From a report: Filmmaker Craig Zobel has been tapped by HBO Max to direct the first two episodes of The Penguin, its much-awaited Batman spinoff. He will also serve as executive producer of the show, with Lauren LeFranc writing the script. Starring in The Penguin is Colin Farrell, who played the villainous Oswald Cobblepot in The Batman earlier this year. The Penguin will focus its attention on Cobblepot's notorious past and trace his rise to power in Gotham.

Zobel is already part of the family, having previously directed The Mare of Easttown for HBO Max. The prolific director also applied his talents to episodes of Westworld, The Leftovers, and American Gods...

If all goes according to schedule, viewers could be enjoying The Penguin by the end of 2023.
The article also notes that Zobel also helped co-create Homestar Runner in its original incarnation as a parody children's picture book.

Friday Amazon released the season finale for The Lord of the Rings: The Rings of Power. But Amazon's 8-episode first season "might have been best known for its extravagant price tag," jokes the Los Angeles Times. It ultimately cost $700 million — making it the most expensive TV show ever — and they note one viewer's assessment that "Visually, it's great. All the money in production shows..." (The Times' critic called it "visibly expensive.")

But can you quantify whether the show is good, great, or something out of Mordor? The Times cites reports that more than 100 million Amazon Prime viewers watched some part of the show (with the premier attracting 25 million viewers on its first day — a new record for the streaming service). Yet they also add that "It's no surprise that a long-gestating TV show based on the mythology behind a beloved fantasy series has garnered mixed reviews from audiences. (In the main, critics have been more positive, according to review aggregation sites like Rotten Tomatoes and Metacritic)."

And CNN is a little less charitable: After initial reviews admired the scope and visual grandeur, though, more critical voices have drifted into the naysaying column, pointing out — as the Daily Telegraph's Duncan Lay put it — that the series "managed to be both pretentious and boring." Forbes' Erik Kain sounded a similar note, writing that after the opening chapters, "The Rings of Power" has demonstrated "how quickly a badly written TV series can wear out its welcome once the shimmer fades."
But there's also this from Business Insider: Creators J.D. Payne and Patrick McKay promise that if viewers were disappointed with season one's story because they expected more Sauron, then they'll dig the second season, which started filming earlier this month. "There may well be viewers who are like, 'This is the story we were hoping to get in season one!,'" McKay told The Hollywood Reporter. "In season two, we're giving it to them."
Indeed, this season accomplished "the hard work of setting up who all those characters are," Amazon Studios head told Variety — possibly hinting again at that surprise reveal of Sauron in the season finale.

And according to The Hollywood Reporter, the show's creators have high hopes for its impact on Season Two: "There's something that Milton does in Paradise Lost that we talked about a lot. Where he makes Satan a really compelling character... Season one opens with: Who is Galadriel? Where did she come from? What did she suffer? Why is she driven?" says Payne. "We're doing the same thing with Sauron in season two. We'll fill in all the missing pieces."

"Sauron can now just be Sauron," McKay adds. "Like Tony Soprano or Walter White. He's evil, but complexly evil. We felt like if we did that in season one, he'd overshadow everything else. So the first season is like Batman Begins, and The Dark Knight is the next movie, with Sauron maneuvering out in the open."

Starting in November, Netflix will roll out its ad-supported tier for $6.99 a month, yet another sign that the onetime disruptive upstart streaming service has slowly become a cable package by another name. From a report: Netflix announced today that its new Basic with Ads tier is slated to launch on November 3rd, 2022, for $6.99 in the US, Australia, Brazil, Canada, France, Germany, Italy, Japan, Korea, Mexico, Spain, and the UK. In exchange for making you watch an average of four to five ads per hour that run anywhere from 15-30 seconds, Basic with Ads will give subscribers access to a large swath of Netflix's programming but not the platform's full catalog. A small selection of television shows and movies will not be available to Basic with Ads subscribers due to licensing restrictions that Netflix says it's currently working on. Additionally, Basic with Ads subscribers will not be able to download content onto their devices, and video quality is capped at 720p / HD.

Today, Microsoft and Apple announced a number of deeper integrations of Apple services on both Windows PCs and Xbox game consoles, including Music and TV apps for both platforms and the ability to browse your iCloud Photo Library within the Windows 11 Photos app. Ars Technica reports: The Apple Music app for Xbox is already available. Existing users can download the app and start listening to their playlists and stations, while new users can sign up for a one-month trial. The user interface for Apple Music on the Xbox is almost exactly the same as the one we've used before on Apple TV hardware. It doesn't add any new features we haven't seen before, but it's nice to see parity between the platforms. The Music and TV apps for Windows aren't available yet, but the companies say they'll both be available next year.

The Windows iTunes app lets users listen to songs and watch TV and movies purchased through Apple's online store. Even though Apple Music will arrive on Windows, iTunes will continue to be available, and users will still be able to access Podcasts and Books there. While you'll have to wait until next year to download the Music and TV apps in Windows, the iCloud Photo Library integration is available right now. You'll have to download the iCloud Windows app (which is already used to sync a variety of things, like browser bookmarks) and opt into syncing your iCloud Photo Library. After that, both videos and photos should be available within the Windows 11 Photos app.

An anonymous reader quotes a report from TorrentFreak: The Motion Picture Association (MPA) has sent its latest overview of notorious piracy markets to the US Government. The Hollywood group, which also represents Netflix, lists a broad variety of online piracy threats. Aside from traditional pirate sites, it also includes domain registries, hosting providers, advertisers, and apps. [...] The MPA report typically provides a detailed overview of the piracy landscape. This year, the USTR further asked rightsholders to explain how piracy impacts US workers. According to the movie industry group, the effect is significant. "In 2020, there were an estimated 137.2 billion visits to film and TV piracy sites globally, which cost the U.S. economy at least $29.2 billion in lost revenue each year. Specifically, piracy has been estimated to reduce employment in our industry between 230,000 and 560,000 jobs," MPA writes, citing external research. The MPA notes that piracy is a global problem that requires cooperation from the broader Internet ecosystem. Services that see themselves as neutral intermediaries, operating parts of the core Internet infrastructure, should take responsibility. "All stakeholders in the internet ecosystem -- including hosting providers, DNS providers, cloud services, advertising networks, payment processors, social networks, and search engines -- should actively seek to reduce support for notoriously infringing sites," MPA writes.

The industry group views Cloudflare as part of this group and mentions the US company by name in its submission. "Cloudflare's customers include some of the most notorious, longstanding pirate websites in the world, including the massively popular streaming site cuevana3.me and The Pirate Bay," MPA notes, adding that repeated notices of infringement elicited no action on Cloudflare's part. The notorious markets list is limited to non-US operations, so Cloudflare itself isn't one of the MPA's targets. Various other Internet services are, including several third-party intermediaries. The MPA's list of notorious markets calls out domain name registries, including the Russian .RU registry, and the companies that maintain the records for the .CH, .CC, .IO, .ME and .TO domain names. These continue to keep pirate sites on board, despite numerous complaints. The same is true for the payment provider VoguePay, which is reportedly quite popular among IPTV services. In addition, advertisers such as 1XBET and Propeller Ads are called out as well. The latter company rebutted MPA's accusations last year but that didn't prevent it from being highlighted again.

Hosting companies are also cited as intermediaries that could and should do more. Instead, some find themselves appealing to pirate services with products such as "bulletproof" hosting. Squitter.eu and Amaratu are two such examples, the MPA reports. In addition to third-party intermediaries, there is also a category of services that caters to pirates directly. These "piracy as a service" (PaaS) companies offer tools that allow people to start a pirate site with minimal effort. "PaaS encompasses a suite of often off-the-shelf services that make it easy for would-be pirates without any technical knowledge to create, operate, and monetize a fully functioning pirate operation," MPA writes. [...] Actual pirate sites themselves are also mentioned, including the usual suspects The Pirate Bay, RARBG and YTS. In addition to torrent sites, the MPA also lists direct download hubs, streaming portals and linking sites, including Uptobox.com, Fmovies.to and Egy.best. Various dedicated piracy apps get a mention as well, and the MPA further includes a long list of unauthorized IPTV services. The anti-piracy group says that it has identified more than a thousand pirate IPTV platforms, so the list provided to the USTR is certainly not exhaustive. In fact, the MPA says that all companies, sites, and services are part of a broader piracy problem. Those flagged in the MPA's report are just examples of some of the worst offenders, nothing more. A list of all sites and services that are highlighted and categorized in MPA's notorious markets submission (PDF) can be found in the article.

Samsung has confirmed the first third-party smart TV makers to ship with its Tizen operating system (OS), with several manufacturers preparing to launch Tizen-powered TVs this year across Europe and Australasia. From a report: Tizen, for the uninitiated, is a Linux-based OS hosted by the Linux Foundation for more than a decade, though Samsung has been the primary developer and driving force behind the project, using it across myriad devices, including smartwatches, kitchen appliances, cameras, smartphones and TVs.

Although Samsung has essentially abandoned Tizen in smartphones and smart watches, TVs have remained fertile ground for Tizen to flourish, chiefly due to the fact that Samsung is the biggest selling TV maker globally. But while recent figures from Dataxis show that Tizen's market share in 2020 was roughly one-third in terms of installation base, the number has been slowly creeping downward with the likes of Android TV and Roku edging upward.

"Iran's state-run broadcaster was apparently hacked on air Saturday," reports the BBC, "with a news bulletin interrupted by a protest against the country's leader."

While such incidents are "historically rare," they add that more recently,this incident follows "widespread open dissent" It comes after at least three people were shot dead when protesters clashed with security forces in new unrest over the death of Mahsa Amini. s Amini was detained in Tehran by morality police for allegedly not covering her hair properly. The 22-year-old Iranian Kurd died in custody on 16 September, three days after her arrest. Her death has sparked an unprecedented wave of protest across the country.

Saturday's TV news bulletin at 21:00 (17:30 GMT) was interrupted with images which included Iran's supreme leader with a target on his head, photos of Ms Amini and three other women killed in recent protests. e of the captions read "join us and rise up", whilst another said "our youths' blood is dripping off your paws".

The interruption lasted only a few seconds before being cut off.
Thanks to Nodsnarb and ttyler (long-time Slashdot reader #20,687) for sharing the story.

"John Galvan was arrested at 18 and spent 35 years in prison for a crime he didn't commit," writes the Innocence Project, a nonprofit specializing in legal exoneration.

"In 2007, John Galvan was about 21 years into a life sentence for a crime he didn't commit when he saw something on the prison television he thought might finally help him prove his innocence and secure his freedom: A re-run of an episode of the Discovery Channel's MythBusters."

At the time of his arrest, they write, Galvan had been handcuffed to a wall for hours, physically beaten, and ultimately "agreed to give a confession that was completely fabricated by the detectives to end the abuse" — that Galvan had started a fire in an apartment building "by throwing a bottle filled with gasoline at the building and then tossing a cigarette into the pool of gasoline on the porch to ignite it." And then 21 years later... In his cell, a 39-year-old John watched as the hosts of MythBusters struggled repeatedly to ignite a pool of gasoline with a lit cigarette, despite fervent attempts. Based on the ignition temperature of gasoline and the temperature range of a lit cigarette, the show's hosts had initially hypothesized that a lit cigarette might be able to ignite spilled gasoline as they had seen on TV and in movies. But after several failed attempts to start a fire, including rolling a lit cigarette directly into a pool of gasoline, the team determined it was highly unlikely that dropping a cigarette into gasoline could cause a fire....

The show's findings were confirmed in 2007, by experiments conducted by the U.S. Bureau of Alcohol, Tobacco, Firearms, and Explosives (ATF), which made more than 2,000 attempts to ignite gasoline with a cigarette under various conditions. The bureau's experiments even included a vacuum that increased the cigarette's temperature to the level it would typically reach when being sucked and spraying a mist of gasoline directly onto the lit cigarette. All of the attempts failed. "Despite what you see in action movies, dropping a lit cigarette on to a trail of gasoline won't ignite it, assuming normal oxygen levels and no unusual circumstances," said Richard Tontarski, a forensic scientist and then chief of the ATF's fire research laboratory.

In 2017, when John finally had his evidentiary hearing on his post-conviction claims, [his attorney Tara] Thompson and his legal team presented multiple alibi witnesses, in addition to seven witnesses who testified to being tortured by the same officers who had coerced his confession, documents showing that police had fabricated probable cause to arrest him, and an arson expert who testified that John's false confession was scientifically impossible.... In 2019, the appellate court granted John post-conviction relief on the grounds of actual innocence — a rarity in Illinois — largely based on the abuse used to coerce a false confession from John.

The court concluded that without John's false confession, which he did not give voluntarily, "the State's case was nonexistent."
Thanks to long-time Slashdot reader Sleeping Kirby for sharing the story!

An anonymous reader quotes a report from Ars Technica: In the early 2000s, Americans who wanted to catch the local weather forecast at any time might turn on their TV and switch over to Weatherscan, a 24-hour computer-controlled weather forecast channel with a relaxing smooth jazz soundtrack. After 23 years, The Weather Channel announced that Weatherscan will be shutting down permanently on or before December 9. But a group of die-hard fans will not let it go quietly into the night.

Launched in 1999, Weatherscan currently appears in a dwindling number of local American cable TV and satellite markets. It shows automated local weather information on a loop, generated by an Intellistar computer system installed locally for each market. Declining viewership and the ubiquity of smartphone weather apps are the primary reasons it's going offline. There are also technical issues with maintaining the hardware behind the service. "Weatherscan has been dying a slow death over the course of the last 10 years because the hardware is aging," says Mike Bates, a tech hobbyist who collects and restores Weather Channel computer hardware as part of a group of die-hard fans who follow insider news from the company. "It's 20 years old now, and more and more cable companies have been pulling the service." [...]

Hobbyists like Bates (who goes by "techknight" on Twitter) have collected the hardware necessary to run their own Weatherscan stations out of their homes. Some have also created software that simulates the service in a browser. [...] However, getting Weatherscan to run locally was a team effort, primarily by friends named Ethan, Brian, and Jesse. One of the Intellistar computer models behind the service runs FreeBSD on a Pentium 4-based PC in a blue rack-mount enclosure. It includes an ATI card for generating the graphics and a proprietary PowerPC-based card that pulls it all together to make it broadcast-ready. To get Weatherscan working at home, the group of friends found decommissioned Intellistar units on eBay and used forensic tools to reconstruct data from the hard drives, piecing together a working version of the Weatherscan software from multiple sources. Since then, they have exhibited their work at shows like the Vintage Computer Festival Midwest last month.

In an exclusive excerpt from William Shatner's new book, "Boldly Go: Reflections on a Life of Awe and Wonder," the Star Trek actor reflects on his voyage into space on Jeff Bezos' Blue Origin space shuttle on Oct. 13, 2021. Then 90 years old, Shatner became the oldest living person to travel into space, but as the actor and author details below, he was surprised by his own reaction to the experience. An anonymous reader shares an excerpt from the report: I looked down and I could see the hole that our spaceship had punched in the thin, blue-tinged layer of oxygen around Earth. It was as if there was a wake trailing behind where we had just been, and just as soon as I'd noticed it, it disappeared. I continued my self-guided tour and turned my head to face the other direction, to stare into space. I love the mystery of the universe. I love all the questions that have come to us over thousands of years of exploration and hypotheses. Stars exploding years ago, their light traveling to us years later; black holes absorbing energy; satellites showing us entire galaxies in areas thought to be devoid of matter entirely all of that has thrilled me for years but when I looked in the opposite direction, into space, there was no mystery, no majestic awe to behold... all I saw was death. I saw a cold, dark, black emptiness. It was unlike any blackness you can see or feel on Earth. It was deep, enveloping, all-encompassing. I turned back toward the light of home. I could see the curvature of Earth, the beige of the desert, the white of the clouds and the blue of the sky. It was life. Nurturing, sustaining, life. Mother Earth. Gaia. And I was leaving her. Everything I had thought was wrong. Everything I had expected to see was wrong.

I had thought that going into space would be the ultimate catharsis of that connection I had been looking for between all living things -- that being up there would be the next beautiful step to understanding the harmony of the universe. In the film "Contact," when Jodie Foster's character goes to space and looks out into the heavens, she lets out an astonished whisper, "They should've sent a poet." I had a different experience, because I discovered that the beauty isn't out there, it's down here, with all of us. Leaving that behind made my connection to our tiny planet even more profound. It was among the strongest feelings of grief I have ever encountered. The contrast between the vicious coldness of space and the warm nurturing of Earth below filled me with overwhelming sadness. Every day, we are confronted with the knowledge of further destruction of Earth at our hands: the extinction of animal species, of flora and fauna... things that took five billion years to evolve, and suddenly we will never see them again because of the interference of mankind. It filled me with dread. My trip to space was supposed to be a celebration; instead, it felt like a funeral.

I learned later that I was not alone in this feeling. It is called the "Overview Effect" and is not uncommon among astronauts, including Yuri Gagarin, Michael Collins, Sally Ride, and many others. Essentially, when someone travels to space and views Earth from orbit, a sense of the planet's fragility takes hold in an ineffable, instinctive manner. Author Frank White first coined the term in 1987: "There are no borders or boundaries on our planet except those that we create in our minds or through human behaviors. All the ideas and concepts that divide us when we are on the surface begin to fade from orbit and the moon. The result is a shift in worldview, and in identity." It can change the way we look at the planet but also other things like countries, ethnicities, religions; it can prompt an instant reevaluation of our shared harmony and a shift in focus to all the wonderful things we have in common instead of what makes us different. It reinforced tenfold my own view on the power of our beautiful, mysterious collective human entanglement, and eventually, it returned a feeling of hope to my heart. In this insignificance we share, we have one gift that other species perhaps do not: we are aware -- not only of our insignificance, but the grandeur around us that makes us insignificant. That allows us perhaps a chance to rededicate ourselves to our planet, to each other, to life and love all around us. If we seize that chance.

An anonymous reader quotes a report from CNBC: Even as Americans cut back in the face of rising prices and recessionary fears, fewer want to give up their streaming subscriptions, especially when it comes to TV, movies and music services, such as Amazon Prime, Netflix and Spotify. Roughly two-thirds of consumers said they will have to decrease their spending due to inflation; however, only about a quarter plan to cancel such subscriptions in the months ahead, according to a recent report by the National Research Group. Most people said they were more likely to cut back on dining out, groceries and clothing.

Consumers are least likely to cancel Amazon Prime, TV and movie streaming services and home security systems, the report found, even over food and gasoline. Just over half, or 51%, also said subscriptions now make up a "significant" portion of their monthly spending. On average, U.S. consumers estimate they spend $135 a month and 17.8% of their monthly budget on subscriptions, the National Research Group found. The report polled more than 2,500 adults in August.

"Paramount Global executive David Nevins, who has run the premium network Showtime since 2016, is leaving the company at the end of year," reports CNBC. According to the report, it may help give the media conglomerate "more flexibility to potentially merge Showtime into Paramount+." From the report: Along with his departure, Paramount Global is restructuring Showtime in ways that could give the company flexibility to effectively end Showtime as it's existed for decades -- as an independent premium cable network churning out prestige hits such as "Dexter," "Weeds," "Billions," "Homeland" and "Yellowjackets." Paramount Global announced Thursday that it's moving Showtime's network business under the leadership of Chris McCarthy, who runs other linear cable networks such as MTV and Comedy Central, and the streaming service under Tom Ryan, who runs Paramount Streaming.

The moves come as the company is considering the idea of merging Showtime into Paramount+ and using the network's hit programming to fuel Paramount+ subscriptions, according to people familiar with the matter. The company's goal is to have Paramount+ be one of the five largest global streaming services, along with Warner Bros. Discovery's HBO Max, Amazon's Prime Video, Netflix and Disney+, said the people, who asked not to be named because the discussions are private. No decisions about Showtime's future have been made, and no changes are imminent, the people said.

One obstacle to pushing Showtime together with Paramount+ is existing pay TV distributor agreements. The Wall Street Journal reported last month that Paramount has discussed simply shuttering the standalone Showtime network with at least one pay-TV partner. Another idea under consideration by Paramount Global executives is to move Paramount+ originals and movies to Showtime, effectively making Showtime a mirror to Paramount+'s content that doesn't appear on other TV networks, two of the people said. That could assuage pay-TV providers, who could adjust pricing against the merged streaming product. [...] Eliminating Showtime as an independent entity would also come with cost savings from head count reductions, such as Nevins' departure, and technology and marketing duplications.

Not to be outdone by Meta's Make-A-Video, Google today detailed its work on Imagen Video, an AI system that can generate video clips given a text prompt (e.g., "a teddy bear washing dishes"). From a report:While the results aren't perfect -- the looping clips the system generates tend to have artifacts and noise -- Google claims that Imagen Video is a step toward a system with a "high degree of controllability" and world knowledge, including the ability to generate footage in a range of artistic styles. As my colleague Devin Coldewey noted in his piece about Make-A-Video, text-to-video systems aren't new. Earlier this year, a group of researchers from Tsinghua University and the Beijing Academy of Artificial Intelligence released CogVideo, which can translate text into reasonably-high-fidelity short clips. But Imagen Video appears to be a significant leap over the previous state-of-the-art, showing an aptitude for animating captions that existing systems would have trouble understanding. "It's definitely an improvement," Matthew Guzdial, an assistant professor at the University of Alberta studying AI and machine learning, told TechCrunch via email. "As you can see from the video examples, even though the comms team is selecting the best outputs there's still weird blurriness and artificing. So this definitely is not going to be used directly in animation or TV anytime soon. But it, or something like it, could definitely be embedded in tools to help speed some things up."

Fandom is rolling up a suite of entertainment and gaming content properties -- including TV Guide and Metacritic -- in a deal with digital-marketing company Red Ventures worth about $50 million. Variety reports: San Francisco-based Fandom acquired GameSpot, Metacritic, TV Guide, GameFAQs, Giant Bomb, Cord Cutters News and Comic Vine under the deal. The sites collectively attract 46 million monthly active users, according to Fandom. Financial terms of the pact were not disclosed; a source familiar with the deal pegged it "in the mid-eight figures," with Fandom paying the roughly $50 million for the properties in cash. Red Ventures had acquired TV Guide, Metacritic and GameSpot in 2020 as part of its $500 million deal to buy the CNET Media Group from Paramount Global.

Founded in 2004, Fandom today hosts more than 250,000 user-curated wiki pages spanning pop culture, gaming, TV and film -- reaching some 300 million monthly active users. Fandom was founded by Jimmy Wales, Wikipedia co-founder, and entrepreneur Angela Beesley Starling. In 2018, Fandom was sold to a company backed by venture-capital firm TPG headed by Jon Miller.

The latest deal continues Fandom's expansion beyond its wiki-based roots. In 2018, Fandom acquired ScreenJunkies, producers of the popular "Honest Trailer" series, from now-defunct digital media company Defy Media. The company acquired Curse Media in 2019 which brought together gaming wikis with integrated digital gaming tools. In 2021, Fandom acquired Fanatical, a an online video-game retailer. Fandom Productions, the content arm of Fandom, will house GameSpot, TV Guide and Metacritic, along with the Honest Trailers team and the weekly video news program "The Loop."

With Stadia coming to an abrupt halt, gamers want Google to issue a software update for the controllers that unlocks Bluetooth to allow them to work wirelessly with other game systems. It would also "avoid a lot of plastic and circuit board trash," adds Ars. From the report: Stadia's controllers were custom-made to connect directly to the Internet, reducing lag and allowing for instant firmware updates and (sometimes painful) connections to smart TVs. There's Bluetooth inside the Stadia controller, but it's only used when you're setting up Stadia, either with a TV, a computer with the Chrome browser, or a Chromecast Ultra. The Google Store's page for the Stadia controller states in a footnote: "Product contains Bluetooth Classic radio. No Bluetooth Classic functionality is enabled at this time. Bluetooth Classic may be implemented at a later date." (Bluetooth Classic is a more traditional version of Bluetooth than modern low-energy or mesh versions.) That potential later date can't get much later for fans of the Stadia controller. Many cite the controller's hand feel and claim it as their favorite. They'd like to see Google unlock Bluetooth to make their favorite something more than a USB-only controller and avoid a lot of plastic and circuit board trash.

"Now if you'd just enable Bluetooth on the controller, we could help the environment by not letting them become electronic waste," writes Roadrunner571 on one of many controller-related threads on the r/Stadia subreddit. "They created trash and they at least owe it to me to do their best within reason to prevent millions of otherwise perfectly good controllers from filling landfills," another wrote. Many have called for Google, if they're not going to push a firmware update themselves to unlock the functionality, to open up access to the devices themselves, so the community can do it for them. That's often a tricky scenario for large companies relying on a series of sub-contracted manufacturers to produce hardware. Some have suggested that the full refunds give Google more leeway to ignore the limited function of their devices post-shutdown. It's worth noting that you can still plug a Stadia controller into the USB port on a Smart TV, computer, or gaming console and use it as a controller through a standard HID (Human Interface Device) connection. But, currently, it's not possible to connect the controllers wirelessly, unless you go through a lot of effort.

Today, Nielsen announced that Roku plans to enable four-screen measurement across desktop, mobile, connected TV and traditional TV. This is the first time Roku will use the digital methodology, Nielsen One, the data measurement firm's cross-media measurement tool, which launches in December. TechCrunch reports: With Nielsen's forthcoming tool, the firm claims that the company is on track to provide a consistent and comparable cross-media solution. Nielsen also claims that, with Nielsen One, marketers running ads with Roku are guaranteed duplicate copies of repeating data are eliminated.

"Marketers can now better evaluate CTV inventory's unique reach and frequency in conjunction with their entire Roku buy in a comparable and comprehensive manner, and advertisers can reduce waste and help ensure that relevant ads are delivered to the right audiences across devices. This release brings us one step closer to providing comparable and deduplicated metrics across screens with Nielsen One," said Kim Gilberti, SVP, Product Management, Nielsen, in a statement.

The data measurement firm wrote in today's announcement that its relationship with Roku dates back to 2016 when Roku allowed its marketers to measure campaigns with Nielsen Digital Ad Ratings measurement. Nielsen announced Nielsen One in 2020. Earlier this year, it was revealed that YouTube would be the first media company to try the new tool. Roku is the second company to enable cross-media measurement.

[T]he Scribe brings something altogether new to the line: writing. For the first time since the first Kindle was introduced in late-2007, Amazon's added the ability to write on-device with a stylus. TechCrunch reports: Amazon's entry in the space has a 10.2-inch screen and a design partially reminiscent of the premium Kindle Oasis, include a large side bezel (no page turn buttons, unfortunately) you can hold onto while reading. It has a battery the company rates at "weeks," keeping in line with its fellow readers. At 433 grams, it's (predictably) the heaviest Kindle, which could put a bit of a crimp in those bedtime reading marathons. The device ships with its own stylus, which magnetically snaps on the side -- similar to what you see on a lot of tablets. The stylus doesn't requiring charging, and instead relies on EMR (electro-magnetic resistance) -- that means, among other things, that other styli will likely work with the Scribe, though the company cautions against that (naturally), stating that their own is tuned specifically for work on the Kindle.

A more premium model will also be made available with a built-in button for quick actions. These styli allow for a variety of different line styles, though the tips are permanent, so that's happening through the on-board software accessible via a software toolbar. The company says it specifically designed the display/stylus combo to mimic the feel of a pen on paper. [...] Strangely, handwriting recognition will be missing at launch, though the feature is almost certainly on the company's roadmap. It will, however, have a newly Streamlined software offering, allowing files to be shared off the device through the Kindle app, a web browser or email. The company also says it has updated the notoriously outdated Send to Kindle feature to help remove some of the friction from the process. Meanwhile, a deal with Microsoft will bring Word functionality to the product at some point early next year. [...] Preorders for the $340 device start today, with shipping expected before the holidays (think November). Amazon announced more than ten new products at their event, including four new Echo devices, a new TV, and sleep tracker. CNBC highlights the biggest announcements in their report.

Australia's second-largest telecommunications company, Optus, has reported a cyber-attack. The breach exposed customers' names, dates of birth, phone numbers and email addresses. From a report: The company - which has more than ten million subscribers - says it has shut down the attack but not before other details such as driver's licences and passport numbers were hacked. Optus says payment data and account passwords were not compromised. The company said it would notify those at "heightened risk" but all customers should check their accounts. Chief executive Kelly Bayer Rosmarin apologised to its customers, on ABC TV. She said names, dates of birth and contact details had been accessed, "in some cases" the driving licence number, and in "a rare number of cases the passport and the mailing address" had also been exposed. The company had notified the Australian Federal Police after noticing "unusual activity." And investigators were trying "to understand who has been accessing the data and for what purpose."

An anonymous reader quotes a report from Motherboard: Chess's top-ranked player, Magnus Carlsen, has finally spoken about the ongoing alleged cheating scandal that has rocked the chess world for the last several weeks and was reignited when Carlsen resigned in protest after making one move against Hans Niemann. Niemann, of course, was accused of cheating against Carlsen earlier this month, but no one has been able to prove this, nor has a mechanism for the supposed cheating been proven.

"I think the whole world is wondering, what is the reason you withdrew [against Niemann]?" a newscaster with Chess24 asked. "Unfortunately I cannot particularly speak on that," Carlsen said. "But, you know, people can draw their own conclusion and they certainly have. I have to say I'm very impressed by Niemann's play, and I think his mentor Maxine Dlugy must be doing a great job." "I will not comment on that," he added when asked if he was accusing Niemann of cheating. He was then asked if he was accusing Dlugy, who is a chess grandmaster, of helping Niemann cheat: "No, I will not say more about that subject ... I hope to say a little bit more after the tournament." Carlsen was then asked if he thought cheating was a problem in chess. "I think individual people will answer the question differently depending on their own experiences. Regardless of whether it's a massive problem or not, it's, I think, fairly easy to cheat. On a general basis, cheaters in the future, it should not be taken lightly neither online nor over the board."

Chess watchers believe that by namedropping Maxine Dlugy, Carlsen is putting down more breadcrumbs. Dlugy is is a Russian-born, American chess grandmaster who currently operates the Chess Max Academy in Manhattan. In July, Dlugy posted a photo with "my student Hans Niemann," congratulating him on "becoming a top 50 player in the world! Go Hans!" After Niemann beat Carlsen earlier this month, Dlugy posted a congratulatory message: "Just 16 months ago or so, I recommended to Hans to really focus on endings. He devoted a lot of time to this pivotal part of the game and today I am proud to say that his endgame play is sufficient to beat the reigning World Champion from a better position. That's powerful! Hans Niemann -- Chess speaks for itself!"

Redditors were quick to point out, however, that Dlugy has his own controversy. Dlugy has been removed twice from a weekly Chess.com tournament called Titled Tuesday, in 2017 and 2020. Benjamin Bok, a chess grandmaster and Twitch streamer, for example, made a whole segment delving into some of Dlugy's old Chess.com matches and pointing out that Dlugy was suddenly removed from Chess.com with no explanation: "Generally that only means one thing," Bok said, not elaborating on what it means, but heavily implying that it means he was caught cheating. "Draw your own conclusions. Draw your own conclusions. That's all I'm going to say." "Question becomes: Is perhaps Dlugy Hans' accomplice, in case Hans is cheating? We'll have to wait and see," Bok says. "But the fact that Magnus makes that statement and drops his name, it means that he knows something we don't know. You can't just drop someone's name in there without really knowing stuff. I feel like he knows something really big."

An anonymous reader quotes a report from Protocol: Google is gunning for Dolby Atmos and Dolby Vision: The company is looking to introduce two new media formats to offer HDR video and 3D audio under a new consumer-recognizable brand without the licensing fees hardware manufacturers currently have to pay Dolby. Google shared plans for the media formats, which are internally known as Project Caviar, at a closed-door event with hardware manufacturers earlier this year. In a video of the presentation that was leaked to Protocol, group product manager Roshan Baliga describes the goal of the project as building "a healthier, broader ecosystem" for premium media experiences. The company's primary focus for Project Caviar is YouTube, which does not currently support Dolby Atmos or Dolby Vision. However, Google also aims to bring other industry players on board, including device manufacturers and service providers. This makes Project Caviar one of Google's most ambitious pushes for open media formats since the company began working on royalty-free video codecs over a decade ago.

Google's open media efforts have until now primarily focused on the development of codecs. The company acquired video codec maker On2 in 2009 to open source some of its technology; it has also played a significant role in the foundation of the Alliance for Open Media, an industry consortium that is overseeing the royalty-free AV1 video codec. Project Caviar is different from those efforts in that it is not another codec. Instead, the project focuses on 3D audio and HDR video formats that make use of existing codecs but allow for more rich and immersive media playback experiences, much like Dolby Atmos and Dolby Vision do. Baliga didn't mention Dolby by name during his presentation, but he still made it abundantly clear that the company was looking to establish alternatives to the Atmos and Vision formats. "We realized that there are premium media experiences where there aren't any great royalty-free solutions," he said, adding that the licensing costs for premium HDR video and 3D audio "can hurt manufacturers and consumers."

Dolby makes most of its money through licensing fees from hardware manufacturers. The company charges TV manufacturers $2 to $3 to license Dolby Vision, according to its Cloud Media Solutions SVP Giles Baker. Dolby hasn't publicly disclosed licensing fees for Atmos; it charges consumers who want to add immersive audio to their Xbox consoles $15 per license, but the fee hardware manufacturers have to pay is said to be significantly lower. Still, in an industry that long has struggled with razor-thin margins, every extra dollar matters. That's especially true because Dolby already charges virtually all device makers a licensing fee for its legacy audio codecs. A manufacturer of streaming boxes that wholesale for $50 has to pay around $2 per unit for Dolby Vision and Dolby Digital, according to a document an industry insider shared with Protocol. "For lower-cost living room devices, the cost may be prohibitive," Baliga said during his presentation.