alternative_right writes: Americans are more likely to watch newly released movies from the comfort of their own homes instead of heading out to a theater, according to a new poll.

About three-quarters of U.S. adults said they watched a new movie on streaming instead of in the theater at least once in the past year, according to the survey from The Associated Press-NORC Center for Public Affairs Research, including about 3 in 10 who watched new movies on streaming at least once a month.

Meanwhile, about two-thirds of Americans said that they've watched a recently released movie in a theater in the past year, and only 16% said they went at least once a month. The results suggest that, on the whole, American moviegoers are more likely to stream a film than see it in the theaters, a shifting tide that was only accelerated during the COVID-19 pandemic and its aftermath.

Google is rolling out its Gemini AI assistant to Google TV, bringing conversational AI to over 300 million devices. Users will be able to ask Gemini for help with TV recommendations, show recaps, reviews, or even general tasks like homework help, vacation planning, or learning new skills. TechCrunch reports: The company stresses that Gemini's addition doesn't mean that you won't be able to do the same things you used to be able to do through the (non-AI) Google Assistant integration. Those commands will still work, says Google. The Gemini rollout to Google TV begins on the TCL QM9K series starting today. Later in the year, Gemini will arrive on the Google TV Streamer, Walmart onn 4K Pro, 2025 Hisense U7, U8, and UX models, and 2025 TCL QM7K, QM8K, and X11K models. More functionality will be added over time.

Mickey Mouse's first movie Steamboat Willie entered the public domain in 2024.

Now one of America's largest personal injury firms is suing Disney, reports the Associated Press, "in an effort to get a ruling that would allow it to use Steamboat Willie in advertisements..." [The law firm said] it had reached out to Disney to make sure the entertainment company wouldn't sue them if they used images from the animated film for their TV and online ads. Disney's lawyers responded by saying they didn't offer legal advice to third parties, according to the lawsuit. Morgan & Morgan said it was filing the lawsuit to get a decision because it otherwise feared being sued by Disney for trademark infringement if it used Steamboat Willie.
"Without waiver of any of its rights, Disney will not provide such advice in response to your letter," Disney's attorneys wrote in their letter (adding "Very truly yours..."). A local newscast showed a glimpse of the letter, along with a few seconds of the ad (which ends with Minnie Mouse pulling out a cellphone to call for a lawyer...)

Attorney John Morgan tells the newscast that Disney's legal team "is playing cute, and so we're just trying to get a yes or no answer.. They wrote us back a bunch of mumbo-jumbo that made no sense, didn't answer the question. We tried it again, they didn't answer the question..." (The newscast adds that the case isn't expected to go to court for at least a year.)

"OpenAI's video generation tool, Sora, can create high-definition clips of just about anything you could ask for..." reports the Washington Post.

"But OpenAI has not specified which videos it grabbed to make Sora, saying only that it combined 'publicly available and licensed data'..." With ChatGPT, OpenAI helped popularize the now-standard industry practice of building more capable AI tools by scraping vast quantities of text from the web without consent. With Sora, launched in December, OpenAI staff said they built a pioneering video generator by taking a similar approach. They developed ways to feed the system more online video — in more varied formats — including vertical videos and longer, higher-resolution clips... To explore what content OpenAI may have used, The Washington Post used Sora to create hundreds of videos that show it can closely mimic movies, TV shows and other content...

In dozens of tests, The Post found that Sora can create clips that closely resemble Netflix shows such as "Wednesday"; popular video games like "Minecraft"; and beloved cartoon characters, as well as the animated logos for Warner Bros., DreamWorks and other Hollywood studios, movies and TV shows. The publicly available version of Sora can generate only 20-second clips, without audio. In most cases, the look-alike scenes were made by typing basic requests like "universal studios intro." The results also showed that Sora can create AI videos with the logos or watermarks that broadcasters and tech companies use to brand their video content, including those for the National Basketball Association, Chinese-owned social app TikTok and Amazon-owned streaming platform Twitch...

Sora's ability to re-create specific imagery and brands suggests a version of the originals appeared in the tool's training data, AI researchers said. "The model is mimicking the training data. There's no magic," said Joanna Materzynska, a PhD researcher at Massachusetts Institute of Technology who has studied datasets used in AI. An AI tool's ability to reproduce proprietary content doesn't necessarily indicate that the original material was copied or obtained from its creators or owners. Content of all kinds is uploaded to video and social platforms, often without the consent of the copyright holder... Materzynska co-authored a study last year that found more than 70 percent of public video datasets commonly used in AI research contained content scraped from YouTube.
Netflix and Twitch said they did not have a content partnership for training OpenAI, according to the article (which adds that OpenAI "has yet to face a copyright suit over the data used for Sora.")

Two key quotes from the article:

• "Unauthorized scraping of YouTube content continues to be a violation of our Terms of Service." — YouTube spokesperson Jack Malon

• "We train on publicly available data consistent with fair use and use industry-leading safeguards to avoid replicating the material they learn from." — OpenAI spokesperson Kayla Wood

An anonymous reader shares a report: JM Video, one of only two remaining DVD rental stores in Paris, is a focal point for film lovers and visited by actors like Brad Pitt when they are in the city, but the ever-growing competition of streaming platforms means this Paris institution is fighting for survival. Choice is not the problem: JM Video has a library of more than 50,000 films, more than some 5,000 on offer at any time on Netflix and more than the catalogues of all the major streaming actors combined. "It's one of the few places in Paris with a real film collection, you can find things here that you cannot find anywhere else," said movie buff Virginie Breton, who rents DVDs several times a week. But not enough to keep JM Video afloat.

Sky-high Paris property rents and a dwindling customer base, combined with the arrival of ever-more streaming services like Amazon Prime, Disney+, HBO Max, Paramount+ and Apple TV+ are squeezing the life out of the cave-like shop, where DVDs spill out from floor-to-ceiling racks. Founded in 1982, JM Video was one of around 5,000 video rental shops in France at the end of last century, well before Netflix switched from being a DVD rental outfit to a streaming pioneer around 2010. Now, France has only about 10 DVD rental shops, two of which are in Paris.

Scripted TV production peaked in 2022 at 599 shows and has declined since, according to FX's research division tracking. New prestige series have dropped sharply while streaming platforms prioritize returning shows over new development. Netflix has shifted majority output to unscripted content including docuseries and reality programming since 2018.

YouTube leads streaming viewership ahead of Netflix, Paramount+, and Hulu. Free ad-supported platforms YouTube, Tubi and Roku Channel continue gaining market share. Subscription prices across major streaming services have increased while scripted content volume decreased. Second season of Severance cost $200 million. Fourth season of Stranger Things reached $270 million in production expenses.

An anonymous reader shares a report: Everyone's favorite CEO, Warner Bros. Discovery head David Zaslav, thinks HBO Max is ripe for a price hike. Speaking at the Goldman Sachs Communacopia and Technology Conference (doesn't that sound like a fun time?) Zaslav argued that his company's premium output can command a premium price.

"The fact that this is quality -- and that's true across our company, motion picture, TV production and and streaming quality -- we all we think that gives us a chance to raise price," he said, according to The Hollywood Reporter. "We think we're way underpriced." The recently re-re-branded HBO Max currently starts at $9.99 per month, including ads, peaking at $20.99 per month for its premium plan, roughly in line with its rivals.

Roku plans to dramatically expand its advertiser base from 200 to 100,000 companies using generative AI tools, CFO Dan Jedda told investors at recent conferences. The streaming platform, which commands over 20% of US TV viewing and reaches half of broadband households, is currently "roughly half sold out" on ad inventory. Jedda said small businesses can create commercials "within minutes" using AI tools Roku has integrated into its self-serve platform.

President Trump on Tuesday issued a memorandum directing the FDA and HHS to crack down on misleading direct-to-consumer prescription drug ads, requiring clearer disclosure of risks and ensuring that promotions don't overstate benefits or push costly drugs over generics. Longtime Slashdot reader sinij shares an excerpt from the memorandum: The Secretary of Health and Human Services shall therefore take appropriate action to ensure transparency and accuracy in direct-to-consumer prescription drug advertising, including by increasing the amount of information regarding any risks associated with the use of any such prescription drug required to be provided in prescription drug advertisements, to the extent permitted by applicable law. The Commissioner of Food and Drugs shall take appropriate action to enforce the Federal Food, Drug, and Cosmetic Act's prescription drug advertising provisions, and otherwise ensure truthful and non-misleading information in direct-to-consumer prescription drug advertisements. "Advertising dollars is a major avenue for pharmaceutical companies to influence news and attempt to shape public opinion," comments sinij. "Advertising was a major contributor to painkiller addiction, where networks were hesitant to cover early reports of addictiveness. It is likely directly contributing today to lack of critical coverage of Ozempic. It is just too big of a conflict of interest to allow to stand."

Netflix's film division faces a fundamental mismatch between its subscription model and filmmakers' artistic ambitions, according to new data analysis examining a decade of original productions. The streamer's movies cost two to three times more than A24 films but consistently score lower across review aggregators. Netflix attracts established actors like Eddie Murphy and Cameron Diaz but struggles to retain acclaimed directors.

The typical Netflix director has less critical acclaim and shorter filmographies than theatrical counterparts despite handling larger budgets. Directors recently turned down Netflix's $150 million for Wuthering Heights and $50 million for Weapons, accepting lower offers from Warner Bros. that guaranteed theatrical releases. The Electric State cost Netflix $320 million in February 2025 and received a 30 Metacritic score and 14% on Rotten Tomatoes. Netflix's business model requires filling hours to justify $9.99 monthly subscriptions. Directors seek theatrical releases where audiences watch films in one sitting without checking phones.

A U.S. congressional hearing today on Unidentified Anomalous Phenomena (UAPs) featured testimony from military veterans and witnesses describing encounters with mysterious craft, including glowing red squares, tic-tac-shaped objects emerging from the ocean, and videos of missiles striking unidentified orbs. While NASA maintains there's no evidence of extraterrestrial life, lawmakers stressed the need for transparency, whistleblower protections, and further investigation.

There were four witnesses at today's hearing:
Jeffrey Nuccetelli: U.S. Air Force veteran and self-described UAP witness who investigated the reported "red square" sighting above Vandenberg Air Force Base.
George Knapp: Award-winning journalist and chief reporter at KLAS-TV, known for his decades of UFO coverage and multiple Peabody Awards.
Alexandro Wiggins: Navy veteran of 23 years who reported witnessing a "Tic Tac" UAP aboard the USS Jackson in 2023 and noted his father's work at Area 51.
Dylan Borland: Air Force veteran and UAP witness with little public information or media exposure available.

"The public senses that it's real and the people in authority dismiss them," said Knapp, arguing that the public can handle the truth. One of the clips he showed lawmakers was of a drone operator tracking a glowing orb off the coast of Yemen before a missile struck the object. "That's a Hellfire missile smacking into that UFO and just bouncing right off," he said. "What the hell is that?" Knapp said the clip is not unique, claiming multiple video servers with similar UAP footage are being kept from Congress. Borland testified: "This craft interfered with my telephone, did not have any sound and the material it was made of appeared fluid or dynamic."

An anonymous reader writes: Reuters News on Friday withdrew a four-minute video containing an exchange between Russian President Vladimir Putin and Chinese President Xi Jinping discussing the possibility that humans can live to 150 years old, after China state TV demanded its removal and withdrew the legal permission to use it.

The footage, which included the open mic exchange from the military parade in Beijing marking the 80th anniversary of the end of World War Two, was licensed by the China state television network, China Central Television (CCTV). The clips were edited by Reuters into a four-minute video and distributed to more than 1,000 global media clients including major international news broadcasters and TV stations around the world. Other news agency licensees of CCTV also distributed edits of the footage.

Reuters removed the video from its website and issued a "kill" order to its clients on Friday after receiving a written request from CCTV's lawyer. The letter said the news agency exceeded usage terms of its agreement. The letter further criticized Reuters "editorial treatment applied to this material," but did not specify details.

BrianFagioli shares a report from NERDS.xyz: Plex has alerted its customers about a security incident that may have affected user accounts. In an email sent to subscribers, the popular media server company confirmed that an unauthorized third party gained access to one of its databases. The breach exposed emails, usernames, and hashed passwords. Plex emphasized that passwords were encrypted following best practices, so attackers cannot simply read them. The company also reassured users that no credit card data was compromised, since Plex does not store that information on its servers. Still, out of caution, it is requiring all account holders to reset their credentials.

Users are being directed to reset their passwords at plex.tv/reset. During the process, Plex recommends enabling the option to sign out all connected devices. This measure logs out every device associated with the account, including Plex Media Servers, forcing a fresh login with the updated password. The company says it has already fixed the method used by the intruder to gain entry and is conducting additional security reviews. Plex is also urging subscribers to enable two-factor authentication if they have not already done so.

"Roku is celebrating a milestone that says a lot about where entertainment is heading," notes a new article at NERDS.xyz.

"For the third month in a row, people in the United States spent more time streaming on Roku-powered devices than they did watching traditional broadcast television." Nielsen's latest data shows Roku-powered devices accounted for 21.4 percent of all TV viewing in July. Broadcast came in at 18.4 percent. That gap may not seem huge, but it marks a steady trend from May and June where streaming also came out ahead. Roku says its share of TV viewing is up 14 percent year-over-year, which suggests people are not just trying streaming, they're sticking with it...

Roku powers streaming on smart TVs and devices in over half of internet-enabled U.S. households. By its own numbers, it sells more TV units than the next two operating systems combined. It's a reminder that Roku has positioned itself as more than just a box or an app. It clearly wants to be the place where television happens.
Thanks to Slashdot reader BrianFagioli for sharing the news.

Warner Bros. Discovery has filed a major copyright lawsuit against Midjourney, accusing the AI image generator of exploiting its movies and TV shows to train models and generate near-identical reproductions of iconic characters like Batman, Bugs Bunny, and Rick and Morty. From The Hollywood Reporter: The company "brazenly dispenses Warner Bros. Discovery's intellectual property" by letting subscribers produce images and videos of iconic copyrighted characters, alleges the complaint, filed on Thursday in California federal court. "The heart of what we do is develop stories and characters to entertain our audiences, bringing to life the vision and passion of our creative partners," said a Warner Bros. Discovery spokesperson in a statement. "Midjourney is blatantly and purposefully infringing copyrighted works, and we filed this suit to protect our content, our partners, and our investments."

For years, AI companies have been training their technology on data scraped across the internet without compensating creators. It's led to lawsuits from authors, record labels, news organizations, artists and studios, which contend that some AI tools erode demand for their content. Warner Bros. Discovery joins Disney and Universal, which earlier this year teamed up to sue Midjourney. By their thinking, the AI company is a free-rider plagiarizing their movies and TV shows. In the lawsuit, Warner Bros. Discovery points to Midjourney generating images of iconic copyrighted characters. At the forefront are heroes who're at the center of DC Studios' movies and TV shows, like Superman, Wonder Woman and The Joker; others are Looney Tunes, Tom and Jerry and Scooby-Doo characters who've become ubiquitous household names; more are Cartoon Network characters, including those from Rick and Morty, who've emerged as something of cultural touchstones in recent years. [...]

The lawsuit argues Midjourney's ability to return copyrighted characters is a "clear draw for subscribers," diverting consumers away from purchasing Warner Bros. Discovery-approved posters, wall art and prints, among other products that must now compete against the service. [...] Warner Bros. Discovery seeks Midjourney's profits attributable to the alleged infringement or, alternatively, $150,000 per infringed work, which could leave the AI company on the hook for massive damages. The thrust of the studios' lawsuits will likely be decided by one question: Are AI companies covered by fair use, the legal doctrine in intellectual property law that allows creators to build upon copyrighted works without a license? The lawsuit can be found here.

Dolby Vision 2 addresses two widespread TV viewing problems in ways that will likely divide viewers and creators. The format's Content Intelligence feature uses AI and ambient light sensors to brighten notoriously dark content like Game of Thrones' Battle of Winterfell and Apple TV+'s Silo based on room brightness.

Authentic Motion grants filmmakers scene-by-scene control over motion smoothing, a feature most cinephiles despise for creating artifacts and making films look like 60fps home videos. Many filmmakers have criticized motion smoothing for undermining artistic intent. Dolby positions the feature as eliminating unwanted judder while maintaining cinematic feel. The format launches in standard and Max tiers for high-end displays.

Streameast -- the world's largest illegal sports streaming platform -- has been shut down after a year long investigation, according to a leading United States-based anti-piracy organisation. From a report: The network of 80 unauthorised domains generated 1.6billion combined visits over the past year, providing free access to global sports fixtures, including Europe's top football leagues and competitions, such as the Premier League and Champions League, as well as the NFL, NBA and MLB.

The Athletic has been informed by the Alliance for Creativity and Entertainment (ACE) -- a coalition of 50 media and entertainment organisations including Amazon, Apple TV+, Netflix and Paramount -- that an operation alongside Egyptian law enforcement officials took place on Sunday August 24 to disrupt Streameast's dominant position in the illegal streaming market.

Traffic to the site reached 136million average monthly visits, with domains primarily originating from the U.S., Canada, the United Kingdom, the Philippines and Germany.

An anonymous reader shares a report: Microsoft's Copilot AI assistant is officially coming to TVs, starting with Samsung's 2025 lineup of TVs and smart monitors. With the integration, you can call upon Copilot and ask for movie suggestions, spoiler-free episode recaps, and other general questions.

On TV, Copilot takes on a "friendly, animated presence" that resembles the opalescent Copilot Appearance Microsoft showed off last month, though in a color that makes it look more like a personified chickpea. The beige blob will float and bounce around your screen, while its mouth moves in line with its responses.

Amazon is facing a proposed class action lawsuit alleging it misleads customers by advertising digital movies and TV shows as "purchases," when in reality buyers only receive revocable licenses that can disappear if Amazon loses distribution rights. From the Hollywood Reporter: On Friday, a proposed class action was filed in Washington federal court against Amazon over a "bait and switch" in which the company allegedly misleads consumers into believing they've purchased content when they're only getting a license to watch, which can be revoked at any time. [...] The lawsuit accuses Amazon, which didn't respond to a request for comment, of misrepresenting the nature of movie and TV transactions during the purchase process. On its website and platform, the company tells consumers they can "buy" a movie. But hidden in a footnote on the confirmation page is fine print that says, "You receive a license to the video and you agree to our terms," the complaint says.

The issue is already before a court. In a 2020 lawsuit alleging unfair competition and false advertising over the practice, Amazon maintained that its use of the word "buy" for digital content isn't deceptive because consumers understand their purchases are subject to licenses. Quoting Webster's Dictionary, it said that the term means "rights to the use or services of payment" rather than perpetual ownership and that its disclosures properly warn people that they may lose access. The court ultimately rebuffed Amazon's bid to dismiss the lawsuit outside of a claim alleging a violation of Washington's unjust enrichment law.

Threads now has more than 400 million monthly active users. But who are these people who are actually using Threads, asks Mashable? And what is their cultural footprint? Threads is the Big Bang Theory of social media. Bland, boring, largely unoffensive, and somehow, it was the most popular show on television for years... At any given time, "Twitter" and "X" are searched somewhere between 12 and 30 times more than "Threads" on Google, according to the search engine's Trends data. Threads is a popular platform without much of an identity...

[Threads] is consistently good at one thing users really want from a social media platform: for their posts to be seen and engaged with. Threads might be boring in comparison to its competitors, but its users say it might be the only place on the internet right now where they don't feel they are screaming into the void.... Much like TikTok, you don't actually have to have thousands of followers to find decent engagement on the app. One user, commenting in a Reddit forum questioning who actually uses the app, said they "find it worthwhile" because "you can just say stuff on there under a tag and people will find it and respond...." According to consumer research company GWI, while users signed up for Threads because of its integration with Instagram, they're staying because Threads users are "community-focused," noting there's a strong overlap between Discord users and Threads users....

It just doesn't have the same flair as X or Twitter, which could be because Adam Mosseri, the head of Instagram, went out of his way to ensure politics was downplayed when Threads first launched. (Meta has since backtracked slightly by phasing "civic content" back into Threads "with a more personalized approach....") Threads is still in its adolescence. It lacks the media ecosystem that made Twitter indispensable for journalists, politicians, and celebrities. But it has something else: sheer scale and Meta's backing. With Instagram's 2 billion users as a feeder system, Meta can keep funneling people toward Threads whether they like it or not.
The article also points out Threads is integrated with the fediverse, supporting ActivityPub's decentralized protocol...