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Sony Hardware

Mobile Photography Set For Major Quality Bump With Sony's 48-Megapixel Sensor (newatlas.com) 112

Smartphone camera sensors and lenses have to operate in a very tight space, but they continue to close the gap on full-size digital cameras year after year. Sony's new IMX586 sensor boasts a 48-megapixel resolution, the highest yet for a mobile sensor, and should be coming to a phone near you soon. From a report: That increased resolution shrinks the pixel size down to 0.8 microns, which would usually lead to lower sensitivity and poor light collection. However, thanks to some smart technology called a Quad Bayer array -- where neighboring pixels are intelligently combined -- Sony says the effective pixel size is 1.6 microns. The bigger the pixel size, the better the light capture and low-light performance. In comparison, the Google Pixel 2 -- one of the best photo-taking phones on the market right now -- has a camera with a 1.4-micron pixel size. On paper, that means Sony has managed to produce a sensor that combines a huge amount of detail with excellent light capture and low noise levels as well. We'll have to wait until the sensor is actually on the market to know for sure, but the signs are good.
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Mobile Photography Set For Major Quality Bump With Sony's 48-Megapixel Sensor

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  • wrong metric (Score:5, Insightful)

    by supernova87a ( 532540 ) <kepler1@@@hotmail...com> on Monday July 23, 2018 @01:45PM (#56995854)
    Look, stop with the pixel count arms race. We all know that that's what the vast majority of consumers can understand, but for anyone caring about the details, it's relatively meaningless as a comparator.

    If you blow up your photos to the pixel level, you'll find that it's not the pixel count that's making them look bad, it's the pixel-to-pixel noise and compression and color fringing, for example.

    We don't need 48 MP taking up space on our phones and hard drives. For camera phone lenses, compressions, 24 MP is already enough. Anything more than that (if photography is your livelihood for example) and you should be relying on a DSLR.
    • We need to start a storage arms race. I could easily use PB HDDs but we're barely advancing on that front. Phones should start at terabyte storage, not laptops.

    • Yeah, the megapixels aren't the concern...call me when they figure out how to get high quality big glass on a cell phone to work properly and efficiently as a workflow....

      The laws of physics haven't changed appreciably that I know of, have they...?

    • Re:wrong metric (Score:4, Interesting)

      by TomGreenhaw ( 929233 ) on Monday July 23, 2018 @02:21PM (#56996130)
      Actually this could be very useful for digital zoom, HDR and image stabilization. According to TFA, they include signal processing on the sensor and it would certainly used for just this.
      • You missed addressing the GP's point directly too: It's also good for noise since noise is distributed randomly across pixels. Sure the signal to noise ratio on individual pixels is better for a larger pixel, but for smaller ones the noise reduction algorithms work in a far more visually pleasing way.

    • by ljw1004 ( 764174 )

      We don't need 48 MP taking up space on our phones and hard drives.

      I don't think you've got the right metric there either. The right metric should be: "If I jpeg-encode a 48MP image to X number of bytes, vs jpeg-encode a 24MP image to the same number of bytes, which one produces the best image?" (for various values of X, I guess from about 0.5mb to 8mb)

      I'd assume the 48MP one will produce the best image -- because we haven't pre-emptively thrown away information at the sensor stage, and so we've left it to the encoder to decide which information to throw away to achieve th

      • I'd assume the 48MP one will produce the best image -- because we haven't pre-emptively thrown away information at the sensor stage, and so we've left it to the encoder to decide which information to throw away to achieve that filesize, and the software can make a better decision about what to throw away.

        That's a very questionable assumption, because if you are encoding a 48MP JPEG rather than a 24MP JPEG, you are still forcing the format to store information for twice as many pixels, whether or not there is meaningful detail in those pixels. Yes, it's compressed, but just go ahead and do this experiment for yourself - an aggressively compressed, high-resolution image will probably display noticeable compression artifacts, while a barely compressed image at half the resolution will probably look just as goo

        • by ljw1004 ( 764174 )

          That's a very questionable assumption, because if you are encoding a 48MP JPEG rather than a 24MP JPEG, you are still forcing the format to store information for twice as many pixels, whether or not there is meaningful detail in those pixels.

          I don't know about jpeg compression in particular. But if compression is done with gabor wavelets then it doesn't need to store information for twice as many pixels. Nor fractal compression. And if you encode audio in the frequency domain then you don't need to store information for twice as many samples.

          Yes, it's compressed, but just go ahead and do this experiment for yourself - an aggressively compressed, high-resolution image will probably display noticeable compression artifacts, while a barely compressed image at half the resolution will probably look just as good as the original, for realistic viewing conditions.

          I did do the experiment myself, which is why I'm posting! I digitized all my old photo negatives. My target filesize was 3MB/photo. I spent a day just experimenting with compression, and determined that 9MB

        • The cellphone lens has been the bottleneck of its photographic ability for a long time now, even 10MP is a generous estimate. Enlarge any part of a cell phone photo and you'll see a mosaic effect caused by the lens limiting detail long before the pixels do.

    • by Anonymous Coward

      We all know that that's what the vast majority of consumers can understand, but for anyone caring about the details, it's relatively meaningless as a comparator.

      Do people actually care?

      Sometimes, I think marketers care about things because they think other people care and those people think other people care. I don't. I never look at the camera specs. Frankly, anything over 5MP is more than adequate for a phone.

      Real estate. Every real estate agent spews the same thing, "The house and interior paint needs to be neutral colors yada yada yada yada..."

      I asked a real estate agent once, "Whenever someone buys a house, the first thing they do is redecorate. Is there a

    • by Anonymous Coward
    • We don't need 48 MP taking up space on our phones and hard drives.

      And that's exactly why this is happening.

      What Joe Consumer knows is that his 64 hippobyte iPhone filled up real quick, and he needs to buy a 128 rhinobyte one as soon as his contract is up. Or sooner.

      This is all about up-selling devices and cloud storage.

      • by AmiMoJo ( 196126 )

        As the summary points out, the higher MP count helps with low light performance and HDR. The smaller the individual pixels on the sensor the less light falls on them, so ideally you want the largest possible pixels. That's why DSLRs use much, much larger sensors.

        One of the reasons why the Pixel 2 has the best low light performance of any phone is that it has an unusually large sensor. What Sony have done is create a sensor with small pixels that can be combined 2x2 to act as a 1/4th resolution single pixel.

    • Modern smartphone camera software can process the image (utilizing the on-board DSP) and produce a clean but lower-resolution image at low light conditions while producing a high resolution image at daylight conditions, so you get the best the small lens can do every time (yes, most of us don't like carrying thick lenses in our pockets or smartphones with thich lenses) . Which is why HTC ditched their 4 megapixel chip despite having dropped quite a mint on it. The "ultrapixel" was emulated in software. But
    • Why would you store 48 megapixels in photos? The resolution is perfectly fine for resampling and quality digital zooming. Just like in CGI sampling filters, there's no need to store all subpixel samples.
    • Someone else that actually GETS IT. About the only "good" such a LARGE amount of pixels, in such a TINY area is for crop/zooming. Most 8-10mp sensor, if you were to print, would print a photo of A3 (11x17) size. Who prints these days? Higher MP count is good for cropping/zooming without losing as much detail when zooming. As you stated, adding MORE sensors in such a tiny substrate, with the paths so close together, increases the signal to noise ratio, which, after capture, then the software has to attem
    • by Agripa ( 139780 )

      If you blow up your photos to the pixel level, you'll find that it's not the pixel count that's making them look bad, it's the pixel-to-pixel noise and compression and color fringing, for example.

      On my 15MP camera, I am limited by coma and chromatic aberration before sensor resolution.

  • More is not necessarily better
    • Too much is alway better than not enough!

      Unless 'not enough' triggers 'div by 0' (e.g. not enough children, not enough Clintons in white house etc, YMMV).

    • by Desler ( 1608317 )

      No shit? No one was saying such a thing. Hence why the summary goes into how Sony also added improvements to light collection to talk about how the sensor is better.

      • Article title: "Mobile Photography Set For Major --Quality-- Bump With Sony's 48-Megapixel Sensor" (emphasis mine)
    • There is a reason to that. Even full frame cameras which have much larger sensors, have a pixel size limit under which - due to lenses limitations - the quality does not improve (i.e. 64 MB pixels is actually worth only 16 MB, since the lense accuracy cannot yield more than the size of 4 pixels).
      So I'm really surprised they can pack 48 MB efficient pixels on those small camera sensors.
    • https://www.dxomark.com/huawei... [dxomark.com]

      Not necessarily, but it can be.

      The Huawei P20 Pro scores the highest of any phone on dxomark... 40MP sensor, but averaged 2x2 with averaging to take great night shots for an apparent 10MP output. Apparently the 2x2 binning of smaller sites produces superior results to larger sites without the averaging.

      I would guess this 48MP phone sensor would be the same deal... 2x2 averaged for 12MP output.

      Sam

      • yup, much like the oversampling used in the 40MP sensor in the Nokia 1020 from a few years back. Megapixels -can- be used to obtain higher quality, but the number does not indicate quality unto itself.
  • by Cederic ( 9623 ) on Monday July 23, 2018 @01:50PM (#56995880) Journal

    The ability of the lenses to provide a sharp image at that (actual) pixel density is going to need some serious optical design. The sort that usually costs more than the whole phone.

    Why not just use the quad bayer array with fewer pixels and give mobile phones an actual low light capability for once.

    • But I really want a 3mm f/.5 lens (28mm FF equivalent) with a razor thin depth of field that produces 8bit jpgs.
      • by Cederic ( 9623 )

        To be fair, the ability to focus within an inch and that narrow depth of field does offer some lovely photographic options.

        Macro lenses can match the depth of field but not at that wide an angle.

        But the pixel count and density aren't relevant to the depth of field. You could get lovely RAW images from a 16-20 megapixel sensor and give the lens far less work to do.

        Still, create a lens that does f0.5 with any level of optical resolution and you'll be a rich hamste.

        • I really hope you were just playing along there as that is what I was getting at in a joking manner as a DoF is a function of the lens focal length, F number, and distance to the object. To be able to resolve all that detail you would need a lens that isn't diffraction limited for that sensor which would probably be around f/.5 which even with a 3mm focal length would have a very shallow DoF.

          For interesting effects I have been known to stick a 17mm fisheye on up to 19mm of extension tube. A reverse mounted
          • by Cederic ( 9623 )

            Yeah, guessed you were messing. I just want a f/0.5 lens :) Also, diffraction is the term I've been trying to remember all evening, ta.

            I'm too lazy to do much macro even with a macro lens. When the DoF is that fine you end up needing to focus stack and that's generally a pain in the arse.

            • I have tried focus stacking some and it always seems to go sideways for me so I kind of gave up on that technique for now. I have been playing around a lot with macro of late as I have been trying to expand my photographic abilities and just get better all around. As much as I would like an f/0.5 lens as well I do understand their limitations. Even a 50mm at f/1.4 is on the soft side with a narrow DoF but then the people who complain about the softness and DoF of a 50mm at f/1.4 are people who I don't liste
            • https://petapixel.com/2013/08/... [petapixel.com]

              TLDR: Sold for $80k, in the 60s, and doesn't work. Zeiss being silly, mocking the trend of the time.

        • by zlives ( 2009072 )

          unfortunately i will not be one of the 2 people that could maybe afford that lens...

    • by DRJlaw ( 946416 )

      Why not just use the quad bayer array with fewer pixels and give mobile phones an actual low light capability for once.

      You do realize that with the Quad Bayer array the camera's resolution drops to 12MP with ~1.6um sensor cells, right?

      If released now it would be competing against an iPhone 8 at 12MP with ~1.2um sensor cells.

      So just how much additional resolution do you think that a consumer would be willing to sacrifice in order to obtain improved low light capability? Just how large do those sensor cells

      • by Cederic ( 9623 )

        You're assuming that each pixel is represented exclusively by four other pixels.

        I can't be arsed reading up on it, but that does feel unnecessary. Each pixel can capture its own light, be informed by the four pixels surrounding it and also contribute information to those.

        As for commercial viability, consumers like big numbers. 48 mega pixels sounds so much better than 12.

        • by DRJlaw ( 946416 )

          You're assuming that each pixel is represented exclusively by four other pixels.

          I can't be arsed reading up on it...

          No, I've read up on it [gsmarena.com], and you're projecting your tendency to assume onto me.

          • by Cederic ( 9623 )

            Perhaps you could have helped avoid confusion by mentioning that image capture can occur in two modes: Good light, at 48MP and less good light, at 12MP.

            I'd still need to read more about the quad bayer array to properly understand how they're binning photons and computing pixel colour and intensity from that. To be fair sensors are something Sony do well.

            • by DRJlaw ( 946416 )

              The summary and TFA did that:

              However, thanks to some smart technology called a Quad Bayer array -- where neighboring pixels are intelligently combined -- Sony says the effective pixel size is 1.6 microns. The bigger the pixel size, the better the light capture and low-light performance

              And yes, I did that:

              You do realize that with the Quad Bayer array the camera's resolution drops to 12MP with ~1.6um sensor
              cells, right?

              "[N]eighboring pixels are intelligently combined" and "drops to 12MP with [2x sensor dimen

    • Why not just use the quad bayer array with fewer pixels and give mobile phones an actual low light capability for once.

      Or better still, why not up to 48Mpxl and then us signal processing to eliminate the randomly distributed noise across the pixels to give mobile phones an actual low light capability ... while also providing the ability to give other useful features like better HDR.

      • by Cederic ( 9623 )

        Primarily because random noise is difficult to differentiate from actual image content.

        Photograph the sky at night. Is that noise or a galaxy?

        Wait a bit longer, count more photons hitting the sensor.. it's a galaxy. What if you don't want to wait? How do you get those extra photons?

        Give them more sensor to hit. Larger pixels.

        This is why larger sensors have lower noise in every sensor generation, and why you can't buy a full frame camera with the same pixel density as a mobile phone - scale the Samsung S9 se

        • Funny you should mention Galaxies. But not so funny how you're comparing the two.

          Photon counting vs producing a photograph and noise reducing the results are two very different statistical processes. The benefit of the galaxies is they don't move allowing us to reset the nose floor between identical exposures thus statistically eliminating the noise of the sensor as you go. Just doing a longer exposure doesn't help you much determine what is Galaxy and what is a photon hitting the sensor.

          Then there's the ac

          • by Cederic ( 9623 )

            The benefit of the galaxies is they don't move

            That's wrong on pretty much every level.

            allowing us to reset the nose floor between identical exposures

            I like my photographs to work from a single exposure. A bird wont take a fish from water multiple times in a row to allow you to capture multiple identical exposures and eliminate the noise as the difference between them.

            Just doing a longer exposure doesn't help you much determine what is Galaxy and what is a photon hitting the sensor.

            The photons come from the fucking galaxy. A longer exposure does indeed allow you to receive more light from the galaxy, or star, or reflection of light off a sea eagle in its dive.

            Of course, that sea eagle is moving quite quickly, which is why bigger

            • That's wrong on pretty much every level.

              Wow. Just wow!

              I like my photographs to work from a single exposure.

              So do I. You're the one who started talking about galaxies. Something that precisely isn't imaged with a single exposure.

              Oh look. The full frame sensor has discernably less noise than the APS-C sensor, despite both being 24MP.

              Yep it did. You're not listing quantum efficiency, you're listing noise and seemingly ignoring half my post while you rave about hardware.

              My camera can use sub-pixel shifts in the sensor too but that's still fuck all use with moving subjects

              Ahhh exactly! Now we're talking the same language. So in order to get the same benefits as we discussed when you started talking about galaxies we can do something very simple: Record at a resolution higher than the diffraction limit of th

              • by Cederic ( 9623 )

                What you're failing miserably to comprehend is that all the signal processing, image processing, manipulation of the data captured from the sensor is entirely fucking irrelevant.

                You can do all of it the same way on data captured from any sensor. It's a constant.

                The variable becomes the pixel size of the sensor, and my point is that the larger this is, the more light it can capture, and the better quality image you will get as a result.

                Try to understand what I'm talking about

                I understand quite well enough. You're a megapixel count queen and think

                • What you're failing miserably to comprehend is that all the signal processing, image processing, manipulation of the data captured from the sensor is entirely fucking irrelevant.

                  You can do all of it the same way on data captured from any sensor. It's a constant.

                  You can do it anyway. However when you do it on resolutions that at lower resolutions you start to actively clobber parts of your data since these algorithms rely primarily on looking for differences in very small spaces. The only time what you say is right is:
                  a) the lenses would be capable of producing relevant data at this level, which they are not because of the diffraction limit, and b) someone actually looks at data with the same physical dimensions which either implies he's not looking at the picture

  • My new D5600 Nikon camera, cost something in the $700 range, for instance, has a sensor of 24.2 megapixels. But the tippety top of the line Nikon DSLR, the D5, which costs almost $7,000 only has a 20 megapixel sensor, but obviously can take way better pictures because of the PHYSICAL size of the sensor.. More dynamic range, faster exposure, blah blah blah. Then of course there are lenses that will never be practical for a phone but have way more to do with a good picture than the quality of a sensor.
    • Indeed. My fifteen year old Canon 10D with a $50 50mm prime lens will take better photos than pretty much any cell phone camera available today. That said, I'm not likely to take the Canon to the pub, so there's a role for both.

    • The main thing the sensor size gets you is better separation with depth of field. That gives far more artistic options.

      If you're shooting something where you want a really large dof, this tiny phone camera sensor will work great.

      Putting a sensor like this in a mirrorless, like a m43 mount, might lead to some really nice cameras outside the phone camera realm, too.

    • by sandbagger ( 654585 ) on Monday July 23, 2018 @02:59PM (#56996410)

      That $7000 Nikon D5 is the see in the dark Batman camera. It's meant for photojournalists who have to shoot in often horrible conditions. Their other camera is a $5000 super resolution 45 MP that generates images with nearly 15 stops of dynamic range and in 14 bit. Both of these cameras produce images that are so far beyond what phones can do. The cameras have their sensors and Analogue to Digital converters fine tuned for their different jobs.

      A few years ago one of the Chicago papers laid off all its photographers and gave their reporters iPhones. When the hockey team won the Stanley Cup guess whose front page was an embarrassment.

      The sheer amount of light gathering full sized cameras can do justifies their existence.

      • by PPH ( 736903 )

        That $7000 Nikon D5 is the see in the dark Batman camera.

        Or a fast shutter, motion capturing camera for sports and nature photography.

        • by nasch ( 598556 )

          Oh, the speed! Honestly nicer lenses and better sensor and all that is below my top two reasons for having a DSLR, which are an indirect flash and the speed (meaning shutter lag and burst, not f stops).

  • How about, no, Sony. (Score:4, Interesting)

    by nwaack ( 3482871 ) on Monday July 23, 2018 @01:53PM (#56995904)
    Instead of cramming an ass-million pixels into your camera sensor, why don't you make a lens and sensor big enough to actually let in some light so I don't have to spend a fortune on a phone just so I can take a halfway decent night shot? Yeesh.
    • Sony has pioneered this with their a7s line and have some of the best low light sensors made. Phone cameras kind of have a requirement for cramming in pixels due to the size. I'd be happy with a 5mpx camera that's very sensitive to low light, but most people wouldn't.

      • If the biggest image you are going to print is an 8x10 then a 7.2MP camera with some reasonable glass would be all you would need. Granted that is a pretty big image for most people as a 5x7 (3.2MP is all that is needed here) is pretty standard and they really don't understand what resolution they actually need. On the other hand I have had 24"x36" prints made from some of my images and there even my 24MP high end DSLR wasn't enough to get the needed resolution. With these images I had created them in diff
        • by Anonymous Coward

          On the other hand I have had 24"x36" prints made from some of my images and there even my 24MP high end DSLR wasn't enough to get the needed resolution.

          24MP @ 24"x36" is plenty good unless you're standing, like, 2 ft away. Back up, motherfucker!

    • The number of megapixels is only very lightly related to the amount of light that comes in. You're still getting the same light hitting the sensor, and with modern sensor designs very little is wasted on gaps between photosensitive areas ... unlike say 15 years ago. You want to take a half-way decent night shot? Cram as many megapixels as you want in. The noise profile is random across pixels so noise reduction algorithms work true wonders when you have a very fine grain to remove, especially when that nois

  • 23 megapixel, 960 fps (IIRC at 720p). Good low light performance for tiny glass (f 2.0).

    Already the best mobile phone camera. Higher resolution will just get you clear pixels of blur.

    Sony has a long history of keeping the best CCD chips for their own cameras, selling the high defect ones to other camera companies.

    • selling the high defect ones to other camera companies

      Any evidence for this? There's a big difference between keeping a design exclusive and selling inferior or faulty goods. I can't imagine for a second that the likes of Nikon would accept high defect CCDs.

      • They've been notorious for it for 30+ years now.

        Sony makes the best CCDs, what is Nikon going to do about it? Sony will likely sell them the next best batch if they pay a little extra. Gives them an edge on Olympus.

  • by Anonymous Coward

    On paper, that means Sony has managed to produce a sensor that combines a huge amount of detail with excellent light capture and low noise levels as well.

    No, it doesn't combine. It gives you a choice between a huge amount of detail or excellent light capture or low noise levels. There are only so many photons hitting a given area at a given exposure no matter how intelligently you subdivide the area.

    Why do we still believe in magic in the age of technology?

  • Welcome to big-bang background noise galore!!!

    I have had a full-frame camera with 7 micron pixels for nearly 10 years, and I am still amazed at the pictures clarity it yields. I doubt that .8 micron pixels are ever going to give a good result

    • https://www.dxomark.com/huawei... [dxomark.com]

      I think the idea is you have more noise, but the noise is smaller than the details you're aiming to capture.

      Then you average several pixels and make the best-scoring phone camera there is. The P20 pro only puts out a 10MP image... I bet this one will be used such that it puts out 12MP. Totally reasonable.

      Sam

  • Cameras in phones have pretty much killed off the idea of a separate "point and shoot" camera for some time now, and yes, phone cameras can do some absolutely amazing stuff, especially combined with things like in-camera HDR, editing on the phone, instant cloud backup, and ability to share your photos pretty much instantly anywhere you have a data signal. That's pretty neat stuff, and as they say "the camera you use is the one that you have with you". So they are a great blending of two devices in one, and

    • A micro 4/3 is a nice, functional, smaller choice.

      Often the same sensor as the small sensor 35mm DSLR, which becomes full field in the smaller form factor.

      But, of course it means all new lenses. I had real good luck with used from japan vendors on Amazon. Some of those guys just NEED the newest stuff. Year old, half price. Prime lens, F0.7 for about $200.

      You still have to carry it, about half the bulk.

    • For most people all they will ever need is a cellphone camera and even at then the most pixels they would ever need is just over 7 million so they can print a reasonable 8x10. A fully automatic cellphone will produce better results as they don't want to learn how to actually take a picture or work a camera. I use my DSLR all the time and the only time I use the phone is when I don't happen to have my DSLR. I actually still use a fully manual film camera too semi professionally as I know a number of pros who
  • by Bob the Super Hamste ( 1152367 ) on Monday July 23, 2018 @02:23PM (#56996146) Homepage
    Because consumers don't understand diffracton [cambridgeincolour.com] and false magnification but do understand a bigger number. Too bad this is only going to make the red amplification problem worse as at a pixel size of 800nm it is getting awfully close to the long range of visible red so it will capture even less of that. I would be willing to be I can capture a better quality image with my old K-2000 (10 year old 10MP DLSR) and old screw mount 8 element SMC Takumar f/1.4 but if I used my K-3 and my modern good glass (I own the 3 princesses) I would absolutely crush it. I'd even be willing to bet I could do better than this sensor with a roll of Ektar100 in my Spotmatic F using that same 50mm f/1.4 lens although it would have more noise from the grain.

    That said Sony does make some damn fine sensors but no one who knows about optics and sensors really expects this to compete with even entry level DSLRs or mirror-less interchangeable lens cameras, let alone those monster digital medium formats from Hasselblad or Pentax. Instead it will be something for consumers to get into a phone pissing contest over and believe that they can take pictures just as good as a pro can.
    • Thank you. I wanted to say something about diffraction but you are already there. I wonder what actual resolution can be achieved with a cell phone optic. I don't see the sense of adding pixels beyond that.

  • by 140Mandak262Jamuna ( 970587 ) on Monday July 23, 2018 @02:36PM (#56996250) Journal
    You know the auto industry was having this pissing contest about the 0-60 times. Basic problem is, the IC engine has zero torque and zero power below the idle speed. All kinds of mechanical contraptions and gymnastics, making the engine bigger and bigger, so much bigger rest of the car body and the driver form an insignificant things strapped on to a huge monstrous engine with 8, 10, 12, or even 16 cylinders....

    Then came in the electrics, the puny wheezy golf cart electrics.... Beats them hollow in their own game. An electric SUV beats an Alpha Romeo Spyder, while towing an Alpha Romeo Spyder!

    Wish someone will make a CCD with a dynamic range 3 orders of mag better than the crappy ones we have.

    • Wish someone will make a CCD with a dynamic range 3 orders of mag better than the crappy ones we have.

      What for? As it stands currently the biggest problem with have with the images our existing CCDs are recording is processing them in a way to display that detail. We already have the ability to shoot into the sun while seeing into the shadows. What will even more dynamic range show? That glass is imperfect and flaring limits our ability to see?

  • by MindStalker ( 22827 ) <mindstalker AT gmail DOT com> on Monday July 23, 2018 @02:46PM (#56996314) Journal

    While I know this high pixel count is worthless, can anyways with actual knowledge of the technology tell me if this would help with digital zoom? If my cellphone camera could offer me a 10x zoom producing a 4 Megapixel image, this is something I might consider buying.

    • While I know this high pixel count is worthless

      Why do you know that? Higher pixel counts do wonders for the ability to process data. Control of the individual pixels even more so. HDR, noise reduction, better colour reproduction through different and very lossy interpolation across the beyer sensor, software based vibration reduction all benefit from higher pixel counts.

      But ultimately the answer is a: not really. You can cram as many pixels as you want into your sensor. That 3mm tiny camera lens will limit your sharpness and your practical ability to di

  • Quad Bayer is just the binning of a 2x2 region of sensors. It does not give you double the effective sensor size. They are using both long and short exposure to give more dynamic range. See the following diagram. https://i.imgur.com/rm1UKHj.pn... [imgur.com]
  • Even if it's a Sony.

  • by u19925 ( 613350 ) on Monday July 23, 2018 @03:58PM (#56996772)

    There is a diffraction limit which sets in when the pixel size is smaller than 1.22*wavelength*f_ratio. The wavelength range is 0.4-0.7 micron (let us take middle wavelength of 0.55 micron). Best f_ratio that I have seen is 1.8, so the limit kicks in at at around 1.2 micron pixel size. The limit is for far off objects and you get little better when nearby assuming you have a perfect lens.

    In practice, it will be impossible to beat 16 MP SLR camera in terms of resolution. This is why mega zoom camera cannot give as good resolution of moon as some of the SLR with large lens can give.

    • Diffraction limit is only related to image sharpness. There's a lot more to having more megapixels than sharpness when you start exploring the oportunities of signal processing.

  • Noise and sensor size are the main parameters for a sensor..then high quality glass for the lens. MP is more a marketing war between brands.....we need smarter people, not smarter phones and cars.....what's next? smart fridges?
  • The "camera" smart phone to compare against isn't one of the new ones, but the Nokia Lumia 1020. It actually had a good camera: good lens, 41 megapixel sensor, good light/shadow sensitivity, real flash, good camera software. Downside was it was a Window's Phone (anyone who actually used a Windows Phone probably liked the operating system and hated the lack of a good app store), and it was oddly shaped. My 1020 stopped working as a phone a while ago, but it's still the best camera I own.

  • How does this help when performance is limited by the lens? My 15 megapixel camera has more coma and chromatic aberration than the sensor will support.

Heisenberg may have been here.

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