An anonymous reader quotes a report from Ars Technica: The US Department of Homeland Security is warning of vulnerabilities in the nation's emergency broadcast network that makes it possible for hackers to issue bogus warnings over radio and TV stations. "We recently became aware of certain vulnerabilities in EAS encoder/decoder devices that, if not updated to the most recent software versions, could allow an actor to issue EAS alerts over the host infrastructure (TV, radio, cable network)," the DHS's Federal Emergency Management Agency (FEMA) warned. "This exploit was successfully demonstrated by Ken Pyle, a security researcher at CYBIR.com, and may be presented as a proof of concept at the upcoming DEFCON 2022 conference in Las Vegas, August 11-14."

Pyle told reporters at CNN and Bleeping Computer that the vulnerabilities reside in the Monroe Electronics R189 One-Net DASDEC EAS, an emergency alert system encoder and decoder. TV and radio stations use the equipment to transmit emergency alerts. The researcher told Bleeping Computer that "multiple vulnerabilities and issues (confirmed by other researchers) haven't been patched for several years and snowballed into a huge flaw."

"When asked what can be done after successful exploitation, Pyle said: 'I can easily obtain access to the credentials, certs, devices, exploit the web server, send fake alerts via crafts message, have them valid / pre-empting signals at will. I can also lock legitimate users out when I do, neutralizing or disabling a response,'" Bleeping Computer added.

Warner Bros announced that HBO Max and Discovery+ will launch in the U.S. as a single service in the summer of 2023. Variety reports: "At the end of the day, putting all the content together was the only way we saw to make this a viable business," [said JB Perrette, CEO and president of global streaming and interactive for Warner Bros. Discovery, on the company's Q2 earnings call]. Bringing HBO Max and Discovery+ together is aimed at cutting churn so "there's something for everyone in the household," he said. WBD did not announce what the new brand name for the merged service will be, nor did execs discuss pricing for the unified streamer. Warner Bros. Discovery is initially focused on the ad-supported and ad-free versions of the combined HBO Max-Discovery+, Perrette said, but is also "exploring how to reach customers in the free, ad-supported space" with content that is totally different from what's on the premium VOD services.

HBO may or may not be part of the name of the unified direct-to-consumer WBD platform; Perrette said the company is doing research on consumer perception of the HBO Max name. But, HBO will continue to be a major brand: "HBO will always be the beacon and the ultimate brand that stands for television quality," he said on the call. The merged HBO Max-Discovery+ will combine the best elements of both services, said Perrette. He said HBO Max has had "performance and customer" issues but offers a rich set of features; Discovery+ has more limited features but provides a more robust underlying delivery capability. The media company plans to take the unified HBO Max-Discovery+ platform to Latin America following the summer 2023 rollout in the United States, adds Variety. Europe will see it in early 2024; Asia Pacific in mid-2024; and additional markets in fall 2024.

An anonymous reader quotes a report from Gizmodo, written by Jody Serrano: In the early aughts, my wheezing dialup connection often operated as if it were perpetually out of breath. Thus, unlike my childhood friends, it was near to impossible for me to watch videos, TV shows, or listen to music. Far from feeling limited, I felt like I was lucky, for I had access to an encyclopedia of lovingly curated pages about anything I wanted to know -- which in those days was anime -- the majority of which was conveniently located on GeoCities. For all the zoomers scrunching up their brows, here's a primer. Back in the 1990s, before the birth of modern web hosting household names like GoDaddy and WP Engine, it wasn't exactly easy or cheap to publish a personal website. This all changed when GeoCities came on the scene in 1994.

The company gave anyone their own little space of the web if they wanted it, providing users with roughly 2 MB of space for free to create a website on any topic they wished. Millions took GeoCities up on its offer, creating their own homemade websites with web counters, flashing text, floating banners, auto-playing sound files, and Comic Sans. Unlike today's Wild Wild Internet, websites on GeoCities were organized into virtual neighborhoods, or communities, built around themes. "HotSprings" was dedicated to health and fitness, while "Area 51" was for sci-fi and fantasy nerds. There was a bottom-up focus on users and the content they created, a mirror of what the public internet was like in its infancy. Overall, at least 38 million webpages were built on GeoCities. At one point, it was the third most-visited domain online. Yahoo acquired GeoCities in 1999 for $3.6 billion. The company lived on for a decade more until Yahoo shut it down in 2009, deleting millions of sites.

Nearly two decades have passed since GeoCities, founded by David Bohnett, made its debut, and there is no doubt that the internet is a very different place than it was then. No longer filled with webpages on random subjects made by passionate folks, it now feels like we live in a cyberspace dominated by skyscrapers -- named Facebook, Google, Amazon, Twitter, and so on -- instead of neighborhoods. [...] We can, however, ask GeoCities' founder what he thinks of the internet of today, subsumed by social media networks, hate speech, and more corporate than ever. Bohnett now focuses on funding entrepreneurs through Baroda Ventures, an early-stage tech fund he founded, and on philanthropy with the David Bohnett Foundation, a nonprofit dedicated to social justice and social activism that he chairs. Right off the bat, Bohnett says something that strikes me. It may, in fact, be the sentence that summarizes the key distinction between the internet of the '90s-early 2000s and the internet we have today. "GeoCities was not about self-promotion," Bohnett told Gizmodo in an interview. "It was about sharing your interest and your knowledge." When asked to share his thoughts on the internet of today, Bohnett said: "... The heart of GeoCities was sharing your knowledge and passions about subjects with other people. It really wasn't about what you had to eat and where you've traveled. [...] It wasn't anything about your face." He added: "So, what has surprised me is how far away we've gotten from that original intent and how difficult it is [now]. It's so fractured these days for people to find individual communities. [...] I've been surprised at sort of the evolution away from self-generated content and more toward centralized programing and more toward sort of the self-promotion that we've seen on Facebook and Instagram and TikTok."

Bohnett went on to say that he thinks it's important to remember that "the pace of innovation on the internet continues to accelerate, meaning we're not near done. In the early days when you had dial up and it was the desktop, how could you possibly envision an Uber?"

"We're still in that trajectory where there's going to be various technologies and ways of communicating with each other, [as well as] wearable devices, blockchain technology, virtual reality, that will be as astounding as Uber seemed in the early days of GeoCities," added Bohnett. "I'm very, very excited about the future, which is why I continue to invest in early-stage startups because as I say, the pace of innovation accelerates and builds on top of itself. It's so exciting to see where we might go."

In response to user criticism, Google Play is bringing back the list of app permissions, but another curious Store change sees version numbers removed from the App info section. 9to5Google reports: Historically, you've been able to find the version number by opening a listings's "About this app" section and scrolling down to "App info" where it was the first line item. As of today, "Version" no longer appears there (or in the phone section of "Compatibility for your active devices") and "Updated on" is at the top. This information is only gone for the phone version of applications. It curiously remains for Wear OS and Android/Google TV apps. Meanwhile, version numbers still appear on the Google Play website. This issue does not appear related to (or just impact) apps that only note "Varies with device."

An anonymous reader writes: Haven't seen recommendation threads on Slashdot of late. Was curious what my fellow readers have watched and read this year that you enjoyed?

An anonymous reader quotes a report from CNBC: If China were to invade Taiwan, the most-advanced chip factory in the world would be rendered "not operable," TSMC Chair Mark Liu said in an English-language interview with CNN this week. In the undated interview, Liu said that if Taiwan were invaded by China, the chipmaker's plant would not be able to operate because it relies on global supply chains. "Nobody can control TSMC by force. If you take a military force or invasion, you will render TSMC factory not operable," Liu said. "Because this is such a sophisticated manufacturing facility, it depends on real-time connection with the outside world, with Europe, with Japan, with U.S., from materials to chemicals to spare parts to engineering software and diagnosis." The remarks were aired as tensions between China and Taiwan have escalated in recent days as House Speaker Nancy Pelosi visits the island. "The war brings no winners, everybody's losers," Liu said.

Liu compared a potential conflict in Taiwan to Russia's invasion of Ukraine, saying that while the two conflicts are very different, the economic impact to other countries would be similar. He encouraged political leaders to try to avoid war. "Ukraine war is not good for any of the sides, it's lose-lose-lose scenarios," Liu said. Liu said an invasion of the territory would cause economic turmoil for China, Taiwan and Western countries. He said that TSMC sells chips to consumer-facing Chinese companies that need the company's services and the supply of advanced computer chips. "How can we avoid war? How can we ensure that the engine of the world economy continues humming, and let's have a fair competition," Liu said. Further reading: US To Stop TSMC, Intel From Adding Advanced Chip Fabs In China

An anonymous reader quotes a report from TorrentFreak: You wouldn't steal a car, right? So why are you pirating? With this 2004 message, the movie industry hoped to turn illegal downloaders into paying customers. This campaign eventually turned into a meme and it's not the only anti-piracy advert to miss the mark. A new research paper identifies several behavioral insights that explain common mistakes made in these campaigns. [...] The general assumption of many people is that, by adding more arguments, the message will be more compelling. That's called the 'more-is-better' heuristic but behavioral research has shown that the opposite is often true. When many arguments are presented together, the stronger ones may actually be diluted by weaker ones. So, referencing malware, fines, low quality, Internet disconnections, and losses to the industry, all while associating piracy with organized crime, is not the best idea. The reduced impact of stronger and weaker arguments is also one of the reasons why the "You Wouldn't Steal a Car" campaign didn't work as planned, the researchers suggest.

Anti-piracy campaigns can also focus too much on dry numbers without putting these into context. While these statistics are vital to the industry, the average pirate will simply gloss over them. This 'mistake' can also be explained by behavioral psychology, which has shown that people identify more with a problem or victim if they feel some kind of personal connection. That's often missing from anti-piracy messages. It's worth noting that not all personal messaging is effective either. The paper mentions an Indian anti-piracy campaign where famous Bollywood actors urged people not to download films illegally, equating piracy to theft. However, the Indian public probably has little sympathy for the potential "losses" incurred by these multi-millionaire actors. In fact, the anti-piracy campaign may be seen as an extra motivation to pirate. "All videos starred well-known actors, whose net worth is estimated to be $22-$400 million dollars, in a country where the annual per capita income is a bit less than $2,000." "This can offer to pirates a moral justification: they only steal the rich to 'feed the poor', a form of 'Robin Hood effect' that makes even more sense with some cultural or sport-related goods," the researchers add.

Piracy is a widespread and global phenomenon. This makes it particularly problematic for copyright holders but emphasizing this issue in anti-piracy messages isn't a good idea. This is the third mistake that's highlighted in the article. By pointing out that people are supposed to get content legally while at the same time showing that many people don't, people might actually be encouraged to pirate. Behavioral research has shown that people often prefer to follow the descriptive norm (what people do) rather than the injunctive one (what the law prescribes). "Informing directly or indirectly individuals that many people pirate is counterproductive and encourages piracy by driving the targeted individuals to behave similarly. These messages provide to the would-be pirates the needed rationalization by emphasizing that 'everyone is doing it'," the researchers write.

Someone leaked an internal Amazon memo to Vox's Recode. The May 2021 memo "offers rare insights into the anti-union strategies of one of the world's most powerful companies," Recode writes: The memo laid out two crucial goals for Amazon: establish and deepen "relationships with key policymakers and community stakeholders" and improve "Amazon's overall brand...." To achieve these goals, the memo proposed strategies to help Amazon boost its reputation and simultaneously "neutralize" company critics by befriending these critics' own allies and by launching feel-good initiatives to turn the media and local politicians into company boosters....

Amazon staff acknowledged in the memo that the Teamsters' "economic argument is ... currently stronger," with union truck drivers, warehouse workers, and grocery store staff earning better or equal compensation packages as Amazon employees in the Southern California region the memo focused on. (A few months later, in September 2021, Amazon announced it had raised its average starting wage for front-line workers to $18 an hour, though many workers make less than that....) Amazon shrewdly planned to "intentionally seek partnerships with some organizations that work closely with our opposition." Those included organizations dedicated to helping incarcerated people find stable work upon reentry into society, such as the Anti-Recidivism Coalition, Homeboy Industries, and Defy Ventures, all named in the memo....

Taken together, these proposals are an unsurprising but stark reminder that, as is the case with many corporations, Amazon's public-facing actions are overwhelmingly in service of promoting or protecting the company, often in reaction to critics demanding that the company improve its labor practices. The billboards and TV commercials selling the narrative of Amazon as a great place to work, and the PR-friendly community partnerships in towns across the country where Amazon wants to set up shop, are developed for these reasons. Altruism this is not....

Overall, the memo highlights the extent to which union-led criticisms are creating sizable obstacles to Amazon's growth plans in its most crucial US market. But they also serve as a clear reminder that the company possesses vast resources to combat critics, and cunning strategies to portray reputation makeovers as corporate benevolence.

A sad announcement was posted online today, reports CNN: "Last night, my mother, Nichelle Nichols, succumbed to natural causes and passed away. Her light however, like the ancient galaxies now being seen for the first time, will remain for us and future generations to enjoy, learn from, and draw inspiration," Johnson said in a statement shared to Nichols' official site on Sunday. "Hers was a life well lived and as such a model for us all."

Nichols died from natural causes, he said...

George Takei, who portrayed the USS Enterprise's helmsman Hikaru Sulu, posted a touching tribute to his co-star.

"I shall have more to say about the trailblazing, incomparable Nichelle Nichols, who shared the bridge with us as Lt. Uhura of the USS Enterprise, and who passed today at age 89," wrote Takei on Twitter. "For today, my heart is heavy, my eyes shining like the stars you now rest among, my dearest friend."

"We lived long and prospered together," he added with a photo of the pair making the iconic Vulcan salute.
It was Nichols herself who came up with the name "Uhura" for her character, she revealed years in a 2010 interview. After the series Nichols authored the science fiction novels Saturn's Child and Saturna's Quest, as well as a memoir titled Beyond Uhura — Star Trek and Other Memories.

But Nichols also served on the board of directors of the National Space Society (a charity advocating for space advocacy) — and maintained ties to other real-world space agencies. "Nichols was always interested in space travel," according to a NASA web page. "She flew aboard the C-141 Astronomy Observatory, which analyzed the atmospheres of Mars and Saturn on an eight hour, high altitude mission." But in addition, "From the late 1970's until the late 1980's, NASA employed Nichelle Nichols to recruit new astronaut candidates" (including Dr. Sally Ride).

U.S. law let's companies like Google and Amazon's Ring doorbell/security camera system "share user footage with police during emergencies without consent and without warrants," CNET reported this week. They add that after that revelation "came under renewed criticism from privacy activists this month after disclosing it gave video footage to police in more than 10 cases without users' consent thus far in 2022 in what it described as 'emergency situations'."

"That includes instances where the police didn't have a warrant." "So far this year, Ring has provided videos to law enforcement in response to an emergency request only 11 times," Amazon vice president of public policy Brian Huseman wrote. "In each instance, Ring made a good-faith determination that there was an imminent danger of death or serious physical injury to a person requiring disclosure of information without delay...." Of the 11 emergency requests Ring has complied with so far in 2022, the company said they include cases involving kidnapping, self-harm and attempted murder, but it won't provide further details, including information about which agencies or countries the requests came from.

We also asked Ring if it notified customers after the company had granted law enforcement access to their footage without their consent.

"We have nothing to share," the spokesperson responded.
CNET also supplies this historical context: It's been barely a year since Ring made the decision to stop allowing police to email users to request footage. Facing criticism that requests like those were subverting the warrant process and contributing to police overreach, Ring directed police instead to post public requests for assistance in the Neighbors app, where community members are free to view and comment on them (or opt out of seeing them altogether)... That post made no mention of a workaround for the police during emergency circumstances.
When CNET asked why that workaround wasn't mentioned, Amazon response was that law enforcement requests, "including emergency requests, are directed to Ring (the company), the same way a warrant or subpoena is directed to Ring (and not the customer), which is why we treat them entirely separately."

CNET notes there's also no mention of warrantless emergency requests without independent oversight in Ring's own transparency reports about law enforcement requests from past years.

CNET adds that it's not just Amazon. "Google, Ring and other companies that process user video footage have a legal basis for warrantless disclosure without consent during emergency situations, and it's up to them to decide whether or not to do so when the police come calling...." (Although Google told CNET that while it reserves the right to comply with warrantless requests for user data during emergencies, to date it has never actually done so.) The article also points out that "Others, most notably Apple, use end-to-end encryption as the default setting for user video, which blocks the company from sharing that video at all... Ring enabled end-to-end encryption as an option for users in 2021, but it isn't the default setting, and Ring notes that turning it on will break certain features, including the ability to view your video feed on a third-party device like a smart TV, or even Amazon devices like the Echo Show smart display."

The bottom line? [C]onsumers have a choice to make about what they're comfortable with... That said, you can't make informed choices when you aren't well-informed to begin with, and the brands in question don't always make it easy to understand their policies and practices. Ring published a blog post last year walking through its new, public-facing format for police footage requests, but there was no mention of emergency exceptions granted without user consent or independent oversight, the details of which only came to light after a Senate probe. Google describes its emergency sharing policies within its Terms of Service, but the language doesn't make it clear that those cases include instances where footage may be shared without a warrant, subpoena or court order compelling Google to do so.

"A 1980s pop culture mainstay is plotting a comeback," reports Deadline.

"AMC Networks is developing a Max Headroom drama series reboot, with Matt Frewer set to reprise his role as the world's first artificial intelligence TV personality." Halt and Catch Fire co-creator Christopher Cantwell is writing the adaptation and is attached as showrunner for the project, which is produced by Elijah Wood and Daniel Noah's SpectreVision and All3Media.

Known for biting commentary, quick wit and manic glitching, the supposedly computer-generated TV host played by Frewer was first introduced in the 1985 British cyberpunk TV movie Max Headroom: 20 Minutes into the Future. He became an instant pop culture phenom and went on to host a music-video show, star in ads for New Coke, appear on the cover of Newsweek and headline his own primetime series. Max Headroom aired on ABC for two seasons from 1987-88.
IGN notes that "Although Frewer is best known for Max Headroom, he recently had roles in Fear the Walking Dead and Orphan Black, and notably played the character Moloch in Zack Snyder's Watchmen."

An anonymous reader shares a report: Although PlayStation 5 and Xbox Series X have always been extremely close in their tech specs, features, and performance, one area where the Microsoft console established an early lead was in its compatibility with a range of modern displays and display technologies. That gap is finally now set to be closed. After PS5 was updated with support for variable refresh rates in April, Sony has now confirmed that the system will finally be able to output at 1440p resolution. The new feature is introduced in a system software beta available to invited users today, which Sony expects to roll out to everyone "later this year."

Also included in the beta are a bunch of interface customizations, including the ability to group games together in folder-style Gamelists. Although most modern TV sets have 1080p or 4K resolutions, compatibility with 1440p (also known as QHD) matters because it's a very popular resolution for gaming PC monitors. There are a lot of these displays around, many with features like VRR, that PS5 owners will be happy to finally use to their full ability. Games which support 1440p will display at native resolution, while games that display at 4K will supersample down to 1440p for a smoother image.

Comcast fell the most in two years after its prized internet business added no new customers last quarter, its worst performance in decades, due to a housing slowdown and heavy competition. From a report: The largest US cable TV provider had added broadband customers in every quarter since at least 2005, according to data compiled by Bloomberg. Analysts were looking for around 83,000 new subscribers in the second quarter, and none of them predicted the gain would be in fact, zero. The shares slid as much as 9.9% on Thursday, their biggest intraday decline since March 2020. Rival Charter Communications, which reports earnings on Friday, dropped as much as 7.5%. "We expect the stock to face pressure absent forward-looking comments that suggest an improvement in broadband trends," New Street Research analyst Jonathan Chaplin wrote of Comcast. As home buying slows and competition among fiber and wireless broadband providers intensifies, the prospects of Comcast and its cable peers returning to prepandemic internet growth has become more challenging.

Charter Communications must pay out $7 billion in damages after one of its Spectrum cable technicians robbed and killed an elderly woman, a jury decided Tuesday. The Register reports: Betty Thomas, 83, was stabbed to death by Roy Holden Jr in December 2019. He had dropped by her home in Irving, Texas, on a service call after she reported a problem with her internet-TV bundle, and returned the next day in his company uniform and van, inviting himself in and killing her using his Spectrum-issued gloves and utility knife. She was found dead by her family on her living room floor after she didn't show up to a Christmas and birthday party that night. Holden pleaded guilty to murder last year and was sentenced to life behind in bars.

Thomas' family sued Charter [PDF] in 2020 for negligence. It was alleged in testimony that Holden had complained to his bosses that he was penniless and desperate after a divorce. It was further alleged that he had stolen credit cards and checks from elderly Spectrum subscribers, and that the corporation turned a blind eye to a pattern of theft by its installers and technicians. During that civil trial it was also claimed Thomas' family was charged $58 for Holden's service call, and continued to be billed after their grandmother's brutal slaying to the point where her account was sent to collections.

The court heard how Holden was not working the day he killed Thomas, and went out to her home anyway to rob her. He was able to use his company keycard to access a Charter vehicle lot and drive off in one of its service vans even though he was off-duty. According to the family's legal team, while Holden was seemingly making repairs, he tried to steal one or more of her bank cards from her purse, and murdered her when he was caught in the act. He later went on a spending spree with her funds, it was claimed. "This was a shocking breach of faith by a company that sends workers inside millions of homes every year," said the one of family's trial lawyers Chris Hamilton, of Dallas-based Hamilton Wingo, in a statement.

According to the law firm, Holden lied about his employment history -- such as not revealing he had been previously fired -- which wasn't checked by Charter when it hired him and would have been one of many red flags against him. During the civil trial, the court heard how Holden would break down crying at work, at one point was convinced he was a former Dallas Cowboys football player, suffered from insomnia, and was probably sleeping overnight in his Spectrum van. It was further claimed the cable giant tried to force the lawsuit into closed-door arbitration where the results would have been secret and damages limited.

The San Diego Comic-Con is "back in full force for the first time since 2019" reports the Associated Press. And Amazon's Prime Video used the occasion to unveil a lush new three-minute trailer for their upcoming series The Lord of the Rings: The Rings of Power. ("If the evil rising is left unchecked, it will take us all...")

Over the weekend it's already been viewed nearly 7 million times.

"Beginning in a time of relative peace, the series follows an ensemble cast of characters, both familiar and new, as they confront the long-feared re-emergence of evil to Middle-earth," explains the video's description on YouTube. "From the darkest depths of the Misty Mountains, to the majestic forests of the elf-capital of Lindon, to the breathtaking island kingdom of Númenor, to the furthest reaches of the map, these kingdoms and characters will carve out legacies that live on long after they are gone."

Comic-Con also hosted several panels on Amazon's Lord of the Rings series, including an 80-minute cast Q&A hosted by Patton Oswalt, Felicia Day, and Tiffany Smith. And the Associated Press reports that Stephen Colbert, "a self-proclaimed Tolkien fan, was also on hand to moderate a panel teasing the series on the fan convention's biggest stage," interviewing showrunners and executive producers J.D. Payne and Patrick McKay: The eight-part series will debut on Prime Video on Sept. 2, with new episodes arriving weekly. It is said to be the most expensive series ever made, with a reported budget of $465 million.... Jennifer Salke, the head of Amazon Studios, told The Hollywood Reporter last year that while the number is a "crazy headline that's fun to click on," "that is really building the infrastructure of what will sustain the whole series" which she called a "huge, world-building show."

Salke also said that a "giant, global audience needs to show up to it as appointment television" but that they were "pretty confident that will happen."
Five clips were also revealed to the Comic-Con audience and were "very well received by the crowd," reports USA Today. "They featured Galadriel and Elrond; Elrond and Durin getting ready for a friendly fight; hobbit ancestors the Harfoots; the Atlantis-like kingdom of Numenor; and an elves-versus-orcs battle." "It's a human story: We want you to take a step back and imagine your home .. and imagine that it's about to be taken away, that it's under threat," Payne said. "How far would you go" to protect that?"

When asked how they approached bringing characters to life that hadn't been described by Tolkien, Payne said, "We had the privilege of working with Tolkien scholars. Tolkien gave us all these amazing clues about characters in the Second Age. When Tolkien was silent, (we) try to invent things in as Tolkienian a way as possible." The producers and cast were quick to express respect and admiration for Jackson's films, but firm in their conviction that the show is something very different.

One important distinction was about dwarves. "We feel like dwarves are the butt of jokes, but we're going to take dwarves really seriously," Payne said.

"William Shatner closed out the first night of San Diego Comic-Con in style — with plenty of cursing and a look back at his storied career," writes the Hollywood Reporter: In an hourlong chat with emcee Kevin Smith, the 91-year-old actor talked about aging, space travel (both real and fictional) and his place in the pop culture consciousness....

He took time to address the importance and power of fandom to his career, and specifically to Star Trek, which 56 years ago introduced the world to James T. Kirk, his most enduring character. When asked to address the fans of that other major sci-fi franchise, Shatner quipped, "fuck Star Wars.... But not Mark Hamill."

"We love Mark Hamill," Smith agreed.

When asked by a fan if there were any new Star Trek series he thought rivaled his own, Shatner replied, "none of them."

"I got to know [creator] Gene Roddenberry in three years fairly well," said Shatner, "he'd be turning in his grave at some of this stuff...."
The article also quotes Shatner's more serious comments about his own recent trip into outer space courtesy of Jeff Bezos' Blue Origin.

"I went, and I vowed that every moment that I spent in space, would not be playing around in weightlessness, but looking out the window and trying to get an impression."

Nvidia has just announced that GeForce Now is picking up support for 120fps gameplay on all Android smartphones, after previously limiting the functionality to only a few select models. 9to5Google reports: GeForce Now is a cloud gaming service that allows players to stream PC games from marketplaces such as Steam and the Epic Games Store, among others, to virtually any device. It's a great way to expand the gaming experience on your PC over to a mobile phone or your TV, or just to play games that your PC isn't powerful enough to run on its own. The service is free, but you can pay to get longer sessions and better quality.

Last year, the service picked up its RTX 3080 tier, which offers the power of the still-hard-to-find graphics card, but through the cloud. While it's a pricey option, it was quickly found to be the gold standard of cloud gaming thanks to minimal input latency, higher resolution, and faster refresh rate. It's that faster refresh rate that's boosting GeForce Now for Android players this week, with 120fps expanding to all Android phones with faster refresh rates. If your phone has a 120Hz display, you can now stream games at 120fps. The official list of supported devices can be found here.

Nvidia says that the expanded support will arrive "over the coming weeks" and that the experience could vary from device to device.

Gallup: Americans' confidence in two facets of the news media -- newspapers and television news -- has fallen to all-time low points. Just 16% of U.S. adults now say they have "a great deal" or "quite a lot" of confidence in newspapers and 11% in television news. Both readings are down five percentage points since last year. Gallup has tracked Americans' confidence in newspapers since 1973 and television news since 1993 as part of its annual polling about major U.S. institutions. The latest readings are from a June 1-20 poll that saw declines in confidence ratings for 11 of the 16 institutions measured and no improvements for any. Television news and newspapers rank nearly at the bottom of that list of institutions, with only Congress garnering less confidence from the public than TV news. While these two news institutions have never earned high confidence ratings, they have fallen in the rankings in recent years.

A majority of Americans have expressed confidence in newspapers only once -- in 1979, when 51% did. But there is a wide margin between that and the second-highest readings of 39% in 1973 and 1990. The trend average for newspapers is 30%, well above the latest reading of 16%, which is the first time the measure has fallen below 20%. The percentage of Americans who say they have "very little" or volunteer that they have no confidence is currently the highest on record, at 46%. Confidence in television news has never been higher than its initial 46% reading in 1993 and has averaged 27%, considerably higher than the current 11%. This is the fourth consecutive year that confidence in TV news is below 20%. And for just the second time in the trend, a majority of Americans, 53%, now say they have very little or no confidence at all in TV news. Republicans' (5%) and independents' (12%) confidence in newspapers is the lowest on record for these party groups, while Democrats' (35%) has been lower in the past. Democrats' confidence in newspapers rose to the 42% to 46% range during the Donald Trump administration but fell when President Joe Biden took office.

An anonymous reader shares a report: Netflix wants linear TV to die. CEO Reed Hastings has been banging the TV murder drum for more than 8 years now, and in the investor call today, he reiterated his belief, confidently saying that Netflix was in a great place because linear TV would be dead in "5 to 10 years." Hastings is financially incentivized to say this. One of the biggest competitors for the largest streaming service on the planet is the set of totally free streaming channels that beam into any TV with an antenna, and their costlier friends on cable TV.

After Netflix reported losing subscribers for the first time in over a decade last quarter, the company's Q2 earnings report revealed (PDF) the number of worldwide subscribers dipped by 1 million, including a drop of 1.28 million in the US and Canada alone. The Verge reports: That's better than its projection of losing 2 million worldwide, but the subscriber shortfall in the US and Canada is double the 600,000 drop it reported for Q1. Netflix now reports it has 73.28 million paid subscribers in the US and Canada, and 220.67 million worldwide.

Revenue increased 9 percent year over year from $7.3 billion in 2021 to $7.97 billion this quarter. Although the streamer ran into a couple of hiccups in recent months, including two separate layoffs affecting hundreds of workers, there was some good news. The season 4 release of Stranger Things boosted the series to the second most-watched show on the service, trailing behind the Korean-language hit Squid Game, which Netflix announced in June will be returning for a second season. Last week, Netflix announced a partnership with Microsoft on a new lower priced ad-supported subscription plan that it expects to launch by early next year. Netflix execs remain optimistic about the prospect of an ad-supported tier, noting that "over the long run, we think advertising can enable substantial incremental membership (through lower prices) and profit growth (through ad revenues)."

The company also recently began its crackdown on password sharing by creating an "extra member" fee for users who share accounts with people they don't live with. "The extra member fee of about $2 to $3 per month was implemented in Chile, Costa Rica, and Peru, with Netflix saying it would evaluate the rollout before making changes in other countries," reports Ars Technica.