The number of users on Wish has plummeted, and its stock price has dropped. Former employees point to an emphasis on short-term growth over customer service. From a report: There were unbelievable bargains on "bestdeeal9," a store hosted on the e-commerce platform Wish, including a $2,700 smart TV being sold for $1 and a gaming computer advertised for $1.30. But none of the offers were real, and Wish knew it. The company, an online novelty emporium that had more than $2 billion in sales last year by dangling hard-to-believe discounts, created "bestdeeal9" as an experiment. Listings that had been removed for violating Wish policies were reposted on "bestdeeal9" and used in part to track whether shoppers complained when their orders never arrived. Employees working on the project repeatedly pushed executives to take down the store, arguing that it was both illegal and unethical, according to three employees familiar with the project who spoke on the condition of anonymity to discuss company matters. More than 213,000 people made purchases from the store, according to an internal document reviewed by The New York Times, though the document did not say how many received their items.

Tarek Fahmy, then the senior vice president of engineering in charge of the project, ended it in 2020 after it operated for several months, the employees said. Mr. Fahmy, who has since left Wish, did not respond to requests for comment. Wish declined to comment on "bestdeeal9." Several employees said "bestdeeal9" is indicative of the kind of practices -- giving priority to short-term growth over customer service -- that initially turned Wish into an advertising and retail behemoth but have now left it desperately trying to right itself. Since its founding in 2010, Wish had many of the hallmarks of a classic Silicon Valley success story: started by a young coder and his college friend, rumored to have turned down a $10 billion acquisition offer from Amazon and described by Recode as an app "that could be the next Walmart." It developed a reputation as the dollar store of the internet, shipping odd gimcracks and thingamajigs directly from vendors in China. It blitzed shoppers with viral online ads for $1 plastic tongue clamps, $3 "leather face diapers" for cats and a $2 handful of worms.

[...] Peter Szulczewski, the company's former chief executive, once compared Wish's success to Donald J. Trump's 2016 election victory, explaining that both the company and the candidate had appealed to "the invisible half" of Americans who were routinely overlooked by political pundits and Silicon Valley elites. But Wish squandered its early promise, according to interviews with nine former employees. Deceptive experiments like "bestdeeal9" drove customers away, as did low product standards and unreliable shipping. When the rising cost of ads forced it to scale back its marketing, the company struggled to attract new shoppers. Wish is now scrambling to turn itself around. The company declined to make its newly hired crop of executives available but said in a statement that "over the past six months, Wish has undergone a massive transformation." The company said: "We have already seen significant traction and remain committed to executing against our priorities and building a long-term platform for growth."

A prison term of up to one year and other tougher penalties for online insults came into effect Thursday as part of Japan's efforts to tackle cyberbullying. From a report: The revised Penal Code also raised the fine for insults to up to 300,000 yen ($2,200), upping the ante from the current penalty of detention for less than 30 days or a fine of less than 10,000 yen. The statute of limitations for insults has also been extended from one year to three years.

Moves to amend the law gained traction after Hana Kimura, a 22-year-old professional wrestler and cast member on the popular Netflix reality show "Terrace House," was believed to have committed suicide in May 2020 after receiving a barrage of hateful messages on social media. Two men in Osaka and Fukui prefectures were fined 9,000 yen each for insults posted about TV personality Kimura before her death, but some expressed concern the penalties were too light, which led to the push for the legal changes.

An anonymous reader quotes a report from TorrentFreak: After causing outrage among online services including Cloudflare, the most aggressive pirate site injunction ever handed down in the US has undergone significant weight loss surgery. Now before the court is a heavily modified injunction that is most notable for everything that's been removed. It appears that Cloudflare drew a very clear line in the sand and refused to step over it. [...] The injunctions granted extreme powers, from residential ISP blocking to almost any other action the plaintiffs deemed fit to keep the sites offline. Almost immediately that led to friction with third-party service providers and the situation only worsened when a concerned Cloudflare found itself threatened with contempt of court for non-compliance. The CDN company fought back with support from Google and EFF and that led the parties back to the negotiating table. Filings in the case last week suggested an acceptance by the plaintiffs that the injunction cannot be enforced in its present form. The parties promised to work on a new injunction to address both sides' concerns and as a result, a new proposal now awaits the court's approval. [...]

With the contempt of court issue behind them, Cloudflare and the plaintiffs appear to have settled their differences. An entire section in the injunction dedicated to Cloudflare suggests that the CDN company is indeed prepared to help the video companies but they'll have to conform to certain standards. Before even contacting Cloudflare they'll first need to make "reasonable, good faith efforts to identify and obtain relief for the identified domains from hosting providers and domain name registries and registrars."

If the plaintiffs still need Cloudflare's assistance, Cloudflare will comply with requests against domain names listed in this injunction and future injunctions by preventing access to the following: "Pass-through security services, content delivery network (CDN) services, video streaming services, and authoritative DNS services, DNS, CDN, streaming services, and any related services." An additional note states that the plaintiffs acknowledge that Cloudflare's compliance "will not necessarily prevent the Defendants from providing users with access to Defendants' infringing services." Given the agreement on the terms, the amended injunction will likely be signed off by the court in the coming days. Service providers everywhere will breathe a sigh of relief while rightsholders will have a template for similar cases moving forward. The proposed amended injunction documents can be found here (1, 2, 3, 4, 5 pdf).

New AI-powered technology will be used at the Qatar World Cup, Fifa has confirmed, claiming it will halve the time taken to make VAR offside decisions. From a report: Semi-automated offside technology (SAOT) will see a complete overhaul of the system used to judge positional offside decisions in the lead-up to a goal. While a referee and their assistant will still make on-field calls and the referee will have a final say on SAOT decisions, the controversial practice of rewinding TV footage will be a thing of the past.

"Semi-automated offside technology is faster and more accurate and offers better communication to fans," said Pierluigi Collina, the chair of Fifa's referees committee. "It can create a new form of visualisation for supporters at home and in the ground. All tests have worked well and so [SAOT] is going into Qatar World Cup 2022." During the World Cup offside reviews will be conducted by creating a 3D map of the goalscoring action, using a combination of 12 cameras and a hi-tech ball. The Adidas Al Rihla ball will be fitted with a sensor that sends out location data 500 times per second, which will be matched against player positions on camera, with synchronised devices tracking 29 points on players' bodies and relaying information 50 times per second.

An anonymous reader shares a column: The promise of cloud gaming is that you can do it from anywhere using any device with internet access and a good enough browser (each cloud gaming service seems to have its own requirements on the browser front). You should be able to play super demanding games whether you're on a work trip with nothing but a work laptop or at home and the main TV is being hogged -- or even if you just don't feel like sitting on the couch. But the biggest promise of cloud gaming is that, no matter where you are, if you've got a phone then you've got all your games.

In practice, this is a bad idea. After spending the last few weeks rapturously using my Steam Deck near daily to play games in the cloud, I am never going to willingly attempt cloud gaming on my phone again. Valve's enormous do-anything handheld PC has made me realize that, actually, sometimes dedicated gaming hardware is good! The Swiss Army knife approach to mobile gaming promised by cloud gaming on your phone is about as useful as the saw on a real Swiss Army knife. I appreciate the effort, but I don't actually want to use it.

I've tried to make cloud gaming work on my phone a lot. I've attempted Red Dead Redemption 2 and Star Wars Jedi: Fallen Order and Halo and Gears of War and plenty of other games. Each time, I'm hit with wonder because, holy shit, these are demanding AAA games that usually require tons of expensive (and noisy) hardware playing on my phone. That feels like the delivery on a promise tech companies made me decades ago. But the wonder wears off when you cloud game on your phone for an extended period of time. Cloud gaming drains the phone's battery quickly, which means you can and will be feeling the battery anxiety.

Monday Amazon posted a 15-second teaser trailer on Twitter for their upcoming Prime Video series The Lord of the Rings: the Rings of Power (premiering September 2nd) — drawing on two lavish one-minute trailers released earlier in the year.

"The first season of Amazon's show will be the most expensive season of television ever produced," reports IndieWire: Season 1 has a $465 million budget. Amazon Studios chief Jennifer Salke stated in May 2021 that she was "pretty confident" that the show will draw the required viewership to make the money worth spent.

Back in 2017, when it was reported that Amazon had bought the rights to "The Lord of the Rings" — winning a bidding war against Netflix — the number reported with that sale was $250 million. That number alone made it the most expensive television series ever, but later, The Hollywood Reporter reported that the whole series would end up costing more than $1 billion, due to production expenses (casting, producers, visual effects, etc.). "The Lord of the Rings" film trilogy's own Elijah Wood reacted to that particular figure during an interview, saying, "That's crazy to me." For context, the Peter Jackson trilogy grossed $2.92 billion worldwide. The combined budget for all three films was $281 million.

That $250 million rights deal for "The Lord of the Rings" also came with a five-season commitment for the series. A guaranteed five seasons should also guarantee at least one full story told from beginning to end, even though there's always the possibility of more, depending on the series' success. The deal also allowed for the potential of spin-off series, which could mean the potential for even more of Middle-earth outside just this adaptation. In November 2019, Deadline confirmed that Amazon had officially ordered a second season of the series and that it was already in the works. According to the report, the official early renewal means that there will be a shorter wait time between the first two seasons come release.

However, the series may not ever get out of the Second Age — which is, again, 3,441 years long, so it's got a lot to work with — as, according to Tolkien scholar and "The Lord of the Rings" consultant Tom Shippey, the estate of J.R.R. Tolkien has refused to grant Amazon permission to film anything other than the Second Age, as to not alter the history of the more fleshed out Third Age. "But you can add new characters and ask a lot of questions..."
The tagline of the newly-released trailer? "Nothing is evil...in the beginning."

In 2019 Shippey was quoted as saying the first season would have either 20 episodes or 22 episodes, though this year Amazon said a number "hasn't been officially announced."

And there's one other thing we know. There will be orcs (and some of their backstory), according to IGN's exclusive interview with the show's executive producer — and the head of its prosthetic department.

An anonymous reader shares a report: When Zachary Cohn and his wife bought a house in the Northgate neighborhood of Seattle, Washington, they didn't expect any trouble getting home Internet service. It was only after closing on the house in July 2019 that they learned the bad news. "All six neighbors I share a property line with are wired for Comcast, but our house never was," Cohn told Ars. Comcast's predecessor company had wired up the neighborhood with cable decades earlier and the ISP provides high-speed broadband to the abutting properties. But the cable TV and Internet service provider never extended a line to the house purchased by Cohn and his wife, Lauryl Zenobi. Cohn spent many months trying to get answers from Comcast on how he and Zenobi could get Internet service. Eventually, he contacted his City Councillor's office, which was able to get a real response from Comcast.

Comcast ultimately said it would require installing 181 feet of underground cable to connect the house and that the couple would have to pay Comcast over $27,000 to make that happen. Cohn and Zenobi did not pay the $27,000, and they've been relying on a 4G hotspot ever since. "I was just flabbergasted that a house like this, in an area like this, could possibly have never been wired for Internet," Cohn said in a phone interview. Because the house is "in the middle of Seattle, it didn't even dawn on me that that was possible," he said, adding that the lack of Internet service would be "more understandable if I was two miles from my nearest neighbor." The Seattle Kraken hockey team's $80 million practice facility is in the same Northgate neighborhood, about a half-mile from the house. There's a major bus station in the area, a light rail station that recently opened nearby, and an elementary school within about a 90-second walk, Cohn said, noting that the property is "well within the Seattle city limits."

Long-time Slashdot reader Artem S. Tashkinov shares a blog post from indie game programmer who complains "The special upload tool I had to use today was a total of 230MB of client files, and involved 2,700 different files to manage this process." Oh and BTW it gives error messages and right now, it doesn't work. sigh.

I've seen coders do this. I know how this happens. It happens because not only are the coders not doing low-level, efficient code to achieve their goal, they have never even SEEN low level, efficient, well written code. How can we expect them to do anything better when they do not even understand that it is possible...? It's what they learned. They have no idea what high performance or constraint-based development is....

Computers are so fast these days that you should be able to consider them absolute magic. Everything that you could possibly imagine should happen between the 60ths of a second of the refresh rate. And yet, when I click the volume icon on my microsoft surface laptop (pretty new), there is a VISIBLE DELAY as the machine gradually builds up a new user interface element, and eventually works out what icons to draw and has them pop-in and they go live. It takes ACTUAL TIME. I suspect a half second, which in CPU time, is like a billion fucking years....

All I'm doing is typing this blog post. Windows has 102 background processes running. My nvidia graphics card currently has 6 of them, and some of those have sub tasks. To do what? I'm not running a game right now, I'm using about the same feature set from a video card driver as I would have done TWENTY years ago, but 6 processes are required. Microsoft edge web view has 6 processes too, as does Microsoft edge too. I don't even use Microsoft edge. I think I opened an SVG file in it yesterday, and here we are, another 12 useless pieces of code wasting memory, and probably polling the cpu as well.

This is utter, utter madness. Its why nothing seems to work, why everything is slow, why you need a new phone every year, and a new TV to load those bloated streaming apps, that also must be running code this bad. I honestly think its only going to get worse, because the big dumb, useless tech companies like facebook, twitter, reddit, etc are the worst possible examples of this trend....

There was a golden age of programming, back when you had actual limitations on memory and CPU. Now we just live in an ultra-wasteful pit of inefficiency. Its just sad.
Long-time Slashdot reader Z00L00K left a comment arguing that "All this is because everyone today programs on huge frameworks that have everything including two full size kitchen sinks, one for right handed people and one for left handed." But in another comment Slashdot reader youn blames code generators, cut-and-paste programming, and the need to support multiple platforms.

But youn adds that even with that said, "In the old days, there was a lot more blue screens of death... Sure it still happens but how often do you restart your computer these days." And they also submitted this list arguing "There's a lot more functionality than before."

• Some software has been around a long time. Even though the /. crowd likes to bash Windows, you got to admit backward compatibility is outstanding
• A lot of things like security were not taken in consideration
• It's a different computing environment.... multi tasking, internet, GPUs
• In the old days, there was one task running all the time. Today, a lot of error handling, soft failures if the app is put to sleep
• A lot of code is due to to software interacting one with another, compatibility with standards
• Shiny technology like microservices allow scaling, heterogenous integration

So who's right and who's wrong? Leave your own best answers in the comments.

And are today's programmers leaving too much code bloat?

According to the Wall Street Journal, Comcast's NBCUniversal subsidiary and Google are the "top contenders" for Netflix's upcoming ad-supported streaming tier. "After many years of resisting ads, Netflix CEO Reed Hastings announced the plan for an ad-supported tier in April," reports Ars Technica. "Netflix's stock price dropped 35 percent the day of that announcement, and Netflix revenue growth has been slowing amid a loss in subscribers." From the report: A deal with NBCUniversal would likely mean that "Comcast's video ad unit, FreeWheel, would supply technology to help serve up ads, while NBCUniversal's ad-sales team would help sell ads in the US and Europe," the report said. The Alphabet-owned Google, of course, has plenty of experience serving ads, including on its own YouTube and YouTube TV video platforms. Netflix already uses Google's ad-buying tools.

A deal with either NBCUniversal or Google would likely be exclusive, the WSJ report said. Comcast/NBCUniversal and Google aren't the only contenders, as "Roku has also had early talks with Netflix about ad partnerships," the report said. The Information reported last week that Netflix executives recently "met with representatives of both Roku and Comcast to discuss arrangements under which those companies would handle either the ad sales or the technical infrastructure for Netflix's forthcoming ad-supported tier of service."

Netflix "is looking to start doing some pre-roll ads, which run before a show starts, in the fourth quarter," The Information report said. Netflix is also negotiating with entertainment companies to put ads into shows that Netflix doesn't create itself. Licensing TV shows and movies for both ad-free and ad-supported streaming will cost Netflix about 20 percent more than for ad-free streaming alone, The Information report said. Variety has confirmed the streamer is "letting go of roughly 300 staffers [...] across multiple business functions in the company, with the bulk of the jobs lost in the U.S." Netflix also laid off 150 employees, and dozens of contractors and part-time workers in May.

"Today we sadly let go of around 300 employees," a Netflix spokesperson told Variety. "While we continue to invest significantly in the business, we made these adjustments so that our costs are growing in line with our slower revenue growth. We are so grateful for everything they have done for Netflix and are working hard to support them through this difficult transition."

An anonymous reader shares a report: Electricity to all 118 legal crypto mining centers in Iran to cease from June 22 ahead of seasonal spike in power demand, Mostafa Rajabi Mashhadi, spokesman for country's power industry says in interview with state TV.

Many commercials continue to play on ad-supported streaming services after viewers turn off their television, new research shows, a problem that is causing an estimated waste of more than $1 billion a year for brands. From a report: The findings come as an ever-growing share of ad dollars is shifting from traditional TV to streaming platforms, a trend that is likely to accelerate now that industry giants Netflix and Walt Disney's Disney+ have embraced the idea of offering an ad-supported version of their services. Some 17% of ads shown on televisions connected through a streaming device -- including streaming boxes, dongles, sticks and gaming consoles -- are playing while the TV is off, according to a study by WPP's ad-buying giant GroupM and ad-measurement firm iSpot.tv.

That is because when a TV set is turned off, it doesn't always send a signal to the streaming device connected to the TV through its HDMI port, GroupM said. As a result, the streaming device will continue playing the show and its ads unless users had exited or paused the streaming app they were watching before turning off their TV. Due to the nature of the problem, using a smart TV -- on which streaming apps are loaded -- makes it far less likely that ads would be shown while the TV is off, since in this instance the television and streaming device are just a single piece of hardware. GroupM said it found "virtually no incidence" of the issue on smart TV apps. The study, which included smart TVs and some hooked up with a streaming device, found that on average, between 8% and 10% of all streaming ads were shown while the TV was off.

Samsung has been caught cheating by designing its TVs to recognize and react to test patterns used by reviewers. The company promises to provide software updates to address the situation. From a report: Reviewers, calibrators and certification bodies typically use a 10% window for HDR testing, which simply means that it takes up 10% of the screen. In this window multiple steps from black to white as well as a set of colors are measured. Samsung has designed its TVs to recognize this and other commonly used window sizes, after which the TV adjusts its picture output to make measurements appear more accurate than the picture really is. When using a non-standard window such as 9% (everything else equal), the cheating algorithm can be bypassed so the TV reveals its true colors. This is deliberate cheating, an orchestrated effort to mislead reviewers. Vincent Teoh of HDTVTest first identified and documented the issue on Samsung's S95B QD-OLED TV. FlatpanelsHD has since identified and documented the issue on Samsung's QN95B 'Neo QLED' LCD TV where it gets even worse. QN95B not only changes its color and luminance tracking during measurements to appear very accurate, it also boosts peak brightness momentarily by up to 80%, from approx. 1300 nits to 2300 nits. This is possible because the power supply can send short bursts into the miniLED backlight -- these cannot be sustained without damaging the panel. In our QN95B review we found no evidence of the TV surpassing 1300 nits with real content.

Meta plans to stop making consumer versions of its Portal video calling hardware and instead pivot the product line to focus on use cases for businesses, like conference calling. The Verge reports: The change in strategy, first reported by The Information and confirmed to The Verge by a source familiar with the matter, comes as Meta is reassessing its ambitious hardware plans against investor concerns about the billions of dollars it's spending on projects that have yet to pay off financially.

The Portal line debuted in 2018 with two displays meant as dedicated video calling stations. [...] New versions have been released in the time since, including the portable Portal Go, but the device never became a huge hit. The research firm IDC estimates that Meta shipped 800,000 Portals in 2021, accounting for less than 1 percent of the global smart speaker and display market, according to The Information. Meta currently sells four Portal products, from a $99 TV-connected camera to a $349 smart display.

An anonymous reader shares a report: At Roku, a video-streaming platform operator that's suffered a punishing stock plunge, employees are buzzing about the possibility of an acquisition -- and their talk and hopes are pinned on Netflix. Employees at Roku have been discussing the possibility of a Netflix acquisition in recent weeks, according to people familiar with the matter. The chatter comes as Roku's stock has dropped about 80% since late July on weaker demand for video streaming and lower set-top-box sales.

Roku competes with Apple, Amazon, Google, and Samsung in the market for streaming devices, and some of those industry titans are battling with the smaller company for lucrative video-ad dollars. The collapse in Roku's stock made it hard to compete with its larger tech rivals on pay in a tight labor market. The result has been a staggering increase in equity grants to employees, leaving Roku well underwater on stock-based compensation. Roku has been seen as an acquisition target before -- including last year, when, according to The Wall Street Journal, Comcast CEO Brian Roberts considered purchasing the company. In January, the departure of a top Roku executive stoked questions about the company's future.

There's a growing effort to name and categorize heat waves the way we do hurricanes -- to call attention to their significance, alert people to dangerous temperatures and prod public officials into action. From a report: Excessive heat -- which hits low-income communities the hardest -- doesn't lend itself to dramatic TV coverage, so people sometimes underestimate the risk. Proponents of a more formal public warning system say it could save lives and trigger measures like opening community cooling stations and asking people to stay indoors. This month Seville, Spain is poised to become the first city to start naming severe heat waves. Five other cities -- Los Angeles; Miami; Milwaukee; Kansas City, Missouri; and Athens -- have also started piloting a similar initiative, using weather data and public health criteria to categorize heat waves. They'll use a three-category system that organizers want to standardize. Each city's system will be tailored to its particular climate. A "category three" heat wave in L.A., for example, will look and feel quite different from the same designation in Milwaukee.

HBO Max has canceled the sci-fi TV show Raised by Wolves after two seasons. From a report: Originally ordered to series for the cable channel TNT, its first season premiered in 2020, and four months after HBO Max launched, it ranked as the service's top streaming series. The first two episodes were directed by Ridley Scott, and the plot, which focused on two androids raising human children on a desolate alien planet, aligned well with the hallmarks of his style. [...]

Before the cancellation, cast members were calling on watchers to advocate for the show's future. Abubakar Salim, who played "Father" in Raised by Wolves, hinted in a Twitter thread last week that the show's fate was in jeopardy with the hashtag #RenewRaisedByWolves, while referring to the merger of HBO Max parent company WarnerMedia and Discovery, which was completed in April. HBO Max said in a statement to Variety, which first broke the news: "While we are not proceeding with a third season of Raised by Wolves, we are beyond grateful to the stellar cast and crew, our creators Aaron Guzikowski, Ridley Scott, David W. Zucker, and the entire team at Scott Free Productions, for their beautiful artistry and unique ability to immerse fans into the world of Kepler-22b."

Nintendo described the sentencing of a hacker earlier this year as a "unique opportunity" to send a message to all gamers about video game piracy. Axios reports: A newly released transcript of the Feb. 10 sentencing of Gary Bowser provides rare insight, directly from Nintendo, about the company's grievances. Bowser, a Canadian national, pled guilty last year to U.S. government cybercrime charges over his role as a top member of Team Xecuter. The group sold tech that circumvented copyright protections and enabled the Nintendo Switch and other systems to play pirated games. Authorities estimated the piracy cost Nintendo upward of $65 million over nearly a decade and even compelled the company to spend resources releasing a more secure model of the Switch.

"This is a very significant moment for us," Nintendo lawyer Ajay Singh told the court at the time, as he laid out the company's case against piracy and awaited the sentencing. "It's the purchase of video games that sustains Nintendo and the Nintendo ecosystem, and it is the games that make the people smile," Singh said. "It's for that reason that we do all we can to prevent games on Nintendo systems from being stolen." He noted Nintendo's losses from Team Xecuter's piracy and sounded a note of sympathy for smaller non-Nintendo game makers whose works are also pirated. And he wove in a complaint about cheating, which he said Team Xecuter's hacks enabled. Cheating could scare off honest players and upset families: "Parents should not be forced to explain to their children why people cheat and why sometimes games are not fair, just because one person wants an unfair advantage."

At the hearing, U.S. District Judge Robert Lasnik noted that TV and movies glorify hackers as "sticking it to the man," suggesting that "big companies are reaping tremendous profits and it's good for the little guy to have this." "What do you think?" Lasnik asked Nintendo's lawyer at one point. "What else can we do to convince people that there's no glory in this hacking/piracy?" "There would be a large benefit to further education of the public," Singh replied. In brief remarks directly to Lasnik, Bowser said longer prison time wouldn't scare off hackers. "There's so much money to be made from piracy that it's insignificant," he said.

Apple demonstrated "passkeys" at WWDC 2022, a new biometric sign-in standard that could finally kill off the password for good. TechCrunch reports: Passkeys are based on the Web Authentication API (WebAuthn), a standard that uses public-key cryptography instead of passwords for authenticating users to websites and applications, and are stored on-device rather than on a web server. The digital password replacement uses Touch ID or Face ID for biometric verification, which means that rather than having to input a long string of characters, an app or website you're logging into will push a request to your phone for authentication.

During its WWDC demo of the password-free technology, Apple showed how passkeys are backed up within the iCloud Keychain and can be synced across Mac, iPhone, iPad and Apple TV with end-to-end encryption. Users will also be able to sign in to websites and apps on non-Apple devices using an iPhone or iPad to scan a QR code and Touch ID or Face ID to authenticate. "Because it's just a single tap to sign in, it's simultaneously easier, faster and more secure than almost all common forms of authentication today," said Garrett Davidson, an Apple engineer on the Authentication Experience team.

This week saw the premiere of The Orville: New Horizons on Hulu — a third season, now streaming after two seasons on broadcast TV from 2017 to 2019. Seth MacFarlane (the show's creator/star) tells the Hollywood Reporter how that will change the Orville: "The biggest difference for me being on Hulu is that I don't have to tell a story that's exactly 43 minutes long every week because I have to make room for a certain number of commercials.

"That's not how storytelling works — different stories are different lengths, and you start to fall into this cadence where you're shaving scenes down, you're cutting things that don't need to be cut. The best part about being on Hulu is that those moments where you want to linger on an actor's face because it's meaningful and it helps to tell the story? You can do that. You have the time; you can be indulgent in that way."
MacFarlane tells TV Guide the series is now "a dramatic sci-fi show with comedic elements that come about from the character's personalities." And MacFarlane tells ABC News, "I think people can expect a lot more than they think they can." It's not just Covid that's the reason that it's taken so long. It's a pretty massive uptick in scope. We're only doing 10 episodes, as opposed to 12, they're longer episodes. The scope of these episodes is much more film-like. I think people are a little unprepared for what's to come. Disney and Hulu really gave us the resources to do this right, and we've put it all on the screen.
Long-time Slashdot reader Marxist Hacker 42 wrote a journal entry (with some spoilers) about the new season's premiere episode, noting "a very powerful morality tale" that led to a fifth act with "some prime technobabble worthy of the show's Star Trek heritage." (While long-time Slashdot reader antdude calls it "better than the newer Star Trek like Picard," long-time Slashdot reader AmiMoJo calls it "an enjoyable watch, and would have been the highlight of the week if it wasn't for Star Trek: Strange New Worlds overshadowing it."

GameRant argues that The Orville in general "is actually truer to the Star Trek spirit than any of the franchise's contemporary entries."

And the series will also stay true to its Yaphit, reports Yahoo Entertainment: Behind the scenes, The Orville team bid farewell to one longtime crew member during the production of Season 3. Comedian Norm Macdonald has voiced fan favorite character, Lt. Yaphit, since the show's freshman year and completed recording his dialogue prior to his death from leukemia last September.

MacFarlane says that he wasn't aware of Macdonald's illness during their three-season collaboration. "As I finish the episodes, the emotion that I feel more than anything is gratitude that he left us with all this great stuff," he remarks. "I was very moved by the fact that he had continued to record for us and continued to play this part. As sad as it is, I'm happy there's more Norm yet to come through The Orville."

Asked whether Macdonald's passing means that Yaphit's tenure aboard The Orville will also conclude at the end of Season 3, MacFarlane suggests that fans may not have seen the last of the gelatinous lieutenant. "We do have a plan," he teases. "We would not do Yaphit without Norm, but there is a plan for how we are going to handle it if we are lucky enough to do Season 4." (As of now, a fourth season is up in the air as the cast's contracts have expired.)

An anonymous reader quotes a report from The Korea Times: Samsung Display has decided to close its liquid-crystal display (LCD) business in June, hobbled by a declining global competitive edge due to cheaper products made by its Chinese and Taiwanese counterparts, according to the industry, Sunday. No investment plan details have since been announced. The decision by the display affiliate of Samsung Group came six months sooner than expected, due in large part to rapid losses from falling LCD prices. According to Display Supply Chain Consultants (DSCC), a U.S. market research firm, the average price index of LCD panels, measured against 100 in January 2014, will fall to 36.6 in September of this year. The figure has dropped farther from the record low of 41.5 in April of this year, and 58 percent lower than the record high of 87 in June 2021.

Samsung Display will no longer produce LCDs used for large TV screens and focus instead on manufacturing organic light-emitting diode (OLED) and quantum dot (QD) displays. The employees of the LCD businesses are expected to be transferred to the QD businesses. The display affiliate was first formed in 1991, as an LCD business arm under Samsung Electronics. It formally launched in 2012 as Samsung Display and has since merged with three local and Japanese makers of active matrix organic light-emitting diodes (AMOLED), for the production of advanced types of displays.