The nation's six biggest names in the business (which Leichtman Research says accounts for about 95% of the market) collectively lost a little over 1.1 million customers during the three-month stretch ending in June, slowing down Q1's cord-cutting pace of more than 1.5 million, but continuing the bigger-picture cord-cutting cadence that's been a problem for the industry since 2014. Fool.com reports: AT&T led the way with its loss of 443,000 subscribers as its flagship platform DirecTV undergoes the major disruption of changing ownership hands, although the satellite-based service was bleeding customers well before the sale of DirecTV was even considered. No outfit gained subscribers, though, even including the better-established cable television brands like Comcast's Xfinity and Charter Communications' Spectrum. [...] Market research company eMarketer estimates the number of conventional cable customers in the U.S. will continue to slide at least through 2024 when the number of non-pay-TV households is likely to eclipse the number of pay-TV households.

As was noted, though, people aren't spending less time in front of their television sets. They're just watching in a different way. Streaming is quickly becoming the preferred way of consuming video. [...] Last quarter, streaming services of all ilks added on the order of 44.7 million active users/subscribers. Take that number with a grain of salt for a couple of reasons, the biggest of which is it's a worldwide number and not just a U.S. figure. The other reason to not read too much into this number is it requires multiple streaming services to fully replace a canceled cable package. Recent data from Parks Associates indicates around half the U.S. households that have cut the cord now pay for four or more streaming options. Still, in that the United States remains the key market for most of these streaming brands -- like Disney+, Discovery+, Pluto TV, and HBO Max -- it's difficult to not connect the clear demise of conventional cable television with popularization of streaming alternatives.

Apple's Mac has long been an afterthought for the video game industry, and few think of Google as a games company -- despite running Android, one of the biggest game platforms in the world. But Google had a plan to change those things in October 2020, according to an explicitly confidential 70-page vision document dubbed "Games Futures." From a report: The "need-to-know" document, which was caught up in the discovery process when Epic Games hauled Apple into court, reveals a tentative five-year plan to create what Google dubbed "the world's largest games platform." Google imagined presenting game developers with a single place they can target gamers across multiple screens including Windows and Mac, as well as smart displays -- all tied together by Google services and a "low-cost universal portable game controller" that gamers can pair with any device, even a TV.

An anonymous reader shares an excerpt from Wired, written by Lauren Goode: Samsung's newest foldables are even more impressive than the folding models that came before them. (The company first started shipping foldable phones in 2019, after years of development.) And yet, folding phones are still the 3D TVs of the smartphone world: birthed with the intention of swiveling your head toward a product at a time when the market for that product has softened. They're technically complicated. They're expensive. And their usability depends a whole lot on the way content is displayed on them, which means manufacturers could nail all the tech specs and still must wait on software makers (or entertainment companies) to create stuff to fill these space-age screens. All this does not bode well for the future of foldable phones, though some analysts are more optimistic.

Back in the early 2010's, global TV shipments started slipping, as developed markets became saturated with flat-screen TVs. And as prices for LCD TVs sank, so did profits. So TV manufacturers like Sony, LG, and Samsung began hyping the next expensive upgrade: 3D televisions. We tech journalists marched around the annual CES in 3D glasses, hoping to catch a glimpse of a 3D TV that would change our minds about this gimmicky technology. We grew mildly nauseous. We waited for more content. Five years later, 3D TV was dead. At the end of the last decade, WIRED's Brian Barrett summed up the great 3D TV pitch as "what happens when smart people run out of ideas, the last gasp before aspiration gives way to commoditization."

I know: TVs and mobile phones are different beasts. Mobile phones have fundamentally altered the way we live. Billions of handsets have been sold. But about four years ago, global smartphone sales slowed. By 2019, consumers were holding on to their phones for a few extra months before splurging on an upgrade. As smartphones became more secure and reliable, running on desktop-grade chip systems and featuring cameras good enough to decimate the digital camera market, each new iteration of a phone seemed, well, iterative. Enter foldable displays, which are either a desperate gimmick or a genuine leap forward, depending on whom you ask. Or, like 3D TVs, maybe they're both.

Foldables were also supposed to be the ultimate on-the-go device, for road warriors and jet-setters and productivity gurus who want to "stay in the flow" at all times. As I've written before, it's not exactly the best time to beta test this concept, while some of our movements are limited. The context for foldables has changed in the short time since they became commercially available. Of course, that context could always change again. Foldables may be the next frontier in phones, or in tablets, or laptops, or all of the above. They could become commonplace, assumed, as boring as a solid inflexible brick. Maybe we'll manage our decentralized bank accounts on a creaky screen as we shoot into sub-orbital space. Or maybe we'll stare into the screens, two parts fused into one, and hope that the future is something more than this. The biggest argument for foldables not being 3D TVs, as mentioned by research manager for IDC, Jitesh Ubrani, is the potential utility of foldables.

"Most people in the industry, and even many consumers, believe that ultimately there is just going to be one device you use, you know?" Ubrani says. "And this device will have the ability to function as a phone, as a PC, as a tablet. So where foldables can really drive the technology is by replacing three devices with one."

Websites and apps featuring pirated movies and TV shows make about $1.3 billion from advertising each year, including from major companies like Amazon.com, according to a study. From a report: The piracy operations are also a key source of malware, and some ads placed on the sites contain links that hackers use to steal personal information or conduct ransomware attacks, according to the online safety nonprofit Digital Citizens Alliance and the anti-piracy firm White Bullet Solutions. While law enforcement officials have sought to stop some of the online criminality, the groups identified at least 84,000 illicit entertainment sites.

The study underscores just how tough a problem piracy is for both Hollywood studios and companies that distribute digital ads. The situation has been compounded by the Covid-19 pandemic, which has left more people watching films and television shows over the web, where criminals have a greater chance of successfully targeting victims. "Piracy causes direct harm to creators and others who lose income when their content is stolen," the authors of the report wrote. "And major brands face reputational risks when their advertising appears on illicit websites."

Netflix has stepped up its efforts to ban VPN and proxy users from bypassing geographical restrictions. The streaming service is now blocking residential IP addresses too, since some unblocking tools use these to bypass restrictions. This isn't without collateral damage as many regular Internet users without a VPN now report "missing content" on Netflix. TorrentFreak reports: There is a flurry of complaints on social media from users whose VPN services were suddenly 'blocked' by Netflix. Previously, these people couldn't play any content while using a VPN. That changed last year. Now, VPN users can still see Netflix originals while other content is hidden and blocked. https://torrentfreak.com/netflix-is-less-annoying-to-vpn-users-now-but-some-titles-are-hidden-200618/

Netflix doesn't explain which IP addresses are blocked and why, but the most recent efforts are much broader than before. This issue was brought to our attention by WeVPN, which noticed that the updated geo-fencing system is blocking its residential IP addresses. These IP addresses are assigned to common consumer ISPs such as AT&T, Comcast, Verizon. While it makes sense for Netflix to put an end to these workarounds, there appears to be some collateral damage. "The collateral damage is that you have hundreds of thousands of legitimate residential Netflix subscribers blocked from accessing Netflix's local country full catalog from their home," a WeVPN spokesperson informs us. While we are unable to verify how many people are facing issues, it is clear that the measures are spilling over to regular subscribers.

While Netflix hasn't released an official comment on the situation, the company is aware of the problems. One user who complained on Twitter, got the advice to contact their ISP to see if their IP address is associated with proxy or VPN use. This is a peculiar suggestion, as the blocking is taking place on Netflix's end. WeVPN told us that the company is experimenting with a solution, which appears to function for now. CyberGhost and Private Internet Access, which were also affected by Netflix's new blockades, say they managed to route around it within a day. In an update, a Netflix spokesperson said that the company is not banning all content for VPN and proxy services. Netflix originals are still available and the streaming service is working with people who were inadvertently affected to restore access to the full library.

Amid fears that technology may be quietly eliminating many basic jobs, late last month several U.S. lawmakers "proposed legislation that would dole out regular stimulus checks — or guaranteed income — through monthly payments of up to $1,200 for adults and $600 for children," according to a local news report from WCCO TV: The program, if the legislation were to pass, would not immediately begin sending out $1,200 checks to most Americans. Instead, it would create a $2.5 billion grant program to fund pilot guaranteed income programs across the country. The programs would be studied from 2023 to 2027 and then the national program would begin in 2028, Minneapolis' WCCO-TV reported. Then the legislation would provide $1,200 per month to people making $75,000 or less per year. The heads of households with an income of up to $112,500 would receive $1,200 under the program. And $600 would be provided for each minor child.
Though it's a long way from becoming law, one of the legislators proposing it says "We need a paradigm shift in how we measure and evaluate our economy. If my district, New York's 16th, was a country, it would have the 8th worst inequality in the world. Our barometers for economic success, as well as our policies, must be centered around meeting basic levels of care and dignity for all of our people."

The bill proposes that a new Office of Guaranteed Income Programs be established in the U.S. Treasury Department to oversee all the payments. Though it seems like this would cost something like a trillion dollars a year...

According to a survey from Consultancy Accenture, young people born in the 90s are less likely to be getting their information about tech careers from school and teachers than social media, TV series and film. ZDNet reports: Social media ranks top for information sources about career aspirations (31%), beating out parents by a small margin (29%) and teachers by a larger margin (24%). Gen Z are more likely to learn about a future in the tech sector from TV and film (27%) than from school (19%). Accenture surveyed 1,000 UK-based 16-21-year-olds on their career aspirations and their long-term options. It found that 44% of young women said they had good digital skills, but only 40% of young men said they did. Despite this, less than a quarter of young people are confident in securing a technology job.

Shaheen Sayed, Accenture's technology lead in the UK & Ireland, said: "If the digital native generation is not turning to technology as a career option, then we have a huge pipeline problem for the technology profession. Young people know technology is completely redefining the world right now -- but their lack of confidence in securing a tech job indicates a worrying disconnect between young people, particularly girls, and a changing jobs market." Those interviewed who were interested in tech jobs said they would most likely choose jobs in AI, data analytics, and cybersecurity. Which makes sense to an extent, given that these are the top three subjects in online tech media at present.

"It's striking that young people are influenced more by digital channels than their connections at home and school when choosing their next steps," said Sayed. "Careers advice will need to meet young people where they are at and paint an engaging picture of the skills required for the economy today. Developing the next generation of tech talent requires more than having coding on the curriculum. Technology moves quickly and subjects must evolve to equip young people with the digital skills that will drive economic growth. Employers are looking for people to work with technologies, like AI, as they tackle global challenges like climate change and become more competitive."

Fandango has revealed that Vudu is merging with its parent company's own streaming service, FandangoNow, to form a single platform that'll take on Vudu's name. The change comes more than a year after it purchased the streaming platform from Walmart. New submitter echopulse writes: The new Vudu service will have more than 200,00 movies and TV shows available to buy, and many for free with ads. It will also be the official movie store for Roku devices, replacing the FandangoNow store. If you have a Fandango account, you can move your movies over to the new service by going to FandangoNow.com

Netflix will stream a documentary next month which will follow the story of the world's first private all-civilian space orbit. Sky News reports: The group will board a SpaceX capsule next month and spend three days orbiting the Earth, becoming Netflix's first documentary "to cover an event in near real-time." The privately chartered flight will be commanded, funded and led by 38-year-old billionaire Jared Isaacman, and aim to support St Jude Children's Research Hospital to the tune of $200 million. He will be joined on board by Sian Proctor, a geoscientist and former NASA candidate, Christopher Sembroski, a US Airforce veteran, and Hayley Arceneaux, a doctor's assistant at St Jude and childhood cancer survivor.

The group will apparently reach a higher altitude than the International Space Station as they orbit the planet in the SpaceX Dragon capsule, dubbed Inspiration4. The quick-turnaround documentary will be made in five parts, with the first two premiering on 6 September. Viewers have been promised behind the scenes access of the mission -- from their selection, to footage from inside the spacecraft while it orbits Earth.

One of Amazon's most anticipated originals to date, a yet-unnamed Lord of the Rings original series, will officially debut on Prime Video on Friday, September 2nd, 2022. The Verge reports: Along with a premiere date, Amazon Studios released an official first image from the forthcoming series, which will be set in Middle-earth's Second Age. The series will take place thousands of years before the events chronicled in J. R. R. Tolkien's The Hobbit and The Lord of the Rings books, and it will follow characters "both familiar and new, as they confront the long-feared re-emergence of evil to Middle-earth."

The image release is tied to the series's production wrap after filming in New Zealand. Fans quickly speculated that the series will be set in Valinor, as the image depicts what appear to be the Two Trees. The untitled project is a huge investment by Amazon in its Prime Video streaming service. The series's first season alone reportedly cost around $465 million to produce. For context about what a massive creative undertaking this series has been for Amazon Studios, the final season of Game of Thrones was reported to have cost as much as $15 million per episode (though its budget was originally around $5 million per episode).

"Since its own brush with antitrust regulation decades ago, Microsoft has slipped past significant scrutiny," argues a new article from The Atlantic.

But it also asks if there's now a case for another antitrust action — or if we're convinced instead that "The company is reluctantly guilty of the sin of bigness, yes, but it is benevolent, don't you see? Reformed, even! No need to cast your pen over here!" Right now, it's not illegal to be big. It's not illegal to be really big. In fact, it's not even illegal to be a monopoly. Current antitrust law allows for the possibility that you might be the sole player in your industry because you're just that well managed and your product is just that good, or it's just cost-prohibitive for any other company to compete with you. Think power utilities, such as Duke Energy, or the TV and internet giant Comcast. Antitrust law comes into play only if you use your monopoly to suppress competition or to charge unfairly high prices. (If this feels like a legal tautology, it sort of is: Who's to know what's a fair price if there isn't any competition? Nevertheless, here we are...) Yet if bigness alone is enough to draw scrutiny, Microsoft must draw it. Courts have disagreed on what size market share a product or company must own to be considered a monopoly, but the historical benchmark is about 75 percent. Estimates vary as to what percentage of computers run Microsoft's Windows operating system, but Gartner research puts it as high as 83 percent...

Biden, Khan, Senator Amy Klobuchar, and others are asking whether consumers suffer any nonfinancial harm from this lack of competition. Is switching from Windows to Apple's Mac OS unnecessarily hard? Is Windows as good a product as it would be if it faced more robust competition? When Windows has major security flaws, for example, billions of customers and companies are impacted, because of its market share. If we're wondering whether crappy airline experiences are a competition problem, should the same question apply to crappy computer security? In fact, in areas where Microsoft faces strong competition, it's reverting to some of the behaviors that got it sued in the '90s — namely, bundling. Microsoft and Amazon are essentially a duopoly when it comes to cloud services... Microsoft offers its big business customers an "integrated ecosystem" of Windows, Office, and its back-end cloud services; some analysts even point to this as a reason to keep buying Microsoft stock. That's just smart business, right? Yes, unless you're at a disadvantage by not taking the bundle. Some customers have complained that Microsoft charges extra for some Windows licenses if you're not using its cloud-computing business, Azure...

Microsoft does much more that we're happy to call "evil" when other companies are involved. It defied its own workers in favor of contracts with the Department of Defense; it's been quietly doing lots of business with China for decades, including letting Beijing censor results on its Bing search engine and developing AI that critics say can be used for surveillance and repression; it reportedly tried to sell facial-recognition technology to the DEA.

So why does none of it stick? Well, partly because it's possible that Microsoft isn't actually doing anything wrong, from a legal perspective. Yet it's so big and so dominant and owns so much expensive physical infrastructure that hardly any company can compete with it. Is that illegal? Should it be?
It's now the world's second largest tech company by market valuation — over $2 trillion and even ahead of Google, Amazon, Facebook, and Tesla (and behind only Apple). For the three months ended in June, Microsoft's net income rose 47% over the same period a year ago, according to TechCrunch, with a revenue for just those three months of $46.2 billion.

The Atlantic argues Microsoft has successfully rebranded itself as nice and a little boring, while playing up the fact that it lost a decade in consumer markets like smartphones because it was distracted by its last antitrust lawsuit. Yet meanwhile it's acquired major tech brands like LinkedIn, Minecraft, Skype, and even attempted to buy TikTok, Pinterest, and Discord (as well as "almost two dozen game-development studios to beef up its Xbox offerings"). And of course, GitHub.

"YouTube has barred Sky News Australia from uploading new content for a week, saying it had breached rules on spreading Covid-19 misinformation," writes the BBC.

Long-time Slashdot reader Hope Thelps shares their report: YouTube issued a "strike" under its three-strike policy, the last of which means permanent removal. It did not point to specific items but said it opposed material that "could cause real-world harm".

The TV channel's digital editor said the decision was a disturbing attack on the ability to think freely. Sky News Australia is owned by a subsidiary of Rupert Murdoch's News Corp and has 1.85 million YouTube subscribers. The ban could affect its revenue stream from Google.

A YouTube statement said it had "clear and established Covid-19 medical misinformation policies based on local and global health authority guidance". A spokesperson told the Guardian it "did not allow content that denies the existence of Covid-19" or which encouraged people "to use hydroxychloroquine or ivermectin to treat or prevent the virus". Neither has been proven to be effective against Covid.

Slashdot reader Dave Knott quotes the BBC's Doctor Who site: Having been in charge of the TARDIS since filming for the Thirteenth Doctor began in 2017, Showrunner Chris Chibnall and the Thirteenth Doctor, Jodie Whittaker, have confirmed they will be moving on from the most famous police box on Earth.

With a six-part Event Serial announced for the autumn, and two Specials already planned for 2022, BBC One has now asked for an additional final feature length adventure for the Thirteenth Doctor, to form a trio of Specials for 2022, before the Doctor regenerates once more.

In what is, at least so far, the biggest cybersecurity blunder of the Tokyo Olympics, an Italian TV announcer did not realize he was on air when he asked the password for his computer. Motherboard reports: "Do you know the password for the computer in this commentator booth?" he asked during the broadcast of the Turkey-China volleyball game, apparently not realizing he was still on air. "It was too hard to call the password Pippo? Pippo, Pluto or Topolino?" he complained, referring to the Italian names for Goofy, Pluto and Mickey Mouse. The snafu was immortalized in a video posted on Twitter by cybersecurity associate professor Stefano Zanero, who works at the Polytechnic University of Milan. A source who works at Eurosport, the channel which was broadcasting the volleyball game, confirmed that the video is authentic.

A colleague of the announcer can be heard in the background saying the password depends on the Olympics organizers, and asking the announcer if it's on a paper or post it close-by. Turns out the password was "Booth.03" after the number of the commentator's booth. "Even the dot to make it more complicated, as if it was NASA's computer," he said on the air. "Next time they will even put a semicolon." "Ma porca miseria," he concluded, using a popular italian swearing that literally means "pork's misery" but is more accurately translated to "for god's sake."

Ratings for the Olympic Games opening ceremony were down 36% compared to 2016, according to preliminary numbers from NBC Universal. From a report: The figures for the Tokyo Games event mark the lowest audience for an Olympics opening ceremony event in over three decades, per Reuters. Roughly $1 billion has been spent on advertising around the Olympics. Ratings are the only real metric marketers can use to justify much of that spend. About 17 million people watched the event on broadcast and streaming, according to NBC. Early broadcast numbers suggest some 10 million people watched the event on linear TV. By comparison, about 26.5 million people and 27.8 million people tuned in to the Olympic opening events in Rio in 2016 and Pyeongchang in 2018, respectively. Some of this is out of NBC's hands. Without fans in the stands, the content may not be as compelling to viewers this year as it has been in the past. Some reviews of the opening ceremony pegged it as downbeat compared to previous ceremonies, others described it as boring.

The nation's big TV companies are calling for a new yardstick. From a report: A trade organization representing Disney, ViacomCBS, NBCUniversal, Fox Corp. and other media giants is calling for the organization that signs off on Nielsen's methodology for measuring TV viewership to yank accreditation, an aggressive maneuver in an era when media outlets and the advertisers who support them are scrambling to figure out how to count viewer eyeballs across an increasingly unwieldy array of new entertainment venues, digital behaviors and screens. The trade group, the VAB, on Wednesday sent a ten-page letter to the Media Rating Council urging the group to pull its backing of Nielsen's ratings, citing Nielsen's diminished ability to count viewership during the coronavirus pandemic. "Nielsen's COVID-period conduct as a ratings service violated at least five minimum standards," the VAB said in its letter, "with the damage done to their largest subscriber clients still creating material negative impact into July 2021."

An anonymous reader quotes a report from Ars Technica: Dish Network has agreed to pay AT&T at least $5 billion over 10 years for network access amid a feud between Dish and T-Mobile. Dish is in the early stages of building a 5G network and in the meantime is serving customers as a reseller using network capacity that it purchases from T-Mobile. But Dish and T-Mobile are fighting over T-Mobile's plan to shut down its 3G CDMA network earlier than it originally intended, with Dish accusing T-Mobile of anticompetitive behavior. Against that backdrop, Dish today announced "the signing of a transformative, long-term strategic Network Services Agreement with AT&T, making AT&T the primary network services partner for Dish MVNO [mobile virtual network operator] customers."

The AT&T network capacity will serve customers on Dish's "retail wireless brands, including Boost Mobile, Ting Mobile, and Republic Wireless," Dish said. Dish also said the agreement will accelerate its "expansion of retail wireless distribution to rural markets where Dish provides satellite TV services" and that AT&T will provide transport and roaming services to support Dish's future 5G network. Dish revealed the $5 billion price in a Securities and Exchange Commission filing that also notes that the roaming and transport services from AT&T will not be limited to areas where Dish doesn't build 5G infrastructure. The deal "provides Dish's retail wireless customers with voice and data roaming services throughout the US on the AT&T network and access to AT&T's network, even within the markets where Dish is deploying its own 5G network," Dish told the SEC. Today's deal between AT&T and Dish is nonexclusive, so Dish can use both T-Mobile and AT&T capacity to serve customers. But Dish's statement that AT&T will become the "primary" network provider for Dish MVNO customers shows that Dish is trying to minimize the use of T-Mobile's network. Dish's MVNO deal with T-Mobile lasts until 2027. As part of the T-Mobile/Sprint merger-and-divestment proceedings, Dish committed to the government that it would build a 5G network serving 70 percent of Americans by June 2023.

Nvidia's Shield TVs are some of the best streaming video boxes on the market, but following a recent update to Android TV, Shield TV users are starting to see ads on their home screen and they aren't happy about it. From a report: The latest update to Android TV on Shield TV devices began rolling out earlier this month and featured a small UI redesign that added large banner images to Android TV's home screen, similar to what you get when using Google TV devices like the Chromecast with Google TV. Now technically, Google calls these banner images "recommendations," as they are regularly updated and rotated to help users find new streaming content Google thinks they might enjoy. However, a number of Shield TV users consider these images to be advertisements (especially when they recommend shows on services users aren't even subscribed to), and as such, have taken to showing their displeasure with the recent update by review bombing the listing for the Android TV Home app, which now has a one-star rating across more than 800 reviews.

Earlier this week, Netflix announced that it is planning an expansion into video games and has hired a former EA and Facebook executive to lead the effort. Now, according to a recent datamine, the streaming giant may be forming a partnership with PlayStation to bring some of the biggest PlayStation brands to Netflix. IGN reports: Reported by VGC, dataminer Steve Moser appears to have uncovered PlayStation brand imagery and content in the Netflix app code. Moser shared the information via a tweet, including images of both the Ghost of Tsushima box art and some PS5 controllers. It's unclear exactly what this means for Netflix, but if there is a burgeoning partnership between Netflix and PlayStation, it could see Ghost of Tsushima content come to the streaming service in some form.

Moser suggests that the gaming section of Netflix currently has the codename 'Shark', and the placement of PlayStation IP within that suggests a collaborative approach. This wouldn't be the first major deal between Sony and Netflix, as the two companies agreed a deal earlier this year that means movies from Sony Pictures Entertainment will come to Netflix first after their theatrical run. [...] Given that many first-party PlayStation games are narrative-driven adventure games with a focus on cinematic stories, it makes sense to try and adopt games like Ghost of Tsushima and the last of us into movies and TV. Whilst PlayStation already has a games streaming service, PlayStation Now, it could also potentially be looking to push gaming content beyond the PlayStation console ecosystem, as Microsoft has done with Xbox Game Pass.

An anonymous reader quotes a report from CNET: LG's futuristic rollable TV has arrived. The LG Signature OLED R TV is now available in the US for $100,000 -- costing roughly 50 times more than your average 4K OLED TV. But this isn't your average TV. It has a thin, flexible 65-inch OLED screen. The "wow factor" is the TV's ability to roll down into its housing unit when you're not watching a movie or playing a video game in 4K. It also comes with a sound system with Dolby Atmos and Sound Pro, and has Google Assistant and Amazon Alexa built-in for voice control. The TV has three viewing modes: LG calls them "full view," "zero view" and "line view." In full view, the TV is completely unrolled from the base. In zero view, it's wrapped back up, letting you take advantage of just the Dolby Atmos speaker. In line view, part of the TV is unrolled, roughly a quarter of the screen. This unrolled section could show a clock, the weather or photos. If you're interested in purchasing this TV, LG requires you to contact a representative in your region via their website.