Roku TV owners are complaining that motion smoothing is "suddenly enabled on their TVs with no way to turn it off," reports The Verge. From the report: Contributors on Reddit and in Roku's community forum reported seeing the change on TCL TVs running on Roku OS 13, as did a few staffers on The Verge. However, for others who have access to "Expert" picture settings, the same update is in place without a change, and the settings to control it are still available. For some people experiencing the problem, they said this is the first time their TV offered Roku's motion smoothing feature at all and that there's nowhere in any menu (either the standard settings or the picture settings available while watching TV) to turn it off. The update notes for Roku OS 13 mention a new "Roku Smart Picture" feature that will optimize based on the content being watched, so there may be a bug there. However, people in older threads have reported similar issues with some Roku devices before.

A Roku community moderator responded on the forum that the team is looking into the incident. Roku also offered its typical instructions for disabling the settings, which involves clicking the Star button on the remote during playback and heading to the Action Smoothing submenu under Advanced Picture Settings. [...] Naturally, a lot of people who work in film and television aren't a fan. Star Wars: The Last Jedi director Rian Johnson once went so far as to say it makes "movies look like liquid diarrhea."

SoftBank has developed AI voice-conversion technology aimed at reducing the psychological stress on call center operators by altering the voices of angry customers to sound calmer. Japan's The Asahi Shimbun reports: The company launched a study on "emotion canceling" three years ago, which uses AI voice-processing technology to change the voice of a person over a phone call. Toshiyuki Nakatani, a SoftBank employee, came up with the idea after watching a TV program about customer harassment. "If the customers' yelling voice sounded like Kitaro's Eyeball Dad, it would be less scary," he said, referring to a character in the popular anime series "Gegege no Kitaro."

The voice-altering AI learned many expressions, including yelling and accusatory tones, to improve vocal conversions. Ten actors were hired to perform more than 100 phrases with various emotions, training the AI with more than 10,000 pieces of voice data. The technology does not change the wording, but the pitch and inflection of the voice is softened. For instance, a woman's high-pitched voice is lowered in tone to sound less resonant. A man's bass tone, which may be frightening, is raised to a higher pitch to sound softer. However, if an operator cannot tell if a customer is angry, the operator may not be able to react properly, which could just upset the customer further. Therefore, the developers made sure that a slight element of anger remains audible.

According to the company, the biggest burdens on operators are hearing abusive language and being trapped in long conversations with customers who will not get off the line -- such as when making persistent requests for apologies. With the new technology, if the AI determines that the conversation is too long or too abusive, a warning message will be sent out, such as, "We regret to inform you that we will terminate our service." [...] The company plans to further improve the accuracy of the technology by having AI learn voice data and hopes to sell the technology starting from fiscal 2025. Nakatani said, "AI is good at handling complaints and can do so for long hours, but what angry customers want is for a human to apologize to them." He said he hopes that AI "will become a mental shield that prevents operators from overstraining their nerves."

T2's open development process and the collection of exotic, vintage and retro hardware can be followed live on YouTube and Twitch.

Now Slashdot reader ReneR writes: Embedded T2 Linux is known for its sophisticated cross compile features as well as supporting all CPU architectures, including: Alpha, Arc, ARM(64), Avr32, HPPA(64), IA64, M68k, MIPS(64), Nios2, PowerPC(64)(le), RISCV(64), s390x, SPARC(64), SuperH, x86(64). But now it's going Desktop!

24.6 comes as a major convenience update, with out-of-the-box Windows application compatibility as well as LibreOffice and Thunderbird cross-compiled and in the default base ISO for the most popular CPU architectures.

Continuing to keep Intel IA-64 Itanium alive, a major, up-to-3x performance improvement was found for OpenSSL, doubling crypto performance for many popular algorithms and SSH.

The project's CI unit testing was further expanded to now cover the whole installation in two variants. The graphical desktop defaults were also polished -- and a T2 branded wallpaper was added! ;-) The release contains 606 changesets, including approximately 750 package updates, 67 issues fixed, 80 packages or features added, 21 removed and 9 other improvements.

Journalist Steven Brill has written a new book called The Death of Truth. Its subtitle? "How Social Media and the Internet Gave Snake Oil Salesmen and Demagogues the Weapons They Needed to Destroy Trust and Polarize the World-And What We Can Do."

An excerpt published by Wired points out that last year around the world, $300 billion was spent on "programmatic advertising", and $130 billion was spent in the United States alone in 2022. The problem? For over a decade there's been "brand safety" technology, the article points out — but "what artificial intelligence could not do was spot most forms of disinformation and misinformation..."

The end result... In 2019, other than the government of Vladimir Putin, Warren Buffett was the biggest funder of Sputnik News, the Russian disinformation website controlled by the Kremlin... Geico, the giant American insurance company and subsidiary of Buffett's Berkshire Hathaway, was the leading advertiser on the American version of Sputnik News' global website network... No one at Geico or its advertising agency had any idea its ads would appear on Sputnik, let alone what anti-American content would be displayed alongside the ads. How could they? Which person or army of people at Geico or its agency could have read 44,000 websites?

Geico's ads had been placed through a programmatic advertising system that was invented in the late 1990s as the internet developed. It exploded beginning in the mid 2000s and is now the overwhelmingly dominant advertising medium. Programmatic algorithms, not people, decide where to place most of the ads we now see on websites, social media platforms, mobile devices, streaming television, and increasingly hear on podcasts... If Geico's advertising campaign were typical of programmatic campaigns for broad-based consumer products and services, each of its ads would have been placed on an average of 44,000 websites, according to a study done for the leading trade association of big-brand advertisers.

Geico is hardly the only rock-solid American brand to be funding the Russians. During the same period that the insurance company's ads appeared on Sputnik News, 196 other programmatic advertisers bought ads on the website, including Best Buy, E-Trade, and Progressive insurance. Sputnik News' sister propaganda outlet, RT.com (it was once called Russia Today until someone in Moscow decided to camouflage its parentage), raked in ad revenue from Walmart, Amazon, PayPal, and Kroger, among others... Almost all advertising online — and even much of it on television (through streaming TV), or on podcasts, radio, mobile devices, and electronic billboards — is now done programmatically, which means the machine, not a planner, makes those placement decisions. Unless the advertiser uses special tools, such as what are called exclusion or inclusion lists, the publishers and content around which the ad appears, and which the ad is financing, are no longer part of the decision.
"What I kept hearing as the professionals explained it to me was that the process is like a stock exchange, except that the buyer doesn't know what stock he is buying... the advertiser and its ad agency have no idea where among thousands of websites its ad will appear."

An anonymous reader shares a CR report: Based on the name, you'd think Filmmaker Mode is strictly for watching movies. But in our labs, we find that it can get you pretty close to what we consider to be the ideal settings for all types of programming. Filmmaker Mode is the product of a joint effort by the Hollywood film community, TV manufacturers, and the UHD Alliance to help consumers easily set up their TVs and watch shows and films as they were meant to be displayed. The preset has been widely praised by a host of well-known directors, including J.J. Abrams, Paul Thomas Anderson, James Cameron, Patty Jenkins, Rian Johnson, Christopher Nolan, Jordan Peele, and Martin Scorsese, as well as actors such as Tom Cruise. Right now, you can find Filmmaker Mode on TVs from Hisense, LG, Philips, Samsung, and Vizio. And more sets may get the feature this year.

Most newer TVs have fancy features that manufacturers say will improve the picture. But these features can actually have the opposite effect, degrading the fidelity of the image by altering how it was originally intended to look. To preserve the director's original intent, Filmmaker Mode shuts off all the extra processing a TV might apply to movies and shows, including both standard (SDR) and high dynamic range (HDR) content on 4K TVs. This involves preserving the TV's full contrast ratio, setting the correct aspect ratio, and maintaining the TV's color and frame rates, so films look more like what you'd see in a theater. For most of us, though, the biggest benefit of Filmmaker Mode is what the TV won't be doing. For example, it turns off motion smoothing, also referred to as motion interpolation, which can remove movies' filmlike look. (This is one of three TV features that it's best to stop using.) Motion-smoothing features were introduced because most films, and some TV shows, are shot at 24 frames per second, while most TVs display images at 60 or 120 frames per second. To deal with these mismatches, the TV adds made-up (interpolated) frames, filling in the gaps to keep the motion looking smooth. But this creates an artificial look, commonly called the soap opera effect. Think of a daytime TV show shot on video.

According to CNBC, Twitch is expected to terminate all members of its Safety Advisory Council on Friday. "The council is a resource of nine industry experts, streamers and moderators who consulted on trust and safety issues related to children on Twitch, nudity, banned users and more," notes the report. From the report: The Amazon-owned game-streaming company formed its Safety Advisory Council in May 2020 to "enhance Twitch's approach to issues of trust and safety" on the platform and guide decisions, according to a company webpage. The council advised Twitch on "drafting new policies and policy updates," "developing products and features to improve safety and moderation" and "protecting the interests of marginalized groups," per the webpage.

For four years, the group advised the company on "hate raids" on marginalized groups and nudity policies, among other things. But in the afternoon of May 6, council members were called into a meeting after receiving an email that all existing contracts would conclude on May 31, 2024, and that they would not receive payment for the second half of 2024. The council was not made up of Twitch employees, but rather advisors, including Dr. Sameer Hinduja, co-director of the Cyberbullying Research Center; Emma LlansÃ, director of the Center for Democracy and Technology's Free Expression Project; and Dr. T.L. Taylor, co-founder and director of AnyKey, which advocates for diversity and inclusion in gaming.

"Looking ahead, the Safety Advisory Council will primarily be made up of individuals who serve as Twitch Ambassadors," the email, viewed by CNBC, stated. In a formal notice in the same email, the company wrote, "Pursuant to section 5(a) of the SAC advisor Agreement, we are writing to provide you with notice of termination... This means that the second 2024 payment won't be issued." Twitch Ambassadors are users of the streaming platform "chosen specifically because of the positive impact they've contributed to the Twitch community," according to the company's website. Payment depended on the length of the contract, but council members were paid between $10,000 and $20,000 per 12-month period, according to a source familiar with the contracts.

Apple is seeking a senior engineer to help build a television and sports app for Android, a sign the company is finally bringing its TV+ service to the rival smartphone platform. From a report: In a job listing published in recent days, Apple said it's looking for someone to lead the development of "fun new features" and "help build an application used by millions to watch and discover TV and sports." The move suggests that the company is looking to gain market share in video streaming -- and is setting aside its rivalry with Android in order to chase additional users. It's rare for Apple to develop software for Google's Android, which competes with its iOS platform. The TV+ service, launched in 2019, is Apple's answer to Netflix or Disney+, and the company has spent heavily on feeding it with original content.

PayPal hopes to boost its growth by starting an ad network [non-paywalled link] juiced with something it already owns: data on its millions of users. From a report: The digital payments company plans to build an ad sales business around the reams of data it generates from tracking the purchases as well as the broader spending behaviors of millions of consumers who use its services, which include the more socially-enabled Venmo app. PayPal has hired Mark Grether, who formerly led Uber's advertising business, to lead the effort as senior vice president and general manager of its newly-created PayPal Ads division. In his new role, he will be responsible for developing new ad formats, overseeing sales and hiring staff to fill out the division, he said.

PayPal in January introduced Advanced Offers, its first ad product, which uses AI and the company's data to help merchants target PayPal users with discounts and other personalized promotions. Advanced Offers only charges advertisers when consumers make a purchase. Online marketplaces eBay and Zazzle have begun testing it, according to a PayPal spokesman. But PayPal now aims to sell ads not only to its own customers, but to so-called non-endemic advertisers, or those that don't sell products or services through PayPal. Those companies might use PayPal data to target consumers with ads that could be displayed elsewhere, for instance, on other websites or connected TV sets.

Space.com calls it a movie "adding more combustible material to the inferno of AI unease sweeping the globe." Its director tells them James Cameron was a huge inspiration, saying Atlas "has an Aliens-like vibe because of the grounded, grittiness to it." (You can watch the movie's trailer here...)

But Tom's Guide says "the reviews are just as shocking as the movie's AI." Its "audience score" on Rotten Tomatoes is 55% — but its aggregate score from professional film critics is 16%. The Hollywood Reporter called it "another Netflix movie to half-watch while doing laundry." ("The star plays a data analyst forced to team up with an AI robot in order to prevent an apocalypse orchestrated by a different AI robot...") The site Giant Freakin Robot says "there seems to be a direct correlation between how much money the streaming platform spends on green screen effects and how bad the movie is" (noting the film's rumored budget of $100 million)...

But Tom's Guide defends it as a big-budget sci-fi thriller that "has an interesting premise that makes you think about the potential dangers of AI progression." Our world has always been interested in computers and machines, and the very idea of technology turning against us is unsettling. That's why "Atlas" works as a movie, but professional critics have other things to say. Ross McIndoe from Slant Magazine said: "Atlas seems like a story that should have been experienced with a gamepad in hand...." Todd Gilchrist from Variety didn't enjoy the conventional structure that "Atlas" followed...

However, even though the score is low and the reviews are pretty negative, I don't want to completely bash this movie... If I'm being completely honest, most movies and TV shows nowadays are taken too seriously. The more general blockbusters are supposed to be entertaining and fun, with visually pleasing effects that keep you hooked on the action. This is much like "Atlas", which is a fun watch with an unsettling undertone focused on the dangers of evolving AI...

Being part of the audience, we're supposed to just take it in and enjoy the movie as a casual viewer. This is why I think you should give "Atlas" a chance, especially if you're big into dramatic action sequences and have enjoyed movies like "Terminator" and "Pacific Rim".

FCC Chairwoman Jessica Rosenworcel has proposed (PDF) disclosure rules for AI-generated content used in political ads. "If adopted, the proposal would look into whether the FCC should require political ads on radio and TV to disclose when there is AI-generated content," reports Quartz. From the report: The FCC is seeking comment on whether on-air and written disclosure should be required in broadcasters' political files when AI-generated content is used in political ads; proposing that the rules apply to both candidates and issue advertisements; requesting comment on what a specific definition of AI-generated comment should look like; and proposing that disclosure rules be applied to broadcasters and entities involved in programming, such as cable operators and radio providers.

The proposed disclosure rules do not prohibit the use of AI-generated content in political ads. The FCC has authority through the Bipartisan Campaign Reform Act to make rules around political advertising. If the proposal is adopted, the FCC will take public comment on the rules. "As artificial intelligence tools become more accessible, the Commission wants to make sure consumers are fully informed when the technology is used," Rosenworcel said in a statement. "Today, I've shared with my colleagues a proposal that makes clear consumers have a right to know when AI tools are being used in the political ads they see, and I hope they swiftly act on this issue."

After being rumored for years, Sonos has officially entered the headphones market with its new Ace headphones. "The Sonos Ace wireless over-ear active noise-canceling headphones are specified to go toe-to-toe with the established market leaders from the likes of Apple and Bose, and they're priced to match at $449," reports Wired. From the report: Visually, you get an elegant and notably slim pair of over-ear headphones in either a black or "soft" white matte finish. Thanks to a light 312-gram weight, and with some very well-judged clamping force and a clever hanger arrangement that conceals the hinged yoke inside the body of the ear cups, it means all-day comfort. The combination of memory foam, vegan leather, and stainless steel is equally beneficial where comfort and aesthetics are concerned. Branding is restricted to one ear cup, and it's laser-etched, so it manages to be understated while still catching the eye. Where the Apple AirPods Max shout "look at ME!," the Sonos Ace enunciate it quietly and precisely.

As far as performance is concerned, you get all the bells and whistles you'd expect. Wireless connectivity is via Bluetooth 5.4, and they have SBC and AAC codecs, allowing the Ace to be compatible with ALAC and Qualcomm Snapdragon Sound aptX Lossless. Sound is delivered by a pair of custom-designed 40-mm dynamic drivers. Sonos is characteristically coy about frequency response, but from my brief listen at a recent press event in London, they were full-range enough for real bass. Ported acoustic architecture allows for optimum low-frequency extension. Spatial audio is available via those streaming services that support Dolby Atmos and/or Sony 360 Reality Audio, and Sonos' Intelligent Motion Processing with Dolby Head Tracking dynamically follows your head movement to provide an even greater sensation of immersion and envelopment.

There are other cool features that most other headphones can't offer, by virtue of Sonos' ubiquity in many homes. At launch, the Ace will interact seamlessly with the Sonos Arc Dolby Atmos soundbar to swap TV sound between bar and phones at the touch of a button. Sonos suggests that compatibility with its other soundbars (Beam, Beam Gen 2, and Ray) is coming soon, along with a new TrueCinema technology that will map your listening space to reproduce your room's characteristics in the sound of the Ace. [...]

A blind worker for the National Federation of the Blind said Sonos had a reputation for making products usable for people with disabilities, but that "Overnight they broke that trust," according to the Washington Post.

They're not the only angry customers about the latest update to Sonos's wireless speaker system. The newspaper notes that nonprofit worker Charles Knight is "among the Sonos die-hards who are furious at the new app that crippled their options to stream music, listen to an album all the way through or set a morning alarm clock." After Sonos updated its app last week, Knight could no longer set or change his wake-up music alarm. Timers to turn off music were also missing. "Something as basic as an alarm is part of the feature set that users have had for 15 years," said Knight, who has spent thousands of dollars on six Sonos speakers for his bedroom, home office and kitchen. "It was just really badly thought out from start to finish." Some people who are blind also complained that the app omitted voice-control features they need.

What's happening to Sonos speaker owners is a cautionary tale. As more of your possessions rely on software — including your car, phone, TV, home thermostat or tractor — the manufacturer can ruin them with one shoddy update... Sonos now says it's fixing problems and adding back missing features within days or weeks. Sonos CEO Patrick Spence acknowledged the company made some mistakes and said Sonos plans to earn back people's trust. "There are clearly people who are having an experience that is subpar," Spence said. "I would ask them to give us a chance to deliver the actions to address the concerns they've raised." Spence said that for years, customers' top complaint was the Sonos app was clunky and slow to connect to their speakers. Spence said the new app is zippier and easier for Sonos to update. (Some customers disputed that the new app is faster.)

He said some problems like Knight's missing alarms were flaws that Sonos found only once the app was about to roll out. (Sonos updated the alarm feature this week.) Sonos did remove but planned to add back some lesser-used features. Spence said the company should have told people upfront about the planned timeline to return any missing functions.
In a blog post Sonos thanked customers for "valuable feedback," saying they're "working to address them as quickly as possible" and promising to reintroduce features, fix bugs, and address performance issues. ("Adding and editing alarms" is available now, as well as VoiceOver fixes for the home screen on iOS.)

The Washington Post adds that Sonos "said it initially missed some software flaws and will restore more voice-reader functions next week."

An anonymous reader quotes a report from Techdirt, written by Mike Masnick: If you're a fan of chaos, well, the TikTok ban situation is providing plenty of chaos to follow. Ever since the US government made it clear it was seriously going to move forward with the obviously unconstitutional and counterproductive plan to force ByteDance to divest from TikTok or have the app effectively banned from the U.S., various rich people have been stepping up with promises to buy the app. There was former Trump Treasury Secretary Steven Mnuchin with plans to buy it. Then there was "mean TV investor, who wants you to forget his sketchy history" Kevin O'Leary with his own TikTok buyout plans. I'm sure there have been other rich dudes as well, though strikingly few stories of actual companies interested in purchasing TikTok.

But now there's another billionaire to add to the pile: billionaire real estate/property mogul Frank McCourt (who has had some scandals in his own history) has had an interesting second act over the last few years as a big believer in decentralized social media. He created and funded Project Liberty, which has become deeply involved in a number of efforts to create infrastructure for decentralized social media, including its own Decentralized Social Networking Protocol (DSTP).

Over the past few years, I've had a few conversations with people involved in Project Liberty and related projects. Their hearts are in the right place in wanting to rethink the internet in a manner that empowers users over big companies, even if I don't always agree with their approach (he also frequently seems to surround himself with all sorts of tech haters, who have somewhat unrealistic visions of the world). Either way, McCourt and Project Liberty have now announced a plan to bid on TikTok. They plan to merge it into his decentralization plans. "Frank McCourt, Founder of Project Liberty and Executive Chairman of McCourt Global, today announced that Project Liberty is organizing a bid to acquire the popular social media platform TikTok in the U.S., with the goal of placing people and data empowerment at the center of the platform's design and purpose," reads a press release from Project Liberty.

"Working in consultation with Guggenheim Securities, the investment banking and capital markets business of Guggenheim Partners, and Kirkland & Ellis, one of the world's largest law firms, as well as world-renowned technologists, academics, community leaders, parents and engaged citizens, this bid for TikTok offers an innovative, alternative vision for the platform's infrastructure -- one that allows people to reclaim agency over their digital identities and data by proposing to migrate the platform to a new digital open-source protocol. In launching the bid, McCourt and his partners are seizing this opportunity to return control and value back into the hands of individuals and provide Americans with a meaningful voice, choice, and stake in the future of the web."

Google is opening up API access to its Google Home smart home platform, allowing app developers to access over 600 million connected devices and tap into the Google Home automation engine. In addition, Google announced that it'll be turning Google TVs into Google Home hubs and Matter controllers. The Verge reports: The Home APIs can access any Matter device or Works with Google Home device, and allows developers to build their own experiences using Google Home devices and automations into their apps on both iOS and Android. This is a significant move for Google in opening up its smart home platform, following shutting down its Works with Nest program back in 2019. [...] The Home APIs are already available to Google's early access partners, and Google is opening up a waitlist for any developer to sign up today. "We are opening up access on a rolling basis so they can begin building and testing within their apps," Anish Kattukaran, head of product at Google Home and Nest, told The Verge. "The first apps using the home APIs will be able to publish to the Play and App stores in the fall."

The access is not just limited to smart home developers. In the blog post, Matt Van Der Staay, engineering director at Google Home, said the Home APIs could be used to connect smart home devices to fitness or delivery apps. "You can build a complex app to manage any aspect of a smart home, or simply integrate with a smart device to solve pain points -- like turning on the lights automatically before the food delivery driver arrives." The APIs allow access to most devices connected to Google Home and to the Google Home structure, letting apps control and manage devices such as Matter light bulbs or the Nest Learning Thermostat. They also leverage Google Home's automation signals, such as motion from sensors, an appliance's mode changing, or Google's Home and Away mode, which uses various signals to determine if a home is occupied. [...]

What's also interesting here is that developers will be able to use the APIs to access and control any device that works with the new smart home standard Matter and even let people set up Matter devices directly in their app. This should make it easier for them to implement Matter into their apps, as it will add devices to the Google Home fabric, so they won't have to develop their own. In addition, Google announced that it's vastly expanding its Matter infrastructure by turning Google TVs into Google Home hubs and Matter controllers. Any app using the APIs would need a Google hub in a customer's home in order to control Matter devices locally. Later this year, Chromecast with Google TV, select panel TVs with Google TV running Android 14 or higher, and some LG TVs will be upgraded to become Google Home hubs.

Additionally, Kattukaran said Google will upgrade all of its existing home hubs -- which include Nest Hub (second-gen), Nest Hub Max, and Google Wifi -- with a new ability called Home runtime. "With this update, all hubs for Google Home will be able to directly route commands from any app built with Home APIs (such as the Google Home app) to a customer's Matter device locally, when the phone is on the same Wi-Fi network as the hub," said Kattukaran. This means you should see "significant latency improvements using local control via a hub for Google Home," he added.

Later this month, Comcast will launch a three-way bundle with Peacock, Netflix and Apple TV+. It will "come at a vastly reduced price to anything in the market today," said. Comcast chief Brian Roberts. Variety reports: The goal is to "add value to consumers" and at the same time "take some of the dollars out of" other companies' streaming businesses, he added, while reinforcing Comcast's broadband service offerings. Comcast's impending launch of the StreamSaver bundle come as other media companies have been assembling similar offerings. [...] Like the other streaming bundling strategies, Comcast's forthcoming Peacock, Netflix and Apple TV+ package is an effort to reduce cancelation rates (aka "churn") and provide a more efficient means of subscriber acquisition -- coming as the traditional cable TV business continues to deteriorate. Last week, Disney and Warner Bros. Discovery announced a three-way bundle comprising of Max, Disney+ and Hulu.

Electronic Arts CEO Andrew Wilson confirmed the company is considering putting ads in traditional AAA games, which players purchase for around $70 apiece. During EA's latest earnings call, Wilson said, "Advertising has an opportunity to be a meaningful driver of growth for us," and that teams are looking at how to thoughtfully implement ads within game experiences.

In-game advertising is not new, with the first recorded instance dating back to 1978. As the gaming industry is expected to grow to $583 billion by 2030, in-game ads are seen as a natural progression. However, player reception depends on the placement and unobtrusiveness of the ads. EA has faced backlash in the past for poorly placed ads, such as full-screen promotions for a TV show in UFC 4, which disrupted gameplay. The company has been experimenting with dynamic ads since 2006, with titles like Need for Speed Carbon and Battlefield 2142 among the first to feature them.

An anonymous reader shares a report: Disney Plus, Hulu, and Max are teaming up for a new bundle this summer, Netflix is focused on the WWE and celebrity boxing, Disney Plus is getting ESPN, and Bloomberg reported earlier this week that Max could get a price hike. A familiar refrain emerged around all this news: streaming is becoming cable TV all over again and getting crummier in the process.

And it's true! When streaming first emerged, it was a beautiful alternative to piracy, which was very convenient and very illegal, and cable, which was festooned with ads and weighed down by channels you were paying for and didn't want. Streaming gave you a world of content on demand for a fraction of the cost of cable. But that experience was never sustainable. Content costs money to make, and companies are apparently obligated to "increase revenue" and "make profit." This means Netflix spending billions of dollars a year on content isn't necessarily sustainable unless it's adding new users and monetizing them through some combination of ads and increasing subscription fees for stuff that used to be free, like sharing an account or streaming in 4K.

Apple has apologized for its tone-deaf "Crush!" ad that sparked a furious backlash with artists, musicians and other creators. AdAge reports that Apple said the video "missed the mark" and has scrapped plans to run the cutesy-turned-cringey commercial on TV. From a report: It's clear that Apple intended for the ad to serve as a metaphor for all the myriad creative tools one has when they throw down $1,000 or more for a new iPad Pro. Run during Tuesday's event, the video shows a series of musical instruments and other tools for human expression, including a guitar, drums, trumpet, amplifiers, record player, TV and much more. "All I Ever Need Is You" by Sonny & Cher soundtracks the clip.

Soon, it's revealed that the objects are all sitting on an industrial crusher, which descends upon the scattered creative instruments, exploding in plumes of satisfyingly colorful smoke. But when the crusher pulls back up, we see that everything was transformed into a shiny new iPad Pro.

Amazon Prime Video subscribers will see new types of advertisements this broadcast year. Amazon announced today that it's adding new ad formats to its video streaming service, hoping to encourage people to interact with the ads and shop on Amazon. From a report: In January, Prime Video streams included commercials unless subscribers paid $3 extra per month. That has meant that watching stuff on Prime Video ad-free costs $12 per month or, if you're also a Prime subscriber, $18 per month. Amazon has heightened focus on streaming ads this year. Those who opted for Prime Video with commercials will soon see shoppable carousel ads, interactive pause ads, and interactive brand trivia ads, as Amazon calls them.

Amazon said that advertisers could buy these new displays to be shown "across the vast majority of content on Prime Video, wherever it's streamed." All the new ad formats allow a viewer to place advertised products in their Amazon cart. With carousel ads, subscribers will be pushed to shop "a sliding lineup of" products during ad breaks during shows and movies, Amazon said, adding: "The ad automatically pauses so that customers can browse, and automatically resumes play when ad interaction has stopped."

Disney CEO Bob Iger says the company is shrinking the MCU with a new mission to drop the number of Marvel TV series to two a year and the film output to no more than three movies per year. The comment follows Iger conceding last year that Marvel had diluted audience's focus by making too many TV shows. From a report: Iger said this is part of Disney's overall strategy to reduce output and focus on quality, a strategy "that's particularly true with Marvel."

"We're slowly going to decrease volume and go to probably about two TV series a year instead of what had become four and reduce our film output from maybe four a year to two, or a maximum of three," the Disney CEO said during the company's quarterly earnings call Tuesday. "And we're working hard on what that path is." Iger says Marvel has "a couple of good films in '25 and then we're heading to more 'Avengers,' which we're extremely excited about," adding: "Overall, I feel great about the slate. It's something that I've committed to spending more and more time on. The team is one that I have tremendous confidence in and the IP that we're mining, including all the sequels that we're doing, is second to none."