Isolation rooms, fears of positive Covid-19 tests and the absence of cheering crowds are squeezing all the joy from the Beijing Games. From a report: On the day Team USA flag bearer Elana Meyers Taylor was supposed to march her country into the Olympic Stadium, she was in a Chinese isolation hotel. She had tested positive for Covid-19 and watched the Opening Ceremony on TV in a room she wasn't allowed to leave. Ms. Meyers Taylor was one of the lucky ones. She has since recovered and is scheduled to compete as one of the medal favorites in two bobsled events. In the gloom of the Beijing Winter Olympics, luck is a relative term. The Games are supposed to be an ebullient, global sporting bonanza, but they have never felt so downbeat. Rather than "Faster, Higher, Stronger -- Together," the Olympic motto, the Beijing Games so far have been sadder and quieter.

Olympians compete in nearly empty arenas without friends or family. Some wear N95 masks, in practice and even in competition, to limit the risk of infection. The rest live with the daily fear of testing positive, being sent to isolation and watching years of training slip away. Natalia Maliszewska, a short-track speedskater from Poland, was awoken at 3 a.m. one night this week, before she was set to compete, and transported to isolation before learning that authorities had made a mistake. It later turned out that she had tested positive and was returned to isolation. "To me, this is a big joke," Ms. Maliszewska said. "I hope whoever is managing this has a lot of fun. My heart and my mind can't take this anymore." The usual stresses, strains and tolls of competing at the Games have been amplified by a pandemic that has shrunk the event to fit into a suffocating bubble. American figure skater Vincent Zhou felt a sense of desperation from inside his isolation hotel room this week after he tested positive for Covid-19. With his chance to compete now over -- he skated in the team event but missed his individual event -- he was awaiting the two negative PCR tests that would return his freedom.

It's not just the office pool anymore. More than half of U.S. states now allow legalized sports betting, and in many cases it's as easy as opening an app on your smartphone and making a wager. From a report: A whopping 17.6 million people are expected to place a bet on Sunday's Super Bowl online or in person at a sportsbook, according to the American Gaming Association. It's not all profits for the operators, though. Sportsbooks are putting up their own money in the form of a massive advertising campaign targeting the millions of sports fans who will be glued to their TVs for the matchup between the Los Angeles Rams and the Cincinnati Bengals. "TV sportsbook advertising has grown exponentially this year and in the last couple of years overall," Adam Candee, managing editor of the trade publication Legal Sports Report, told NPR.

Candee said the sudden growth of legalized gambling in states across the country has sportsbook operators jockeying for a piece of the huge new customer base -- and the Super Bowl is their latest opportunity to sell themselves to potential bettors. "It is happening in the here and now, moment to moment, as they compete for customers. That is because this is essentially a new industry that is rising up from the ground," he said. Sports gambling could become a $37 billion industry by 2025, according to the investment management company ARK.

"Hulu has ordered a(nother) revival of Futurama," writes Slashdot reader aitikin, sharing a report from Variety. From the report: Variety has learned that the streaming service has ordered 20 new episodes of the adult animated sci-fi comedy series. The revival hails from David X. Cohen and Matt Groening. Cohen developed the original series with Groening, the series creator.

Original series cast members Billy West, Katey Sagal, Tress MacNeille, Maurice LaMarche, Lauren Tom, Phil LaMarr and David Herman will all return. John DiMaggio, who voiced Bender and several minor characters, is not currently attached. According to an individual with knowledge of the project, the producers are hopeful DiMaggio will return. Should that not happen, Bender will be recast. Production will begin this month with an eye towards a 2023 premiere. "I'm thrilled to have another chance to think about the future... or really anything other than the present," said Cohen. "It's a true honor to announce the triumphant return of 'Futurama' one more time before we get canceled abruptly again," added Groening.

An anonymous reader quotes a report from Ars Technica: Setting up a Raspberry Pi board has always required a second computer, which is used to flash your operating system of choice to an SD card so your Pi can boot. But the Pi Foundation is working on a new version of its bootloader that could connect an OS-less Pi board directly to the Internet, allowing it to download and install the official Raspberry Pi OS to a blank SD card without requiring another computer. To test the networked booting feature, you'll need to use the Pi Imager on a separate computer to copy an updater for the bootloader over to an SD card -- Pi firmware updates are normally installed along with new OS updates rather than separately, but since this is still in testing, it requires extra steps.

Once it's installed, there are a number of conditions that have to be met for network booting to work. It only works on Pi 4 boards (and Pi 4-derived devices, like the Pi 400 computer) that have both a keyboard and an Ethernet cable connected. If you already have an SD card or USB drive with a bootable OS connected, the Pi will boot from those as it normally does so it doesn't slow down the regular boot process. And you'll be limited to the OS image selection in the official Pi imager, though this covers a wide range of popular distributions, including Ubuntu, LibreELEC, a couple of retro-gaming emulation OSes, and Homebridge. For other OSes, downloading the image on a separate PC and installing it to an SD card manually is still the best way to go. To learn more about installing the bootloader or download the Pi OS over a network, you can view the Raspberry Pi Foundation's documentation here.

Major rightsholders and internet companies in Russia have signed a new memorandum of cooperation designed to make pirated movies, TV shows and other content harder to find. In addition to automatically removing reported infringing links within hours, search engines have agreed to completely deindex all domains that carry 100 or more links to infringing content. TorrentFreak reports: Signed in 2018, a memorandum of cooperation signed by major rightsholders and internet companies including Yandex changed the way infringing content is handled. Following the creation of a centralized database of pirated content, the Internet companies agreed to query it every few minutes in order to remove corresponding content from their platforms within six hours. Over a period of three years, more than 40 million infringing links have now been removed from search results. Since its introduction, the memorandum has been renewed several times alongside calls for the system to be opened up to a wider range of rightsholders, such as those operating in the publishing sector. While that is yet to happen, a new memorandum has just been signed by the original signatories containing an even more powerful anti-piracy tool.

Under the current agreement (which is set to expire early September 2022), rightsholders must submit specific URLs to infringing content to the centralized database controlled by the Media Communications Union (ISS). These specific URLs are then delisted by search engines but rightsholders complain that the same content can reappear under a new URL, meaning that the process must be repeated. To deal with this type of 'pirate' countermeasure, the new memorandum requires search companies to take more stringent action. Any domain that has 100 or more 'pirate' links reported to the database will be deindexed entirely by search engines, meaning that they essentially become invisible to anyone using a search engine. This must be carried out quickly too, within 24 hours according to ISS. Given the number of links to infringing content posted to non-pirate sites, safeguards will also be introduced to protect legitimate resources from deindexing. These include media sites, government projects, search engines themselves, social networks, and official content providers. "Alongside the development of the memorandum a new law is being drafted, with the aim of enshrining its voluntary terms into local law," adds TorrentFreak. "That should allow other rightsholders that aren't current signatories to obtain similar benefits. At the time of writing, however, progress on the legal front is taking its time and might still take a few more months."

Last month streamers in China discovered that Fight Club had arrived on streaming platform Tencent — but with an entirely new ending where local authorities "rapidly figured out the whole plan and arrested all criminals....."

But now there's been another round of changes, according to the Hollywood Reporter. "After widespread online backlash to clumsy censorship of the film's ending, Chinese streaming service Tencent Video backtracked in recent days and restored most of the cuts it had made." Crucially, Fight Club's complete ending is now viewable in full in China...

News of the cuts went viral around the world and sparked much debate and embarrassment on Chinese social media about local censorship practices.... [I]t would appear that the backlash has been deemed more troublesome than the fictional film's ending, as Tencent has now restored 11 of the 12 minutes it originally cut from the 137-minute movie. The minute still missing is mostly comprised of brief nude sex scenes between Brad Pitt's and Helena Bonham Carter's characters.
Insider reports that changing the original ending provoked comments like these on China's Twitter-like platform Weibo:

- "This has become a Chinese-only joke. Even dogs won't want to watch this."

- "This is exactly why, even if you have streaming platform subscriptions, you still have to watch pirated versions."


And it brought massive attention to China's history of changing movies, notes the Wrap since "word quickly spread across the globe, bringing embarrassment to the country," reports the Wrap: Censorship of American films and TV shows at the behest of Chinese officials has become common as Hollywood has made in-roads in the country over the past decade. Last year, an episode of "The Simpsons" in which the titular family visits China was removed from Disney+ in Hong Kong over a joke made in the film about the Tiananmen Square protests in 1989 and the Chinese government's censorship of the event.
Even the South China Morning Post reported that Chuck Palahniuk, the author of the novel that inspired the film, "appeared to mock the move on Twitter. 'Everyone gets a happy ending in China!' he wrote..." Similar changes have been made to other films in China in the past. Nicolas Cage's 2005 crime film Lord of War had its final half-hour cut and replaced with text reading, "Yuri Orlov confessed all the crimes officially charged against him in court and was sentenced to life imprisonment in the end."
And another example from the Hollywood Reporter: After 20th Century Fox's Queen biopic Bohemian Rhapsody won multiple Oscars in the 2018, it was granted a theatrical release in China — but only after all mentions of Freddie Mercury's homosexuality were cut from the film.
But in this case a global popular outcry appears to have been too embarrasing to endure. According to the Hollywood Reporter now we even have an expected ending to the story of how China tried to censor Fight Club.

"Reversals of censorship actions are extremely rare within China's entertainment industry — but cuts to Hollywood movies are not."

Amazon is raising the price of its annual Prime membership to $139 from $119, the company announced on Thursday as part of its fourth-quarter earnings results. From a report: Amazon last hiked the price of Prime in 2018, when it increased to $119 from $99. Four years before that, it raised the subscription fee to $99 from $79. Amazon's annual increase amounts to about a 17% rise in price. Amazon also raised the monthly price of a Prime membership from $12.99 to $14.99, the company said. New members will see the increased prices on Feb. 18, and current members will be billed at the higher rate after March 25. Launched in 2005, Amazon Prime gives members access to free two-day shipping, as well as access to exclusive movies and TV shows, among other perks. As of last April, the service had more than 200 million subscribers worldwide.

If you've been watching any TV over the past few months, chances are you've seen Crypto.com's ad featuring Matt Damon. It's an expensive advertisement, complete with top-notch CGI and heady phrases like "History is filled with almosts" and "Fortune favors the brave." Jody Rosen dissects Damon's crypto push in a New York Times piece titled, "Why Is Matt Damon Shilling for Crypto? An anonymous reader shares an excerpt from the report: The burden of spreading that gospel has been placed on the beefy shoulders of Matt Damon, whom Crypto.com hired as its "brand ambassador" in advance of a $100 million global marketing push. Damon is just the latest A-list star who has taken to hawking crypto. Tom Brady and Gisele Bundchen have appeared in commercials for the cryptocurrency exchange FTX, a Crypto.com competitor in which they have an equity stake. On Twitter, Reese Witherspoon is a vocal booster ("Crypto is here to stay"), and Snoop Dogg, an NFT aficionado, offers investing advice ("Buy low stay high!"). There is something unseemly, to put it mildly, about the famous and fabulously wealthy urging crypto on their fans. Cryptocurrencies, after all, are in many cases not so much currencies as speculative thingamabobs -- digital tokens whose value is predicated largely on the idea that someone will take them off your hands at a higher price than it cost you to acquire them. Entertainers and athletes have ample money to risk in speculative bubbles; their millions of admirers don't have that luxury and may be left holding the bag when a bubble bursts. [...]

The cryptocurrency industry's marketing efforts are focused on young people, especially young men. Surveys have shown that some 40 percent of all American men ages 18 to 29 have invested in, traded or used a form of cryptocurrency. [...] Damon offers a particular kind of appeal to that demographic. His star power is based on brains and brawn; he can recite magniloquent phrases while also giving the impression that he could fillet an enemy, Jason Bourne style, armed with only a Bic pen. In the ad, his words are high-flown -- all that stuff about history and bravery -- but they amount to a macho taunt: If you're a real man, you'll buy crypto.

The bleakness of that pitch is startling. In recent weeks, while watching televised sports -- where the Crypto.com spot airs repeatedly, alongside commercials for other crypto platforms and an onslaught of ads for sports-gambling apps -- I could not shake the feeling that culture has taken a sinister turn: that we've sanctioned an economy in which tech start-ups compete, in broad daylight, to lure the vulnerable with get-rich-quick schemes. Yet what's most unsettling about the commercial is the pitch it doesn't make. Traditionally, an advertisement offers an affirmative case for its product, a vision of the fulfillment that will come if you wear those jeans or drive that truck. This ad doesn't bother. It shows a brief glimpse of a young couple locking eyes in a nightclub -- an insinuation, I guess, that crypto has sex appeal. But the ad builds inexorably toward that final shot of Mars, where Matt Damon's astronaut was marooned in a hit film and where Elon Musk, the world's second-richest man and a crypto enthusiast, says he plans to build a colony to survive the end of civilization on Earth. "We live in troubled times," writes Rosen in closing. "The young, in particular, may feel that they are peering over the edge, economically and existentially. This ad's message for them seems to be that the social compact is ruptured, that the old ideals of security and the good life no longer pertain."

"What's left are moonshots, big swings, high-stakes gambles. You might bet a long-shot parlay or take a flier on Dogecoin. Maybe someday you'll hitch a ride on Elon Musk's shuttle bus to the Red Planet. The ad holds out the promise of 'fortune,' but what it's really selling is danger, the dark and desperate thrills of precarity itself -- because, after all, what else have we got? You could call it truth in advertising."

YouTube topped Netflix in terms of quarterly revenue, with the Google-owned video platform delivering $8.6 billion in advertising revenue in Q4, the company said Tuesday. The Hollywood Reporter reports: For fiscal 2021, YouTube delivered $28.8 billion in advertising revenue. In the same quarter a year earlier, YouTube delivered $6.9 billion in advertising revenue, underscoring the continued explosive growth of the platform. For comparison, Netflix delivered $7.7 billion in revenue in Q4 in 2021, compared to $6.6 billion a year earlier. Overall, Alphabet, Google's parent company, reported $75.3 billion in revenue for the quarter, and $257.6 billion for the year, with Google search advertising still making up the lions share of revenue.

With regard to YouTube, the executives cited commerce as a potential growth area for YouTube, with CEO Sundar Pichai calling it "a whole other layer of opportunity." "Podcasts, gaming, learning, sports, across all of these areas we will take a vertical specific look and find out how we can support creators better," he said. "While pretty early, there is a lot of pilots under way," he added, noting that they were "super early" into testing how shopping could be baked into YouTube Shorts, its TikTok-esque shorts platform, which Pichai said now has more than 5 trillion views. The executives also called out YouTube's connected TV opportunity.

LG has announced a new offering to advertisers that promises to be able to reach the company's millions of connected devices in households across the country, pummeling TV viewers with -- you guessed it -- targeted ads. From a report: While ads playing on your connected TV might not be anything new, some of the metrics the company plans to hand over to advertisers include targeting viewers by specific demographics, for example, or being able to tie a TV ad view to someone's in-store purchase down the line. If you swap out a TV screen for a computer screen, the kind of microtargeting that LG's offering doesn't sound any different than what a company like Facebook or Google would offer. That's kind of the point.

Online ad spending reached more than $490 billion by the end of last year, and those numbers are only going to keep going up as more advertisers look for more ways to track and target more people online. Traditional TV ad spend, meanwhile, has tanked since its peak around 2016. In order to lure ad dollars back, folks in the television space, like LG, are using every tool at their disposal to claw back the ad dollars the internet's taken away. And it's clearly working. While traditional TV ad spend has plummeted, there's never been more money spent on advertising across the digitally connected TVs offered by companies like LG. Roku, for example, recently announced an upcoming Shopify integration that would let retailers target TV viewers with more ads for more of their products. Amazon rolled out a new beta platform that lets networks promote apps, movies, or TV shows to people right from the device's home screen. And I don't need to remind Samsung TV owners how their devices are getting absolutely plastered with ads from every conceivable angle.

Andorra Telecom, the only ISP in the principality of Andorra, suffered repeated distributed denial-of-service (DDoS) attacks during a multi-day Twitch gaming tournament. From a report: The DDoS attacks occurred during the scheduled SquidCraft Games tournament in Minecraft, one of the most successful Twitch Rivals tournaments ever broadcast. Eight or more Andorran streamers were eliminated from the Twitch tournament after the second day of attacks due to their repeated disconnects. There is some suspicion that perpetrators planned the DDoS attacks on Andorra Telecom to cheat the Andorran's of their chance to win the $100,000 pot. The SquidCraft Games was a highly anticipated Twitch streaming event designed to emulate the hit Netflix series called The Squid Game in Minecraft. As noted, it has been a viral game streaming event with a peak viewership of over a million on day two of the event. As per the TV series, this is an elimination game, and in this Twitch event, there is a healthy prize pot of $100,000 to ensure participants would be highly competitive. The event will end on Tuesday. A significant portion of the 150 SquidCraft games participants lives in Andorra. Spanish language reports of the event confirm that day one went without a hitch for all players, in terms of fairness. The games "green light, red light," and "hide and seek" ran smoothly to their conclusions.

The knives are out for Peloton and CEO John Foley. From a report: Blackwells Capital, an activist investor that owns less than 5% of Peloton, says it has "grave concerns" about its performance and is calling on its board of directors to fire Foley immediately and explore a sale. In an open letter Monday, the investment firm sharply criticized Peloton for not capitalizing the success it achieved in 2020, saying it squandered the opportunity to grow sales of its internet-connected bikes and treadmills. Peloton shares have tumbled 80% from their peak, bruised from sagging sales, a massive recall and PR nightmares in popular TV shows. Blackwells' Chief Investment Officer Jason Aintabi said the company is currently on "worse footing today than it was prior to the pandemic, with high fixed costs, excessive inventory, a listless strategy, dispirited employees and thousands of disgruntled shareholders." To turn around Peloton's fortunes, Blackwells suggests firing Foley for his "repeated failures," listing 10 examples. They include his pricing strategy (Peloton cut the price on its Bike and Tread in August 2021, only to raise them again months later), his handling of the treadmill recall and a purported temporary shutdown of production. Blackwells also slammed Foley for hiring his wife as a key executive.

The Washington Post reports that three of the world's most prominent live-streaming stars "received notifications of copyright infringement after broadcasting TV shows to their millions-strong fanbases on Twitch."

"The days that followed produced copious amounts of Twitch's most common byproduct, online drama, but also focused attention on the murky and legally complicated question of what constitutes fair use of copyright materials such as TV shows and movies...." In 2007 Viacom sued YouTube for copyright infringement. Though the court ultimately ruled in favor of YouTube, the suit paved the way for the "Content ID" system, which automatically identifies copyright content and aggressively polices the platform. While software that can scan Twitch already exists, Twitch has yet to create its own automated system, and it does not appear to be in the process of doing so, according to industry figures with knowledge of Twitch's operations who weren't authorized to speak publicly.

Such an outcome becomes more likely, however, if advertisers start withdrawing from the platform for fear of being associated with risky content, something that's already beginning to happen on Twitch according to Devin Nash, chief marketing officer of content creator-focused talent agency Novo...

The "react content" trend often hinges on broadcasting copyright material, like popular movies or TV shows, a practice which skirts the outer edges of platform rules. Earlier this month, Viacom and the History Channel/A&E (which is owned by Hearst and Disney) issued copyright claims — also known as Digital Millennium Copyright Act (DMCA) takedown requests — to specific streamers.... The DMCA-centric discourse left streamers and viewers on Twitch with ample drama but no clear answer as to whether one of the platform's go-to trends merely faces a few bumps in the road or an asteroid-sized extinction event. "Nothing could happen, or everything could happen," Cassell added. "And it rests on the decisions of a handful of media rights holders...."

Some streamers, such as Piker and Felix "xQc" Lengyel, both of whom started reacting to clips from sites like YouTube long before the current react meta began, argue reaction content should be permitted since Twitch is essentially built on copyright infringement. Streaming a video game is technically a DMCA-able offense. The video game industry, however, has decided to allow the practice because the free publicity and resulting sales tend to outweigh any potential downsides. But television is a different beast, with its economics rooted in broadcast rights rather than individual unit sales....

This awkward and unceasing dance around the topic has been fueled in part by the fact that Twitch is incentivized to maintain its ignorance of copyright infractions taking place on their platform.... But the silence has added stress to streamers whose livelihoods could be impacted by decisions around the current DMCA practices....
The Post also spoke to game/esports/entertainment lawyer David Philip Graham, who believes copyright law itself is due for an overhaul. "Much of our current copyright regime isn't really about authors' rights or promoting the progress of science and useful arts, but about big businesses looking for easier routes to profitability," Graham said.

He proposes shortening copyright term lengths — and also expanding permissions for derivative works.

"Netflix's stock has tumbled 41% from the all-time high it hit just two months ago," reports CNN Business.

"It's gaining subscribers at a painfully slow pace. Competition is heating up. The company's answer to all that: It just raised prices on North American customers." Netflix ended 2021 with 221.8 million subscribers. That's significantly more than others in the streaming marketplace, including Disney, one of its closest competitors. Disney had 118.1 million subscribers as of October, and it grew subscriptions 60% between October 2020 and October 2021. During that same period, Netflix grew just 9%. Disney hasn't yet reported its financial results for the last three months of 2021. But Netflix's growth slowed even further in the fourth quarter to just 8%. (And Disney's growth last quarter spooked Wall Street too....)

The problem with relying exclusively on subscriptions for revenue is: after a while, you run out of people who haven't subscribed. That's bad news for Wall Street investors who are mostly concerned with companies' abilities to grow. Zak Shaikh, vice president of programming at research-based media firm Magid, believes that Netflix's fall is more of "a Wall Street thing" rather than "something that reflects the business is in trouble.... They still added subs, and they still have the same high usage and viewing metrics," he added. However, even Shaikh pointed out that in the long term, "Netflix will have to deal with the fact that you can't keep adding subscribers."

One way the company has tried to offset its slowing growth is by investing in other verticals, such as gaming. Another way is to raise prices, but that could prove difficult as fierce competition ramps up. Although price increases will probably help to offset its sluggish sign ups, they could also lead to more stagnation for Netflix. For some consumers, price increases — even small ones — are a lot to ask considering that so many competitors are at Netflix's gates.
Michael Nathanson, a media analyst at MoffettNathanson, specifically predicted to CNN Business that 2022 will be a year "of concern about growth and competition for Netflix."

Some Roku smart TV owners are seeing banner ads appear over live content, according to a thread on the r/cordcutters subreddit. Ars Technica reports: [A photo posted by the Reddit user] shows a Sharp TV running Roku software and displaying an ad for a bed over a live sports broadcast, plus a prompt to 'press OK to get offer.' These ads don't seem to appear on Roku's own hardware, like the Roku Ultra, Express, Streambar, or Streaming Stick. Rather, they show up on certain smart TVs running the Roku TV platform -- and it might just be certain brands, like Sharp. Some owners of TCL Roku TVs commented that they had not seen the ads. Fortunately, users in the thread reported that the feature can be disabled in privacy settings. But it's possible that doing so may disable other Roku features.

Netflix has raised its monthly subscription price by $1 to $2 per month in the United States depending on the plan, the company said on Friday, to help pay for new programming to compete in the crowded streaming TV market. From a report: The standard plan, which allows for two simultaneous streams, now costs $15.49 per month, up from $13.99, in the United States. Prices also went up in Canada, where the standard plan climbed to C$16.49 from C$14.99. The price increases, the first in those markets since October 2020, took effect immediately for new customers. Existing members will see the new prices in the coming weeks when they receive their monthly bills.

Last night, Netflix's "The Power of the Dog" became the streamer's first-ever movie to take home a Golden Globe for best motion picture (drama). The movie also won for best director (Jane Campion) and best supporting actor (Kodi Smit-McPhee). As TechCrunch points out, "NBC announced in May 2021 it wouldn't broadcast the awards show this year after an investigation by The L.A. Times revealed the lack of diversity within the Hollywood Foreign Press Association (HFPA), the organization that hosts the annual event, as well as evidence of some members receiving gifts that amounted to bribes. [...] Instead, the event's winners were live-tweeted in an often bizarre fashion." From the report: In addition to being an overall quieter year as the HFPA tries to reform its organization following the controversies, the winning networks also aren't touting their victories as they would normally, despite some seeing some notable firsts and upsets. In prior years, HBO would be happily promoting its sweep over rivals. The network led the night with six wins, including four for HBO and two for HBO Max. Several of these were for its TV series "Succession," which won for best TV drama, TV drama actor (Jeremy Strong) and supporting actress (Sarah Snook.) HBO Max's comedy "Hacks" also notably beat out Emmy winner "Ted Lasso" (Apple TV+) as best comedy, and saw its lead, Jean Smart, win for best actress in a comedy. And Kate Winslet won best TV actress in a limited series for HBO's "Mare of Easttown."

Meanwhile, though Netflix led the year by nominations -- including for best dramatic film "The Power of the Dog" and drama series "Squid Game" -- it had said it wouldn't participate in the event until the HFPA institutes changes. That decision means it's also now not bragging about a couple of notable firsts that resulted from last night's awards. [...] In addition, Netflix's runaway hit TV series "Squid Game" received three nominations this year, leading to the first-ever win for South Korea, as South Korean actor O Yeong-su won for his role in the series, beating out "Succession's" Kieran Culkin (HBO) and "The Morning Show's" Billy Crudup (Apple TV+). Netflix also won for "tick, tick... BOOM!" when Andrew Garfield took the trophy for best actor in a motion picture (musical or comedy), though the tweet had forgotten to credit the project by name.

Apple TV+ took home one win last night, as "Ted Lasso's" Jason Sudeikis won best actor in a TV series (comedy). Hulu also got one Globe, as "Dopesick's" Michael Keaton won best actor in a TV limited series or motion picture made for television, while Amazon Prime Video's "The Underground Railroad" won the category. Amazon Prime Video's "Being the Ricardos" was highlighted with Nicole Kidman's win as best actress in a motion picture. In another milestone, the first trans actress to win a Golden Globe, FX's "Pose" star Michaela Jae Rodriguez, took home the trophy for best actress in a drama. 20th Century Studio/Disney's "West Side Story" won best picture (musical or comedy) and its stars, Rachel Zegler and Ariana DeBose, won best actress and supporting actress, respectively. Disney's "Encanto," which streamed on Disney+ just a month after hitting theaters, won best animated picture. Warner Bros.' "Dune" got the trophy for best score (Hans Zimmer), and Will Smith was named best actor in a motion picture (drama) for "King Richard." The best non-English language picture award went to the Japanese film "Drive My Car." You can view the full list of winners here.

"Until recently," writes the NY Times' Jay Caspian Kang, "my daughter and I were somehow able to avoid the king of toy videos: Ryan Kaji." There's no one way to describe what Kaji, who is now 10 years old, has done across his multiple YouTube channels, cable television shows and live appearances: In one video, he is giving you a tour of the Legoland Hotel; in another, he splashes around in his pool to introduce a science video about tsunamis. But for years, what he has mostly done is play with toys: Thomas the Tank Engine, "Paw Patrol" figures, McDonald's play kitchens. A new toy and a new video for almost every day of the week, adding up to an avalanche of content that can overwhelm your child's brain, click after click. Kaji has been playing with toys on camera since Barack Obama was in the White House.

Here are a few of the companies that are now paying him handsomely for his services: Amazon, Walmart, Nickelodeon, Skechers. Ryan also has 10 separate YouTube channels, which together make up "Ryan's World" [31.2M subscribers], a content behemoth whose branded merchandise took in more than $250 million last year. Even conservative estimates suggest that the Kaji family take exceeds $25 million annually.
Thanks to long-time Slashdot reader theodp for sharing the article — and for summarizing one of its most startling details. "Not too surprisingly, Ryan's mother and father paused their teaching and engineering careers to focus on Ryan's empire after seeing the reaction to Ryan's breakout 2016 video, which now has 2+ billion YouTube views."

The Times' reporter quips that the videos capture glimpses from "the only world in which children do not stare at screens" — then wonders if that's even true, sharing their observation from the filming of a special toy-themed TV show with Ryan.

"I overheard a crew member say to him, 'If you finish this scene, you can play Minecraft.' "

The Register reports on a unique response to CES: Six right-to-repair advocates assembled on Friday morning to present Repair.org's second annual Worst in Show Awards, a selection of the "the least private, least secure, least repairable, and least sustainable gadgets at CES."

In a presentation streamed on YouTube, author and activist Cory Doctorow presided over the condemnation session. He said that he has been attending the Consumer Electronics Show for decades and vendors will gladly enumerate the supposed benefits of their products. "But what none of those people will ever do is tell you how it will fail," said Doctorow. "And that's kind of our job here today, to talk about the hidden or maybe not so hidden and completely foreseeable failure modes of these gadgets."

Kyle Wiens, co-founder of iFixit, gave the new Mercedes EQS EV the award for the worst product in terms of repairability. Showing a slide of the warning screen the car presents to its driver, he said, "You cannot open the hood of the car. It is locked, warning of accident, warning of injury if you open the hood. Mercedes' perspective is, 'Hey, this is an electric car. There's nothing the owner needs to do under the hood of this car."

Wiens said this is not the first time Mercedes has gone down this road, noting that a few years ago the company removed the dipstick from its C-class vehicles, arguing that only an authorized technician should change the oil.

"So this is everything that is wrong with the future," he said.
Some other higlights (via the Register)... Nathan Proctor, national campaign director for public interest non-profit USPIRG, gave the "worst in class for the environment" award to Samsung's new NFT Aggregation Platform, which he described as "a way to buy, sell and display your NFT artwork from your huge ginormous OLED Samsung TV."

Proctor added "If you don't know what an NFT is, I am honestly jealous of your life," calling it "sort of like a Beanie Baby craze for crypto tech bros — if Beanie Babies required massive continual energy consumption on a warming planet to remain corporeal."

And the Community Choice poll for Worst in Show went to John Deere — presumably for fighting right-to-repair laws in every single state legislature — while the tractor companywas also recognized by Paul Roberts, founder of securerepairs.org, for its industry-lagging bad outreach to the security community.

Right now, NASA is providing live coverage for the conclusion of the James Webb Space Telescope's major spacecraft deployments. NASA offered this description of the event earlier this week: Beginning no earlier than 9 a.m. EST, NASA will air live coverage of the final hours of Webb's major deployments. After the live broadcast concludes, at approximately 1:30 p.m. [EST], NASA will hold a media briefing. Both the broadcast and media briefing will air live on NASA TV, the NASA app, and the agency's website.

As the final step in the observatory's major deployments, the Webb team plans to unfold the second of two primary mirror wings. When this step is complete, Webb will have finished its unprecedented process of unfolding in space to prepare for science operations....
SlashGear reports: Consisting of 18 hexagonal, gold-plated segments, the mirror is one of the telescope's most visually striking components. The primary mirror needs to be large as this is directly related to how much light the telescope can detect, which makes it more accurate (via NASA). James Webb's mirror is 6.5 meters (21ft) across, which is the largest ever launched into space. Compared to the 2.4-meter (7.8ft) mirror used on James Webb's predecessor, the Hubble Space Telescope, this big mirror will help the telescope to see out further into space.

Engineers couldn't just build a 6.5-meter (21ft) mirror like Hubble's, though, because it would be too large and too heavy to launch. Instead, they built the James Webb mirror in segments made from beryllium, which is both lightweight and strong. These segments fold in on themselves to fit into the rocket, and now it is time for them to unfold into their final configuration.
"Once fully operational, Webb will explore every phase of cosmic history," NASA announced, "from within the solar system to the most distant observable galaxies in the early universe, and everything in between. Webb will reveal new and unexpected discoveries and help humanity understand the origins of the universe and our place in it."

SlashGear adds that "Having left Earth's atmosphere and traveled over 250,000 miles away from our planet, it is now more than 70% of its way to its final orbit around the sun..."