Sony Kills Betamax 373
Hiawatha writes "Years after losing its grip on the consumer VCR market, Sony has announced that it will discontinue the Betamax format. "With digital machines and other new recording formats taking hold in the market, demand has continued to decline and it has become difficult to secure parts," Sony said in a statement." Finally. Although this is the prototypical example of good technology outdone by better marketing, it's an example of a company being stupidly obstinate about wanting to own a system, and shooting themselves in the foot. Update: 08/27 17:52 GMT by H : Yes, they were successful in broadcast, and to some degree overseas - but the commercial success was still severely limited to, say, VHS.
Fooey (Score:3, Funny)
Re:Fooey (Score:2, Interesting)
Also old VHS models without the automatic gain bullshit.
Feh.
And in mor important news: (Score:3, Funny)
Dang... (Score:4, Funny)
Re:Dang... (Score:2)
Doorstop? My Betamax machine is still in full working order. I figure I'll hang onto it for a few more years yet, and then make a killing by selling it as spare parts to those in need, now that Sony have discontinued them. After several failed attempts at amassing obscene amounts of wealth, this time my plan's foolproof. It has to work, right?
In other news: (Score:5, Funny)
Gah (Score:5, Insightful)
Not the ol' Beta-superiority-undone-by-better-marketing myth.
Beta was superior in ONE WAY: it had slightly better quality. Yes, I said slightly.
VHS, on the other hand, had a LOT of advantages:
a) Longer recording length, which is what really killed Beta
b) Less expensive players
c) Less expensive media
d) Non-proprietary
Bottom line, VHS was far superior in the areas that mattered.
Re:Gah (Score:3, Informative)
Sumner
Re:Gah (Score:2)
Horsehockey. We had a betamax player in '81-'82 or thereabouts, and for five years, its low speed was significantly better than the VHS, including the Hi Fi format. In particular, images didn't blur as much on playback. There was simply no comparison between it and standard VHS. Only HiFi came close, and yes, we did A/B comparisons on the same TV. At high speeds, the difference was less noticeable, but if you're taping off TV you don't use high quality except for a very few things.
The area that it wasn't as good as HiFi VHS was in sound, since HiFi VHS adopted the spinning head, giving an effective 30 ips playback rate, whereas the Sony was doing it linearly, at something like 1 or 2 ips. Otherwise, HiFi VHS only had about the picture quality of mid-level betamax.
This was obvious to anybody who had access to both, and it makes me really question their research and sources. Oh, yeah, Popular Electronics is their source. Well, that says it, man. I'm sure they can't hear the difference between Dahlquist and Pioneer speakers, either.
Re:Gah (Score:5, Informative)
Eventually the VHS people figured out how to do it, but for the first ten years or so you had to get out of fast forward mode in order to get a picture on the screen. Beta could do that from the get-go, and it made working with the tape, a lot faster and easier.
I'm sure someone who is really into video will take up the crusade of why beta is sooo much better than VHS, but eventually VHS more or less caught up, and the six hour tape thing was a really big deal, one in which Beta never could compete. Beta, while technologically superior, was cursed by poor political decisions on the part of Sony, and the tapes were too short anyway.
VHS was to Beta what Microsoft was to IBM back in the 80s -- the open architecture alternative. (Sorry, I had to throw that analogy in just to be cantankerous.)
Let's face it, DVD is a million times better than either VHS or Beta. And if you still need an old beta player, check your local thrift shops. There's more of them out there than you might think.
Re:Gah (Score:3, Interesting)
Our VHS circa 1982 lets you see the picture while you fast-forward. It also has a remote control with a cord on it, which is less than useful.
Still works, though mono audio forced it off the main TV long before DVD did the same for our newer VHS.
Sumner
Re:Gah (Score:3, Funny)
Our VHS circa 1982 lets you see the picture while you fast-forward. It also has a remote control with a cord on it, which is less than useful.
More useful than you may think - betcha never lost it in the couch.
Re:Gah (Score:2)
Nope, it didn't reach the couch. So it was always on a shelf in the closet.
The VCR had huge multicoloured buttons, too. The stop button was about 3" by 3". Easily to operate by foot, even with shoes on. Just in case you didn't feel like leaning over.
Sumner
Re:Gah (Score:2)
"VHS was to Beta what Microsoft was to IBM back in the 80s -- the open architecture alternative"
Here's another one: VHS was to Beta what IBM PC was to C64, Amiga, Atari ST, and Mac -- the open architecture alternative.
Re:Gah (Score:2)
Does the movie start? No, you have to understand how to manipulate menus (which differ on every DVD) to get from the stupid-ass opening menu to the actual movie.
I don't know about your DVD player, but mine has a play button on both the remote control and the unit. You don't normally have to go through the "stupid-ass" menus.
Re:Gah (Score:2)
Re:Gah (Score:2)
Re:Gah (Score:2)
Yeah, it costs a few bucks more than the single tray player but it doesn't cost nearly as much as replacing your DVDs because they all got scratched. I have replaced enough CDs over the years (I was an early adopter, I started in 1986, which wasn't all that early) that I wish they'd had a 400-CD jukebox years ago. Fortunately they have 'em for DVD, a pretty easy technology transfer I guess. Do yourself a favor and get one.
Re:Gah (Score:2)
One other thing: more licensing (Score:2)
Small wonder why Sony decided to de-emphasize the fight with JVC/Matsushita over home VCR formats and concentrate on the 8 mm and MiniDV videocassette formats for camcorders, where Sony had much more marketing success.
I do agree that VHS' longer recording times was a big factor in VHS' favor; remember on a T-120 tape VHS got there first with four-hour (LP mode) and six-hour (SLP or EP mode) recording. That proved to be a huge boon for folks who wanted to record an entire sporting event (baseball or American football) on one tape or record a whole week of shows on one tape (just in time for the rapid rise of David Letterman; NBC's Late Night with David Letterman was one of the most recorded-shows according to the Nielsen ratings during the 1980's).
Don't forget the porn angle, too... (Score:3, Interesting)
(Check out the book "Obscene Profits" by Frederick Lane.)
-Mark
Close to the truth (Score:2, Informative)
Rebuffed by Sony the guys who wanted to sell porn tapes for people to view in their homes (visionaries that they were) turned to VHS and the rest is history. Sure after the fight was over Sony went ahead and let porn movies be released on their precious tapes but it was too late.
That's the way it happened from someone old enough to remember it.
Re:Gah (Score:4, Insightful)
Both beta (Sony) and VHS (JVC) were proprietary formats, and both were licensed to other companies. Betas were made also by Zenith and Sanyo. However, Sony justifiably regarded their VCRs as a high-end product, and charged a premium (and presumably for licenses as well).
I don't believe that shorter recording length killed beta. Long-play L750 tapes were available well before the decline of beta. VHS maintained a length advantage with their larger cassettes, but it was modest. Neither was there much difference in media cost, although with the decline of beta, beta blank tapes became more of a specialty item, and more costly.
I think what really killed beta was the rise of videtape rental. And in fact, it the fall of beta coincided with the spread of video rental shops. As long as people bought VCRs to time-shift and archive shows for TV, Sony's high-end strategy was viable. But people began to use their players mainly for watching rented movies, and carrying both formats doubled the cost for video rental outlets. A store could do better by focusing on VHS tapes, since the cheaper VHS machines sold more widely. Greater availability of rentals for VHS encouraged sales of VHS players, widening the gap between beta and VHS--which encouraged video shops to cut back even further on beta stock in favor of VHS. By the time Sony finally gave up and started making VHS players, many rental outlets offered exclusively VHS tapes.
In other news... (Score:2, Funny)
You mean Coke II? (Score:3, Informative)
Coca-Cola, Inc. announces it is discontinuing its "New Coke" line of products.
New Coke was renamed [snopes.com] to "Coke II" in 1990. Apparently, Coca-Cola Co. still sells Coke II in some metropolitan areas. [coca-cola.com]
--
ENJOY COCAINE! [evilpigeon.net]
"good technology outdone by better marketing" (Score:3, Interesting)
I don't necessarily doubt this but I'd love to see the detail.
Re:"good technology outdone by better marketing" (Score:4, Informative)
"True, except for the recording length, Sony pioneered most of the improvements over the years, but the VHS manufacturers caught up to each improvement, usually in less than a year. So, for instance, within a month of Sony's announcement of Beta Hi-Fi, JVC and Panasonsic announced VHS Hi-Fi formats...Comparisons between VCRs with similar features showed no significant differences in performance. In fact, most of the differences could only be seen with sensitive instruments, and likely would never show up on most consumer grade television sets. [5] In particular, the qualitative differences between the two formats were less than the differences between any two samples from the same manufacturer. [8]"
Sumner
Re:"good technology outdone by better marketing" (Score:3, Insightful)
--trb
JVCs Open Licensing v. Sony's Obstinance the Key (Score:5, Insightful)
Pre-recorded media wasn't a factor until long after the VHS-Beta battle was over. Almost no one was buying movies back then
The urbanlegends link portrays one perspective (and is quoted as an authority, although in truth it is no more authoritative than any other perspective), however, other early players in the consumer video market have argued a much different perspective.
At any given point in time, Beta was noticably better than VHS in features/quality (recording length excepted, although almost no one uses the 8 hour super-slow really-crappy record mode that I know), so saying "VHS caught up" really sidesteps the entire question of why VHS won, given that at any point in the battle VHS was on the losing side of the "technically better" argument.
What really killed Beta, according to some players at the time, was Sony's asinine licensing, or rather, the lack thereof, in direct contrast to JVC's willingness to license VHS to pretty much anyone willing to write a check. The entire event is very analogous to Apple undercutting other power-pc manufacturers, or Sun undercutting other sparc manufacturers, Sony was very stringent in who they would license Beta to.
The result was that there were four or five competing VHS brands, against Sony's Beta. Consumers correctly perceived a competitive market on the one hand, and a Sony proprietary market on the other, and as they did with Intel vs. Everyone else (remember, Intel allowed for competing motherboard and computer manufacturers, IBM notwithstanding), consumers went for the format that had clear competition.
The other factor of having multiple VHS manufacturers is the perception that VHS was already a standard catching on, while Sony was the sole promoter of Beta. Whether consumers chose VHS because they saw competition, or because they perceived it as having caught on (since there was competition), or simply because of price, the fact remains that the deciding factor was licensing and the presence of multiple vendors, not the quality of the underlying format.
In a sense that could be called 'marketing', but more correctly VHS's success is attributable to its 'licensing.'
Re:Licensing: licensed VHS to pretty much anyone (Score:2)
But if you want to watch porno, your choices were not as appealing. You could drive to a nasty neighborhood XXX theater or try to get a hold of 16mm film and a projector. With VCRs you could mail order a tape that you could watch in your own home. That's a killer app.
Re:Licensing: licensed VHS to pretty much anyone (Score:2)
Not true. I have a friend who inherited a couple of Beta decks from his brother-in-law a few years ago, along with a few hundred tapes, both prerecorded and home-recorded. And three or four of the prerecorded tapes are extremely shitty early/mid-80's vintage porn titles - I have no idea how common or popular it was, but porn on Beta did exist ;)
Re:"good technology outdone by better marketing" (Score:2)
Also, Beta's picture was noticeably superior to VHS's picture right up to the introduction of S-VHS around 1986, long after VHS had "won" the format war. Anybody with a halfway decent 27" television would be able to see the difference. The way Beta wrapped the tape around the head drum was also superior, leading to less wear and tear on the tape and making it easier to implement "special effects" like freeze frames, slow motion and especially viewing the picture during fast winding.
The article did do a good job of refuting the bogus claim that Sony was slow to license Beta. They were in fact trying to acquire partners right from the start (JVC turned them down because they were nearly complete with VHS), and did manage to get some big players onboard. Sanyo sold millions of mostly lower-priced Beta decks from the late '70s through the mid '80s, for example.
What killed Beta was the shorter recording time, plain and simple. When VHS debuted with its 2 hour recording time, Beta was stuck with a 1 hour recording time. After a year or so Sony introduced a slower recording speed that allowed for 2 hour recording (with a slightly degraded picture quality), but by then it was already too late - VHS was ahead in the market (having then-gigantic RCA onboard as a partner didn't hurt VHS's chances, either). When the VHS camp shot back with their own slower speeds (allowing for 6 hours of recording per tape, at substantially degraded fidelity) it was all over for Beta.
The lesson here being that people are cheap, and care more about the cost of tape than about picture quality - a fact the HDTV crowd should keep in mind.
The final blow: Super VHS (Score:2)
One thing the Urban Legends page forgot to mention was the fact that it was the VHS camp that produced the first major improvement in picture quality for home VCR's with the Super VHS format in 1987; in SP mode it had a resolution of over 400 lines, far better than broadcast quality and almost as good as Laserdiscs. Sony's attempt to fight back with the Beta ED format flopped because no one outside Sony produced Beta ED machines and Beta ED tapes were quite expensive--far more so than Super VHS tapes.
Today, new Super VHS machines are still being produced, and you can easily buy S-VHS tapes.
Re:"good technology outdone by better marketing" (Score:5, Informative)
Beta did have an ever so slightly higher horizontal reolution (the way most TV video sources are measured) than VHS. I wanna say 350 lines vs. 320, or something asinine like that. But, technically, it was better.
For the better majority of Beta's life, though, Sony was the only company who made players. They didn't want anyone else getting a slice of the pie. When companies like Panasonic, Philips, RCA, etc. wanted to make a Beta player, Sony said, "no".
Enter JVC.
JVC came up with VHS. it's not quite as good, but they didn't have any real technical disadvantage. But (and this is the big thing), they would license technology. Philips, Panasonic, and RCA could now make a VCR. Now the consumer had a lot of choices: some companies could make stripped-down models, or models with different features, or what-have-you. Additionally, the customers who just have to have all of their equipment the same brand can do so.
It wasn't really marketing in the way someone wants to think (ads and so forth), it was just a better idea.
Think about it this way: Apple vs. PC. If IBM's technology had stayed completely proprietary, and Compaq had never reverse engineered the system, there's a good chance Apple or even some other platform would've won. Instead, there are 1,000s of brand-names for PC and still just one Apple.
Re:Come on folks, haven't you heard of PORN!!! (Score:2)
What they *really* want (Score:4, Interesting)
...is to kill the Supreme Court Betamax decision, now that they find that they'd rather have the ability of perfect control over media. Maybe they're hoping that by killing the technology the suit was over, the ruling will go away... :)
-Rob
Re:What they *really* want (Score:2)
Since nobody reads the article ... (Score:2)
Hemos is wrong (Score:2, Insightful)
Re:Hemos is wrong (Score:2, Informative)
We use BetaCam sp here, as well as Digital BetaCam. Those formats are still very much alive, though DVCAM has put a dent on BetaSP.
Beta*CAM* (Score:5, Informative)
Dumbasses (Score:2, Insightful)
This will not affect the Sony Broadcast Betacam (Score:2)
"Sony said it would continue to offer repairs and manufacture tapes for the format, adding the move would not affect its Betacam products for the broadcasting industry"
doesn't anyone read the articles these things point to? F*** almighty...
RB
Re:This will not affect the Sony Broadcast Betacam (Score:2)
what, you new here?
another urband legend entry (Score:2, Informative)
http://www.urbanlegends.com/products/beta_vs_vh
Betamax still made Sony lots of money (Score:2)
Re:Betamax still made Sony lots of money (Score:2)
It's easy to make VHS systems for >$100 each.
making them for $100 each, that's the trick.
-l
duh... (Score:2)
should be less than $100, not great than.
duh.
Betamax? (Score:3, Interesting)
Re:Betamax? (Score:2)
Betamax is still huge for people who do video editing.
Re:Betamax? (Score:2)
Ecchoing previous sentiments, Betamax is not used in production. Betacam is. Similar names, big difference
Betamax-Betacam (Score:4, Informative)
Betacam (Obsolete)
Betacam SP (Probably the most popular analog pro video format)
Digital Betacam (Excellent quality, very slight compression)
Betacam SX (Compressed Digital, Cheaper than above)
All formats, except for the original Betacam support not only Betamax style cassette, but also a large one with 3x recording time.
Good timing... (Score:4, Informative)
I have Premiere ($500ish), After Effects ($600ish), Photoshop ($600), and Lightwave ($1,600) as well. My $5,000 setup (my computer included) kicks the crap out of the TV studio I worked in a couple of years ago where one 3/4th Beta Deck cost around $20,000. The downside is that I don't quite get the color data that beta does. Can't say I miss it yet.
Price per performance has really changed in the last 5 years.
I wish I could record TV to MiniDV, though...
Re:Good timing... (Score:4, Informative)
I wish I could record TV to MiniDV, though...
Get a digital-analog bridge and you can. I've been using a Formac Studio [formac.com] with no problems. RCA/SVideo in, Firewire out or vice versa.
Re:MOD PARENT DOWN -1 offtopic... (Score:2)
Read my post. Never said it was. I said DV damn close to Betacam.
"Anyone who uses premiere and says they can do the same quality as broadcast is straight up lying to you..."
Um yeah you can. You call people liars, but ya don't say why they're wrong. Premiere doesn't destroy the DV data. If the DV is close to broadcast quality (and it's used in broadcast a ALOT) then Premiere can make the edits without loss of quality. You can pay more and get better products, that's a given. The point I was making was that I have a complete solution for $5,000 and ONE (1) of the components the TV Studio had cost over $20,000. I've already done profesionaly quality using Premiere and DV so arguing with me on this point would prove both fruitless and humiliating.
"same with lightwave...try XSI next time buddy."
Oh boy, another lame 3d religious debate. Never mind that Lightwave is the standard broadcast animation tool. XSI is cool (and costs more) but there is no die-hard reason to use it over LW unless you have a very specific feature you need from it.
So yeah, nice attempt to troll there. I can see why you hid behind an AC mask.
Re:Good timing... (Score:2)
Thank you. I never could keep those terms straignt in my mind. (I was just the CG guy, heh. Didn't work with tapes much.)
It took a lot of expensive equipment to get the video off those tapes and into a computer. Then one day I plug my $500 DV camera into my Firewire port and I have most of that capability here.
To anybody looking into doing broadcast quality 3D animation: $500 DV camera (Sony TRV-140), $50 firewire card, and a $600 copy of Premiere (Educational license MIGHT work and be cheaper...) are worth the purchase.
Let the obvious comments roll in... (Score:2)
Yawn. I'll bet there'll be lots of comments on how this is the prototypical example of good technology outdone by better marketing, and an example of a company being stupidly obstinate about wanting to own a system, and shooting themselves in the foot.
Oh wait...
In the foot? (Score:2)
I'm not sure that Sony shot themselves in the foot with Beta. Sure, it never really took off in the consumer segment, but it was the basis for years of professional equipment. And during all that time, Sony was perfectly happy to sell the consumer VHS VCRs.
There are lots of technologies that are used in professional settings that differ from consumer grade products. Creating a good and profitable professional product without a corresponding product for the mass market doesn't make it a failure.
What about SuperBeta? (Score:3, Interesting)
The format was great. It produced very nice resolution (which is needed for any kind of broadcasting, due to signal loss.) There are still television stations out there (particularly entertainment for military audiences) that still use the SuperBeta format. I'm wondering if Sony is going to force these stations to upgrade their facilities or if they will keep producing SuperBeta after the demise of Betamax.
Probably BetaCam (Score:3, Informative)
Basically, these a days you transfer your source material onto beta, then into the editing station, then you edit, then you transfer onto another beta for distribution and delete the material from the editing station. You don't delete the edits so if you need to tweak it later you can get it back from the source material beta. In the olden days you'd to the edits on a low res-version on the computer, then use the edits to stream the right frames from the source beta to the final beta.
You can use DVC but it is significantly lower quality in my (limited) experience. DVD-R makes more sense for the final these days though. The disks are cheap and play in many more places. I saw a BBC pilot distributed that way a few weeks ago.
Re:What about SuperBeta? (Score:2)
What you were seeing sounds like Betacam studio tapes, which were produced both in a smaller, Beta-sized form factor (30 minutes max) as well as a larger one that held up to 90 minutes. Betacam was a professional/industrial version of Beta that Sony introduced in the late 1980's I believe. It was based loosely on Betamax, but was not backwards compatible nor would it ever have been suitable for home use due to the short running time of the tapes - especially the smaller ones (though it was perfect for recording news stories).
Need some NFO?! (Score:3, Informative)
http://www.dvcentral.org/DV-Beta.html
Sony Corp.'s Betacam SP format is the standard of comparison of video tape recording formats. According to Sony Europe, more than 350,000 Betacam SP devices have been sold world-wide. The majority of broadcast electronic news gathering (ENG) operations currently use Betacam SP camcorders and VTRs. Virtually all broadcast stations require (or at least strongly prefer) Betacam SP source footage. Most clients of professional video production firms specify Betacam SP for industrial shoots and are likely to require videographers to use Sony or Ikegami camcorders. Although the M-II format from Panasonic Broadcast and Digital (formerly Television) Systems Company (PB&DSC) offers about the same performance as Betacam SP, Sony and Betacam SP are untouchable when it comes to brand recognition and status. As a result, all other video recording formats are ranked as "not up to Beta SP," "equal to Betacam SP," or "better than Beta SP." These comparisons, based on the beholders' perception of image quality, are reminiscent of the meaningless "broadcast quality" and "studio quality" bullet points on advertisements for consumer and low-end prosumer video gear.
The advent of the Digital Video (DV) format has ignited a controversy among current and prospective users of DV gear. Initially, arguments appeared regarding the "legality" of broadcasting NTSC DV's 480 instead of 483 active lines of video. Obviously, if broadcasting less than 483 active lines was illegal, all U.S. stations transmitting letterboxed movies would have by now lost their licenses. The subsequent controversy, DV's 4:1:1 vs. ITU-R BT.601-4 (formerly CCIR-601) 4:2:2 sampling, has generated thousands of messages in on-line forums, newsgroups, and listservers. This paper represents an attempt to dispel the rumor and innuendo surrounding the 4:1:1 versus 4:2:2 issue, especially as it relates to the "Is DV better (or worse) than Betacam SP?" controversy, and DV compression artifacts.
Once and for all... (Score:3, Informative)
From the Yahoo! article:
Sony said it would continue to offer repairs and manufacture tapes for the format, adding the move would not affect its Betacam products for the broadcasting industry.
GOT IT? Good. Don't post any more about how the broadcast industry is being hurt by this, or they're pulling the rug out from under them blah blah blah blah.
Now....on to the purpose of my post. We actually had a couple of Beta VCR's at my house for several years. My significant other enjoyed the format because...ready for this??....the tapes were smaller and took up less storage space (Groan..) But I liked the format because initially it did have better quality than VHS. And, with the evolution of the format, you could record nearly 2 hours of video on a tape, more than enough for a standard movie (Titanic fans, please don't flame me!!!)
On a little different note...Sony has a little present history doing this. Let me see by a show of hands (wait...no...that won't work)...uh...a show of posts, then, how many people own and operate a MiniDisk player on a regular basis? Anyone following the standards debate on Blu-ray?
Re:Once and for all... (Score:2)
Like right now, posting on Slashdot.
I also use it when I exercise... very handy device. Especially the 1$-2$ for 74 mins of music storage.
Re:A User Of MD and Betamax *ALMOST* Every Day (Score:2)
I still have my SL-HF1000, which, I think, was the fanciest Beta VCR Sony ever made (I had read about a special one for the 20th anniversary of Beta, but never saw it available for sale.) I haven't plugged it in for a few years, but it's there to play the boatload of Beta tapes I made after my son was born (using the first consumer camcorder, which I think was called Betacam, not to be confused with the pro format).
I too am a big Sony fan, though I never got into MiniDisc. My first TiVo was a Sony, though!
It was with a touch of sadness that I read this story. Yes, Sony took a great concept and screwed up its marketing and licensing. Ah well...
Betamax not Betacam (Score:5, Informative)
Noooooooo! Or wait... (Score:2)
Screw VHS, screw mpeg and screw "PVR", I record what I want when I want.
What I noticed (Score:2)
In other news... (Score:2)
DR-DOS is canceled because of increased competition from MS-DOS!
Coca-Cola cancels their production of "New Coke"!
and... (wait for it!)
Russia admits they lost the cold war!
clarification... (Score:2, Redundant)
Betamax was an excellent format for broadcast quality on site cameras (as stated in the article)... Beta is also a good format, but not nearly as good as betamax
Re:clarification... (Score:3, Informative)
Betacam is a broadcast format. Betamax (AKA "Beta") is a home format. They have little in common other than both being made by Sony.
Something I Didn't See (Score:2, Insightful)
I had always understood that part of the reason Sony lost the "format wars" was due to their fumbling introduction of two-hour Betamax machines. Supposedly, these machines would not play tapes recorded by the previous generation Betamax machines. I seem to remember that Sony got all huffy about complaints, which drove annoyed consumers looking for longer-recording times to buy VHS purely out of spite.
On another note - Does anyone remember the tape-stackers that you could buy for Betamax? They would allow you to stack four or so tapes into a cartridge that hung on the outside of the machine and then somehow rotate themselves in and out of the recorder! Can anyone say "Rube Goldberg"?
MjM
I only mod up...
Cowboy Bebop (Score:2, Funny)
OverLord
FYI (Score:2)
MemoryStick? (Score:2)
Obligatory Simpsons Reference (Score:2)
-- Snake inspects his haul, ``Itchy and Scratchy: The Movie'' (episode 9F03)
In the words of Snake... (Score:2)
"Oh No! Not Beta!"
Beta was King in Southern Wisconsin (Score:2)
time to convert for a/v companies and broadcasters (Score:2)
I guess they'll have to convert all the remaining betamax over now. It would really suck if in the process, the machine broke due to the increase in useage...
2000 more (Score:2)
Tecnology - Corporate R&D vs. Proprietary (Score:2, Interesting)
I never owned a Betamax but was involved up close and personal with similar technology model: IBM's Microchannel (introduced mid 80s - same timeframe as Betamax). Superior technology or so they said. IBM sold the PS/2 line with no ISA slots - only MCA. Ethernet was expensive - token ring was cheap (an IBM technology)... once IBM 'had' you, you were at their mercy. Few 3rd party companies would pay the IBM licensing fees for MCA cards except for the server market. Non-IBM token ring cards were like hen's teeth (Madge was one) so moving away without rewring the network was a tough call. EISA and PCI finally put an end to all that nonsense. After that, I never again heard 'no one was ever fired for recommending IBM'.
After that, I rarely got into RWARs over a vendor's technology. I try to keep my loyalities to myself and my company
As for Sonys' Betamax, the consumer market is similar in some respects and the network can be an analogy to tapes: If you own 100 beatamax tapes, what are the implications of switching to VHS? VHS is substandard! (I'm thinking about the IBM rep saying ethernet is collision detect - collisions! oh my!)
I own quite a bit of Sony A/V equipment, including a tv, receiver/amp, minidisk, dvd, camcorder and even a DAT recorder (nice white elephant, that). I went that way because of their single remote technology and s-link. None are propietary formats (despite other posts here, sharp, jvc, kenwood and others manufacture MD). In retrospect, I would have probably been better off with a portable MP3 player.
Only question is why did they carry BetaMax for so many years? For those with a tape investment, I really think Sony did them a big favor. Not many companies will support their loyalists like that.
why my friends care... (Score:3, Funny)
(don't ask)
And in Other News... (Score:5, Funny)
Similarly, the Sperry Rand Corporation has ceased all work on new UNIVAC models. Sales had dropped off in recent decades to the point where the financial viability of the line was no longer profitable. It was also noted that the availability of vacuum tubes played into the decision.
Finally, The Mayo Clinic has declared that it will no longer offer leeching as a method of treatment for bad blood humours. "We've found that Mr. Moogle's Magic Tonic works just as effectively without the unsightly hickies," noted Chief of Staff Wilhelm Norton.
Back to you Hemos...
Re:Beta in TV (Score:3, Informative)
Beta*CAM* (Score:2)
Actually reason VHS won the war (Score:2, Insightful)
This, obviously, sucks. And it meant that movies really couldn't be put onto Beta tapes without splitting them. VHS ruled the rental market because of this, and most people liked being able to record more hours of their own stuff, too.
So Beta wasn't perfect by any means. It wasn't mis-marketed, it just wasn't right for the market, period. In the beginning, anyway.
Re:Is it just me (Score:2, Funny)
Re:score +1, informative (Score:2)
Re:score +1, informative (Score:2)
bbh
One more (Score:2)
You forgot "Camcorder capture of movie in theatre converted to DivX"! According to Jack Valenti, we all have several gigabytes of this video format on each of our hard drives.
GMD
Re:This gives me an idea... (Score:2)
Jon Acheson
Beta is irrelevant, pro TV is all digital now. (Score:2)
Professional level TV production and distribution went digital back in the 90's. It used to be you'd see racks of beta decks in production studios and control rooms. Now they're racks of servers.
Those people that still need beta decks are probably buying them used from people who don't need them any more.
As Groucho Marx once said, "time wounds all heels."
Jon Acheson
Re:Bad news... (Score:3, Insightful)
No it's not.
Even if you accepted the fact that Beta was superior to VHS, which many people would disagree with, you'd have a hard time finding even a rabid beta fan who claims it was VASTLY superior. I mean, VASTLY? Come on, that's ridiculous.
Beta lost because of technical inferiority; it just couldn't record enough for people's tastes, and the nebulous clearer image just didn't make up for that fact.
OK, I'll say vastly (Score:2)
But when it came to recording your own, our Beta-III deck produced tapes which were indistinguishable from orginal broadcast. We owned a Beta-II/III and a VHS/SVHS deck. When our friends asked why, we'd do show them a head-to-head comparison, Beta-II/VHS or Beta-III/SVHS. The betas won every time.
Is vastly the right word? Yeah, I think so. Look at it this way: my seat-of-the-pants estimate was that home VHS recording was 90 to 95% of broadcast quality, home Beta was 98 to 99%. That's only 3% or so. But it's vastly closer to 100% than VHS or SVHS ever got.
I'm sooo glad the Tivos/etc are finally bringing in a next gen technology.
Re:OK, I'll say vastly (Score:2)
I won't argue with your percieved conclusions, but it seems unless you were actually checking
later developments in either format for quality
with those two decks as a baseline, then your
sample is a bit limited in scope.
Gotta disagree... (Score:2)
As for why VHS won, it wasn't really technical inferiority, but _perceived_ technical inferiority. Yes, Beta could "only" achieve 270 min of record time on its slowest setting compared to 480 min on NTSC VHS, but realistically, unless you really didn't care about heavy static, the slowest VHS speed was virtually unwatchable. This leaves the best setting on Beta and VHS to 90 minutes and 160, respectively. Realistically, again just IMHO, Beta's second slowest setting was still a better format than VHS's fastest, and would hold 180 minutes on a 750' tape.
This is all moot, though, because of VHS's VASTLY superior marketing. 'Just say to Joe Sixpack, 'quality's arguable, but ours holds twice as much!' and you've got a marketing coup. Who cares that hardly anyone I knew would record more than one movie to a tape, and most people either taped over the same thing daily for their 'soaps', or bought prerecorded anyway!
Keep in mind, though, that many would argue that the _sole_ reason that Beta lost was because Sony insisted on keeping all of the IP rights associated with Beta. Their Japanese peers were forced into promoting a more 'open' format. Ergo, Open Source wins again!
Re:Gotta disagree... (Score:2)
Correction: Betamax was slightly less crappy (Score:2, Insightful)
Beta was slightly better.
Yes, it ran the tape over the head at a higher speed (good for fidelity with magnetic tape), but was narrower than VHS (bad for fidelity with magnetic tape). By the time "Hi-Fi VHS" arrived in the late 80's, the gap in quality was pretty much already closed.
No matter which type of tape you used, you still had the problems of the incoming signal quality, and those were the days before component video and S-video were common, so you were mushing the video and audio signal into an RF converter to send a coaxial cable to your TV antenna input on channel 3 or 4.
You can talk all you like about how nice a fast-forward looked on Beta tape, but who gives a crap how good the commercials look as you zip over them? I remember when my family bought their first VCR. We went with VHS, not becuase of popularity (rentals wouldn't catch on for a couple years, so what the neighbors used was a non-factor), but because Beta cost more, both for players and for tapes, and the tapes had shorter running times. A few years later, a friend of mine bought a Harmon Kardon "HiFi VHS" machine that looked and sounded every bit as good as my other friend's Sony Beta machine. Even Sony finally gave in and started making VHS machines in the end... and they were (and still are) some of the best consumer VCR's on the market.
Now it looks like PVR's like TiVo, and HDTV's wider screen (which most DVD's support but VHS does not) are causing VHS to die out, but it will probably cling to life for another 15 years, just like Beta did, because obsolete != useless. If it still works, and you can't afford the shiny new stuff, you will probably still use it.
The Matrix (Score:2)
-a
ahem, professional equipment largely betaCAM (Score:2)
Consumer BetaMAX players could not play betaCAM tapes so I doubt many pros bought them...
Although I don't doubt some garage shops uses betaMAX along the way, I think this categorization only serves to confuse the issue.