It was November 23rd of the year 1963 that Doctor Who first premiered on the BBC. And the many years since then have wrought their changes, writes the BBC: Events on screen and off have shaped the character's personality, their face changing to reflect Britain itself, and every version building on what has gone before. To truly understand Who, you have to know your history...

[T]he series was originally intended to teach children history as much as thrill them... [T]he Daleks were shouty miniaturised tanks, terrifying to a nation that had lived through World War 2... Scripts by the likes of Douglas Adams (who wrote The Hitchhiker's Guide to the Galaxy) leaned into the show's inherent strangeness... Interestingly, the new specials and series involve Marvel-owner Disney, who will stream it outside the UK and Ireland, in turn helping boost the budget.
The article handily summarizes the last 60 years. ("Perhaps the most shocking revelation of [2010 showrunner Steven Moffat's] tenure was a hitherto unseen, past version of the Doctor, played by John Hurt. Other writers would take this idea and run with it...") The article ends with the words, "Only time will tell."

And elsewhere another BBC article notes that today "the TARDIS is set to return to BBC One and iPlayer." With David Tennant as the Fourteenth Doctor and Catherine Tate reprising her role as Donna Noble the popular duo will make their spectacular return to mark the show's 60th anniversary with three special episodes running each Saturday from the 25th November...

Neil Patrick Harris as the Toymaker [is] set to cause all kinds of mayhem. It's going to be an unmissable cosmic adventure, all before Ncuti Gatwa gets the keys to the TARDIS over the festive season.
Thanks to Alain Williams (Slashdot reader #2,972) for sharing the article.

As 2023 slowly comes to an end I wondered what your picks are for the best movies and TV shows that came out this year. What films or series did you enjoy the most? Share your favorites and why you think they stand out above the rest.

OLED monitors risk burn-in, especially with static images. Newer models combat this using improved materials, algorithms, efficiencies, features, and heat management. However, long-term data is minimal as quality selection is recent. An unexpected quirk applies to ultrawides: playing 16:9 content creates brighter center areas versus darker sides, quickening OLED degradation. In an extreme test by RTINGS, Samsung ultrawides developed heavy differential wear in just 700 hours. ArsTechnica adds: Even OLED monitors that have already been released can see their capabilities change in a way that could impact burn-in risk. For example, the Odyssey G8 monitor got a firmware update in August that removed the ability to use the Peak Brightness setting in SDR mode. While this is just one specific mode that, again, some users might not use, it's worth noting how this could change the amount of wear an OLED monitor could see. RTINGS' review said that after the firmware update, the monitor's max luminance "when displaying a bright highlight in an SDR scene" went from 331 nits to 230 nits. Samsung hasn't confirmed the reasons for this change, but such changes highlight how OLED monitor burn-in risk can change from use to use and from update to update, across different products.

An anonymous reader writes: Christopher Nolan made headlines earlier this month when he took a playful jab at streaming platforms while discussing the upcoming home release of "Oppenheimer." The atomic bomb drama, which grossed a staggering $950 million in theaters worldwide, is hitting Blu-ray and other digital platforms this month. Nolan said at a recent "Oppenheimer" screening that it's important to own the film on Blu-ray so that "no evil streaming service can come steal it from you." He told The Washington Post in a follow-up interview: "It was a joke when I said it. But nothing's a joke when it's transcribed onto the internet. There is a danger, these days, that if things only exist in the streaming version they do get taken down, they come and go," the director added.

Streamers have become notoriously known in the last year for pulling original titles from their platforms in order to license them out elsewhere and open up potential revenue streams. When such titles are streaming-only offerings, their removal makes it impossible to view the films elsewhere. Such was the case this year with the Disney+ movie "Crater," for instance. The streaming-only family adventure was pulled from Disney+ in June and could not be viewed anywhere until it was reissued as a digital release months later in September. For Nolan, owning physical media is the only way to combat such streaming trends. Guillermo del Toro agrees, having shared Nolan's recent quotes on X (formerly Twitter) and adding his own commentary on the issue. "Physical media is almost a Fahrenheit 451 (where people memorized entire books and thus became the book they loved) level of responsibility," del Toro wrote to his followers. "If you own a great 4K HD, Blu-ray, DVD etc etc of a film or films you love...you are the custodian of those films for generations to come."

An anonymous reader shared this report from TechCrunch: Kyle Vogt, the serial entrepreneur who co-founded and led Cruise from a startup in a garage through its acquisition and ownership by General Motors, has resigned, according to an email sent to employees Sunday evening...

The executive shakeup comes a less than a month after the California Department of Motor Vehicles suspended Cruise's permits to operate self-driving vehicles on public roads after an October 2 incident that saw a pedestrian — who had been initially hit by a human-driven car and landed in the path of a Cruise robotaxi — run over and dragged 20 feet by the AV. A video, which TechCrunch also viewed, showed the robotaxi braking aggressively and coming to a stop over the woman. The DMV's order of suspension stated that Cruise withheld about seven seconds of video footage, which showed the robotaxi then attempting to pull over and subsequently dragging the woman 20 feet... [M]ore layoffs are expected at the company that employs about 4,000 full-time employees.
TechCrunch notes that Vogt previously co-founded Justin.tv Socialcam, Twitch, and shares this quote from an email that Vogt sent to all employees Sunday evening. "The startup I launched in my garage has given over 250,000 driverless rides across several cities, with each ride inspiring people with a small taste of the future...

"The status quo on our roads sucks, but together we've proven there is something far better around the corner."

Today saw the end of IFComp.org's 29th annual text adventure competition (now administered by the charitable non-profit IF Technology Foundation). 74 new and original text adventures competed for a share of the $7,523 prize pool, with the winners announced in a special online ceremony on Twitch this afternoon.

After all the votes were tabulated, the winning game was Dr Ludwig and the Devil, a 90-minute epic in which an esteemed mad scientist tries to double-cross Beelzebub himself — along with "the world's least effective torch and pitchfork-wielding mob!" Coming in second was LAKE Adventure. (Its premise? That it's a 13-year-old's 1993 game being revisited by its author 28 years later — complete with some gloriously retro artwork.) And finishing third was The Little Match Girl 4 (described as "a touching epic time travel fairy tale by Hans Christian Andersen.")

But also this week, the owner of the web site 80sNostalgia.com has created a text adventure using nothing but inter-linked posts on Threads.

"Think you can get under The Bridge?" its first post challenges. "Test your gaming skills with this Threads exclusive text-based game!

"And then try to get your head around got much work it took to make it..."

Amazon will eliminate several hundred roles in its Alexa division as part of a broader shift in priorities and a focus on developing new forms of artificial intelligence, according to an internal memo sent to employees Friday morning. From a report: "As we continue to invent, we're shifting some of our efforts to better align with our business priorities, and what we know matters most to customers -- which includes maximizing our resources and efforts focused on generative AI," wrote Daniel Rausch, vice president of Alexa and Fire TV, in the memo, obtained by GeekWire. "These shifts are leading us to discontinue some initiatives, which is resulting in several hundred roles being eliminated."

Republican presidential candidate Vivek Ramaswamy revealed a crypto plan today that aims to protect core aspects of the industry, including software developers and unhosted digital wallets. CoinDesk reports: Republican presidential candidate Vivek Ramaswamy has a message for most of the employees at the U.S. Securities and Exchange Commission (SEC) if he's elected to the White House: You're fired. And everybody still left at their desks would need to back off the crypto industry, according to the candidate's new policy strategy for U.S. digital assets. Most cryptocurrencies are commodities that are none of the SEC's business, according to Ramaswamy's crypto plan shared with CoinDesk on Thursday and set for public release at the North American Blockchain Summit in Texas. The pharmaceutical entrepreneur remains among the top four GOP candidates, maintaining 5% support in a dwindling field dominated by former President Donald Trump, according to polling data.

One issue that separates him from other candidates is his enthusiastic support of crypto as a financial innovation. He argues that the sector needs to have several freedoms protected: the right to code as a First Amendment freedom that should shield software developers from criminal or enforcement vulnerability, the right to maintain self-hosted digital wallets outside the reach of regulators and the right to know how each new virtual asset will be treated by the government. "A big part of what we're missing today is clarity from our regulators," Ramaswamy said in an interview with CoinDesk TV. "What we're going to have is rescinding any of those regulations that are allowing the regulatory state to go after perfectly legal behavior, but by claiming that somehow it shouldn't exist because they don't like it. All of that can end on my watch."

An anonymous reader quotes a report from Engadget: A group of lawmakers from a House of Representatives committee wants Apple, like many Jon Stewart enthusiasts, to explain why its streaming arm abruptly canceled the talk show The Problem With Jon Stewart. The current affairs TV series hosted by Jon Stewart briefly made its debut on Apple TV+ in 2021 but its time on air ended when the show received the ax for a third season, reportedly due to "disagreements" over show topics.

According to Reuters, Lawmakers want to know if the show's coverage and criticism of China has anything to do with the show's cancellation. The government officials have asked Apple to speak on the issue by Dec 15, 2023. In a letter to the tech giant, the House members wrote that while Apple has the right to determine what content it deems appropriate for its platform, "the coercive tactics of a foreign power should not be directly or indirectly influencing these determinations." This effort is bipartisan, with members from both Republican and Democratic parties affiliated with the House of Representatives' Select Committee on Competition with the Chinese Communist Party.

An anonymous reader writes: A newspaper run by the Communist Party of Vietnam is reporting the "disappearance" of a number of popular channels from pay TV packages. Citing National Geographic and Nat Geo Wild as examples, the paper notes they're owned by Disney. Vietnam's Ministry of Information and Communications is said to be "concerned" that the withdrawal will allow piracy to run rampant in Vietnam. Multiple high-level trade reports in the U.S. note that piracy has been rampant for years.

Jay Peters reports via The Verge: Amazon is cutting "just over" 180 jobs in its games division and making some changes to its games initiatives, according to a memo sent to employees by VP of Amazon Games Christoph Hartmann. The changes include shutting down its Crown channel that streams on Twitch, closing its Game Growth effort that helps game makers market their products, and "refocusing" the work it does with its free games offered through Prime Gaming. "We are proud of the work the teams have been doing, pushing into new areas with weekly content on Crown Channel, and finding more ways to help publishers reach new audiences with Game Growth," Hartmann wrote. "But after further evaluation of our businesses, it became clear that we need focus our resources and efforts to deliver great games to players now and in the future." Reuters reported on the memo earlier on Monday, and you can read the full email, which Amazon shared with The Verge, at the end of this story.

As for Prime Gaming's free games, which you can access if you are an Amazon Prime subscriber, "we've listened to our customers and we know delivering free games every month is what they want most, so we are refining our Prime benefit to increase our focus there," Hartmann wrote. Amazon spokesperson Brittney Hefner declined to share more specifics about what's changing.

Netflix's annual virtual event "Geeked Week" pre-announces its biggest upcoming shows. This year Netflix released a trailer for its upcoming adaptation of The Three-Body Problem, and for its new live-action Avatar: The Last Airbender series. (And there's also going to be some kind of live-action Stranger Things stage show opening in London in December.)

Variety noted the "explosive" new trailer for Zach Snyder's new "action-packed space opera" Rebel Moon. The film — which will also have a one-week theatrical run in December — takes place in the same universe as Snyder's Army of the Dead. But instead of being set in Las Vegas, "The story centers on a young woman living on the outskirts of a galaxy who must find a group of warriors to save the galaxy from an invasion from a tyrant."

The Verge pulled together a good rundown of all the other announcements — one of which involves Neil Gaiman: Following last year's The Sandman, Netflix is bringing even more beloved Neil Gaiman characters to the small screen. This time it's Dead Boy Detectives — which was originally slated to stream on Max — based on a crime-solving duo who made their debut in a Sandman comic in the '90s. The news was paired with the first trailer for the series, which shows off a pretty fun-looking supernatural whodunit...

Netflix says the new eight-episode series is part of its growing "Sandman universe"... with Gaiman serving as one of the executive producers. [Coming sometime in 2024]
They're also launching several animated series.

• Netflix released a short teaser for Terminator: the Anime Series.

• An animated new take on Ultraman.

• An animated He-Man reboot, Masters of the Universe: Revolution (with Mark Hamill providing the voice of Skeletor).

• An adult animated comedy series based on the card game Exploding Kittens. (The Verge writes that its trailer "features god in the body of a cat and a very confounding garage door" — and that there will also be an accompanying mobile game.)

• Netflix also has a new Chicken Run movie coming in December with its own tie-in game called Eggstraction.

This week the Verge's podcast Decoder interviewed former U.S. president Barack Obama for a discussion on "AI, free speech, and the future of the internet."

Obama warns that future copyright questions are just part of a larger issue. "If AI turns out to be as pervasive and as powerful as it's proponents expect — and I have to say the more I look into it, I think it is going to be that disruptive — we are going to have to think about not just intellectual property; we are going to have to think about jobs and the economy differently."

Specific issues may include the length of the work week and the fact that health insurance coverage is currently tied to employment — but it goes far beyond that: The broader question is going to be what happens when 10% of existing jobs now definitively can be done by some large language model or other variant of AI? And are we going to have to reexamine how we educate our kids and what jobs are going to be available...?

The truth of the matter is that during my presidency, there was I think a little bit of naivete, where people would say, you know, "The answer to lifting people out of poverty and making sure they have high enough wages is we're going to retrain them and we're going to educate them, and they should all become coders, because that's the future." Well, if AI's coding better than all but the very best coders? If ChatGPT can generate a research memo better than the third-, fourth-year associate — maybe not the partner, who's got a particular expertise or judgment? — now what are you telling young people coming up?
While Obama believes in the transformative potential of AI, "we have to be maybe a little more intentional about how our democracies interact with what is primarily being generated out of the private sector. What rules of the road are we setting up, and how can we make sure that we maximize the good and maybe minimize some of the bad?"

AI's impact will be a global problem, Obama believes, which may require "cross-border frameworks and standards and norms". (He expressed a hope that governments can educate the public on the idea that AI is "a tool, not a buddy".) During the 44-minute interview Obama predicted AI will ultimately force a "much more robust" public conversation about rules needed for social media — and that at least some of that pressure could come from how consumers interact with companies. (Obama also argues there will still be a market for products that don't just show you what you want to see.)

"One of Obama's worries is that the government needs insight and expertise to properly regulate AI," writes the Verge's editor-in-chief in an article about the interview, "and you'll hear him make a pitch for why people with that expertise should take a tour of duty in the government to make sure we get these things right." You'll hear me get excited about a case called Red Lion Broadcasting v. FCC, a 1969 Supreme Court decision that said the government could impose something called the Fairness Doctrine on radio and television broadcasters because the public owns the airwaves and can thus impose requirements on how they're used. There's no similar framework for cable TV or the internet, which don't use public airwaves, and that makes them much harder, if not impossible, to regulate. Obama says he disagrees with the idea that social networks are something called "common carriers" that have to distribute all information equally.
Obama also applauded last month's newly-issued Executive Order from the White House, a hundred-page document which Obama calls important as "the beginning of building out a framework." We don't know all the problems that are going to arise out of this. We don't know all the promising potential of AI, but we're starting to put together the foundations for what we hope will be a smart framework for dealing with it... In talking to the companies themselves, they will acknowledge that their safety protocols and their testing regimens may not be where they need to be yet. I think it's entirely appropriate for us to plant a flag and say, "All right, frontier companies, you need to disclose what your safety protocols are to make sure that we don't have rogue programs going off and hacking into our financial system," for example. Tell us what tests you're using. Make sure that we have some independent verification that right now this stuff is working.

But that framework can't be a fixed framework. These models are developing so quickly that oversight and any regulatory framework is going to have to be flexible, and it's going to have to be nimble.

The longest actor's strike in Hollywood history ended with "groundbreaking" protections against the use of AI, reports CNN: Studios will have to provide informed consent for the creation of any kind of digital replica of a performer or background actor, with a specific description of the intended use, the union officials said. Compensation for the replica will vary. Notably, the contract also protects background performers from any use of their digital replica without their consent, SAG leadership said. [Even after they are deceased.]

Negotiations over using AI to create synthetic performers continued down to the wire. Union leadership said studios will have to gain consent for any actors whose facial features are used for the AI performer, the studios have to inform actors they're using AI, and the union can bargain over compensation for those affected by it.
The separate deal signed in September with the writer's guild "also includes assurances that AI cannot write or rewrite literary material," the article adds, "and will require AI-generated materials to be disclosed to writers." Now the president of the actor's union tells the Hollywood Reporter, "We got everything we wanted with the AI protections, which was key. Plus we're going to be meeting with the AMPTP [the entertainment industry's bargaining unit] twice a year to make sure that our finger remains on the pulse of the progress, and also to align ourselves on the same side with regard to federal regulations and protections against piracy."

And the union president underscored the importance of AI-related protections to Rolling Stone" "If we didn't get that package, then what are we doing? We're not really able to protect our members in the way that they needed to be protected... If we didn't get those barricades, what would it be in three years...?"

In the union's initial announcement of the tentative deal on Wednesday, SAG-AFTRA promised it had secured a contract "of extraordinary scope" valued at more than $1 billion and "unprecedented provisions for consent and compensation that will protect members from the threat of AI."

Lowpass: Amazon has been working on a new operating system to replace Android on Fire TVs, smart displays and other connected devices, I have learned from talking to multiple sources with knowledge of these plans, as well as job listings and other materials referencing these efforts. Development of the new operating system, which is internally known as Vega, appears fairly advanced. The system has already been tested on Fire TV streaming adapters, and Amazon has told select partners about its plans to transition to a new application framework in the near future. A source with knowledge of the company's plans suggested that it could start shipping Vega on select Fire TV devices as early as next year.

Angela Watercutter and Will Bedingfield report via Wired: After 118 days on the picket lines, the longest such strike in Hollywood's history, the Screen Actors Guild-American Federation of Television and Radio Artists has reached a deal with the Alliance of Motion Picture and Television Producers. Both sides were mum about the terms of the deal Wednesday night, but it comes following a long struggle over the use of artificial intelligence on actors' performances and actors' demands for residual payments for shows and films that play on streaming services. A committee from SAG, which represents thousands of film and television actors, approved the agreement Wednesday. The strike itself, which has featured pickets outside the offices of Netflix, Disney, Warner Bros. Discovery, and others, will end Thursday morning. It's expected that the tentative deal will head to the union's national board to be approved on Friday.

Undeniably, this is a huge milestone for Hollywood, a $130 billion-plus industry that has all but ground to halt this year, as both the Writers Guild of America and SAG dug in their heels over fair wages and the use of AI in their work. WGA members went on strike in May; SAG walked off the job in July, the first time the industry had faced a dual work stoppage since 1960. The WGA strike ended in September with a historic deal that put up guardrails to protect writers from AI encroaching on their work. As this year's negotiations between SAG and AMPTP dragged on, generative AI became the major sticking point. Back in July, studios claimed they offered a "groundbreaking AI proposal that protects actors' digital likenesses." SAG countered that the proposal stipulated background performers could be scanned, paid for the day, and then turned into digital characters that studios could use "for the rest of eternity." (AMPTP disputed this.)

The issue was volleyed back and forth until last weekend, when SAG reviewed the studios' "last, best, and final" offer and rejected it, claiming "there are several essential items on which we still do not have an agreement, including AI. A follow-up story in The Hollywood Reporter revealed that the AMPTP proposal sought to allow studios to pay for AI scans of what are known as Schedule F performers and, following the actors' death, allow studios to use the scans without the consent of the estate or SAG. Schedule F performers include anyone who makes more than the minimum rate for TV series regulars or feature films. The guild wanted compensation for reuse of the scans, along with consent. On Tuesday, the studios reportedly agreed to adjust the AI language in their proposal, a move that seems to have been the tipping point. Even though the terms of the tentative deal reached Thursday are unclear, it's hard to imagine the actors didn't get at least some of the AI protections they were seeking.

An anonymous reader quotes a report from Ars Technica: People who buy a Fire TV from Amazon are probably looking for a cheap and simple way to get an affordable 4K smart TV. When Amazon announced its first self-branded TVs in September 2021, it touted them as being a "great value." But owners of the devices will soon be paying for some of those savings in the form of more prominently displayed advertisements. Charlotte Maines, Amazon's director of Fire TV advertising, monetization, and engagement, detailed the new types of ads that Amazon is selling on Fire TVs. In a StreamTV Insider report from November 1, Amazon said the new ads will allow advertisers to reach an average of 155 million unique monthly viewers. Some of the changes targeting advertisers, like connecting display placement ads with specific in-stream video ads, seem harmless enough. Others could jeopardize the TV-watching experience for owners.

For example, Amazon is preparing to make Alexa with generative AI more useful for finding content on Fire TVs. This could help Alexa, which has struggled alongside other tech giants' voice assistants to generate significant revenue. Amazon gets money every time someone interacts with digital content through Alexa. However, the company is double-dipping on this idea by also tying ads to generative AI on Fire TVs. When users ask Alexa to help them find media with queries such as "play the show with the guy who plays the lawyer in Breaking Bad," they will see ads that are relevant to the search. [...] Finally, Amazon is adding "contextual sponsored tiles" that use machine learning to show ads based on whatever content genre or search term the Fire TV user is browsing.

Amazon Fire TV users will also start seeing banner ads on the device's home screen for things that have nothing to do with entertainment or media. This ad space was previously reserved for advertising media and entertainment, making the ads feel more relevant, at least. Amazon opening the ad space to more types of advertisers is similar to a move Google TV made early this year. The banner ads will occupy the first slot in the rotating hero area, which Amazon believes is the first thing Fire TV users see.

After years of inflation, Americans are used to sticker shock. But nothing compares to the surging price of streaming video. From a report: Last week, Apple TV+ became the latest streaming service to raise its price -- up from $6.99 to $9.99 per month -- following the example of Disney+, Hulu, ESPN+, and Netflix, which all hiked their prices in October. Half of the major streaming platforms in the U.S. now charge a monthly fee that's double the price they charged when they initially came to market. And many of these streaming services haven't even been around for 10 years.

Consumers have grumbled, but have so far been willing to keep paying up. It's hard to say where their breaking point will be, but given that analysts believe the platforms are likely to continue raising prices even further, we'll probably find out soon enough. Part of what's driving the price hikes is how saturated the streaming market has become. For a company like Netflix, which has 77 million paid subscribers in the U.S. and Canada, finding new paying subscribers to keep revenue growing is not easy. Netflix has started clamping down on password sharing to boost its paid subscriber rolls, but that only goes so far. Raising prices for existing subscribers is an effective way to pump up the top line and keep investors happy.

A long-time Slashdot reader writes: Continuing the seemingly industry-wide trend towards enshitification of the Subscription Video on Demand (SVOD) marketplace, Max today announced that it will be making changes to the current Ad-Free plan. To wit, 4K HDR with Dolby Atmos will be removed and concurrent streams will decrease from three to two.

In other words, you are paying the same price for less features. If you wish to keep the features you've had all along, all you have to do is upgrade to Ultimate Ad-Free at a 33% premium for the annual plan or 25% increase for monthly. No news yet on a crackdown of password sharing, however, that seems inevitable as the industry races to the bottom.

Meet the new cable boss, same as the old, except, they bring death by several small cuts instead of a single large one.

An anonymous reader quotes a report from CNN: Disney will acquire Comcast's one-third stake in Hulu for an expected $8.61 billion, the company said Wednesday, in a deal that will put the streaming service entirely inside the Magic Kingdom when the transaction closes later this year. "The acquisition of Comcast's stake in Hulu at fair market value will further Disney's streaming objectives," the company said in a short statement. Wednesday's deal brings to an end long-running speculation about the fate of Hulu, but still requires an appraisal process that is expected to be completed in 2024 to further assess the streaming service's fair value before a final sale price tag is agreed upon.