing an app store.

[...] Google says Android XR is the first OS built from the ground up with Gemini. Google and Samsung are starting with the headset, which both consider a good starting point. Samsung has a developer kit called Project Moohan (or "infinity" in Korean) that is lightweight, has an external battery, and powered by the Snapdragon XR2+ Gen 2. Google imagines Android XR headsets as offering an infinite desktop for productivity. In this scenario, you're at a desk with a physical keyboard and mouse. A few partners already have this dev kit and more are being distributed to partners starting this week. Meanwhile, first-party apps like Chrome, YouTube, Google TV, Google Photos, and Google Maps are being optimized for Android XR.

However, glasses are the end goal and frames running Android XR are coming for "directions, translations or message summaries without reaching for your phone," though they are paired like any other wearable. The final realization of this vision is in-lens display. However, Google does not think that displays are a must, and this opens the door to display-less glasses that have microphones and cameras for input, while Gemini capably handles output. Google will "soon begin real-world testing of prototype glasses running Android XR with a small group of users." With today's launch, Google is releasing the Android XR SDK Developer Preview and an Android XR Emulator.

You can get a glimpse into the world of Android XR via this YouTube video.

BrianFagioli writes: In a move sure to rattle some subscribers, YouTube TV has announced a price increase for its Base Plan. Starting January 13, 2025, the monthly subscription cost will jump from $72.99 to $82.99. The search giant cites the rising costs of content and investments in service quality as the primary reasons for this adjustment.

Peter Jackson is co-executive producer of a new animated Lord of the Rings prequel called The War of the Rohirrim. "Set in an epic world 183 years before the events of The Lord of the Rings trilogy, the King of Rohan is forced into a last stand in ancient Hornburg after a sudden attack..." explains The Hollywood Reporter.

But Variety writes that the movie "fizzled" in its overseas debut this weekend: "Moana 2" has notched $600 million in global ticket sales, standing as the sixth-biggest movie of the year after just two weeks of release. Disney's animated sequel, which was developed as a TV series before pivoting to theaters, has generated $300 million overseas and $300 million domestically... Among new offerings, the Warner Bros. anime fantasy film "The Lord of the Rings: The War of the Rohirrim," faltered with $2 million from 3,410 screens in 31 territories... [The movie] opens in North America and an additional 42 offshore markets on Dec. 13. Top earning territories were Spain with $347,000 followed by Mexico with $239,000 and Thailand with $146,000...

Meanwhile, Paramount's "Gladiator II" collected $17 million in its fourth frame at the international box office, boosting its tally to $235 million overseas and $368.4 million globally. The quarter-century-in-the-making sequel Ridley Scott's Oscar-winning 2000 epic "Gladiator" has been far bigger in offshore markets... There's also "Red One," a Christmas-set action comedy starring the Rock as Santa's head of security, which collected $3.5 million from 4,000 screens in 75 overseas markets. The film, from Amazon MGM, has generated a soft $78.2 million from offshore territories and $164 million globally. "Red One" was originally destined for streaming before the studio opted for a theatrical release, so any coinage from the big screen could be viewed as a win for movie theaters, Amazon MGM and Warner Bros. (which has international rights on Amazon MGM releases). From a strictly theatrical standpoint, though, "Red One" carries a $250 million budget before marketing and stands as one of the year's biggest misfires.

This year Marvell's stock rose 95%, giving it a $100 billion market capitalization, according to the Wall Street Journal.

"The latest gains have even put Marvell's market cap ahead of much-beleaguered Intel, which still generates 10 times as much annual revenue." Marvell's recent trajectory suggests that the revenue gap will continue to narrow. The explosive growth of its data center business has finally reached a point where it can more fully offset weakness in the company's more legacy segments, which sell chips used in goods such as telecommunications gear, cable TV boxes and autos. Data center sales nearly doubled year over year to $1.1 billion in the just-ended quarter, and Marvell's projection for the current period indicates the company will end its fiscal year in January with the data center unit encompassing about 72% of its total revenue, up from 40% in the previous year.

The next year is looking bright as well. Marvell's latest deal with Amazon is a five-year "multigenerational" agreement that has Marvell helping Amazon design its own artificial intelligence chips. Amazon, which runs the world's largest cloud computing service, has been expanding its internal chip efforts significantly, in part to reduce its reliance on Nvidia for crucial AI components. Amazon announced the next generation of its largest AI chip, called Trainium, at its annual developers conference this week. Analysts believe Trainium will play a role in Marvell's AI custom revenue more than doubling in the next fiscal year ending January of 2026.

That is expected to help propel Marvell's annual revenue to more than $8 billion in fiscal 2026, up 40% from what is expected for this year, according to consensus estimates from Visible Alpha. In addition, 20% growth is expected for the following year, when Marvell expects to be in production of custom AI chips for another unnamed big tech customer that analysts believe to be Microsoft. Analyst Mark Lipacis of Evercore ISI projects that the industry for custom AI chips will reach $30 billion to $50 billion in sales by 2030. In a note to clients last week, he said Marvell "has the potential to capture one-third of that market."
Marvell's CEO "has been among the few names floated as potential replacements for the recently ousted Pat Gelsinger at Intel's corner office," the article points out — which meant he had to reassure investors on an earnings call that he was staying at Marvell.

"The company is outstanding. The technology is best-in-class. I can't think of a better place to work than Marvell."

Walmart said Tuesday it had completed its $2.3 billion all-cash acquisition of TV maker Vizio, a move by the retailing giant to expand its advertising business. From a report: The closing of the deal follows the expiration of the waiting period under federal regulations. Walmart announced the deal to buy Vizio in February 2024. Walmart said the acquisition of Vizio will let it "bring to market new and differentiated ways for advertisers to meaningfully connect with customers at scale and boost product discovery" through Walmart Connect, the company's U.S. retail media business.

Walmart and Vizio will continue to operate separately "for the foreseeable future," according to the announcement. William Wang will continue to lead Vizio as CEO, reporting to Seth Dallaire, executive VP and chief growth officer of Walmart U.S. Vizio, founded in 2002, is a leading vendor of value-priced HDTVs. Its device ecosystem and its smart TV operating system, SmartCast, provide free, ad-supported access to streaming content.

A piracy ring that gave 22 million subscribers in Europe cheap access to content stolen from international streaming services has been shut down by Italian authorities after a two-year investigation. From a report: The criminal enterprise used a complex international IT system to "capture and resell" live programming and other on-demand content from companies including sports broadcaster DAZN, Netflix, Amazon Prime, Paramount, Sky and Disney+, prosecutors said in a statement on Wednesday.

Authorities estimate the operation generated revenues of roughly $264.3 million a month [non-paywalled link], or $3.2 billion a year, and caused combined damages of more than $10.6 billion to the affected broadcast companies. "The rate of profit you get from these illegal activities with lower risk is equivalent to that of cocaine trafficking," Francesco Curcio, the criminal prosecutor who led the investigation, told reporters.

America's Justice Department "has ordered all consensual searches by drug enforcement agents conducted at the nation's airports stopped," reports Georgia's local TV station Atlanta News First — after their series of investigations "uncovered how the agents often search innocent passengers at airport gates, looking for cash." On Thursday, the department made public a November 12, 2024, directive from the deputy attorney general to the U.S. Drug Enforcement Administration (DEA) that it suspend "all consensual encounters at mass transportation facilities unless they are either connected to an ongoing, predicated investigation involving one or more identified targets or criminal networks or approved by the DEA Administrator based on exigent circumstances." The management advisory memorandum was issued by DOJ Inspector General Michael Horowitz.

The memo specifically mentioned the case of an airline passenger interviewed by Atlanta News First Chief Investigator Brendan Keefe, author of the Atlanta News First investigation, In Plane Sight. The award-winning series uncovered how drug agents have been seizing anything over $5,000 if airline passengers can't prove — on the spot — that their own money didn't come from drug trafficking. The government seizes the cash when no drugs are found, without arresting the traveler or charging them with a crime, and the DEA gets to keep the money it seizes.

After witnessing the Atlanta News First series, the passenger in question — who was departing from Cincinnati and heading to New York, where he lives — refused consent to have his bags searched at the gate... "The DOJ Office of the Inspector General (OIG) further learned that the DEA Task Force Group selected this traveler for the encounter based on information provided by a DEA confidential source, who was an employee of a commercial airline, about travelers who had purchased tickets within 48 hours of the travel," the memo said. "The OIG learned that the DEA had been paying this employee a percentage of forfeited cash seized by the DEA office from passengers at the local airport when the seizure resulted from information the employee had provided to the DEA. The employee had received tens of thousands of dollars from the DEA over the past several years."
The news station's investigation "also revealed passengers selected for what the government calls 'random, consensual encounters' are actually profiled by the drug agents who search Black men far more often than any other group of passengers," according to the article.

"The reports analyzed data showing that, for drug agents to find just one passenger with money, they have to publicly search 10 departing passengers."

Longtime Slashdot reader theodp writes: Past corporate-sponsored Hour of Code tutorials for the nation's schoolchildren have blurred the lines between coding lessons and product infomercials. So too is the case again with this year's newly-announced Hour of Code 2024 flagship tutorials, which include Microsoft Minecraft, Amazon Music, and Transformers One movie-themed intros to coding. The press release announcing the tutorials from tech-backed nonprofit Code.org, which organizes the Hour of Code and counts Microsoft and Amazon as $30+ million donors, boasts of its "decade of partnership with [Microsoft] Minecraft this year, reaching more than 300 million sessions of Minecraft Hour of Code since 2015!"

Interestingly, The Transformers (Paramount Pictures, which released Transformers One in the U.S., is a $25,000+ Code.org donor) is cited as one of the OG's of children's Saturday morning cartoon advertising (aka 30-minute commercials) that prompted the Children's Television Act (CTA) of 1990, an act of Congress that ordered the FCC to put in place regulations to protect children from advertising. Throughout the 1980s, Action for Children's Television (ACT) criticized children's television programs that "blur(red) the distinction between program content and commercial speech."

An anonymous reader quotes a report from VICE: It's early on a Sunday morning in late 1994, and you're shuffling your way through Fitzrovia in Central London, bloodstream still rushing after a long night at Bagley's. The sun comes up as you come down. You navigate side streets that you know like the back of your hand. But your hand's stamped with a party logo. And your brain's kaput. Coffee... yes, coffee. Good idea. Suddenly, you find yourself outside a teal blue cafe. Walking in is like entering an alien world; rows of club kids, tech heads, and game developers sit in front of desktops, lost in the primitive version of some new reality. Tentacular cables hang from the ceiling. Ambient techno reverberates from wall to wall. Cigarette smoke fills the air.

Welcome to Cyberia, the world's first internet cafe. Which, if you're too young to remember, are basically cafes with computers in them. It all began when Eva Pascoe, a Polish computing student living in London, crossed paths with Tim Berners Lee and other early internet mavericks at the dawn of the 90s. "I was very interested in cyberfeminism and wanted to figure out how women could reclaim tech," she recalls. The internet was still in its infancy. Diabolically slow dial-up modems only emerged around 1992; the World Wide Web was a pipe dream until 1993 and hardly anyone had the internet at home. But there wasn't just a lack of javascript; Eva remembers there being no good java, either. "There were no coffee shops in London," she says, which today seems ludicrous. "Just greasy spoons and everyone drank tea. I wanted a European-style cafe."

Linking up with like-minded pioneers David Rowe and husband and wife Keith and Gene Teare, Eva found a spot on the corner of Whitfield Street and launched Cyberia there in 1994. With Hackers-style aesthetics and futuristic furniture, it was based around a U-shaped layout that meant visitors could see each other's screens. "I wanted women to feel safe, because a lot of the stuff on the net was dodgy," she explains. Many of Eva's mates chipped in to help out -- architects, interior designers, graphic artists, publishers, and ravers among them.

And then there was the Amish community in Pennsylvania. Eva had to fly out there to negotiate for the "Cyberia.com" domain name they had bought. "It was a proper barn with horse carts and a wall of modems as they were running a bulletin board and an early ecommerce company. Apparently, there was always one family nominated to be the tech support," she remembers. Back in London, Cyberia quickly became a hotspot. "Virtually the second we opened, we had three lines deep around the block," she says. It's hard to imagine, but nowhere else in the world was doing what they were doing. It was the world's first cybercafe. "If you wanted to collect your emails, we were the only place in town," Eva says. Cyberia opened around 20 cafes worldwide, including branches in Bangkok, Paris, and Rotterdam. "For a fleeting moment it became like a sexier version of Richard Branson's Virgin empire: there was Cyberia Records, Cyberia Channel (a pioneering streaming service), Cyberia Payments, the Cyberia magazine, a Cyberia show on UK TV -- even a Cyberia wedding," writes VICE's Kyle MacNeill. He attended Cyberia's 30th birthday party in September and spoke with some of the cafe's original innovators, "shooting the shit about the good times and the not-so-good coffee."