An anonymous reader writes: A newspaper run by the Communist Party of Vietnam is reporting the "disappearance" of a number of popular channels from pay TV packages. Citing National Geographic and Nat Geo Wild as examples, the paper notes they're owned by Disney. Vietnam's Ministry of Information and Communications is said to be "concerned" that the withdrawal will allow piracy to run rampant in Vietnam. Multiple high-level trade reports in the U.S. note that piracy has been rampant for years.

Jay Peters reports via The Verge: Amazon is cutting "just over" 180 jobs in its games division and making some changes to its games initiatives, according to a memo sent to employees by VP of Amazon Games Christoph Hartmann. The changes include shutting down its Crown channel that streams on Twitch, closing its Game Growth effort that helps game makers market their products, and "refocusing" the work it does with its free games offered through Prime Gaming. "We are proud of the work the teams have been doing, pushing into new areas with weekly content on Crown Channel, and finding more ways to help publishers reach new audiences with Game Growth," Hartmann wrote. "But after further evaluation of our businesses, it became clear that we need focus our resources and efforts to deliver great games to players now and in the future." Reuters reported on the memo earlier on Monday, and you can read the full email, which Amazon shared with The Verge, at the end of this story.

As for Prime Gaming's free games, which you can access if you are an Amazon Prime subscriber, "we've listened to our customers and we know delivering free games every month is what they want most, so we are refining our Prime benefit to increase our focus there," Hartmann wrote. Amazon spokesperson Brittney Hefner declined to share more specifics about what's changing.

Netflix's annual virtual event "Geeked Week" pre-announces its biggest upcoming shows. This year Netflix released a trailer for its upcoming adaptation of The Three-Body Problem, and for its new live-action Avatar: The Last Airbender series. (And there's also going to be some kind of live-action Stranger Things stage show opening in London in December.)

Variety noted the "explosive" new trailer for Zach Snyder's new "action-packed space opera" Rebel Moon. The film — which will also have a one-week theatrical run in December — takes place in the same universe as Snyder's Army of the Dead. But instead of being set in Las Vegas, "The story centers on a young woman living on the outskirts of a galaxy who must find a group of warriors to save the galaxy from an invasion from a tyrant."

The Verge pulled together a good rundown of all the other announcements — one of which involves Neil Gaiman: Following last year's The Sandman, Netflix is bringing even more beloved Neil Gaiman characters to the small screen. This time it's Dead Boy Detectives — which was originally slated to stream on Max — based on a crime-solving duo who made their debut in a Sandman comic in the '90s. The news was paired with the first trailer for the series, which shows off a pretty fun-looking supernatural whodunit...

Netflix says the new eight-episode series is part of its growing "Sandman universe"... with Gaiman serving as one of the executive producers. [Coming sometime in 2024]
They're also launching several animated series.

• Netflix released a short teaser for Terminator: the Anime Series.

• An animated new take on Ultraman.

• An animated He-Man reboot, Masters of the Universe: Revolution (with Mark Hamill providing the voice of Skeletor).

• An adult animated comedy series based on the card game Exploding Kittens. (The Verge writes that its trailer "features god in the body of a cat and a very confounding garage door" — and that there will also be an accompanying mobile game.)

• Netflix also has a new Chicken Run movie coming in December with its own tie-in game called Eggstraction.

This week the Verge's podcast Decoder interviewed former U.S. president Barack Obama for a discussion on "AI, free speech, and the future of the internet."

Obama warns that future copyright questions are just part of a larger issue. "If AI turns out to be as pervasive and as powerful as it's proponents expect — and I have to say the more I look into it, I think it is going to be that disruptive — we are going to have to think about not just intellectual property; we are going to have to think about jobs and the economy differently."

Specific issues may include the length of the work week and the fact that health insurance coverage is currently tied to employment — but it goes far beyond that: The broader question is going to be what happens when 10% of existing jobs now definitively can be done by some large language model or other variant of AI? And are we going to have to reexamine how we educate our kids and what jobs are going to be available...?

The truth of the matter is that during my presidency, there was I think a little bit of naivete, where people would say, you know, "The answer to lifting people out of poverty and making sure they have high enough wages is we're going to retrain them and we're going to educate them, and they should all become coders, because that's the future." Well, if AI's coding better than all but the very best coders? If ChatGPT can generate a research memo better than the third-, fourth-year associate — maybe not the partner, who's got a particular expertise or judgment? — now what are you telling young people coming up?
While Obama believes in the transformative potential of AI, "we have to be maybe a little more intentional about how our democracies interact with what is primarily being generated out of the private sector. What rules of the road are we setting up, and how can we make sure that we maximize the good and maybe minimize some of the bad?"

AI's impact will be a global problem, Obama believes, which may require "cross-border frameworks and standards and norms". (He expressed a hope that governments can educate the public on the idea that AI is "a tool, not a buddy".) During the 44-minute interview Obama predicted AI will ultimately force a "much more robust" public conversation about rules needed for social media — and that at least some of that pressure could come from how consumers interact with companies. (Obama also argues there will still be a market for products that don't just show you what you want to see.)

"One of Obama's worries is that the government needs insight and expertise to properly regulate AI," writes the Verge's editor-in-chief in an article about the interview, "and you'll hear him make a pitch for why people with that expertise should take a tour of duty in the government to make sure we get these things right." You'll hear me get excited about a case called Red Lion Broadcasting v. FCC, a 1969 Supreme Court decision that said the government could impose something called the Fairness Doctrine on radio and television broadcasters because the public owns the airwaves and can thus impose requirements on how they're used. There's no similar framework for cable TV or the internet, which don't use public airwaves, and that makes them much harder, if not impossible, to regulate. Obama says he disagrees with the idea that social networks are something called "common carriers" that have to distribute all information equally.
Obama also applauded last month's newly-issued Executive Order from the White House, a hundred-page document which Obama calls important as "the beginning of building out a framework." We don't know all the problems that are going to arise out of this. We don't know all the promising potential of AI, but we're starting to put together the foundations for what we hope will be a smart framework for dealing with it... In talking to the companies themselves, they will acknowledge that their safety protocols and their testing regimens may not be where they need to be yet. I think it's entirely appropriate for us to plant a flag and say, "All right, frontier companies, you need to disclose what your safety protocols are to make sure that we don't have rogue programs going off and hacking into our financial system," for example. Tell us what tests you're using. Make sure that we have some independent verification that right now this stuff is working.

But that framework can't be a fixed framework. These models are developing so quickly that oversight and any regulatory framework is going to have to be flexible, and it's going to have to be nimble.

The longest actor's strike in Hollywood history ended with "groundbreaking" protections against the use of AI, reports CNN: Studios will have to provide informed consent for the creation of any kind of digital replica of a performer or background actor, with a specific description of the intended use, the union officials said. Compensation for the replica will vary. Notably, the contract also protects background performers from any use of their digital replica without their consent, SAG leadership said. [Even after they are deceased.]

Negotiations over using AI to create synthetic performers continued down to the wire. Union leadership said studios will have to gain consent for any actors whose facial features are used for the AI performer, the studios have to inform actors they're using AI, and the union can bargain over compensation for those affected by it.
The separate deal signed in September with the writer's guild "also includes assurances that AI cannot write or rewrite literary material," the article adds, "and will require AI-generated materials to be disclosed to writers." Now the president of the actor's union tells the Hollywood Reporter, "We got everything we wanted with the AI protections, which was key. Plus we're going to be meeting with the AMPTP [the entertainment industry's bargaining unit] twice a year to make sure that our finger remains on the pulse of the progress, and also to align ourselves on the same side with regard to federal regulations and protections against piracy."

And the union president underscored the importance of AI-related protections to Rolling Stone" "If we didn't get that package, then what are we doing? We're not really able to protect our members in the way that they needed to be protected... If we didn't get those barricades, what would it be in three years...?"

In the union's initial announcement of the tentative deal on Wednesday, SAG-AFTRA promised it had secured a contract "of extraordinary scope" valued at more than $1 billion and "unprecedented provisions for consent and compensation that will protect members from the threat of AI."

Lowpass: Amazon has been working on a new operating system to replace Android on Fire TVs, smart displays and other connected devices, I have learned from talking to multiple sources with knowledge of these plans, as well as job listings and other materials referencing these efforts. Development of the new operating system, which is internally known as Vega, appears fairly advanced. The system has already been tested on Fire TV streaming adapters, and Amazon has told select partners about its plans to transition to a new application framework in the near future. A source with knowledge of the company's plans suggested that it could start shipping Vega on select Fire TV devices as early as next year.

Angela Watercutter and Will Bedingfield report via Wired: After 118 days on the picket lines, the longest such strike in Hollywood's history, the Screen Actors Guild-American Federation of Television and Radio Artists has reached a deal with the Alliance of Motion Picture and Television Producers. Both sides were mum about the terms of the deal Wednesday night, but it comes following a long struggle over the use of artificial intelligence on actors' performances and actors' demands for residual payments for shows and films that play on streaming services. A committee from SAG, which represents thousands of film and television actors, approved the agreement Wednesday. The strike itself, which has featured pickets outside the offices of Netflix, Disney, Warner Bros. Discovery, and others, will end Thursday morning. It's expected that the tentative deal will head to the union's national board to be approved on Friday.

Undeniably, this is a huge milestone for Hollywood, a $130 billion-plus industry that has all but ground to halt this year, as both the Writers Guild of America and SAG dug in their heels over fair wages and the use of AI in their work. WGA members went on strike in May; SAG walked off the job in July, the first time the industry had faced a dual work stoppage since 1960. The WGA strike ended in September with a historic deal that put up guardrails to protect writers from AI encroaching on their work. As this year's negotiations between SAG and AMPTP dragged on, generative AI became the major sticking point. Back in July, studios claimed they offered a "groundbreaking AI proposal that protects actors' digital likenesses." SAG countered that the proposal stipulated background performers could be scanned, paid for the day, and then turned into digital characters that studios could use "for the rest of eternity." (AMPTP disputed this.)

The issue was volleyed back and forth until last weekend, when SAG reviewed the studios' "last, best, and final" offer and rejected it, claiming "there are several essential items on which we still do not have an agreement, including AI. A follow-up story in The Hollywood Reporter revealed that the AMPTP proposal sought to allow studios to pay for AI scans of what are known as Schedule F performers and, following the actors' death, allow studios to use the scans without the consent of the estate or SAG. Schedule F performers include anyone who makes more than the minimum rate for TV series regulars or feature films. The guild wanted compensation for reuse of the scans, along with consent. On Tuesday, the studios reportedly agreed to adjust the AI language in their proposal, a move that seems to have been the tipping point. Even though the terms of the tentative deal reached Thursday are unclear, it's hard to imagine the actors didn't get at least some of the AI protections they were seeking.

An anonymous reader quotes a report from Ars Technica: People who buy a Fire TV from Amazon are probably looking for a cheap and simple way to get an affordable 4K smart TV. When Amazon announced its first self-branded TVs in September 2021, it touted them as being a "great value." But owners of the devices will soon be paying for some of those savings in the form of more prominently displayed advertisements. Charlotte Maines, Amazon's director of Fire TV advertising, monetization, and engagement, detailed the new types of ads that Amazon is selling on Fire TVs. In a StreamTV Insider report from November 1, Amazon said the new ads will allow advertisers to reach an average of 155 million unique monthly viewers. Some of the changes targeting advertisers, like connecting display placement ads with specific in-stream video ads, seem harmless enough. Others could jeopardize the TV-watching experience for owners.

For example, Amazon is preparing to make Alexa with generative AI more useful for finding content on Fire TVs. This could help Alexa, which has struggled alongside other tech giants' voice assistants to generate significant revenue. Amazon gets money every time someone interacts with digital content through Alexa. However, the company is double-dipping on this idea by also tying ads to generative AI on Fire TVs. When users ask Alexa to help them find media with queries such as "play the show with the guy who plays the lawyer in Breaking Bad," they will see ads that are relevant to the search. [...] Finally, Amazon is adding "contextual sponsored tiles" that use machine learning to show ads based on whatever content genre or search term the Fire TV user is browsing.

Amazon Fire TV users will also start seeing banner ads on the device's home screen for things that have nothing to do with entertainment or media. This ad space was previously reserved for advertising media and entertainment, making the ads feel more relevant, at least. Amazon opening the ad space to more types of advertisers is similar to a move Google TV made early this year. The banner ads will occupy the first slot in the rotating hero area, which Amazon believes is the first thing Fire TV users see.

After years of inflation, Americans are used to sticker shock. But nothing compares to the surging price of streaming video. From a report: Last week, Apple TV+ became the latest streaming service to raise its price -- up from $6.99 to $9.99 per month -- following the example of Disney+, Hulu, ESPN+, and Netflix, which all hiked their prices in October. Half of the major streaming platforms in the U.S. now charge a monthly fee that's double the price they charged when they initially came to market. And many of these streaming services haven't even been around for 10 years.

Consumers have grumbled, but have so far been willing to keep paying up. It's hard to say where their breaking point will be, but given that analysts believe the platforms are likely to continue raising prices even further, we'll probably find out soon enough. Part of what's driving the price hikes is how saturated the streaming market has become. For a company like Netflix, which has 77 million paid subscribers in the U.S. and Canada, finding new paying subscribers to keep revenue growing is not easy. Netflix has started clamping down on password sharing to boost its paid subscriber rolls, but that only goes so far. Raising prices for existing subscribers is an effective way to pump up the top line and keep investors happy.

A long-time Slashdot reader writes: Continuing the seemingly industry-wide trend towards enshitification of the Subscription Video on Demand (SVOD) marketplace, Max today announced that it will be making changes to the current Ad-Free plan. To wit, 4K HDR with Dolby Atmos will be removed and concurrent streams will decrease from three to two.

In other words, you are paying the same price for less features. If you wish to keep the features you've had all along, all you have to do is upgrade to Ultimate Ad-Free at a 33% premium for the annual plan or 25% increase for monthly. No news yet on a crackdown of password sharing, however, that seems inevitable as the industry races to the bottom.

Meet the new cable boss, same as the old, except, they bring death by several small cuts instead of a single large one.

An anonymous reader quotes a report from CNN: Disney will acquire Comcast's one-third stake in Hulu for an expected $8.61 billion, the company said Wednesday, in a deal that will put the streaming service entirely inside the Magic Kingdom when the transaction closes later this year. "The acquisition of Comcast's stake in Hulu at fair market value will further Disney's streaming objectives," the company said in a short statement. Wednesday's deal brings to an end long-running speculation about the fate of Hulu, but still requires an appraisal process that is expected to be completed in 2024 to further assess the streaming service's fair value before a final sale price tag is agreed upon.

An anonymous reader shares a report: Not all Google searches make Google money. Google often says that it only shows ads on about 20 percent of queries, the ones it calls "commercial queries." This week, during the US v. Google antitrust trial, we got a rare glimpse at a closely guarded secret: which search terms make the most money. The list is only for the week of September 22nd, 2018, and it is the list of top queries ordered by revenue and nothing else. Still, we've never seen anything quite like this before, and the list was only made public after long deliberations from Judge Amit Mehta, who has, over the course of the trial, begun to push both sides to be more public with information and data like this.

Okay, here are the top 20 queries for that week ordered by revenue: iphone 8, iphone 8 plus, auto insurance, car insurance, cheap flights, car insurance quotes, direct tv, online colleges, at&t, hulu, iphone, uber, spectrum, comcast, xfinity, insurance quotes, free credit report, cheap car insurance, aarp, and lifelock.

An anonymous reader quotes a report from TorrentFreak: Brazil's telecoms regulator Anatel claims that during an operation last week, it successfully blocked around 80% of pirate 'TV boxes' in the country. Estimates from early 2023 suggest that seven million were active in Brazil. The operation, claimed to be the most significant ever carried out, arrives just weeks after Google & Cisco were criticized for "turning a blind eye" to the IPTV piracy problem. [...] Whatever the approach, if Anatel had somehow managed to prevent 80% of all TV boxes receiving pirated content in the space of a year, that would be an extraordinary achievement. Even a week would be astonishing but the claim of millions in a day seems either incredible, non-credible, or entirely dependent on more important information or nuance that isn't being reported. Another angle is that disruption on a large scale tends to register in search results and Google data on various related search terms doesn't seem to reflect millions of TV boxes suddenly going dark in Brazil last week. At least, not for any significant length of time.

Long-time Slashdot reader destinyland writes: In 1994 the TV show Friends premiered, and its first season's high ratings made it the 8th most-popular show. The next year Microsoft released Windows 95 — and filmed a promotional video for it with 25-year-old Matthew Perry and 26-year-old Jennifer Aniston.

"They'll be taking you on an adventure in computing that takes place in the office of Microsoft chairman Bill Gates," explains the video's narrator, adding "Along the way, they meet a wacky bunch of propellor-heads.... And are introduced the top 25 features of Windows 95!"

It's a journey back in time. (At one point the video refers to Windows as the operating system "with tens of millions of users.") Their 30-minute segment — billed as "the world's first cyber sitcom" — appears in an hour-long video introducing revolutionary features like the new "Start" button. Also demonstrated in Excel are the new minimize and maximize "features" in "the upper right-side of the window". And the two actors marvel at the ability to type a filename that was longer than eight characters...

Watch for reminders that The Microsoft Windows 95 Video Guide was filmed nearly three decades ago. When the desktop appears after waking from screensaver mode, Perry notes that there's "no messy DOS build-up." And later the video reminds viewers that Windows 95 is compatible "with DOS games like Flight Simulator." There's also a brand new feature called "Windows Explorer" (which is described as "File Manager on steroids"), as well as a new "Find" option, and a brand new icon named "My Computer". And near the end they pay a visit to the Microsoft Network — which was mostly a "walled garden" online service — described in the video as "your on-ramp to the information superhighway".

The video even explains how Windows 95 "uses the right mouse button for what Microsoft calls power users."

And by the end of it, Jennifer Anniston finds herself playing Space Cadet 3D pinball.

Bloomberg reports that Comcast's stock price took its biggest drop in over a year on Thursday, "after reporting drops in broadband and cable subscribers, and predicting more losses to come." Cord-cutting and increasing competition have eroded Comcast's traditional customer base. The company, which owns Xfinity, the NBCUniversal media empire and SkyTV, lost 490,000 cable-TV customers in the third quarter, better than analysts expected but part of an ongoing trend as consumers switch to streaming services like Netflix. It also lost 18,000 broadband subscribers in the quarter, with nearly all of those residential customers. Analysts had predicted Comcast would instead gain 10,900 residential broadband customers.

Shares fell as much as 8% on the news Thursday, their biggest intraday decline since July 2022.

"Growth has halted for Comcast — the largest US broadband provider, with 32 million homes," said Bloomberg Intelligence senior media analyst Geetha Ranganathan. "The company derives 80% of profit from cable, where, even after a pandemic-demand surge, broadband has been hurt by fierce competition and low-move activity among customers." Comcast expects "somewhat higher subscriber losses" in the fourth quarter due to pullback on promotional offers that targeted lower-end customers, Chief Financial Officer Jason Armstrong said on a call with investors. Revenue per customer climbed, however, in part because of price increases and promotions of higher-rate plans.

Broadband is becoming increasingly competitive as mobile providers move into the market with improved wireless internet offerings. In the past week, the Big Three — T-Mobile US Inc., AT&T Inc. and Verizon Communications Inc. — all reported subscriber gains.

An anonymous reader quotes a report from TorrentFreak: As far as we know, Brazil-based file-sharing forum FileWarez.com first appeared in August 2004, its domain name having been registered the previous month. The default language was naturally Portuguese and according to this image from the Wayback Machine, potential members needed a basic grip of the language to sign up. After all, Google Translate wouldn't exist for another two years. At some point in the years that followed, FileWarez shifted to a Netherlands .NL domain supported by filewarez.no-ip.biz, which may suggest a site regularly on the move. In 2008, unspecified problems saw the .NL domain dumped in favor of a new one. Riding out problems, various issues, and bouts of downtime, FileWarez.tv stayed in place for the next 15.5 years. Then two weeks ago, after establishing itself as Brazil's oldest file-sharing forum, FileWarez suddenly vanished.

In a press release Wednesday, global music industry group IFPI announced that "prominent illegal file-sharing forum, FileWarez," was shut down following co-ordinated action by record companies, anti-piracy body APDIF, and local cybercrime unit, Cyber Gaeco. "IFPI, the organization that represents the recorded music industry worldwide, alongside its Brazilian national group Pro-Musica, have welcomed the successful action against FileWarez.tv -- one of the most prominent illegal file sharing sites in Brazil -- by the Brazilian special cybercrime unit of prosecutor's office of Sao Paulo, Cyber Gaeco," the announcement reads. "FileWarez was the most established illegal filesharing forum in Brazil, dedicated to sharing illegal music content. While active, the site had more than 118,000 registered users with at least 24,000 monthly active users."

Apple is increasing the prices of some of its subscription-based services, including Apple TV+, Apple Arcade, and Apple News+, in the U.S. and many other countries around the world. The higher prices are shown on Apple's website. The price changes in the U.S. are as follows: Apple TV+: $6.99 per month to $9.99 per month
Apple Arcade: $4.99 per month to $6.99 per month
Apple News+: $9.99 per month to $12.99 per month

For those who subscribe to Apple TV+ on an annual basis, the price has increased from $69 per year to $99 per year accordingly. Prices for the Apple One bundles that include these services are also increasing as a result:
Individual: $16.95 per month to $19.95 per month
Family: $22.95 per month to $25.95 per month
Premier: $32.95 per month to $37.95 per month.

Apple has announced a Mac event for October 30th with the caption "Scary Fast." According to analyst Ming-Chi Kuo, the company is expected to focus on the M3 series MacBook Pro models. MacRumors reports: Kuo's wording suggests that he is expecting multiple M3 chips rather than just a single M3 chip, hinting at the possibility of M3, M3 Pro, and M3 Max chips. If Apple does release M3, M3 Pro, and M3 Max chips at once, we can expect to see the new chips introduced in 13-inch, 14-inch, and 16-inch MacBook Pro models. Kuo says that he previously predicted that Apple would not likely introduce new MacBook Pro models in 2023 because of "limited 4Q 23 shipments," and if new MacBook Pros do come out in November or December, the tight supply will last until the first quarter of 2024. Kuo further says that Mac shipments have declined due to the "limited M2 computing power upgrade," which may be the reason why Apple might launch M3 MacBook Pro models with low production volume.

Bloomberg's Mark Gurman also says that Apple has been testing M3 Max and M3 Pro MacBook Pro models, suggesting that these machines are going to be refreshed. Gurman just last week claimed that Apple would not update the 14-inch and 16-inch MacBook Pro models with M3 Pro and M3 Max chips until early 2024, so it seems that his predictions have since changed. That Kuo and Gurman are both now suggesting that we'll see 14-inch and 16-inch MacBook Pro models at Apple's October event comes as a surprise because much of their prior information pointed toward a 2024 refresh for these devices.

Gurman maintains that Apple will not refresh the MacBook Air models, Mac mini, Mac Studio, or Mac Pro at this time, which leaves the iMac, 13-inch MacBook Pro, 14-inch MacBook Pro, and 16-inch MacBook Pro for the October event. As Gurman has previously pointed out, these are the machines that are facing extended shipping times in Apple's online store. You can watch the event live via Apple's website starting at 5 p.m. PT on October 30th.

Further reading: Apple To Revamp TV App in Step Toward Simplifying Video Services

Apple will redesign its TV app in a step toward consolidating the company's various video offerings later this year, part of its efforts to become a bigger player in the streaming world. Bloomberg News: The company is preparing a new version of the app for release around December as part of an upcoming tvOS software update, said the people, who asked not to be identified because the plan is private. The app, which first launched in 2016, aggregates content from iTunes, the Apple TV+ subscription service, live sports networks and third-party offerings like Amazon Prime.

As part of the overhaul, the company will discontinue its dedicated apps on the Apple TV set-top box that let users rent and buy movies and shows. It will also remove the movie and TV show sections from the iTunes Store app on iPhones and iPads. The idea is to steer more customers toward the main TV app, which sits at the center of Apple's expanding video strategy. There, users are able to subscribe to TV+ as well as third-party video services like Starz and Paramount+. The app already lets customers rent and buy programs, making a separate iTunes option unnecessary.

Amazon has revealed that Fallout -- a live-action adaptation of Bethesda's popular RPG video game franchise -- will premiere on April 12th, 2024, exclusively via Prime Video. The Verge reports: The announcement was made on October 23rd, otherwise known to Fallout fans as "Fallout Day" -- the in-game date that marks the beginning of the Great War that turns the world into an irradiated nuclear wasteland. Bethesda's executive producer and game director Todd Howard is an executive producer on the series, which stars Ella Purnell (Yellowjackets), Walton Goggins (The Hateful Eight), Aaron Moten (Emancipation), Moises Arias (The King of Staten Island), Kyle MacLachlan (Twin Peaks), and Sarita Choudhury (Homeland).

Alongside the premiere announcement itself (which was amusingly presented as an interactive Pip-Boy interface graphic), Amazon said in a press release that the show will be an original story set in a future, post-apocalyptic version of Los Angeles and will be considered a canonical addition to the existing game franchise. We do not currently know how many episodes will be in the series or what the release schedule will look like following the premiere.