In an exclusive excerpt from William Shatner's new book, "Boldly Go: Reflections on a Life of Awe and Wonder," the Star Trek actor reflects on his voyage into space on Jeff Bezos' Blue Origin space shuttle on Oct. 13, 2021. Then 90 years old, Shatner became the oldest living person to travel into space, but as the actor and author details below, he was surprised by his own reaction to the experience. An anonymous reader shares an excerpt from the report: I looked down and I could see the hole that our spaceship had punched in the thin, blue-tinged layer of oxygen around Earth. It was as if there was a wake trailing behind where we had just been, and just as soon as I'd noticed it, it disappeared. I continued my self-guided tour and turned my head to face the other direction, to stare into space. I love the mystery of the universe. I love all the questions that have come to us over thousands of years of exploration and hypotheses. Stars exploding years ago, their light traveling to us years later; black holes absorbing energy; satellites showing us entire galaxies in areas thought to be devoid of matter entirely all of that has thrilled me for years but when I looked in the opposite direction, into space, there was no mystery, no majestic awe to behold... all I saw was death. I saw a cold, dark, black emptiness. It was unlike any blackness you can see or feel on Earth. It was deep, enveloping, all-encompassing. I turned back toward the light of home. I could see the curvature of Earth, the beige of the desert, the white of the clouds and the blue of the sky. It was life. Nurturing, sustaining, life. Mother Earth. Gaia. And I was leaving her. Everything I had thought was wrong. Everything I had expected to see was wrong.

I had thought that going into space would be the ultimate catharsis of that connection I had been looking for between all living things -- that being up there would be the next beautiful step to understanding the harmony of the universe. In the film "Contact," when Jodie Foster's character goes to space and looks out into the heavens, she lets out an astonished whisper, "They should've sent a poet." I had a different experience, because I discovered that the beauty isn't out there, it's down here, with all of us. Leaving that behind made my connection to our tiny planet even more profound. It was among the strongest feelings of grief I have ever encountered. The contrast between the vicious coldness of space and the warm nurturing of Earth below filled me with overwhelming sadness. Every day, we are confronted with the knowledge of further destruction of Earth at our hands: the extinction of animal species, of flora and fauna... things that took five billion years to evolve, and suddenly we will never see them again because of the interference of mankind. It filled me with dread. My trip to space was supposed to be a celebration; instead, it felt like a funeral.

I learned later that I was not alone in this feeling. It is called the "Overview Effect" and is not uncommon among astronauts, including Yuri Gagarin, Michael Collins, Sally Ride, and many others. Essentially, when someone travels to space and views Earth from orbit, a sense of the planet's fragility takes hold in an ineffable, instinctive manner. Author Frank White first coined the term in 1987: "There are no borders or boundaries on our planet except those that we create in our minds or through human behaviors. All the ideas and concepts that divide us when we are on the surface begin to fade from orbit and the moon. The result is a shift in worldview, and in identity." It can change the way we look at the planet but also other things like countries, ethnicities, religions; it can prompt an instant reevaluation of our shared harmony and a shift in focus to all the wonderful things we have in common instead of what makes us different. It reinforced tenfold my own view on the power of our beautiful, mysterious collective human entanglement, and eventually, it returned a feeling of hope to my heart. In this insignificance we share, we have one gift that other species perhaps do not: we are aware -- not only of our insignificance, but the grandeur around us that makes us insignificant. That allows us perhaps a chance to rededicate ourselves to our planet, to each other, to life and love all around us. If we seize that chance.

An anonymous reader quotes a report from CNBC: Even as Americans cut back in the face of rising prices and recessionary fears, fewer want to give up their streaming subscriptions, especially when it comes to TV, movies and music services, such as Amazon Prime, Netflix and Spotify. Roughly two-thirds of consumers said they will have to decrease their spending due to inflation; however, only about a quarter plan to cancel such subscriptions in the months ahead, according to a recent report by the National Research Group. Most people said they were more likely to cut back on dining out, groceries and clothing.

Consumers are least likely to cancel Amazon Prime, TV and movie streaming services and home security systems, the report found, even over food and gasoline. Just over half, or 51%, also said subscriptions now make up a "significant" portion of their monthly spending. On average, U.S. consumers estimate they spend $135 a month and 17.8% of their monthly budget on subscriptions, the National Research Group found. The report polled more than 2,500 adults in August.

"Paramount Global executive David Nevins, who has run the premium network Showtime since 2016, is leaving the company at the end of year," reports CNBC. According to the report, it may help give the media conglomerate "more flexibility to potentially merge Showtime into Paramount+." From the report: Along with his departure, Paramount Global is restructuring Showtime in ways that could give the company flexibility to effectively end Showtime as it's existed for decades -- as an independent premium cable network churning out prestige hits such as "Dexter," "Weeds," "Billions," "Homeland" and "Yellowjackets." Paramount Global announced Thursday that it's moving Showtime's network business under the leadership of Chris McCarthy, who runs other linear cable networks such as MTV and Comedy Central, and the streaming service under Tom Ryan, who runs Paramount Streaming.

The moves come as the company is considering the idea of merging Showtime into Paramount+ and using the network's hit programming to fuel Paramount+ subscriptions, according to people familiar with the matter. The company's goal is to have Paramount+ be one of the five largest global streaming services, along with Warner Bros. Discovery's HBO Max, Amazon's Prime Video, Netflix and Disney+, said the people, who asked not to be named because the discussions are private. No decisions about Showtime's future have been made, and no changes are imminent, the people said.

One obstacle to pushing Showtime together with Paramount+ is existing pay TV distributor agreements. The Wall Street Journal reported last month that Paramount has discussed simply shuttering the standalone Showtime network with at least one pay-TV partner. Another idea under consideration by Paramount Global executives is to move Paramount+ originals and movies to Showtime, effectively making Showtime a mirror to Paramount+'s content that doesn't appear on other TV networks, two of the people said. That could assuage pay-TV providers, who could adjust pricing against the merged streaming product. [...] Eliminating Showtime as an independent entity would also come with cost savings from head count reductions, such as Nevins' departure, and technology and marketing duplications.

Not to be outdone by Meta's Make-A-Video, Google today detailed its work on Imagen Video, an AI system that can generate video clips given a text prompt (e.g., "a teddy bear washing dishes"). From a report:While the results aren't perfect -- the looping clips the system generates tend to have artifacts and noise -- Google claims that Imagen Video is a step toward a system with a "high degree of controllability" and world knowledge, including the ability to generate footage in a range of artistic styles. As my colleague Devin Coldewey noted in his piece about Make-A-Video, text-to-video systems aren't new. Earlier this year, a group of researchers from Tsinghua University and the Beijing Academy of Artificial Intelligence released CogVideo, which can translate text into reasonably-high-fidelity short clips. But Imagen Video appears to be a significant leap over the previous state-of-the-art, showing an aptitude for animating captions that existing systems would have trouble understanding. "It's definitely an improvement," Matthew Guzdial, an assistant professor at the University of Alberta studying AI and machine learning, told TechCrunch via email. "As you can see from the video examples, even though the comms team is selecting the best outputs there's still weird blurriness and artificing. So this definitely is not going to be used directly in animation or TV anytime soon. But it, or something like it, could definitely be embedded in tools to help speed some things up."

Fandom is rolling up a suite of entertainment and gaming content properties -- including TV Guide and Metacritic -- in a deal with digital-marketing company Red Ventures worth about $50 million. Variety reports: San Francisco-based Fandom acquired GameSpot, Metacritic, TV Guide, GameFAQs, Giant Bomb, Cord Cutters News and Comic Vine under the deal. The sites collectively attract 46 million monthly active users, according to Fandom. Financial terms of the pact were not disclosed; a source familiar with the deal pegged it "in the mid-eight figures," with Fandom paying the roughly $50 million for the properties in cash. Red Ventures had acquired TV Guide, Metacritic and GameSpot in 2020 as part of its $500 million deal to buy the CNET Media Group from Paramount Global.

Founded in 2004, Fandom today hosts more than 250,000 user-curated wiki pages spanning pop culture, gaming, TV and film -- reaching some 300 million monthly active users. Fandom was founded by Jimmy Wales, Wikipedia co-founder, and entrepreneur Angela Beesley Starling. In 2018, Fandom was sold to a company backed by venture-capital firm TPG headed by Jon Miller.

The latest deal continues Fandom's expansion beyond its wiki-based roots. In 2018, Fandom acquired ScreenJunkies, producers of the popular "Honest Trailer" series, from now-defunct digital media company Defy Media. The company acquired Curse Media in 2019 which brought together gaming wikis with integrated digital gaming tools. In 2021, Fandom acquired Fanatical, a an online video-game retailer. Fandom Productions, the content arm of Fandom, will house GameSpot, TV Guide and Metacritic, along with the Honest Trailers team and the weekly video news program "The Loop."

With Stadia coming to an abrupt halt, gamers want Google to issue a software update for the controllers that unlocks Bluetooth to allow them to work wirelessly with other game systems. It would also "avoid a lot of plastic and circuit board trash," adds Ars. From the report: Stadia's controllers were custom-made to connect directly to the Internet, reducing lag and allowing for instant firmware updates and (sometimes painful) connections to smart TVs. There's Bluetooth inside the Stadia controller, but it's only used when you're setting up Stadia, either with a TV, a computer with the Chrome browser, or a Chromecast Ultra. The Google Store's page for the Stadia controller states in a footnote: "Product contains Bluetooth Classic radio. No Bluetooth Classic functionality is enabled at this time. Bluetooth Classic may be implemented at a later date." (Bluetooth Classic is a more traditional version of Bluetooth than modern low-energy or mesh versions.) That potential later date can't get much later for fans of the Stadia controller. Many cite the controller's hand feel and claim it as their favorite. They'd like to see Google unlock Bluetooth to make their favorite something more than a USB-only controller and avoid a lot of plastic and circuit board trash.

"Now if you'd just enable Bluetooth on the controller, we could help the environment by not letting them become electronic waste," writes Roadrunner571 on one of many controller-related threads on the r/Stadia subreddit. "They created trash and they at least owe it to me to do their best within reason to prevent millions of otherwise perfectly good controllers from filling landfills," another wrote. Many have called for Google, if they're not going to push a firmware update themselves to unlock the functionality, to open up access to the devices themselves, so the community can do it for them. That's often a tricky scenario for large companies relying on a series of sub-contracted manufacturers to produce hardware. Some have suggested that the full refunds give Google more leeway to ignore the limited function of their devices post-shutdown. It's worth noting that you can still plug a Stadia controller into the USB port on a Smart TV, computer, or gaming console and use it as a controller through a standard HID (Human Interface Device) connection. But, currently, it's not possible to connect the controllers wirelessly, unless you go through a lot of effort.

Today, Nielsen announced that Roku plans to enable four-screen measurement across desktop, mobile, connected TV and traditional TV. This is the first time Roku will use the digital methodology, Nielsen One, the data measurement firm's cross-media measurement tool, which launches in December. TechCrunch reports: With Nielsen's forthcoming tool, the firm claims that the company is on track to provide a consistent and comparable cross-media solution. Nielsen also claims that, with Nielsen One, marketers running ads with Roku are guaranteed duplicate copies of repeating data are eliminated.

"Marketers can now better evaluate CTV inventory's unique reach and frequency in conjunction with their entire Roku buy in a comparable and comprehensive manner, and advertisers can reduce waste and help ensure that relevant ads are delivered to the right audiences across devices. This release brings us one step closer to providing comparable and deduplicated metrics across screens with Nielsen One," said Kim Gilberti, SVP, Product Management, Nielsen, in a statement.

The data measurement firm wrote in today's announcement that its relationship with Roku dates back to 2016 when Roku allowed its marketers to measure campaigns with Nielsen Digital Ad Ratings measurement. Nielsen announced Nielsen One in 2020. Earlier this year, it was revealed that YouTube would be the first media company to try the new tool. Roku is the second company to enable cross-media measurement.

[T]he Scribe brings something altogether new to the line: writing. For the first time since the first Kindle was introduced in late-2007, Amazon's added the ability to write on-device with a stylus. TechCrunch reports: Amazon's entry in the space has a 10.2-inch screen and a design partially reminiscent of the premium Kindle Oasis, include a large side bezel (no page turn buttons, unfortunately) you can hold onto while reading. It has a battery the company rates at "weeks," keeping in line with its fellow readers. At 433 grams, it's (predictably) the heaviest Kindle, which could put a bit of a crimp in those bedtime reading marathons. The device ships with its own stylus, which magnetically snaps on the side -- similar to what you see on a lot of tablets. The stylus doesn't requiring charging, and instead relies on EMR (electro-magnetic resistance) -- that means, among other things, that other styli will likely work with the Scribe, though the company cautions against that (naturally), stating that their own is tuned specifically for work on the Kindle.

A more premium model will also be made available with a built-in button for quick actions. These styli allow for a variety of different line styles, though the tips are permanent, so that's happening through the on-board software accessible via a software toolbar. The company says it specifically designed the display/stylus combo to mimic the feel of a pen on paper. [...] Strangely, handwriting recognition will be missing at launch, though the feature is almost certainly on the company's roadmap. It will, however, have a newly Streamlined software offering, allowing files to be shared off the device through the Kindle app, a web browser or email. The company also says it has updated the notoriously outdated Send to Kindle feature to help remove some of the friction from the process. Meanwhile, a deal with Microsoft will bring Word functionality to the product at some point early next year. [...] Preorders for the $340 device start today, with shipping expected before the holidays (think November). Amazon announced more than ten new products at their event, including four new Echo devices, a new TV, and sleep tracker. CNBC highlights the biggest announcements in their report.

Australia's second-largest telecommunications company, Optus, has reported a cyber-attack. The breach exposed customers' names, dates of birth, phone numbers and email addresses. From a report: The company - which has more than ten million subscribers - says it has shut down the attack but not before other details such as driver's licences and passport numbers were hacked. Optus says payment data and account passwords were not compromised. The company said it would notify those at "heightened risk" but all customers should check their accounts. Chief executive Kelly Bayer Rosmarin apologised to its customers, on ABC TV. She said names, dates of birth and contact details had been accessed, "in some cases" the driving licence number, and in "a rare number of cases the passport and the mailing address" had also been exposed. The company had notified the Australian Federal Police after noticing "unusual activity." And investigators were trying "to understand who has been accessing the data and for what purpose."

An anonymous reader quotes a report from Motherboard: Chess's top-ranked player, Magnus Carlsen, has finally spoken about the ongoing alleged cheating scandal that has rocked the chess world for the last several weeks and was reignited when Carlsen resigned in protest after making one move against Hans Niemann. Niemann, of course, was accused of cheating against Carlsen earlier this month, but no one has been able to prove this, nor has a mechanism for the supposed cheating been proven.

"I think the whole world is wondering, what is the reason you withdrew [against Niemann]?" a newscaster with Chess24 asked. "Unfortunately I cannot particularly speak on that," Carlsen said. "But, you know, people can draw their own conclusion and they certainly have. I have to say I'm very impressed by Niemann's play, and I think his mentor Maxine Dlugy must be doing a great job." "I will not comment on that," he added when asked if he was accusing Niemann of cheating. He was then asked if he was accusing Dlugy, who is a chess grandmaster, of helping Niemann cheat: "No, I will not say more about that subject ... I hope to say a little bit more after the tournament." Carlsen was then asked if he thought cheating was a problem in chess. "I think individual people will answer the question differently depending on their own experiences. Regardless of whether it's a massive problem or not, it's, I think, fairly easy to cheat. On a general basis, cheaters in the future, it should not be taken lightly neither online nor over the board."

Chess watchers believe that by namedropping Maxine Dlugy, Carlsen is putting down more breadcrumbs. Dlugy is is a Russian-born, American chess grandmaster who currently operates the Chess Max Academy in Manhattan. In July, Dlugy posted a photo with "my student Hans Niemann," congratulating him on "becoming a top 50 player in the world! Go Hans!" After Niemann beat Carlsen earlier this month, Dlugy posted a congratulatory message: "Just 16 months ago or so, I recommended to Hans to really focus on endings. He devoted a lot of time to this pivotal part of the game and today I am proud to say that his endgame play is sufficient to beat the reigning World Champion from a better position. That's powerful! Hans Niemann -- Chess speaks for itself!"

Redditors were quick to point out, however, that Dlugy has his own controversy. Dlugy has been removed twice from a weekly Chess.com tournament called Titled Tuesday, in 2017 and 2020. Benjamin Bok, a chess grandmaster and Twitch streamer, for example, made a whole segment delving into some of Dlugy's old Chess.com matches and pointing out that Dlugy was suddenly removed from Chess.com with no explanation: "Generally that only means one thing," Bok said, not elaborating on what it means, but heavily implying that it means he was caught cheating. "Draw your own conclusions. Draw your own conclusions. That's all I'm going to say." "Question becomes: Is perhaps Dlugy Hans' accomplice, in case Hans is cheating? We'll have to wait and see," Bok says. "But the fact that Magnus makes that statement and drops his name, it means that he knows something we don't know. You can't just drop someone's name in there without really knowing stuff. I feel like he knows something really big."

An anonymous reader quotes a report from Protocol: Google is gunning for Dolby Atmos and Dolby Vision: The company is looking to introduce two new media formats to offer HDR video and 3D audio under a new consumer-recognizable brand without the licensing fees hardware manufacturers currently have to pay Dolby. Google shared plans for the media formats, which are internally known as Project Caviar, at a closed-door event with hardware manufacturers earlier this year. In a video of the presentation that was leaked to Protocol, group product manager Roshan Baliga describes the goal of the project as building "a healthier, broader ecosystem" for premium media experiences. The company's primary focus for Project Caviar is YouTube, which does not currently support Dolby Atmos or Dolby Vision. However, Google also aims to bring other industry players on board, including device manufacturers and service providers. This makes Project Caviar one of Google's most ambitious pushes for open media formats since the company began working on royalty-free video codecs over a decade ago.

Google's open media efforts have until now primarily focused on the development of codecs. The company acquired video codec maker On2 in 2009 to open source some of its technology; it has also played a significant role in the foundation of the Alliance for Open Media, an industry consortium that is overseeing the royalty-free AV1 video codec. Project Caviar is different from those efforts in that it is not another codec. Instead, the project focuses on 3D audio and HDR video formats that make use of existing codecs but allow for more rich and immersive media playback experiences, much like Dolby Atmos and Dolby Vision do. Baliga didn't mention Dolby by name during his presentation, but he still made it abundantly clear that the company was looking to establish alternatives to the Atmos and Vision formats. "We realized that there are premium media experiences where there aren't any great royalty-free solutions," he said, adding that the licensing costs for premium HDR video and 3D audio "can hurt manufacturers and consumers."

Dolby makes most of its money through licensing fees from hardware manufacturers. The company charges TV manufacturers $2 to $3 to license Dolby Vision, according to its Cloud Media Solutions SVP Giles Baker. Dolby hasn't publicly disclosed licensing fees for Atmos; it charges consumers who want to add immersive audio to their Xbox consoles $15 per license, but the fee hardware manufacturers have to pay is said to be significantly lower. Still, in an industry that long has struggled with razor-thin margins, every extra dollar matters. That's especially true because Dolby already charges virtually all device makers a licensing fee for its legacy audio codecs. A manufacturer of streaming boxes that wholesale for $50 has to pay around $2 per unit for Dolby Vision and Dolby Digital, according to a document an industry insider shared with Protocol. "For lower-cost living room devices, the cost may be prohibitive," Baliga said during his presentation.

Netflix already lost 1.2 million subscribers in the first two quarters of 2022. While the company hopes to add one million new users with its new ad-supported tier, a survey shows that 1 in 4 Netflix users are planning to cancel their subscriptions this year. From a report: Here's what this could mean to other streaming services, such as Apple TV+. Reviews surveyed 1,000 Americans to gauge their streaming habits in 2022. According to the report, the average American is subscribed to four streaming platforms. Netflix is still the most popular streaming service with nearly 4 out of 5 (77%) Americans currently subscribed to the platform. In addition, 70% say they use Netflix the most, followed by: HBO Max: 9.91%; Disney+: 6.18%; Peacock: 4.25%; Hulu: 3.86%; Apple TV+: 2.70%; Paramount+: 2.70%.

That said, of all the Netflix subscribers, 25% are planning to cancel their subscriptions. Of those who plan to leave the streaming service, two-thirds say increasing costs is one of the reasons. According to the survey, Netflix has the highest average plan cost among the eight more popular streaming services in the US. The other big complaint from Netflix users is two-fold: 1 in 3 respondents said Netflix no longer has the shows they want to watch; 30% said that they use other streaming services more.

Google announced a new Chromecast with HD streaming support today that costs just $30 and has a remote control with it. From a report: The company is launching the Chromecast with Google TV (HD) -- yes, that's the official name -- in 19 countries including the U.S. This comes two years after Google launched a $49 Chromecast with 4K HDR streaming support and the introduction of a remote. The new Chromecast supports 1080p streaming, and more than 10,000 apps that are on the Google TV platform including Netflix, HBO Max, Disney+, and Prime video.

An anonymous reader quotes a report from Motherboard: On Tuesday, 40 civil rights groups published an open letter calling on MGM Television executives to cancel the studio's upcoming reality show Ring Nation, which will feature former NSA employee and comedian Wanda Sykes presenting humorous surveillance footage captured from Ring doorbell cameras. The groups say the studio is "normalizing and promoting Amazon Ring's dangerous network of surveillance cameras," which, along with the Neighbors app, "violate basic privacy rights, fuel surveillance-based policing that disproportionately targets people of color and threatens abortion seekers, and enables vigilantes to surveil their neighbors and racially profile bystanders."

There's just one potential problem with the well-intentioned campaign: Amazon owns Ring, producer Big Fish Entertainment, and distributor MGM, and it also owns the Prime Video streaming service should it need somewhere to air it. It also has specific partnerships with thousands of police departments around the country should they happen to prove useful. This tower of vertical integration means that Ring Nation is a show designed from the ground up to leverage Amazon's vast monopoly to push its own product on Americans, and it also means that it will probably (but not definitely) be impossible to kill. There's very little chance that MGM executives will push back on the project when it's probably exactly the type of thing Amazon imagined being able to do when it spent $8.5 billion on a merger with MGM this year. "Ring Nation is not a comedy but rather a propaganda strategy to normalize and further digitize racial profiling in our communities. Truthfully the cognitive dissonance about the dangers of these tools is a real concern. It's striking to see a host who has been such a vocal supporter of racial justice protesters defend the very tech that was used to surveil activists during the uprisings in 2020," said Myaisha Hayes, campaign strategy director at Cancel Ring Nation co-organizer Media Justice, in a statement.

"The Ring Nation reality-TV series is anything but funny. It weaponizes the joy of our daily lives in an attempt to manufacture a PR miracle for scandal-ridden Amazon," Evan Greer, director of co-organizer Fight for the Future, said in a statement. "By normalizing surveillance, it will teach our children to relinquish their privacy in exchange for a quick laugh. In the coming weeks, Fight for the Future, Media Justice, and our org partners will be mobilizing our supporters and forming a loud and fearless coalition of civil rights groups to cancel Ring Nation," Greer said.

The show is set to launch on Sept. 26, though it hasn't been announced which networks will carry it.

Microsoft on Tuesday said it's starting to release the first major update to Windows 11, the current version of its PC operating system. The company said the update is aimed at making PCs easier and safer to use and improve productivity. Some excerpts detailing new features from Windows blog: Windows 11 brought a sense of ease to the PC, with an intuitive design people love. We're building on that foundation with new features to ensure the content and information you need is always at your fingertips, including updates to the Start menu, faster and more accurate search, Quick Settings, improved local and current events coverage in your Widgets board, and the No. 1 ask from you, tabs in File Explorer. All of this helps Windows anticipate your needs and save you time. [...] The PC has always been where people come to get things done -- especially when it comes to tackling complex tasks. With enhancements to Snap layouts, the new Focus feature, and performance and battery optimizations, the new Windows 11 2022 update will help you be your most productive yet. Snap layouts on Windows 11 have been a game changer for multitasking, helping people optimize their view when they need to have multiple apps or documents in front of them at the same time. With the new update, we're making Snap layouts more versatile with better touch navigation and the ability to snap multiple browser tabs in Microsoft Edge. We're introducing Focus sessions and Do Not Disturb to help you minimize distractions that pull you away from the task at hand.

[...] We also want to continue to make Windows the best place to play games. This update will deliver performance optimizations to improve latency and unlock features like Auto HDR and Variable Refresh Rate on windowed games. And with Game Pass built right into Windows 11 through the Xbox app, players can access hundreds of high-quality PC games. Having the right content fuels a great PC experience. A year ago, we redesigned the Microsoft Store on Windows to be more open and easier-to-use -- a one-stop shop for the apps, games and TV shows you love. Today, through our partnership with Amazon, we are expanding the Amazon Appstore Preview to international markets, bringing more than 20,000 Android apps and games to Windows 11 devices that meet the feature-specific hardware requirements. In addition to a growing catalog of apps and games, we are also excited to share that we are moving to the next stage of the Microsoft Store Ads pilot -- helping developers get content in front of the right customers. [...] Windows 11 provides layers of hardware and software integrated for powerful, out-of-the box protection from the moment you start your device -- and we're continuing to innovate. The new Microsoft Defender SmartScreen identifies when people are entering their Microsoft credentials into a malicious application or hacked website and alerts them.

New York City is partnering with Charter and Altice to provide free high-speed internet and basic cable TV service to about 300,000 residents of public housing. Bloomberg reports: Called "Big Apple Connect," the program aims to bridge the digital divide between wealthier residents and lower-income people who lack the tools necessary for remote learning, access to health care and job opportunities, city officials said. An estimated 30% to 40% of people who live in buildings run by the New York City Housing Authority lack broadband, according to the cable providers. The city plans to have the service available in more than 200 NYCHA buildings by the end of 2023.

The program differs from a previous short-term promotion by Altice's Optimum and Charter's Spectrum that gave New York City students free internet service after the pandemic hit. Some parents said they were duped into signing up for paid subscriptions after the promotion ended. Under a three-year agreement with the providers, New York will pick up the cost at about $30 per household. The city is in talks with a third major cable TV carrier in the city, Verizon, to join the program. NYCHA residents enrolled in Big Apple Connect will still be able to use the federal Affordable Connectivity Program benefit to save money on their cell phone bills and provide discount of up to $30 per month toward internet and cellular data service, city officials said.

In a rematch today against 19-year-old Hans Niemann, World Chess Champion Magnus Carlsen resigned his game in the second move and quickly went offline. Susan Polgar commented on Carlsen's resignation against Niemann saying it's: "Definitely a protest move!", while GM Jon Ludvig Hammer said Carlsen should be sanctioned during the live Norwegian TV program.

The chess world has been in chaos ever since Carlsen dropped out from a prestigious tournament following a stunning loss, which ignited suspicions of foul play.

Chessdom has included a "timetable of happenings" related to Niemann in their report.

"Succession," HBO's portrait of a dysfunctional media dynasty, won best drama at the 74th Emmy Awards on Monday night, the second time the series has taken the prize. The New York Times: Jesse Armstrong, the show's creator, also took home the Emmy for best writing, the third time he's won in that category. And Matthew Macfadyen won best supporting actor in a drama for the first time for his performance on the show. It was the sixth time in eight years that HBO has taken the television industry's biggest prize for a recurring series, making it yet another triumphant night for the cable network. HBO, as well as its streaming service, HBO Max, won more Emmys (38) than any other outlet, besting its chief rival, Netflix (26).

"The White Lotus," the cable network's beloved upstairs-downstairs dramedy that took place at a Hawaiian resort, won best limited series, and tore through several other categories. The show won 10 Emmys altogether, more than any other series. Mike White, the show's creator and director, won a pair of Emmys for best directing and writing. And performers from the show, Murray Bartlett and Jennifer Coolidge, both received acting Emmys. "Mike White, my God, thank you for giving me one of the best experiences of my life," Bartlett, who played an off-the-wagon hotel manager, said from the Emmys stage. But HBO's chronicles of the rich were not the only winners on Monday night.

"Ted Lasso," the Apple TV+ sports series, won best comedy for a second consecutive year, as the tech giant continues on an awards show tear. Apple TV+, which had its debut in November 2019, won best picture at the Oscars ("CODA") earlier this year. And Jason Sudeikis repeated as best actor in a comedy as the fish-out-of-water soccer coach in "Ted Lasso." There were other big moments in the comedy awards. Quinta Brunson, the creator of the good-natured ABC workplace sitcom, "Abbott Elementary," about a group of elementary schoolteachers at an underfunded Philadelphia public school, won for best writing in a comedy. It was only the second time a Black woman won the award (Lena Waithe was the first, in 2017, for "Master of None").

CNET reveals some Star Wars news shared at Disney's three-day "D23 Expo." Fans were probably most thrilled by the reveal of a new Mandalorian trailer for the upcoming third season of the hit show that brought us Baby Yoda in all his cuteness... Lucasfilm also dropped a final trailer for upcoming Disney Plus series Andor. Diego Luna plays Cassian Andor as he's recruited into the rebellion against the Empire. The show takes place five years before the events of Rogue One.

And the studio presented a trailer for Tales of the Jedi, which offers six original shorts about Ahsoka and Dooku, and arrives October 26. Fans also got a glimpse, though not a trailer, showing Jude Law, who's starring in Star Wars: Skeleton Crew, a story about a group of younglings lost in space.
Also revealed was a "developer update" trailer for the upcoming mobile game Avatar: Reckoning, as part of the news about other franchises: James Cameron called in to the event from New Zealand to discuss Avatar: The Way of Water, and the crowd was given 3D glasses to watch some breathtaking footage [from] Cameron's long-awaited sequel... ahead of its December 16 release.

An exclusive clip from The Ant-Man and the Wasp: Quantumania featured Kang holding Cassie Lang hostage and trying to force Scott to steal something for him. Also featured: Bill Murray!

Samuel L. Jackson returns as Nick Fury in a new Disney Plus show called Secret Invasion, where Fury and friends (Oscar-winner Olivia Colman among them!) takes on shape-changing Skrulls. The trailer looks intense."

Streaming television is going through an existential crisis, involving the people who make it and the viewers who watch it. Its revolutionary zeal has naturally faded, as that initial wave of near limitless expansion, boundless creative opportunities and vast archival choices crashes ashore, after a spate of megamergers and a drop in new subscribers. From a report: Just when streaming has finally attracted more viewers than cable or broadcast TV, its major players are engaged in a long-predicted war for subscribers, who are becoming all too aware of rising subscription prices and, both subtly and directly, a change in what programs get made and how long they stick around. Commercials could soon become more common, and services may be bundled (for one low monthly price!), already triggering visions of a future that recalls the dark days of cable.

The list of seismic rumblings in recent weeks is long, as chronicled in the Hollywood Reporter, Variety and elsewhere: Warner Bros. Discovery is cutting shows from its archives and unfinished movies from HBO Max as it prepares to merge it with its sister streaming service Discovery Plus, having promised its shareholders a $3 billion cut in costs. Faced with a plunging stock price and worrisome subscriber loss, Netflix plans to add an advertising-supported model for a lower price and may crack down on password sharing. Disney Plus, Hulu and ESPN Plus, which can all be subscribed to in a cable-esque bundle, are raising prices after taking a more than $1 billion hit in the fiscal third quarter. [...] The fear of having your show or movie deleted on an executive's whim -- a growing reality for many, including Katai -- is compounded by the fact that in the post-DVD digital age, viewers may never be able to access the shows again. Showrunners might not even have physical copies of their own work. And that's not the only downside for creators.