An anonymous reader quotes a report from Techdirt: The "cord cutting" phenomenon the cable and broadcast sector long denied or downplayed simply shows no sign of slowing down. According to the latest data by Leichtman Research, the top U.S. pay TV companies lost another 785,000 subscribers last quarter as younger Americans continue to shift to streaming video, over the air antennas, or free services like TikTok and YouTube. While alternative pay TV services (streaming on demand and live streaming) services saw a 701,000 subscriber jump during the third quarter, traditional cable companies lost an estimated 981,674 subscribers depart for greener pastures. Phone companies (AT&T, Verizon) and traditional satellite TV companies (DirecTV, Dish) lost 701,000 paying subscribers during the quarter.

Leichtman's analysis never really answers why consumers continue to flee traditional cable (high prices, bloated channel bundles, bullshit fees, comically terrible customer service), instead only focusing on the fact that this was the third best quarter for streaming services in history: "Spurred by a strong quarter from Internet-delivered vMVPD services, pay-TV net losses of about 785,000 in 3Q 2022 were more modest than in the first two quarters of the year," said Bruce Leichtman, president and principal analyst for Leichtman Research Group, Inc. "Not including YouTube TV, which does not regularly report subscriber totals, vMVPDs had nearly 900,000 net additions in the quarter. This was the third most quarterly net adds ever for the top publicly reporting vMVPD services."

A torrent site user accused of downloading and uploading at least 120TB of movies, TV shows, eBooks, music and software, has avoided an immediate prison term. The 28-year-old was arrested as part of a police operation against DanishBytes. A member of the same site was sentenced earlier this month after he uploaded Netflix content obtained using hacked credentials. TorrentFreak reports: Early November 2021, Denmark's Public Prosecutor for Special Economic and International Crime (SOIK) announced that six people had been arrested following criminal referrals by Rights Alliance. All were members and/or operators of ShareUniversity and DanishBytes. Prosecution of site operators is not uncommon but when it's deemed in the public interest, pirate site users can also face charges. Every case is unique so criteria differ, especially across national borders, but when evidence shows large volumes of infringement, successful prosecutions become more likely. That was the case when a former DanishBytes user was sentenced last week. According to Danish anti-piracy group Rights Alliance, the 28-year-old man was a regular site member and wasn't involved in running the site. That being said, evidence showed that for the period January 2021 to November 2021, he downloaded and/or uploaded no less than 3,000 copyrighted works, including movies, TV shows, music, books, audiobooks and comics.

Information released by the National Unit for Special Crimes (NSK), a Danish police unit focused on cybercrime, organized crime, and related financial crime, reveals that the user's traffic statistics interested prosecutors. "During the period, the man downloaded no less than 100 TB and uploaded no less than 20 TB of copyrighted material," NSK says. BitTorrent trackers operating a ratio model usually insist on a better ratio of downloads to uploads but DanishBytes' situation was out of the ordinary.

The site launched in January 2021 in the wake of other sites being shut down, so had to get going from a standing start with no users. Even when arrests were being made, the site still had a relatively small userbase, which can limit opportunities to upload more. That may have been a blessing in disguise. Faced with the evidence, the man decided to plead guilty and was sentenced last week at the Court in Vibourg. In common with similar prosecutions recently, he received a suspended conditional sentence of 60 days' probation, 80 hours of community service, and confiscation of his computer equipment. The case against the DanishBytes user began with a Rights Alliance investigation and a referral to the police. As part of his sentence, the man must pay the anti-piracy group DKK 5,000 (US$600) in compensation but Rights Alliance director Maria Fredenslund is focused on the deterrent effect of another successful prosecution.

Netflix's trailblazing DVD-by-mail rental service has been relegated as a relic in the age of video streaming, but there is still a steady -- albeit shrinking -- audience of diehards who are happily paying to receive those discs in the iconic red-and-white envelopes. From a report: Netflix declined to comment for this story but during a 2018 media event, co-founder and co-CEO of Netflix Reed Hastings suggested the DVD-by-mail service might close around 2023. When -- not if -- it happens, Netflix will shut down a service that has shipped more than 5 billion discs across the U.S. since its inception nearly a quarter century ago. And it will echo the downfall of the thousands of Blockbuster video rental stores that closed because they couldn't counter the threat posed by Netflix's DVD-by-mail alternative.

Shortly before breakup from video streaming, the DVD-by-mail service boasted more than 16 million subscribers, a number that has now dwindled to an estimated 1.5 million subscribers, all in the U.S., based on calculations drawn from Netflix's limited disclosures of the service in its quarterly reports. Netflix's video streaming service now boasts 223 million worldwide subscribers, including 74 million in the U.S. and Canada. "The DVD-by-mail business has bequeathed the Netflix that everyone now knows and watches today," Marc Randolph, Netflix's original CEO, said during an interview at a coffee shop located across the street from the post office in Santa Cruz, California.

An anonymous reader quotes a report from Ars Technica: The Comcast "Broadcast TV" fee that isn't included in the company's advertised prices is rising again, tacking as much as $27 onto the monthly bills of cable TV users. Comcast's Broadcast TV and Regional Sports Network fees combined could add nearly $40 to a customer's monthly TV bill after next month's price hikes, all while Comcast advertises much lower prices than people actually pay. "Comcast has started notifying customers and municipalities that it plans to raise video and Internet prices next month, including a whopping $7.35 a month increase for the Broadcast TV fee in one town," a TV Answer Man article said on Saturday. The $7.35-per-month increase is in Taunton, Massachusetts, where Comcast said the Broadcast TV fee will rise from $18.65 to $26.

The Broadcast TV fee is rising from $24.95 a month to $27.25 a month starting on December 20 in Sandown, New Hampshire, a letter (PDF) from Comcast to town government officials said. In Sandown, the Regional Sports Network fee is rising from $11.85 to $12. The TV Answer Man report also said several towns in Michigan were "alerted that the Broadcast Fee will rise from $14.80 to $20.70 a month while the monthly Regional Sports fee will go from $9.50 to $10.15." These are just a few examples as Comcast is raising prices nationwide.

The Broadcast TV charges added to customer bills vary by region. Comcast says the fees are based on the amounts that "broadcast stations charge us to carry them on our cable systems." It's true that Comcast has to pay retransmission consent fees to carry the stations, even though stations can be accessed for free over the air with an antenna. But the sneaky manner in which Comcast and other cable companies pass those costs on to customers can lead to bill shock and unexpected price increases. Comcast's advertised prices do not include the Broadcast TV or the Regional Sports Network fees even though these fees account for a large portion of customers' actual monthly bills. On Comcast's ordering website, the base prices are listed along with a message stating that Broadcast TV and Regional Sports fees are "extra" and that the price is "subject to change." The Broadcast TV and Regional Sports fees also aren't included in how Comcast calculates promotional pricing and thus can be raised even when a customer's promotional rate hasn't expired. Comcast says it's also raising the base prices of monthly service plans, saying the average increase nationwide is 3.8 percent.

Comcast's statement on the price increases blamed the rising cost of video programming but said the overall increases are lower than the most recent inflation rate: "TV networks and other video programmers continue to raise their prices, with broadcast television and sports being the biggest drivers of increases in customers' bills. We're continuing to work hard to manage these costs for our customers while investing in our broadband network to provide the best, most reliable Internet service in the country and to give our customers more low-cost choices in video and connectivity so they can find a package that fits their lifestyle and budget. Our national average increase of 3.8 percent is about half of the most recent rate of inflation."

Some people turn on closed captions because they like how it helps them understand the plotlines of shows and movies, and multitask in front of the tube. Others turn them on because they can't hear what actors are saying. That doesn't always mean they are hard of hearing. From a report: Muddled audio is the top reason why more people are watching video with on-screen text, according to a May survey commissioned by language-teaching app Preply. As more video-production studios embrace advanced audio formats for at-home content, not every device can keep up. Plenty of viewers can't keep up, either.

"If you have people talking or shouting during the adventure scenes, the explode-y sounds are way higher than the dialogue," said Melanie Brooks, a 43-year-old professional musician in Boston. Catching some of the lines in her favorite fantasy and adventure TV series is hard without captions, she added. People tend to blame their flat-screen TVs for bad sound. The tube TVs of decades past had front-facing speakers that sent audio toward you, while new, super-thin models have speakers that are behind the screen or point downward, bouncing sound away from you. But your TV is just one of the culprits. The rest of the problem lies within virtually every other step of the audio process, from a studio's production choices to the device used to watch the content, said Richard Nevens, senior director of audio-hardware product management at Avid Technology, which specializes in audio- and video-editing tools.

Sound mixers combine all the sound in the video, including dialogue, music and background noises, into the audio we hear when we watch movies and shows. The professionals have advanced audio capabilities at their disposal, but they might not translate clearly on devices that aren't built to support state-of-the-art audio, Mr. Nevens said. For this reason, a movie designed to sound great in a giant theater might not sound the same on your smartphone -- or your TV.

Netflix agreed to some exclusive theatrical distribution for "Glass Onion" and "Matilda the Musical," but it's not clear exhibitors will get much more. From a report: "Glass Onion: A Knives Out Mystery," the much-anticipated follow-up to the 2019 sleeper hit directed by Rian Johnson, was supposed to be the moment Netflix crossed the Rubicon. Rather than give the film a perfunctory theatrical release -- a strategy designed to ensure most viewers ultimately watch a movie on the streaming service -- Netflix, in a first, would give the film a traditional, exclusive run in a large number of cinemas. It didn't happen.

After much back and forth, and contrary to the wishes of some Netflix employees and Mr. Johnson, a theatrical release for "Glass Onion" that at one point some people inside the company hoped would reach up to 2,000 screens ended up at 638 in the United States. The movie, which was released on Wednesday and has received positive reviews, will run in theaters for just one week before becoming available on Netflix on Dec. 23. What was supposed to be the moment to prove the value of theaters to the streaming giant will not come to pass. Yet the company is also involved in another intriguing theatrical experiment this weekend, one that could end up providing Netflix with even more valuable feedback.

On Friday, "Matilda the Musical," financed and produced by Netflix, will open on more than 1,500 screens in 670 locations across the United Kingdom and Ireland. The movie, starring Emma Thompson as the villainous Miss Trunchbull, will be released and promoted by Sony Pictures, which, in a unique one-picture deal, licensed the rights to Netflix on the condition that Sony could hold onto the United Kingdom for a theatrical release. ("Matilda," which is based on a stage musical that itself is based on a children's book by Roald Dahl, is beloved in the United Kingdom. The musical has been running in London's West End since 2011.) "It will be a good example of what could be done," said Tim Richards, founder and chief executive of Vue International, a London-based exhibitor with theaters in countries including the United Kingdom, Denmark, Germany and Italy. âoeIf there was ever a film made for the big screen, it's 'Matilda.'"

An anonymous reader quotes a report from Ars Technica: Google announced that Android's space-saving app file format, Android App Bundles (AABs), will finally be the standard on Android TV. By May 2023 -- that's in six months -- Google will require all Android TV apps to switch to the new file format, which can cut down on app storage requirements by 20 percent.

Android App Bundles were announced with Android 9 in 2018 as a way to save device storage by breaking an app up into modules, rather than one big monolithic APK (the old Android app format) with every possible piece of data. Android apps support a ton of different languages, display resolutions, and CPU architectures, but each individual device only needs to cherry-pick a few of those options to work. Android App Bundles integrate with the Play Store to create a dynamic delivery system for each module. Your phone communicates which modules it needs to the Play Store, and Google's servers bundled up an appropriate package and sent it to your device. It's even possible for developers to move some lesser-used app functionality into a bundle that can be downloaded on the fly if a user needs it. [...]

Google says Android App Bundles average around a 20 percent space savings compared to a monolithic APK, which will be a huge help for these storage-starved devices. Since 2021, they have been the required standard for phones and tablets, and in six months, TV apps will be required to use them, too. Developers who don't switch in time will have their TV apps hidden from search, so they'd better get to work! Google estimates that "in most cases it will take one engineer about three days to migrate."

Netflix's new anthology series "Kaleidoscope" will give viewers their own unique experience watching a team of skillful thieves attempt to pull off a robbery they've been planning for over 20 years. From a report: In a sneak peek clip, the cast and crew share the intricacies of the series and how it's making a new spin on the traditional anthology series. "Every episode had multiple connections to every other episode," said the show's creator, showrunner and executive producer Eric Garcia in the clip. Garcia is also one of the "Kaleidoscope" writers.

In the eight-part series, the audience will follow "a crew of masterful thieves and their attempt to crack a seemingly unbreakable vault for the biggest payday in history. Guarded by the world's most powerful corporate security team, and with law enforcement on the case, every episode reveals a piece of an elaborate puzzle of corruption, greed, vengeance, scheming, loyalties and betrayals," reads a description of the show, which premieres on Netflix Jan. 1.

Having trouble falling asleep, a writer for Vulture pondered a study from February in the Journal of Sleep Research that "runs refreshingly counter to common sleep-and-screens wisdom." For years, science and conventional wisdom have stated unequivocally that looking at a device — like a smartphone, tablet, laptop, or television — before bed is akin to lighting years of your natural life on fire, then letting the flames consume your children, your community, and the very concept of human progress....

Specifically interested in the use of "entertainment media" (streaming services, video games, podcasts) before bed, [the new February study's] researchers asked a group of 58 adults to keep a sleep diary and found that, if participants consumed entertainment media in the hour before bed, the habit was associated with an earlier bedtime as well as more sleep overall (though the benefits diminished if participants binged for longer than an hour or multitasked on their phones). Essentially, these researchers explored screen use before bed as a form of relaxation rather than a form of self-harm, which is exactly how I and probably 5 billion other people use it — as a way of distracting our minds from the onslaught of material reality just before we drift off to temporary oblivion.
Vulture's writer interviews Dr. Morgan Ellithorpe, one of the authors of the Journal of Sleep Research study and an assistant professor in the Department of Communication at the University of Delaware who specializes in media psychology. Dr. Ellithorpe is a proponent of intentional media use as a way to relieve stress, but she tells me that, in her research, she's found that the worst types of media to absorb before bed are those that have no "stopping point" — Instagram, TikTok, shows designed to be binge-watched. If you intend to binge a show, that might be fine: "Making a plan and sticking to it seems to matter," she says. We agree that humans are famously bad at that, and that's where the problems begin. The solution, Dr. Ellithorpe says, is figuring out why we're on our screens and if that reason is "meaningful." Are we turning to a screen in order to recover from an eventful day? Because we want something to talk about with our friends? Because we're seeking, as she puts it, a moment of "hedonic enjoyment"? The key is that you must be able to recognize when that need is fulfilled. Then "you're likely to have a good experience, and you won't need to force yourself to stop. But it takes practice."

Dr. Ellithorpe cites several studies for me to review — on gratification, mood-management theory, selective exposure, and self-determination theory — all of which, to various extents, grapple with the notion that human beings can make decisions to use media for purposeful things. "There's this push now to realize that people aren't a monolith, and media uses that seem bad for some people can actually be really good for other people." Although many researchers like Dr. Ellithorpe and her cohort are onboard with this push, she admits that "the movement has not filtered out to the public yet. So the public is still on this kick of 'Oh, media's bad.'"

And that's a huge part of the issue. "We sabotage ourselves when it comes to benefiting from media because we've been taught in our society to feel guilty for spending leisure time with media," Dr. Ellithorpe says. "The research in this area suggests that people who want to use media to recover from stress, if they then feel bad about doing so, they don't actually get the benefit from the media use."

But even Dr. Ellithorpe is prone to unintentional sleep moralizing, saying she is often "bad" and "on her phone two seconds before I turn off the light." She recommends watching a "low-challenge show" before bed and, like Dr. Kennedy, cites Stranger Things specifically as a dangerous pre-bed content choice because "you have to keep track of all the characters, remember what happened three seasons ago, and it's emotionally charged. It might be difficult afterward to come down from that and go to bed." In the end, she suggests watching whatever you want as long as it doesn't delay your bedtime.

The Spanish police have dismantled a network of pirated streaming sites that illegally distributed content from 2,600 TV channels and 23,000 movies and series to roughly 500,000 users. From a report: The law enforcement action took place in a joint operation involving the Spanish police and EUROPOL, resulting in the arrest of four operators in Malaga. Additionally, 95 resellers in Spain, Malta, Portugal, Cyprus, Greece, and the United Kingdom have been identified. The pirated TV network used numerous websites to advertise and promote subscription-based streaming services, listing unlimited access to channels from different platforms. The live streams from these platforms were decoded with stolen or abused accounts and passwords and then re-broadcasted to the subscribers' video player clients. The resellers bought the subscription packages from the organization operators and resold them to thousands of people in their local countries to profit from the price difference.

Netflix has introduced a new account management page called "Manage Access and Devices" that gives users the ability to remove access privileges from specific devices. The feature is available on the web and in the streaming service's Android and iOS apps. Ars Technica reports: Previously, users could see a list of devices that had recently accessed their accounts, and they could revoke access to all devices simultaneously, but they could not revoke access on a case-by-case basis. Each item in the list of devices will include an IP address-based location, a device type, and the user profile that most recently accessed Netflix from that device.

Netflix describes it as a security feature, in that it's useful to users who don't share their passwords at all. For example, you now have a way to clean up after yourself if you stayed at an Airbnb and signed into your Netflix account on the smart TV there but forgot to sign out before you left. Further, the page could help you identify if someone has gained access to your account via a compromised password.

Microsoft Gaming CEO Phil Spencer has revealed why the company delayed its plans to introduce an Xbox streaming console, speaking to Verge editor-in-chief Nilay Patel on The Verge's Decoder podcast this week. The Verge reports: "It was more expensive than we wanted it to be when we actually built it out with the hardware that we had inside," said Spencer, discussing the Keystone prototype device that recently appeared on his office shelves. "We decided to focus that team's effort on delivering the smart TV streaming app." Microsoft delivered an Xbox TV app in partnership with Samsung instead, but it doesn't mean the idea for a streaming-only Xbox console is fully over. "With Keystone, we're still focused on it and watching when we can get the right cost," reveals Spencer.

Microsoft wanted to aim for around $129 or $99 for this Xbox streaming device, says Spencer, and hints that bundling a controller with the streaming console, as well as Microsoft's silicon component choices, had pushed the price up closer to the $299 Xbox Series S. The choice to bundle a controller matches what Microsoft traditionally does with its Xbox consoles and was also Google's original approach to putting its discontinued Stadia cloud gaming service on TVs. But a cloud gaming TV stick or puck could support any controller you have if the hardware supports Bluetooth, so it's interesting Microsoft specifically wanted to bundle an Xbox controller, likely to make the user experience feel more seamless.

"Cixin Liu's sci-fi novel The Three-Body Problem can't stop jumping to other formats," reports Gizmodo: In addition to next year's Netflix series from The Terror: Infamy's Alexander Woo and Game of Thrones creators David Benioff and DB Weiss, last year saw the release of a serialized podcast (different from the audiobook version).

And for 2022, we've got an animated series that's premiering actually pretty soon.

Come December 3, an anime version of The Three-Body Problem will release on the Chinese streaming platform Bilibili. This series was originally announced in 2019 with a trailer, but things have been fairly quiet on that front up until now. Developed by CG studio YHTK Entertainment in partnership with The Three-Body Universe, a studio built specifically for the purpose of managing the franchise, a new trailer for the upcoming anime was released earlier in the week during a Bilibili anime showcase.
"Having enjoyed the book, I think it looks promising," writes Slashdot reader Camembert. The 2008 book was the first in Liu's hard sci-fi series Remembrance of Earth's Past — and according to Gizmodo, this is just the beginning: Bilibili's adaptation is the first of a larger initiative called the Three-Body Global Creator Project. Per the press release, animation studios across the world are permitted to explore the Remembrance franchise to showcase its global potential through various art and animation styles....

And if animation or Netflix aren't your bag, Tencent Video has made a live action version of The Three-Body Problem, though that version has yet to receive a release date.

"Apple is facing a class action lawsuit for allegedly harvesting iPhone user data even when the company's own privacy settings promise not to," reports Gizmodo: The suit, filed Thursday in California federal court, comes days after Gizmodo exclusively reported on research into how multiple iPhone apps send Apple analytics data, regardless of whether the iPhone Analytics privacy setting is turned on or off. The problem was spotted by two independent researchers at the software company Mysk, who found that the Apple App Store sends the company exhaustive information about nearly everything a user does in the app, despite a privacy setting, iPhone Analytics, which claims to "disable the sharing of Device Analytics altogether" when switched off.

Gizmodo asked the researchers to run additional tests on other iPhone apps, including Apple Music, Apple TV, Books, and Stocks. The researchers found that the problem persists across most of Apple's suite of built-in iPhone apps....

[I]n the tests, turning the iPhone Analytics setting off had no evident effect on the data collection, nor did any of the iPhone's other built-in settings meant to protect your privacy from Apple's data collection. Mysk's tests on the App Store found that Apple receives that data along with details that can identify you and your device, including ID numbers, what kind of phone you're using, your screen resolution, your keyboard languages and how you're connected to the internet — the kind of information commonly used for device fingerprinting.

Kevin Conroy, best known for voicing Batman on Warner Bros.' long-running TV show "Batman: The Animated Series," has died after a short battle with cancer. He was 66. Variety reports: "Batman: The Animated Series" originally aired for 85 episodes on Fox Kids from 1992-1995. Conroy's deep, gravelly Batman voice was widely acclaimed by critics and comic book fans, with many regarding the actor as the definitive Caped Crusader. The series also featured Mark Hamill's memorable performance as the Joker.

Conroy was so beloved for his Batman voice role that he continued with the character in various other DC projects, including the "Batman: Arkham" and "Injustice" video games franchises. He also appeared in various DC Universe Animated Original Movies, including "Batman: Gotham Knight" (2008), "Superman/Batman: Public Enemies" (2009), "Justice League: Doom" (2012), "Batman: The Killing Joke" (2016) and "Justice League vs. the Fatal Five" (2019), among other films. The 2019 "Justice League" animated film is Conroy's last credited feature as Batman, and his most recent video game credit as Batman is Warner Bros.' "MultiVersus" from earlier this year.

Italy's police said on Friday they had dismantled the country's largest network for online TV piracy, one that accounted for 70% of illegal streaming across the nation. From a report: The network had more than 900,000 users and yielded "millions of euros" in monthly profits, a police statement said. As part of the operation, premises were searched and material seized in more than 20 cities up and down the country, including Rome, Naples and Catania, the statement added. The raids were ordered by prosecutors in Catania, Sicily, who were due to give more details in a press conference later on Friday.

A large section of the destroyed space shuttle Challenger has been found buried in sand at the bottom of the Atlantic, more than three decades after the tragedy that killed a schoolteacher and six others. CBC.ca reports: NASA's Kennedy Space Center announced the discovery Thursday. "Of course, the emotions come back, right?" said Michael Ciannilli, a NASA manager who confirmed the remnant's authenticity. When he saw the underwater video footage, "My heart skipped a beat, I must say, and it brought me right back to 1986 ... and what we all went through as a nation." It's one of the biggest pieces of Challenger found in the decades since the accident, according to Ciannilli, and the first remnant to be discovered since two fragments from the left wing washed ashore in 1996.

Divers for a History Channel TV documentary first spotted the piece in March while looking for wreckage of a Second World War plane. NASA verified through video a few months ago that the piece was part of the shuttle that broke apart shortly after liftoff on Jan. 28, 1986. All seven on board were killed, including the first schoolteacher bound for space, Christa McAuliffe. The underwater video provided "pretty clear and convincing evidence," said Ciannilli. The piece is more than 4.5 metres by 4.5 metres, and likely bigger because part of it is covered with sand. Because there are square thermal tiles on the piece, it's believed to be from the shuttle's belly, Ciannilli said.

The fragment remains on the ocean floor just off the Florida coast near Cape Canaveral as NASA determines the next step. It remains the property of the U.S. government. The families of all seven Challenger crew members have been notified. "We want to make sure whatever we do, we do the right thing for the legacy of the crew," Ciannilli said.

The Bloomberg Terminal has updated its estimate of FTX CEO Sam Bankman-Fried's net worth on Nov. 8 to $991 million, down from $16 billion the day before. CryptoSlate reports: The reduced estimate that takes away SBF's billionaire status comes as the native token of the FTX exchange, FTT, fell over 83% to a low of just $2.67 from a daily high of $20.47. A large percentage of SBF's wealth is tied to his business activities with both FTX and Alameda Research, meaning a reduction in the price of FTT tokens would directly affect his personal wealth.

The crypto community on Twitter, never to shy away from adding comedy to tragedy, shared memes and anecdotes comparing SBF to Mark Zuckerberg and the fictional Russ Hannemann from the TV show Silicon Valley. Hannemann had a similar experience losing his "3 commas" status, becoming "just" a multimillionaire. In addition, many users commented that SBF's fall from grace outweighs most retail investors' 2022 losses.

Lauren Forristal writes via TechCrunch: Disney reported (PDF) results for the final quarter of its 2022 fiscal year today, revealing a total of 164.2 million Disney+ global subscribers, an increase of 12 million subs from 152.1 million in Q3. The flagship streaming service was only expected to gain 9.35 million subs. Across Disney's streaming services, Disney+, Hulu and ESPN+ had a combined total of 235.7 million subscribers, up from 221 million in the third quarter. The company beat expectations of 233.8 million. [...] However, the company fell short of expectations for total revenue, which was reported to be $20.15 billion. Wall Street estimated that Disney would report a 15% year-on-year jump in revenue to $21.3 billion. The direct-to-consumer division lost $1.5 billion. Disney+ is also set to launch a cheaper ad-supported version on December 8th as it looks to find more ways to earn revenue. The company also increased subscription prices for Disney+, Hulu, Hulu Live TV bundles and ESPN+ plans.

"An Apple archivist has had his YouTube account disabled after Apple filed multiple takedown requests against his account," reports the blog Apple Insider: Brendan Shanks, owner of the Apple WWDC Videos channel on YouTube, tweeted that Apple had filed a series of copyright removal requests against his channel. The videos in question were decades-old recordings of WWDC events.
"I still have all the original files (and descriptions, which were a lot of work!), and I'll be moving things over to the Internet Archive," Shanks posted on Twitter. "It'll take time though, and unfortunately videos get a lot less visibility when you're not on YouTube.

"I wasn't super surprised this happened (there were a few takedowns a couple years ago)," Shanks mused in an earlier tweet. "I'm honestly more annoyed that it wiped out my personal YoutTube account and even YouTube TV, which I was just billed real money for.

"A cease and desist in the mail would be much friendlier."