Legal services startup DoNotPay is best known for its army of "robot lawyers" -- automated bots that tackle tedious online tasks like canceling TV subscriptions and requesting refunds from airlines. Now, the company has unveiled a new tool it says will help shield users' photos from reverse image searches and facial recognition AI. The Verge reports: It's called Photo Ninja and it's one of dozens of DoNotPay widgets that subscribers can access for $36 a year. Photo Ninja operates like any image filter. Upload a picture you want to shield, and the software adds a layer of pixel-level perturbations that are barely noticeable to humans, but dramatically alter the image in the eyes of roving machines. The end result, DoNotPay CEO Joshua Browder tells The Verge, is that any image shielded with Photo Ninja yields zero results when run through search tools like Google image search or TinEye.

The tool also fools popular facial recognition software from Microsoft and Amazon with a 99 percent success rate. This, combined with the anti-reverse-image search function, makes Photo Ninja handy in a range of scenarios. You might be uploading a selfie to social media, for example, or a dating app. Running the image through Photo Ninja first will prevent people from connecting this image to other information about you on the web. Browder is careful to stress, though, that Photo Ninja isn't guaranteed to beat every facial recognition tool out there.

Beavers took down internet service for about 900 customers in a remote Canadian community this weekend after gnawing through crucial fiber cables, the Candian Broadcasting Corporation reported Sunday. From a report: The outage, which has since been resolved, also affected 60 cable TV customers and disrupted local cell phone service, according to a statement from the area's provider, Telus. Tumbler Ridge, a tiny municipality in northeastern British Columbia with a population of about 2,000 people, lost service for roughly 36 hours in what Telus described as a "uniquely Canadian disruption!"

"Beavers have chewed through our fibre cable at multiple points, causing extensive damage," said Telus spokesperson Liz Sauve in an email to Gizmodo. "Our team located a nearby dam, and it appears the beavers dug underground alongside the creek to reach our cable, which is buried about three feet underground and protected by a 4.5-inch thick conduit. The beavers first chewed through the conduit before chewing through the cable in multiple locations." After going down early Saturday morning, service was restored just before 6:30 p.m. ET on Sunday, Sauve confirmed. In its statement, the company said crews worked "around the clock" to address the issue and determine how far the damage continued up the cable line. Telus brought in additional equipment and technicians to tackle "challenging conditions" due to the fact that the ground above the cable is partially frozen this time of year.

Roku is warning its customers with YouTube TV subscriptions that the service could go dark in the coming days due to what it calls Google's "predatory" and "monopoly" behavior. From a report: In a lengthy statement, a Roku spokesperson blasted Google's actions in detail. The tech giant is "attempting to use its YouTube monopoly position to force Roku into accepting predatory, anti-competitive and discriminatory terms that will directly harm Roku and our users." The company has also sent an email to customers this morning expressing the concerns. Roku is arguing that YouTube and Google are out to manipulate the user experience to siphon data and tilt search results in YouTube's favor, among other complaints. It also maintains that Google could require Roku to spend money upgrading microchips or other equipment in order to accommodate YouTube TV. The current agreement between the companies will expire in the next few days. While the Roku statement did not specify a date, this week will see April end and May begin, a turning of the calendar that matches with most distribution contract deadlines.

The New York Times reports: Netflix still rules the streaming universe. As of the end of March, it had 207.6 million total paying subscribers, with about 67 million in the United States, the company noted in an earnings report on Tuesday. But its main competitors — Disney+, HBO Max, Paramount+ and AppleTV+, as well as the old-guard streamers Amazon Prime Video and Hulu — have cut into Netflix's share of viewers' attention... according to the data firm Parrot Analytics, which has developed a metric to rate not only the number of viewers for given shows, but their likelihood of attracting subscribers to a streaming service.

In its latest rankings, Parrot reported that Netflix's share of total demand — a measure of the popularity of its shows — was slightly above 50 percent for the first three months of the year, compared with 54 percent a year ago and 65 percent in the first quarter of 2019. In other words, competitors have started eating into Netflix's dominance.

That showed up in the numbers. For the first quarter of 2021, Netflix reported the addition of four million new customers, below the six million it had forecast. The company expects to add only one million new customers for this current quarter ending in June. Netflix shares plummeted about 10 percent in after-hours trading on Tuesday, after the earnings announcement...

Although competitors are gaining ground, Netflix is in its best financial shape of its history. It hit a milestone at the end of last year, when it said it would no longer look to borrow money to fund its content slate. Another way to look at it: Netflix finally became a truly profitable business after topping 200 million subscribers, each paying an average of $11 a month. In other words: Its competitors are still losing lots of money on streaming.

destinyland writes: Mystery Science Theater 3000 will be coming back — with a new home online. Though Netflix didn't pick them up for another season after 2019, "We still want to keep making new episodes," series creator Joel Hodgson explains in an online video on Kickstarter. (Also available through the URL MakeMoreMST3K.com.)

And with 12 days left to go, 18,969 online fans have already pledged $3,348,705, funding six new episodes...

But in addition the first $2 million funded the creation of the Gizmoplex, "our very own virtual online theatre," while the first stretch goal was also funded — the creation of MST3K apps for Android, iOS, and streaming services like AppleTV and Roku. "I'm tired of other people deciding if our show lives or dies," explains Crow T. Robot in the Kickstarter video. "I wanna do that." New host Jonah Heston adds, "If we want MST3K to keep going long-term, maybe networks aren't the most reliable option. Maybe it should be up to the fans to decide how long we keep going..."

Their next stretch goal of $4.4 million would fund three more episodes, but will also allow them to invite backers to the Gizmoplex for live monthly events, "for at least a year." And if they reach their goal of $5.5 million, they'll fund three more episodes — so an entire 12-episode season — as well as 12 short-subject films.

The ultimate hope is to host frequent live screenings, premieres, and community events in the Gizmoplex — while fans can even host their own MST3K watch parties whenever they want. And their Kickstarter page even suggests they might someday extend the Gizmoplex into virtual reality (accessible on computer and headsets).
I still remember how back in 2008 Joel Hodgson answered questions from Slashdot readers. "I've been a fan so long, I can't even remember when," posted CmdrTaco.

After 45 years, NBC's popular TV show "Saturday Night Live" has lined up its richest guest host ever. CNN reports: In one of the more surprising announcements in the recent history of "Saturday Night Live," the NBC variety show said Saturday that its next host will be Elon Musk, the eccentric CEO of Tesla and one of the richest people on the planet.
USA Today adds: The coveted slot, usually occupied by British actors like Carey Mulligan or former boy band members like Nick Jonas, is now reserved on May 8 for Tesla CEO and SpaceX chief engineer, Musk.

He'll be joined by musical guest Miley Cyrus...

The official Twitter page for "SNL" announced the news in its usual format, a photo of sticky notes with the guest's name. "SNL" captioned the tweet with three rocket ship emojis.

"An Oklahoma woman was recently informed that she was charged with felony embezzlement of rented property for not returning a VHS tape over 20 years ago," reports Business Insider: Caron McBride reportedly rented the "Sabrina The Teenage Witch" tape at a now closed store in Norman, Oklahoma in 1999, according to KOKH-TV. She was charged a year later, in March 2000, after it was not returned, KOKH-TV reported citing documents. McBride was notified about the charge by the Cleveland County District Attorney's Office when she was attempting to change the name of her license after she got married, the news station reported...

"I had lived with a young man, this was over 20 years ago. He had two kids, daughters that were 8, 10, or 11 years old, and I'm thinking he went and got it and didn't take it back or something. I have never watched that show in my entire life, just not my cup of tea. Meanwhile, I'm a wanted felon for a VHS tape," McBride told the news station.
"Documents show the movie was rented at movie place in Norman, Oklahoma, which closed in 2008..." reports one local news station: McBride said over the last 20 years, she's been let go from several jobs without being given a reason why, and said it now all makes sense. "This is why. Because when they ran my criminal background check, all they're seeing is those two words: felony embezzlement," McBride said.
"The DA's office says the charge was filed under a previous district attorney," reports a local Oklahoma station, "and after reviewing the case, they thought it was fit to dismiss it."

But McBride still has to get an attorney to expunge the incident from her record.

According to Sacramento CBS affiliate KOVR-TV, Yana Sydnor called the police to report a possible home invasion. Turns out, it was a robovac that her son turned on before leaving for the weekend. Android Police reports: At 1 a.m., she and her 2-year-old daughter woke up to loud booms coming from her stairs disrupting her meditation music. She texted her friends about the sounds before they quickly responded, urging her to call 911. "I hear someone walking down my stairs, so it's like boom, boom, boom, boom, boom," Sydnor recalls telling the dispatcher. Desperate to exit the house and avoid a run-in with the invader, she ran to the bathroom, put her daughter in the tub, and thought about grabbing a ladder to get them both outside to ground level.

Officers arrived within 10 minutes of Sydnor's call. They rammed the front door wide open only to find a poor robovac, fresh from a tumble down a flight of stairs. "My son turned on the vacuum cleaner because he didn't want to do chores before he left for the weekend," she explained to the reporter after a moment of exasperated silence. The vacuum hadn't been used for 2 years and, even after the fall, it still works. We couldn't make out the make and model of the robovac, so we don't quite know if it could stop itself from going over the ledge much less what exactly happened in this case if it did have the ability.

Jaguar Land Rover (JLR) is shutting its two main car factories temporarily due to a shortage of computer chips. From a report: The difficulties at Britain's biggest carmaker echo similar problems at other manufacturers, including Ford, who have been hit by a global shortage of chips. JLR said there would be a "limited period" of closure at its Halewood and Castle Bromwich sites from Monday. A mixture of strong demand and Covid shutdowns at chipmakers has also hit phone, TV and video games companies. Tata-owned JLR said in a statement: "We have adjusted production schedules for certain vehicles which means that our Castle Bromwich and Halewood manufacturing plants will be operating a limited period of non-production from Monday 26th April. We are working closely with affected suppliers to resolve the issues and minimise the impact on customer orders wherever possible." Production at a third factory, at Solihull, will continue. The Castle Bromwich factory makes the Jaguar XE, XF and F-Type models, and employs about 1,900 people. Halewood makes the Range Rover, Evoque and the Land Rover Discovery Sport, and has about 4,000 workers.

If possession is nine-tenths of the law, what happens when possession gets slippery? From a report: That's a question for a federal courtroom in Sacramento, California, where Apple is facing a putative class action over the way consumers can "buy" or "rent" movies, TV shows and other content in the iTunes Store. David Andino, the lead plaintiff in this case, argues the distinction is deceptive. He alleges Apple reserves the right to terminate access to what consumers have "purchased," and in fact, has done so on numerous occasions. This week, U.S. District Court Judge John Mendez made clear he isn't ready to buy into Apple's view of consumer expectations in the digital marketplace. "Apple contends that '[n]o reasonable consumer would believe' that purchased content would remain on the iTunes platform indefinitely," writes Mendez. "But in common usage, the term 'buy' means to acquire possession over something. It seems plausible, at least at the motion to dismiss stage, that reasonable consumers would expect their access couldn't be revoked." Apple tried other ways to slip away from claims of false advertising and unfair competition. For example, it tried the time-tested approach of challenging Andino's "injury" to knock his potential standing as a plaintiff.

An anonymous reader quotes a report from Gizmodo: Today, with the expansion of its Galaxy Upcycling at Home service (which is still in beta), users in the U.S., U.K., and South Korea will get access to an experimental feature in the SmartThings app designed to give an old Galaxy handset new life as a useful smart home accessory. By using the app to reconfigure the device's battery usage and optimization, Samsung says even older devices will still be able to deliver good longevity, while the phone's usual assortment of wireless connectivity features makes it easy to pair the phone with other devices in your home.

In the SmartThings app, Samsung provides a range of functions that an old smartphone can perform, including serving as a light sensor that can automatically turn on your smart lights or even your TV when it gets dark. Alternatively, you can also convert an old Galaxy phone into a sound sensor, with the phone using AI to detect common household noises like a barking dog, crying baby, or a knock on the door. In this way, you can also repurpose an old Samsung phone as a baby monitor of sorts [...]. And of course, even without much fiddling, upcycled Samsung phones can also be used as universal remotes, providing an easy way to control your streaming video box, play music on your smart speakers, control your lights, and more.

An anonymous reader quotes a report from Vox: The company plans to start selling subscriptions to podcasts and keeping a slice of each transaction for itself. Apple CEO Tim Cook briefly mentioned plans to roll out a subscription feature during the company's keynote event Tuesday, without offering more details. But a person familiar with Apple's plans has spelled it out to Recode:

- Starting next month, Apple will let podcast publishers sell subscriptions to individual shows or groups of shows, and set their own pricing, starting at 49 cents a month in the US.
- Apple won't require podcasters to create Apple-only exclusive shows, but it does want them to distinguish between stuff they're already distributing via Apple and stuff going up on other platforms: That could mean ad-free shows or shows with extra content or brand-new shows that only exist on Apple.
- Apple will keep 30 percent of any subscription revenue creators generate in their first year on the platform. After that, Apple's cut will drop to 15 percent. That's the same pricing scheme Apple already uses for other subscription services, like TV streamers.

As the 20-year-old International Space Station (ISS) starts showing its age, Russian Deputy Prime Minister Yury Borisov suggested Russia would back away from the ISS as early as 2025 to pursue a national space station. Science Magazine reports: Although he and other officials have since backpedaled from such a concrete date for withdrawal, Russian skepticism over the future of the ISS could complicate U.S. efforts to keep it operating until the end of the decade. "ISS partners would have a really hard time keeping the station functional without Russia," says Vitaly Egorov, an industry observer, writer, and former spokesperson for Dauria Aerospace, a Russian company.

On 18 April, Russia 1, a state TV channel, reported that Borisov told a meeting chaired by President Vladimir Putin, "We need to honestly inform our partners about leaving the ISS in 2025." In a statement to newswires released later that day, Borisov's office clarified his remarks and backtracked from the date. "A technical inspection is needed, and then we can make a decision and inform our partners," the statement said. But it reiterated that the ISS has run well past its original life span, and its condition "leaves much to be desired."

Seemingly downplaying Borisov's remarks this week, Dmitry Rogozin, who leads Roscosmos, the Russian space agency, said on Monday that Russia would not pull out of the ISS until the proposed new station becomes functional. "Pauses are deadly for human spaceflight," he wrote in a Facebook post. Rogozin later added that the new station, which does not have a name yet, could be based on one of the modules initially planned for the ISS.

The new Apple TV sports a more powerful A12 Bionic chip that lets it play HDR video at higher frame rates. It also comes equipped with a redesigned Siri remote. The Verge reports: The new Siri remote has an iPod-style scroll wheel, a five-way click pad, touch controls, a mute button, and a power button that can turn your TV on and off. Meanwhile, the Siri button is now on the side of the remote, and Apple says that the voice assistant now works on Apple TV in Austria, Ireland, and New Zealand, in addition to the 13 countries where it was already supported. Finally, the new Siri remote's enclosure is made out of 100 percent recycled aluminum.

You'll get the new remote with the new $179 4K set-top box, or it's available separately for $59. As well as being compatible with the new Apple TV 4K, it also works with the 2017 model and Apple TV HD. Apple will also sell the remote bundled with the Apple TV HD for $149. Other features of the Apple TV 4K include support for 60fps Dolby Vision playback over AirPlay from a compatible iPhone, and the ability to optimize the colors of your TV screen using the light sensor on an iPhone.

According to a new report by industry analysts Mark Mulligan and Keith Jopling of Midia Research, songwriters are getting drastically short-changed in the music-streaming economy. An anonymous reader shares an excerpt from the report: The 35-page report, which is available here for free, lays out both the history of this dilemma and some (admittedly difficult) proposed solutions, but what may be unprecedented is the way that it lays out how skewed against songwriters the new music economy is. A handful of the many statistics from the study follow:

- The global music industry revenues (recordings, publishing, live, merchandise, sponsorship) fell by 30% in 2020 due to the combined impact of COVID-19 and a recession
- Streaming has created a song economy, making the song more important than ever, yet music publisher royalties are more than three times smaller than record label royalties
- Streaming will bring further strong industry growth, reaching 697 million subscribers and $456 billion in retail revenues, but the royalty imbalance means that label streaming revenue will grow by 3.3 times more than publisher streaming revenue
- The current royalty system assumes all songs are worth the same - they are not - and rewards poor behavior that dilutes artist and songwriter royalties
- Music subscribers believe in the value of the song: twice as many (60%) state that the song matters more than the artist, than think the artist matters more (29%)
- They also believe that songwriters should be remunerated properly: 71% of music subscribers consider it important that streaming services pay songwriters fairly

In a section titled "The Songwriter's Paradox," it lays out the ways that the song has become more important than ever, but, paradoxically, the songwriter has less income and influence:

- Big record labels have weaponized songwriting: In order to try to minimize risks, bigger record labels are turning to an ever more elite group of songwriters to create hits.
- The emergence of the song economy: The audience has shift its focus from albums to songs.
- Writing and production are fusing: As music production technologies have become more central to both the songwriting process and to the formation of the final recorded work, there has been a growing fusion of the role of production with writing. This has led to a growing body of superstar writer-producers.
-The industrialization of songwriting: Record labels are reshaping songwriting by pulling together teams of songwriters to create "machine tooled" hits - finely crafted songs that are "optimized for streaming." While the upside for songwriters is more work, the downside is sharing an already-small streaming royalties pot with a larger team of creators and co-writers.
- Decline of traditional formats: Songwriters have long relied upon performance royalties from broadcast TV and radio. However, as the audiences on these platforms migrate towards on-demand alternatives, performance royalties face a long-term decline. Similarly, the continued fall in sales means fewer mechanical royalties for songwriters.
- Streaming royalties: The song is the first in line culturally but it is last in line for streaming royalties. Of total royalties paid by streaming services to rights holders, between a fifth and a quarter is paid for publishing rights to the song. Labels are paid more than three times higher than publishers on streaming. An independent label artist could earn more than three thousand dollars for a million subscriber streams, whereas a songwriter could expect to earn between $1,200 and $1,400, and even then, only if they are the sole songwriter on the track. On average, songwriters will therefore earn between a third and a half of what artists do. After proposing a series of solutions, such as implementing "fan-centric licenses" and revised streaming prices, the report concludes: "What is clear is that today's' song economy is not working as it should and that everyone across the value chain will benefit from a coordinated program of change."

Here's something to do if that TV commercial is too loud: complain to the feds, who just might do something about it. From a report: The U.S. Federal Communications Commission on Monday asked for public help to determine whether to update rules to prevent broadcast, cable and satellite providers from sending commercials that are louder than the programming they accompany. "In particular, we invite consumers to tell us their experiences," the agency's media bureau said in a public notice. The action follows an April 13 letter from Representative Anna Eshoo asking FCC Acting Chairwoman Jessica Rosenworcel to look into a reported increase in complaints about loud commercials. Eshoo wrote a 2010 law, known as the CALM Act, or Commercial Advertisement Loudness Mitigation Act, that underpins FCC rules that may be changed. The FCC has never sought to enforce the act, despite receiving thousands of complaints, Eshoo said. A recent press report said complaints to the FCC had increased "sharply," Eshoo wrote. "This worries me a great deal." Eshoo mentioned a March 31 report in Business Insider that said complaints to the FCC for the four-month period from November to February rose 140% compared to the same period a year earlier.

Texas TV station KPRC 2 reports that two men are dead after a Tesla "crashed into a tree and no one was driving the vehicle, officials say."

Long-time Slashdot readers AmiMoJo and McGruber both submitted the story: There was a person in the passenger seat of the front of the car and in the rear passenger seat of the car. Harris County Precinct 4 Constable Mark Herman said authorities believe no one else was in the car and that it burst into flames immediately. He said it he believes it wasn't being driven by a human.

Harris County Constable Precinct 4 deputies said the vehicle was traveling at a high speed when it failed to negotiate a cul-de-sac turn, ran off the road and hit the tree.

KPRC 2 reporter Deven Clarke spoke to one man's brother-in-law who said he was taking the car out for a spin with his best friend, so there were just two in the vehicle. The owner, he said, backed out of the driveway, and then may have hopped in the back seat only to crash a few hundred yards down the road...

Authorities said they used 32,000 gallons of water to extinguish the flames because the vehicle's batteries kept reigniting. At one point, Herman said, deputies had to call Tesla to ask them how to put out the fire in the battery.
UPDATE (2/11/2023): America's National Transportation Safety Board concluded "the driver was seated in the driver's seat at the time of the crash and moved into the rear seat postcrash," according to the Associated Press. They blame the crash on excessive speed and lack of control — the driver's blood-alcohol level was almost twice the legal limit, and "two over-the-counter sedating antihistamine medications also were found in the driver's blood."

EW reports: Felix Silla's friend and former Buck Rogers in the 25th Century costar Gil Gerard reported on Twitter that Silla died Friday after a battle with pancreatic cancer.

Coming in at just under 4 feet tall and only 70 pounds, Silla was the perfect choice for the mumbling Cousin Itt on The Addams Family. For years, audiences didn't see his face, the character covered in a full-length hairpiece, sporting sunglasses and a bowler hat... Silla did not provide the distinct mumbling voice of Cousin Itt. That was added by sound engineer Tony Magro in production...

He first came to the United States in 1955 and began his career touring with the Ringling Bros. and Barnum & Bailey Circus for seven years. He worked as a trapeze artist, tumbler, and bareback horse rider. Eventually, he settled in Hollywood in 1962, where he became a stuntman. He went on to work in movies like A Ticklish Fair, TV shows like Bonanza, and appeared in the first pilot for Star Trek, "The Cage." His small stature often helped him find work, including as Cousin Itt, robot sidekick Twiki on the NBC series Buck Rogers in the 25th Century, and even as a hang-gliding Ewok in Star Wars: Return of the Jedi...

He also excelled as a stand in, double, and stuntman working on projects such as Planet of the Apes, Demon Seed, Indiana Jones and the Temple of Doom, The Towering Inferno, The Hindenburg, E.T. the Extra-Terrestrial, Poltergeist, The Golden Child, Howard the Duck, and Batman Returns.
In 2018 one Las Vegas blog spotted Silla with Gil Gerard, posting a picture of the two side by side -- just as they'd posed decades earlier on Buck Rogers in the 25th Century.

While for that show Mel Blanc had provided the voice for Twiki the robot, the blog notes that Silla himself supplied the voice of Mortimer Goth in the Sims 2 videogame.

The lion's share of U.S. consumers say the streamer has the best original programming, according to a new Morgan Stanley survey. Variety reports: Netflix remains the most frequently cited as offering the best original programming -- with 38% of survey respondents picking it as No. 1, per the Wall Street analyst firm's 2021 streaming survey. That's roughly in line with Morgan Stanley's previous surveys. On the 2021 survey, 12% of respondents said Amazon Prime Video offers the best original programming, followed by Disney Plus, Hulu and HBO Max which each scored 6%-7% of total responses.

Among Netflix customers, the top reasons cited for subscribing to Netflix were "broad selection of content" (55%), "good original programming" (51%), "adds content I like" (49%) and "no commercials" (46%). In 2021, Netflix is projected to spend about $19 billion on content according to a forecast by financial research firm Bankr, up about 10% from last year. Netflix retains the No. 1 spot as the most widely used streaming service with 58% of respondents saying they use the service. Amazon Prime Video came in at 45% (up 400 basis points year over year), Disney Plus was at 31% (up 650 basis points), and HBO/HBO Max was 20% (up 500 basis points).

Google has announced that the Google Play Movies and TV app will no longer be available on any Roku set-top box or any Samsung, LG, Vizio or Roku smart TV starting July 15th. The Verge reports: If you have movies or TV shows purchased or rented through the service, you'll still be able to access them through the "Your movies and shows" section of the YouTube app on those devices. This change will also affect you if if you used the Movies and TV app to access Movies Anywhere, the service that allows you to redeem codes from DVDs and Blu-rays so you can access your media digitally. Google has confirmed to The Verge that users who relied on Play Movies and TV to access that content will be able to do so through YouTube.

There are a few other caveats to note in the transition to YouTube. Your Watchlist will no longer be viewable in the app (though it can still be seen on the web by Googling "my watchlist"), and while your family can still share the content you bought from the Movie and TV store, any purchases made in the YouTube app won't be shared with your family. [The Verge's article breaks down all the various ways you can access the content you purchased through the Play Store after July 15th.]