Kodak To Stop Selling Film Cameras In U.S. 656
MikeDataLink writes "Kodak has announced today that they are no longer going to sell or manufacture film based cameras in the USA or Europe (except for disposables) and instead concentrate on Digital cameras. It looks like consumers have spoken and film is finally going to go the way of the dinosaur."
Number 1 subject will be... (Score:2, Funny)
Re:Number 1 subject will be... (Score:5, Informative)
You don't really need a crystal ball for that - especially when it happens to be true. Even though prices continue to come down, and memory and resolution continue to increase, I still can't afford to purchase a digital camera which could equal my old Nikon in image quality, color fidelity, and responsiveness.
Nevertheless, for day-to-day photography my wife's Canon digital camera is perfectly adequate, and I imagine many consumers feel the same way.
Kodak has been losing market share to Fuji for quite a while anyway, especially in the professional market. Kodak has been investing a lot of money and research in "Digital Color Science" for well over a decade - they've been preparing to abandon film for a long time.
Comment removed (Score:4, Insightful)
Re:Number 1 subject will be... (Score:5, Insightful)
[cough] too late [cough] (Score:5, Insightful)
Yes, I realize it's not very practical for sports or photojournalism, but this is only going to get better and cheaper. Everyone who's bought a decent digital camera will tell you the same thing: for 90% of my work, digital does the same thing as film, only it's a shitload cheaper, a shitload easier, and offers some fantastic additional benefits. Think of media storage for instance -- storing slides or negs is a bitch, whether you're a pro dealing with cataloging thousands of images for business, or you're an amateur with a dozen shoe-boxes of holiday and travel shots. Digital makes this so easy it hurts.
Now, you can certainly argue the merits of film technology not requiring as much continued investment, but the fact is, the pro-sumer line of cameras that are out now rival film in all characteristics save one: tonal range. The room for new technological growth is still there, but at this point the 35mm evolution to digital is complete.
People that argue about resolution are missing the bigger picture: if I want to do anything with an image, whether digital or analog, the first thing I'm going to do is get it into my computer. That's easier when the format I'm shooting in is already digital. Also, if I'm scanning a slide, even on a *nice* scanner, you're not going to see any improvement over the 5 meg files I get out of my digital body. What you *will* see is lots of dust, which means a few hours Photoshopping. Most of the time, a sub $20k scanner's extra pixels are just interpolation, anyway. There's plenty of software that can do that with low-res images already.
In terms of maturity -- have you seen the long-exposure capabilities of Canon's digital line? Holy-freakin-shit! Even an EOS D60, which is now outdated, can produce 4-minute exposures with no noise. Nothing. Turn the night into day [dpreview.com].
Then there's the added benefits for learning photographers. If you want to get good, you shoot your ass off. For the first couple of years, you toss out 35/36 shots. As you get better, you'll slowly lower that, but the fact is, developing that much film is expensive. And as a learning tool, if I'm going to figure out that a blown shot at f/8 would have been perfect at f/11, I need to know right after I've taken the shot. Not a week later when I finally get my film back. And that's only useful when I've recorded the exposure for every shot. Have you ever tried this? After a single roll you'll never want to do it again.
With digital, you get instant feedback as to what you're technically doing right or wrong. Hell, nice pro-sumer digitals offer color histograms of your shots. I can confidently say that with the right teacher, a digital camera will allow an amateur to develop the technical skills of a pro in under a year (now, the artistic skills may never come, but that's another issue entirely).
When you get into bigger boxes (8x10's and the like) you're talking about thousands of dollars of investment for good glass and equipment (and good luck with your processing costs -- you can always buy an enlarger!). Medium format equipment can run you several times more if you want the "35mm experience" like the fancy Mamiya 645's. Frankly, I don't see any advantage to traditional film unless you: 1) Already know what you're doing, and 2) Are currently making a living off of it. And even then I'd recommend it, unless you 3) Have already spent a huge chunk on medium or large-format, and are too unsophisticated to figure out how to "work the eBay".
Re:Number 1 subject will be... (Score:3, Insightful)
Vinyl is merely a distribution medium, not a creative medium. A better analogy would be to compare chemical photo film to oil paints or other classical illustrative media. Chemical photography rendered illustration and painting "obsolete" decades ago, but I can assure you that artists and hobbyists are still working with oils, pencils, watercolors, etc. We'll continue to use film-based photography as well.
Re:Number 1 subject will be... (Score:3, Informative)
Re:Number 1 subject will be... (Score:3, Interesting)
I shoot 4X5 film.
Show me a one-shot (not a scanning back) 20-square inch digital sensor or a smaller sensor that equals the resolution of this much Fuji Provia, and I'll buy you a Canon 1Ds. Seriously.
You cannot - CANNOT produce a 600 MB file in 1/250th of a second with the quality of 4X5 inch film. Period. Film has the inherent advantage of being easily scaled in size to fit the image circle of the lens you're using, and it's also vastly cheaper per square foot - I don't see this advantage going aw
Re: (Score:3, Informative)
Re: (Score:3, Insightful)
Re:Number 1 subject will be... (Score:4, Insightful)
Don't be so sure about that.
Kodak isn't dumping the film line because the digitals are better - they are dumping them because the digital's are more profitable.
They start out by not letting you charge the camera's unless you have a base that you purchase seperately, or buy a wall charger.
It continues on to only 15.00 kodak batteries will charge in the base station.
Then, if you decide to upgrade from a 4000 series to a 6000 series camera, your 70 dollar base station is useless, and you have to buy another.
If you want to print your pictures on a kodak printstation - you'll have to buy for the 4000, then when you upgrade, you'll have to buy for the 6000.
With a film based camera - they don't get dick uunless you buy from Kodak.
Add to that kodak is another company that hires India to do its tech support, and you'll see how much they are saving.
Me? I purchased one o their 4000 series at best buy, then puchased their base for rapid recharge.
6 months into owning the camera - it stopped charging on the base. I called Kodak and they told me to get a new base for it - Best Buy swapped it, and it still wouldn't charge.
I brought the camera in (thank god I god the extended warrenty) and since best buy doesn't carry that 4220 anymore swapped it with a 6340.
I brought it home to set it up and found the base design differnt - after 4 hours yelling at the India girl and telling her "No, I'm not going to buy another f$@king base to charge my camera - since you were the one that told me to get my camera replaced."
After trips to best buy and an entangled battle with India - I finally got the base station swapped out and am currently charging my camera now.
Had I known that they were doing "series based" peripherals for the digital camera - I would NOT have gone with Kodak.
so to make a long rant short - Kodak knows where the money is to be made - that's why they are killing the film line.
Re:Stick with open standards (Score:3, Informative)
Odball parts and formats just don't have value. I looked at cameras in the past and stuck with basic 35mm manual cameras (the ancient ones with the screw on lens. The bayonett mounts were not standard then. (another format war) I still have them and use them. (I have Pentax and Yashika. the lenses fully interchange with no problems) I can use Kodak, Fuji or other film of my choice. I never delt with the pet rock of the month club that locked me into the manuf
Re:Number 1 subject will be... (Score:3, Informative)
It is true that some of the early EasyShare cameras did not have DC in to charge and required a dock or the wall charger, but neither of the models you talked about fit that. The DX6340 has DC in, along with the CX4230 (the 4220 you mentioned doesn't exist, the 4210 was only sold outside the US).
The only series based accessories are the docks/printer docks
Re:Number 1 subject will be... (Score:5, Insightful)
I beg to disagree. If you do enjoy the wet-photography process, more power to you. But you should realize that you would find yourself in the same niche that, say, woodworkers, exist in now. If you find in pleasant to mess around with a wet darkroom -- fine. Your choice. But with Photoshop I'll be able to do much more than you'll be able to do in a darkroom.
I've been there and I don't really miss the smell of the developer or the fixer stains on the fingers. I want to make good images -- not practice some ancient and obsolete craft. For making images, digital is much better than a wet darkroom. It's like using power tools compared to using traditional tools. Yes, maybe you lose some of the feel/magic/romance of the process. But the end result tend to be better...
And, by the way, Photoshop needs much skill to be used properly. I'd say that becoming skilled in Photoshop (or Corel PhotoPaint, or Gimp) is harder than getting a clue about darkroom chemistry.
Re:Number 1 subject will be... (Score:3, Informative)
I'm wondering because I want to take some cool scenery pics with my old film camera, using low-# ASA film, and blow up the shots. I hear all kinds of people clamoring how film is dead, but I really don't know how digital stacks up to this.
Enlargements will look bad with any but the most expensive high-resolution digital cameras. Of course the same goes for low- to average-range film cameras. Even if your film ha
demise of film... not... yet (Score:5, Insightful)
This is what the financial blokes refer to as a false indicator, especially if anyone reads the decline of film into it. Kodak has never been good at selling cameras (well perhaps it the 50s and 60s for a bit). Getting out of that business is a good move for them regardless of the viability of the film market.
fire
Re:demise of film... not... yet (Score:2)
Re:demise of film... not... yet (Score:3, Informative)
I don't see film dying for a long time, even in a consumer role. There is something much nicer having a photo, not a digital picture.
Re:demise of film... not... yet (Score:2)
Re:demise of film... not... yet (Score:5, Informative)
Technically (Score:2)
I presume Kodak makes as much film as they sell, and I guarantee that film sales have fallen. As such, I'm sure their production has been gradually slowing for a few years now.
Re:demise of film... not... yet (Score:3, Informative)
>Many pros are nearly all digital, because speed matters more than quality when you want to get
If by "pro" you are refering to photo journalists, then that is a true statement. If that is not what you intended, then you are a jackass. There are many different types of professional photographers.
>The few pros that are left care about quality enough that kodak isn't good enough for them, and they will pay extra for those smaller brands like Il
Re:demise of film... not... yet (Score:3, Insightful)
Many hi and mid-end microphones, amps, compressors, etc use tubes for that so called 'warmth' they give. (And, I believe, they do)
By the way, the technical term for that so-called warmth is "distortion". You may like the effect of how the distortion modifies the sound, and that's OK, but it's still distortion.
If you want pure reproduction, then digital and solid state electronics is the way to go.
But this is Slashdot! (Score:2, Funny)
So everything that gets reported must be "human sacrifice, dogs and cats living together! Mass hysteria!".
Maybe if they stopped making film... (Score:5, Insightful)
Re:demise of film... not... yet (Score:3, Insightful)
APS film (Score:3, Informative)
It's cited advantages where:
1) the film stays in the the cartrigde
2) you can rewind a film that is not fully exposed and use it later again
3) there is some information stored on the magnetic strip (date, exposure, etc.)
4) smaller cameras
Note that the only advantage to consumers is that they don't have to store the film strips but the cartridge. Big deal. Oh yeah, and the film remembers the date.
Which are n
Re:demise of film... not... yet (Score:5, Interesting)
When a company known for their cameras, like Nikon, Cannon, Pentax, etc. gives up on "analog" cameras, then we'll really be reaching a milestone. However, I suspect that will never happen (or not happen anytime soon) due to the usefulness of analog cameras in photography as an art.
To make what in my view is a very clever analogy (because I thought of it), it's like turntables - they won't ever stop being produced altogether because of their demand in artistic (i.e. DJ) circles. However, I'm sure that we'll see the number of companies that develop film decrease over time. If I were Ritz Camera (a popular one-hour photo chain the northeastern US), I might be getting rather scared.
Re:demise of film... not... yet (Score:5, Informative)
As others have noted, Kodak getting out of film cameras means nothing. APS has been a well-deserved failure, and Kodak really hasn't built any interesting 35 mm cameras lately.
(I just got a Rebel Digital, which is based on the Rebel Ti body. It's a much, much better camera than my first SLR, a Rebel XS. It's more solid, has better controls, a metal lens mount, much shorter shutter lag and faster drive and in some ways a better autofocus system than my EOS 1N, their previous top of the line prior to the 1V. The controls are still deliberately dumbed down so that they don't completely destroy the market for the Elan, but both the film and digital versions of this camera are very innovative indeed.)
It's the CCDs (Score:5, Informative)
I suspect they make tons more on this than any profits from cameras they would make.
Re:demise of film... not... yet (Score:5, Interesting)
*EVERYBODY* had a Brownie, including me.
And then, *EVERYBODY* had a Brownie 8mm camera,
including me. I still have these.
When 126 film came out, Kodak enjoyed great sales of Instamatics. Polaroid, around 1969 if I remember correctly, had a great run that probably hurt Kodak seriously. "Squeeze and turn knob to best YES." Remember that?
Then 110 film came out. Again, the Kodak instamatic was EVERYWHERE.
I used to be an avid photographer, but once I smelled the air in a town with a film plant, I decided I couldn't support it anymore. I've been around all kinds of chemical plants, plastics mfg, etc. But the Kodak plant in Longview Texas takes the cake. That town is not just toxic, it's excruciatingly painful just to drive through on the interstate with your windows up and the vents sealed. The idea that anyone can live within 20 miles of that place really shocks me.
I don't think you have to be much of a tree hugger to be appalled by this. Even if you don't think there's health risks or environmental consequences, it's gotta be enough just that it's plain gross. Yet people live there, somehow or another.
Re:demise of film... not... yet (Score:3, Insightful)
Anyway, who cares it they stop selling cameras? Just as long as they keep selling film. If, in the future, they stop producing 35mm film, they're only going to hurt themselves. I'm sure that someone like the guys at Fuji will be smart enough to continue to make it, and in turn will suck up all Kodak's old business.
I really like digital photography, but I don't think that it's a suitable replacement for
Re:demise of film... not... yet (Score:3, Insightful)
That says more about your age and perhaps social background than photography. For a long time Kodac was cheap snapshot photography.
I have never owned, nor knew anyone who owned a Triumph motorcycle, but that doesn't mean that the end of the British motorcycle industry in the 70s didn't indicate the end point of a profound shift (in that case the rise of Japan).
What this announcement indicates is that
Fim is not gone yet.... (Score:5, Insightful)
Re:Fim is not gone yet.... (Score:5, Funny)
It's that stuff that forms on the top of your pudding if it's been sitting around for a bit. And I call dibs on your film.
Re:Fim is not gone yet.... (Score:3, Informative)
Nitrate film (used almost exclusivly untill 1950) is a legendary fire safety hazard, even if specific accidents have been rare. All film degrades, even if stored properly. And proper storage of "important" film hasent always happened, nor is it happening now.
The only guarenteed archival method is to digitize (whatever) at a higher resolution then the origional, stored uncompressed, or at least with a non-lossy compression method. Document
Rats (Score:2)
Re:Rats (Score:2)
Not quite film yet.... (Score:5, Insightful)
Also, digital photography while convenient has archival issues just like traditional silver based photography and one has to wonder if we are going to have the same historical record 50, 60 or 100 years from now that we currently have.
Re:Not quite film yet.... (Score:2)
.
Re:Not quite film yet.... (Score:5, Informative)
Re:Not quite film yet.... (Score:5, Interesting)
Re:Not quite film yet.... (Score:2)
It might not be all bad. Digital photographs have the potential to last in pristine condition forever (as long as you keep copying them to new media). Also since they're so cheap to take and store we might have many more photographs for our historical record. With some
Re:Not quite film yet.... (Score:5, Insightful)
You are right about this to some extent. The problem with media and digital storage is that history is proving that digital media has a much shorter lifespan than other forms of record keeping such as paper and photographic records. CDs are not good for 75-100 years as advertised in many cases. This is why standards are so important and open source of those standards so that there are as many possible copies of data in open formats that do not disappear over time.
Re:Not quite film yet.... (Score:3, Insightful)
As long as storage density keeps increasing most people will do what I do. Every time I get a new computer I copy all of my old data off the old one. I do make some backups on CD but all the data I really care about is on my hard drive.
We are going to lose some data to bad digital media, yes.
As an aside I remember reading somewhere about a recently discove
Comment removed (Score:5, Funny)
Remember (Score:3, Insightful)
You are right that it will be a long, long time before real photographers use digital. But I believe that we are only a few years before the bulk of consumer photography is digital.
Re:Remember (Score:5, Informative)
I am actually a "real" photographer who has embraced digital photography due to its convenience and cost issues. I was raised on standard B&W and color film photography in 35mm and large format photography and have a passion for those formats as well. But digital does have its place in semi-pro and pro shooting. In fact, a recent National Geographic article on flight was shot entirely with digital cameras and Apple Powerbook computers.
Re:Remember (Score:3, Informative)
I like to consider myself a "real" photographer. I take photos and get paid for it. I use digital, in the form of a Canon 10D digital SLR, with various lenses. Straight out of the camera, the prints up to 11" x 14" that I have done have been more aesthetically pleasing to the eye...significantly less grain at equivalent ISOs
eh, hum.... (Score:3, Insightful)
Such as GPS or EXIF data, which, if it had been available back then, would allow to you place your ancestor within a meter of wherever the photo was taken. Yep, studying those old negatives for hours really has us beat, today.
Re:eh, hum.... (Score:3, Interesting)
You certainly have a point, but your glib response betrays your ignorance. GPS or EXIF would allow me to place where, but not always when. Additionally, annotation of images is not always possible, especially when there is additional information in the image that might not be appar
Re:eh, hum.... (Score:3, Interesting)
EXIF data, including a timestamp, is stored in the image file automatically by the camera. Both my Canon G1 and S30 do this automatically without harming either the image or using the space between frames.
Examining the guy next to him revealed information on his name tag and rank with enhancement of his face to reveal his identity
I think y
Re:Not quite film yet.... (Score:3, Insightful)
While you're right about the storage medium problem to a degree, you've forgotten about... printers. You know, those magical devices that produce pieces of paper with a replica of what we see on screen? Also, I would expect that businesses will build over the years specically for regaining data from old, unused formats of media, etc, for those who don't migrate/backup their data to more modern mediums as time progresses.
Re:Not quite film yet.... (Score:5, Insightful)
In other words, it's easy to build a grossly overdesigned bridge. A well designed bridge can have an adequate safety margin and use fewer materials. Because strength is not always an obvious thing, then engineer may well know the -best- place to put that extra strength. The simple bridge may be stronger, but lack the needed strength in some non-obvious place.
Likewise photography.
Film has always had molecular-scale resolution - kind of an innate property of film, itself. That aspect is over-engineered. Far more often photos come out poorly because of poor exposure or focus. The weak spot isn't the capability of the film, it's behind the camera. Or for that matter, the overage film that after exposure sits in the camera or on a shelf for another year before getting processed.
I haven't seen a digital camera without at least automatic exposure (which can itself be fooled) and many/most have autofocus, as well. (which can also be fooled)
Still, in the hands of a novice, I suspect a digital camera is more likely to take good pictures than a film camera. The film/CCD isn't the determining factor.
That says nothing at all of what a professional can do in either form factor. (Other than that I'd say that a professional can do better - in either form factor.)
Re:Not quite film yet.... (Score:3, Insightful)
In the hands of a novice, a good automatic camera (say, a Canon Rebel in automatic mode) with good film of a decent speed (400 is nice general-purpose stuff for all but the brightest scenes) will always take better pictures than all but the most expensive digital cameras, which is to say, those costing upwards of two grand. Or at least, the way
Re:Not quite film yet.... (Score:3, Insightful)
May I suggest you refrain from making authoritative pronouncements when you don't have a clue?
Film does NOT have a molecular-scale resolution, and it's obvious to anybody who has ever looked at a negative (or a print or a slide) carefully.
Black-and-white film has resolution limited by the size of the silver clumps, and these clumps (the size of which mostly depends on how sensitive film is) are several orders of
Re:Not quite film yet.... (Score:3, Insightful)
There
Re:Not quite film yet.... (Score:3, Funny)
It's too bad (Score:5, Funny)
digital disposables? (Score:5, Funny)
I'm not suprised (Score:4, Insightful)
Re:I'm not suprised (Score:5, Interesting)
This is just like those conversations about CD audio replacing vinyl, or solid-state amplifiers replacing tubes. Generally, it's about digital versus analog.
Walk into any good record shop (not Tower Records...) and ask if they've got any vinyl; I guarantee that you'll see a lot of it. I think that the worse-case scenario for what will happen to traditional film vs. digital film will be similar to the vinyl vs. CD war. There will always be people who choose vinyl, tubes, and traditional film. They may not be the majority, but they will always be around.
Newer isn't always better.
Global trend (Score:2, Informative)
Not much of a change actually. (Score:5, Interesting)
They still make film, though, and that's what they do best. I don't see Kodak abandoning film anytime soon. Discontinuing classic films like Tri-X, Technical Pan or Kodachrome would only earn them a worldwide boycott from professional photographers. I think they learned their lesson when they discontinued Kodachrome 25 a while back.
Re:Not much of a change actually. (Score:2)
Flawed analogy (Score:2, Interesting)
How can you make this statement based on the actions of a company who hasn't been a market leader in non-disposable film cameras since the 1940's? I haven't seen a Kodak film camera (barring disposable cameras) since the "Kodak disk".
This is like saying the telephone is dead since AT&T will no longer make telephones.
Well Duh (Score:2, Interesting)
I took the pictures, came back and had them developed at the 1 hour booth in a CVS. It cost me $22.50 or so to get my 50ish pictures back.
Freaking expensive, plus half of the pictures didn't turn out, and had I had a digital camera I would have retaken them on the spot!
film is better than digital (Score:2, Interesting)
Processing (Score:5, Insightful)
Relax... (Score:2)
Canon, Pentax, Nikon, etc all of them are selling MUCH MORE film cameras than kodak ever did.
Probably a good idea for Kodak because I think they only really sold low quality (aimed at the average Joe) film cameras and with digital cameras all over the place, this particular category is dying.
In the high end photo market you still have film cameras and I bet they are here for a long time.
Kodak CAMERAS?!? (Score:5, Insightful)
Consumers may have spoken, but what they said was that they prefer to buy their film cameras from Nikon, Canon, Pentax, Minolta, Konica, Bronica, Hasseblad, Mamiya, Toyo, Linhoff, leica, Contax, Horseman, Sinar, Rollei, even Fuji....in fact anybody so long as they aren't called Kodak.
Hopefully they will still make film... (Score:5, Interesting)
For instance, there is nothing to compare to a platinum or paladium contact print from an 8x10 or 11x14 film sheet. I know, it's a nitch area...but this can also be a selling point for a photographer.
For instance, purchasing a print that was made the old fashion way can make it worth more. Also, a platinum print will last forever as long as you take care of the paper it's printed on.
I know that digital is here to stay, but I've yet to see a camera that can last as long as a film camera. For example, a digital camera bought just 2 years ago is almost unsupported and is very outclassed by newer and cheaper cameras. Yet, I could pick up a Leica made 50 years ago and still run film through it! I know several photographers that have cameras passed down to them from their parents/grandparents. Who's going to pass down their Canon G5 20 years from now?
Also, with film, you can pick up an Ansel Adams negative made 80 years ago and make a print from it. How will archiving last that long for digital? CDROM? Isn't the lifespan of a CD only like 20 years at best? You'll have to keep updating your pictures to newer and newer media. They still haven't gotten around that yet.
Just things to think about...
Ah, well, that's settled (Score:2)
Film must stay! (Score:2)
I think Kodak sees the consumer going the way of digital, and that makes sense.
This is not news (Score:2)
"Except for disposables" is a pretty big except. They sell a lot of those things.
Kodak: Traditionally Mismanaged (Score:2, Insightful)
Better managed and more conservative companies like Fuji (a WalMart partner) will gladly take on their market share.
Interestingly; digital film may play well for technologists like
On a side note if you can handle the smell take a tour of a photofinishing lab! They are a geeks dream! Very Cool! Chemistry, Mechanics an
Two comments: (Score:5, Insightful)
2) Even if big guys like Nikon, Canon and Minolta announced that they would no longer manufacture film cameras, there would still be a huge quantity of cameras left to sell, *AND* you can bet that film manufacturers and developers would still be in business for a loooong time.
The way of this dinosaur ... (Score:2)
Although digital has arguably caught up to 35mm, I suggest you go talk to someone that shoots medium format or large format. Digital backs for those cameras cost about 15K USD, last I checked. Film is hardly dead.
Hmmm (Score:5, Interesting)
You can buy such a camera, but be prepared to spend over 1,000 USD. I'm not so sure film is going to be disappearing any time soon.
Do you need that much quality? (Score:3, Interesting)
Granted if the cost is the same I'll go for better quality. However when the cost isn't the same I'll examine if quality is worth it. Todays $200 digital cameras are good enough. Not as good as a $200 35mm, but still good enough. They are likely better than the 110 camera I had as a kid (though 110 was a lot cheaper than $200) Now factor in the convience of digital: I can see the photo right away, and choose which ones to print. That makes the prints cheaper on a per picture taken basis, and likely
making prints from digital is an art... (Score:5, Informative)
There are a few keys to making good prints from digital:
Good software. To make a print from digital to printer requires scaling and interpolation of the digital data from the camera's resolution to the printer's native resolution (ie 720 dpi) and the paper dimensions. There are half a dozen interpolation algorithms I can think off the top of my head (ie, bicubic, lanczos etc) and the quality of your print *depends* on these. My personal favorite printing software is QImage which uses Lanczos, and feeds the data to a printer driver in managable chunks rather than a quick dump, among other things. Its way, way better than choosing the simple "print" from photoshop.
You also need a properly calibrated printer and print profiles for the specific paper and ink you're using. Any decent commercial service should have this done already, but sometimes the button-pushers at your one-hour photomat don't really know what they're doing.
Re:making prints from digital is an art... (Score:3, Informative)
But how much can you blow it up? I like this formula: http://www.kenrockwell.com/tech/mpmyth.htm
Look at the part under "print sizes" for the formula.
http://www.kenrockwell.com/tech/filmdig.htm is also good and http://www.kenrockwell.com/tech/digicam.htm as well. Actually, Ken's whole site is great.
Chris
different format cameras (Score:3, Insightful)
Film doesn't necessarily have a higher "resolution" - you can't really talk about it in terms like that. Film has different grain size, certainly which limits how far you can blow an image up without the grain becoming too visible. Which is why
Re:making prints from digital is an art... (Score:3, Interesting)
That aspect of getting a good print alone is non-trivial.
Everyone's beating on the resolution of film. But remember that the noise in film is much higher
For 4x6 print 5 megapixels is enough (Score:3, Informative)
I sugest investing in a photo printer. They're cheap (except the ink) and the output is good. (I have an epson 1270).
I'm not a super digital fan boy, in fact 90% of what I do is film. But digital cameras can be fun fun and has its place.
A good rule of thumb is you want at least 200 dpi
Re:Hmmm (Score:3, Insightful)
Something's wrong with your software or your printer.
300 dpi of full-color is quite high resolution. For a 4x6 image at 300 dpi, you only need a 1200x1600 digital image, or about 2 megapixels. Your 5 megapixel camera has more than enough resolution for a high-quality 4x6 print.
Want digital photos to just wo
FOR NON-PHOTOGRAPHERS: KODAK DOES NOT = CAMERAS (Score:2, Informative)
This is not really news unless Nikon, Pentax, Canon or Olympus decided that they were going to stop film camera production.
One reason for this I can think of: A digital camera is useless with-out a computer. Try useing a digital camera with-out a way to re-charge the batter
Straight from Kodak (Score:5, Informative)
I don't think this has anything to do with the demise of film. It's about no longer producing products that aren't as profitable as they'd like. If they stopped making 35mm film, then we'd have something notable.
There is something interesting in the press release; Kodak indicates that they will
This looks like an indirect reference to plans for phasing out the production of APS films, which have never caught on to the degree that the industry had hoped.
Cost ? (Score:3, Interesting)
Until high quality digital cameras come down in price i think it will be a while before film dies....
and then there is the whole hollywood movies thing going on too
Big deal (Score:5, Interesting)
Obviously he loved the film, didn't like the camera.
No big loss.
Comment removed (Score:3, Interesting)
Replacing film (Score:3, Interesting)
1) Kodak is stopping production of film based cameras, not film. They never were heavy into point and shoot 35mm. A lot of competition there. I don't believe they ever manufactured a 35mm SLR. They created and defined Advantix, and I think the most dramatic change will be here, and saying that they're stopping their Advantix camera production spells the end of film is, well, exaggerating. Advantix will go away, not the way of the donosaur, but more the way of the Kodak Disc - a format designed for ease of use, but with image quality and film availability issues. I gave away my Advantix because getting decent low light film is impossible. At one time, the best you could get was 400 speed. Significantly, this was a Fuji emulsion, not Kodak.
All in all, this more spells the death-knell of Advantix, not film in general.
2) Kodak has just released a lot of new film emulsions, in color print, color slide, and B/W variations. Their R&D will probably slow, but it will be a long time before they stop completely. Fuji, Konica, Agfa, and I think Ilford as well have also all released new emulsions in the last year.
3) Many companies are releasing new film SLRs. Canon, part of the vanguard of Digital, just released an updated Rebel Ti (EOS 300), and even a model just under it, the Rebel K2 (not sure of foreign designation) and re-released the Rebel G to get the very low end of SLRs Kodak has released the F55 and F65, and F75 all very recently, while having a very big digital inventory. They're looking to supplement film for now.
4) Though digital cameras have many advantages over film ones and have converts every day, film still has advantages over the current crop of digital cameras, and will continue to do so for some time. These extend from image capture, to processing, to image storage, to print longevity. Film can not be replaced completely until it no longer has advantages in any of these areas.
5) Inertia. People have 35mm cameras, thousands invested in some. Theyr'e not just going away.
As for me, I suspect I will turn digital at some time. I'll buy a Digital SLR to replace one of the 35MM film SLRs that I currently own, and try to sell or give away my old one. Film will slowly change from being the mainstream to being a hobbyist format. It will never become a dinosaur, because there will always be people that feel it gives them something artistically that digital doesn't. The dwindling customer base will affect economies of scale. There will be no new emulsions because you can't justify the R&D, then some unpopular ones will be culled. But there will always be B/W 35mm film, and ther will always people who want to print their own.
Consumers have spoken... (Score:5, Informative)
On the other hand, most UMass based cameras just work. Period. Without installing one damned driver anywhere, I can use it on my FreeBSD machine, my friends PowerBook, and my mom's Wind98SE system.
Having to carry around the Kodak Install CD just so you can grab your photos anywhere other than your own computer, is just silly. It sucks when you're on vacation. It's just another thing you have to remember to pack. "Dear, don't forget the Kodak CD! Remember that Aunt Martha uses a Canon camera instead..."
Film, photo and life (Score:5, Interesting)
hogwash--- Kodak will keep making film (Score:3, Interesting)
Good. Should improve average quality. (Score:4, Insightful)
what would be real news is if Kodak were to stop producing film.
Load of cobblers (Score:3, Interesting)
And no doubt a few other reasons....
(I've recently just gone back to using film as I wasn't happy with my digital but my concession to technology is doing my own developing, scanning the output and printing off just what i need burning the rest onto DVD's for achiving.)
Re:Moving down the wrong path (Score:2)
Re:Digital vs Film (Score:2)
You mean *amateur* photo lab. How long are those prints going to last? Film devs have *expensive* printers and very specific paper - can you duplicate this at home with a colour printer? Probably not. If you want archival quality, you need to pay for archival quality. In other words, you're saving money now, but in 30 years when your photos are no longer viewable, you'll probably be sorry.
Unless, of course, you
Re:Film is not dead (Score:3, Informative)
quality: This is a technological question that technology will quickly answer. In the last 5 years, i've seen the first 1Mpixel cameras come out, and now you can hardly buy one, since they've been replaced by much larger pixel sizes. it's common to see 5 pixel digital cameras, and they will only get better.
price: what kind of printed picture are you talking about? you can take your digital media down to wal-mart and for $.26 you can get a print out on the same Kodak paper that