Slashdot reader sombragris writes: Slackware, the oldest actively maintained Linux distribution, released version 15.0 yesterday after a long release cycle that goes all the way back to 2016 where the last version (14.2) was released. According to the release notes, the whole spirit of this release is: "Keep it familiar, but make it modern."

Among the news, this release offers kernel 5.15.19, PAM, PipeWire and PulseAudio, Wayland and X11 graphical systems, and Rust and Python 3. As graphical environments, both Xfce 4.16 and the latest Plasma 5 (Plasma 5.23.5, Frameworks 5.90, KDE apps 21.12 running under Qt 5.15.3) are available, with Cinnamon and Mate also available from third parties. The main compilers are gcc-11.2 and llvm 13.0. The default browser is Firefox 91.5esr, with Chromium available as a third-party repository. And... no systemd at all.

Slackware can be downloaded from a variety of mirrors. BitTorrent downloads are going to be available too. I've used Slackware for 20 years and it's always impressed me with its stability and speed. I encourage everyone interested to try it. Slashdot readers arfonrg and saxa also shared the news.

Cruise, the driverless spin-off from General Motors, said on Tuesday that it's about to offer public robot-taxi rides in its San Francisco hometown soon -- "within weeks, not months." In a first for San Francisco, Cruise's public rides will be fully driverless, with no back-up driver behind the wheel. The San Francisco Chronicle reports: It has been giving rides to its own employees sans backup driver since November, and has been test-driving truly driverless cars here since December 2020. Waymo, the self-driving unit of Google parent Alphabet, has been providing rides to some San Franciscans since August. [...] Cruise is now accepting applications from members of the public who want to hop into Poppy, Tostada or another of its self-driving Chevy Bolts. The company said it will pick names from the wait list in "weeks not months." Meanwhile it is already giving rides to some locals who were nominated by Cruise employees.

Cruise's rides for the public will run from 11 p.m. to 5 a.m. and will be in the city's northwest quadrant -- including Nob Hill, the Fillmore, the Panhandle, the Sunset and the Richmond. For now, the rides from both services are free. Neither Cruise nor any other robot car company has permission from the California Public Utilities Commission to charge for rides, although Cruise applied for it in November.

"Qt, the framework that powers the KDE desktop, is announcing support for ads in client-side applications," reports Neowin: This means that application developers will now be able to serve ads in traditional desktop applications.... Windows users have been dealing with this in Metro UI apps since Windows 8 and it's something that's never gone over well on the desktop.

While it's doubtful you'll see ads in KDE's core applications, it would be possible for distributions that wish to further monetize their work to fork these applications, placing ads in them.... According to the documentation, the advertising plugin supports a variety of platforms. They are as follows:

- Windows 10
- Ubuntu 20.04
- Raspbian Buster
- macOS
- Android 7.0
— iOS

"Our offering aims to disrupt the IoT industry," explains Qt's press release, "enabling new business models and business cases that before were not possible."

Reactions have been mixed. Comments on Phoronix ranged from calling it "a great way for boost development on KDE" to "Not sure if I like this."

Thanks to Slashdot reader segaboy81 for sharing the story

In 2015 the San Francisco Arts Commission surveyed nearly 600 local artists. "More than 70% of them had either already left San Francisco or were about to be displaced from their work, home or both," reports SFGate.com, adding "The pandemic has only intensified these problems. A report by Americans for the Arts found that 53% of artists have no savings whatsoever as a result of the pandemic."

Would it help to give over 100 artists their own Universal Basic Income? In an effort to mitigate what appears to be an existential threat to the arts, in March 2021, the city of San Francisco partnered with the Yerba Buena Center for the Arts [YBCA] to launch a guaranteed income pilot, called the SF Guaranteed Income Pilot for Artists, or SF-GIPA, that gives 130 local low-income artists who have been severely impacted by the COVID-19 pandemic $1,000 a month, no strings attached, for 18 months.... At the time, YBCA was planning to launch its own guaranteed income project for artists, and this allowed it to combine forces and take both projects further. The first six months of funding for the SF-GIPA project came from the Arts Impact Endowment, which is funded by San Francisco's hotel tax and designated for underserved communities. YBCA extended the project by an additional 12 months with private funding from the Start Small Foundation, a philanthropic initiative by former Twitter CEO Jack Dorsey....

Though the additional income from SF-GIPA is a welcome relief, as the project moves past its halfway point, the question remains: Will 18 months be enough time to truly make a difference in these artists' lives? YBCA is currently scrambling to find a way to continue supporting guaranteed income recipients after the project's scheduled end in October 2023.... "It's just so sad; people come to San Francisco because of the art and culture, but the art and culture makers can't afford to live here," says Stephanie Imah, who is leading YBCA's pilot. "This is very much a rental problem. It's really hard for artists living in San Francisco unless they work in tech. It's clear we need long-term solutions." For YBCA, that means advocating for big policy changes down the line.

"Our eyes are on the federal government," YBCA CEO Deborah Cullinan explains in an interview with Berkeley's Aurora Theatre. "We'd like to see guaranteed income programs across the country for all people." For now, the organization is focused on collecting "university standard research" in order to make an irrefutable case for universal basic income as a viable long-term solution to poverty.

An anonymous reader quotes a report from Gizmodo: The Royal Society is the UK's national academy of sciences. On Wednesday, it published a report on what it calls the "online information environment," challenging some key assumptions behind the movement to de-platform conspiracy theorists spreading hoax info on topics like climate change, 5G, and the coronavirus. Based on literature reviews, workshops and roundtables with academic experts and fact-checking groups, and two surveys in the UK, the Royal Society reached several conclusions. The first is that while online misinformation is rampant, its influence may be exaggerated, at least as far as the UK goes: "the vast majority of respondents believe the COVID-19 vaccines are safe, that human activity is responsible for climate change, and that 5G technology is not harmful." The second is that the impact of so-called echo chambers may be similarly exaggerated and there's little evidence to support the "filter bubble" hypothesis (basically, algorithm-fueled extremist rabbit holes). The researchers also highlighted that many debates about what constitutes misinformation are rooted in disputes within the scientific community and that the anti-vax movement is far broader than any one set of beliefs or motivations.

One of the main takeaways: The government and social media companies should not rely on "constant removal" of misleading content [because it is] not a "solution to online scientific misinformation." It also warns that if conspiracy theorists are driven out of places like Facebook, they could retreat into parts of the web where they are unreachable. Importantly, the report makes a distinction between removing scientific misinformation and other content like hate speech or illegal media, where removals may be more effective: "... Whilst this approach may be effective and essential for illegal content (eg hate speech, terrorist content, child sexual abuse material) there is little evidence to support the effectiveness of this approach for scientific misinformation, and approaches to addressing the amplification of misinformation may be more effective. In addition, demonstrating a causal link between online misinformation and offline harm is difficult to achieve, and there is a risk that content removal may cause more harm than good by driving misinformation content (and people who may act upon it) towards harder-to-address corners of the internet."

Instead of removal, the Royal Society researchers advocate developing what they call "collective resilience." Pushing back on scientific disinformation may be more effective via other tactics, such as demonetization, systems to prevent amplification of such content, and fact-checking labels. The report encourages the UK government to continue fighting back against scientific misinformation but to emphasize society-wide harms that may arise from issues like climate change rather than the potential risk to individuals for taking the bait. Other strategies the Royal Society suggests are continuing the development of independent, well-financed fact-checking organizations; fighting misinformation "beyond high-risk, high-reach social media platforms"; and promoting transparency and collaboration between platforms and scientists. Finally, the report mentions that regulating recommendation algorithms may be effective.

Samsung is significantly falling behind in the rush to bring augmented reality (AR) and virtual reality (VR) devices to market, partially due to the company's "obsession" with foldable smartphones, The Korea Herald reports. MacRumors reports: Samsung's main competitors, including Apple, Microsoft, Meta, and Sony, are developing or have already launched AR and VR devices amid massive industry-wide investments into the future of the technology, but it is unclear if Samsung is actively developing such devices at all. eBest Investment and Securities analyst Kim Gwang-soo said: "Big tech companies, rather than smartphone manufacturers, are leading XR devices because they have the necessary content and platforms. Google has an operating system Android, Microsoft has Xbox and Sony has PlayStation. It's risky for Samsung to roll out XR devices, so it has no choice but to stick to foldable smartphones."

The growth of Samsung's smartphone business has slowed down to just 0.9 percent year on year, but the company remains committed to the potential of foldable devices to reignite momentum. Samsung shareholders are said to be concerned by its perceived preoccupation with foldable devices, which is distracting the company's attention from the need to compete with future AR and VR devices from its main rivals.

Industry insiders claim that even if Samsung develops its own AR and VR devices, it lacks the content and platform to create a cohesive and compelling ecosystem. In an attempt to catch up in the race to make inroads into the AR and VR market, Samsung made a belated investment in DigiLens, a California startup that makes AR glasses. To stay relevant, market observers are warning that Samsung may need to find a partner that already has content or a platform in exchange for chip expertise, similar to the relationship between Qualcomm and Microsoft.

Firefox 96.0 is officially shipping today as the first update of 2022 for this open-source web browser. From a report: Firefox 96.0 has "significantly" reduced the amount of load placed on the browser's main thread and there is also "significant" improvements in noise suppression and auto-gain-control and improvements in echo cancellation. In addition to that performance work, there are also WebRTC improvements, an improved cookie policy to reduce the likelihood of Cross-Site Request Forgery (CSRF) attacks, video quality degradation fixes, and other fixes. Over on developer.mozilla.org are some of the web developer changes with Firefox 96 including CSS color value function hwb() support for specifying the hue/whiteness/blackness, support for the CSS color-scheme property, the Web Locks API is enabled by default, image encoder support for WebP for exporting HTML5 canvas elements, and other additions.

A sugar additive used in several foods could have helped spread a seriously dangerous superbug around the US, according to a 2018 study. ScienceAlert reports: The finger of blame is pointed squarely at the sugar trehalose, found in foods such as nutrition bars and chewing gum. If the findings are confirmed, it's a stark warning that even apparently harmless additives have the potential to cause health issues when introduced to our food supply. In this case, trehalose is being linked with the rise of two strains of the bacterium Clostridium difficile, capable of causing diarrhea, colitis, organ failure, and even death. The swift rise of the antibiotic-resistant bug has become a huge problem for hospitals in recent years, and the timing matches up with the arrival of trehalose.

"In 2000, trehalose was approved as a food additive in the United States for a number of foods from sushi and vegetables to ice cream," said one of the researchers, Robert Britton from the Baylor College of Medicine in Texas, back in January 2018. "About three years later the reports of outbreaks with these lineages started to increase. Other factors may also contribute, but we think that trehalose is a key trigger."

The C. difficile lineages Britton is referring to are RT027 and RT078. When the researchers analysed the genomes of these two strains, they found DNA sequences that enabled them to feed off low doses of trehalose sugar very efficiently. In fact, these particular bacteria need about 1,000 times less trehalose to live off than other varieties of C. difficile, thanks to their genetic make-up. [...] It's still not certain that trehalose has contributed to the rise of C. difficile, but the study results and the timing of its approval as an additive are pretty compelling. More research will now be needed to confirm the link. According to figures from the CDC, "C. difficile was responsible for half a million infections across the year and 29,000 deaths within the first 30 days of diagnosis," adds ScienceAlert.

The findings were published in the journal Nature.

DoorDash, the food delivery app based out of San Francisco, is requiring all its nondelivery employees, including CEO Tony Xu, to do a "dash" once a month -- and some employees are seemingly furious. SFGate reports: MarketWatch first reported that the WeDash program, which was launched when the service was founded, is making its return in January after being paused during the pandemic. A spokesperson for DoorDash confirmed its return to SFGATE. But a 1,500-comment thread on Blind, the anonymous social media platform for techies and other white-collar types, was started last week by one disgruntled DoorDash worker.

An engineer with a reported total compensation, or TC, of $400,000 a year griped about the responsibility of having to do a once-a-month delivery. "What the actual f--k?" the engineer wrote on the platform. "I didn't sign up for this, there was nothing in the offer letter/job description about this." While some people replied to the original post to say it would be a helpful opportunity to develop empathy and learn about the myriad frustrations of delivery workers, others sided with the original poster. "Not acceptable in anyway!" said one.

For employees unable to do deliveries, there are other programs in place to work with service employees and businesses. The program was launched, a spokesperson said, to "learn first-hand how the technology products we build empower local economies, which in turn helps us build a better product." Employees then gain "credits" through these services, which are reportedly built into an annual review. The money employees make during deliveries will be donated to a nonprofit, the spokesperson said.

Phoronix reports: The Linux 5.17 kernel when it kicks off next month is slated to introduce a new driver "x86-android-tablets" just for dealing with all the quirky/buggy x86 tablets out there.

Longtime Linux developer Hans de Goede of Red Hat has been responsible for numerous x86 laptop/tablet improvements in recent years along with other desktop-related improvements at Red Hat. He has now queued up into the x86 platform drivers tree the x86-android-tablets driver he wrote for dealing with the mess of x86 (mostly Android) tablets that don't behave properly out-of-the-box with Linux.

As part of the ACPI DSDT (Differentiated System Description Table), many x86 tablets have simply invalid entries and other problems that cause issue when trying to run mainline Linux on said hardware. Hans explains as part of the commit currently in the platform-drivers-x86 "for-next" branch....

"This driver, which loads only on affected models based on DMI matching, adds DMI based instantiating of kernel devices for devices which are missing from the DSDT, fixing e.g. battery monitoring, touchpads and/or accelerometers not working."

This new x86-android-tablets driver will basically be a catch-all solution for overrides based on device matching. Hans ended the patch message with, "This is the least ugly option to get these devices to fully work and to do so without adding any extra code to the main kernel image (vmlinuz) when built as a module."

When The Matrix Resurrections premiered in San Francisco, the city's mayor "celebrated the appearance of her fair city in the film and cheered the film's economic contributions to the region," reports SFGate. "But there's a problem of aesthetics at play here... It is undeniably a dystopian hellscape where police rule the city and technology looms over all..." In the first section of the movie, the metaphor of the Matrix mirrors that of the tech industry depicted in the film. Tech is stereotypical here — lots of T-shirt-wearing men playing ping-pong and talking about how to design the next great video game. The most annoying character in the film, Jude (Andrew Caldwell), is a proxy for all annoying tech bros...
Meanwhile Politico writes that the original 1999 film The Matrix actually "changed politics, almost entirely by mistake," and calls the new Matrix Resurections "a sophisticated self-critique of the culture that swallowed it." In the past two decades, the idea of a "red pill" has taken on a life of its own in American culture, most prominently at first in an infamous misogynist subreddit, and then more broadly as a symbol of any kind of political awakening, almost always on the right. The idea has proliferated wildly throughout politics, and especially the darkest ideological corners of the internet, in which to be "red-pilled" means to realize that American society has been hopelessly debased by liberals, requiring a total rethink of its premises... Hugo Weaving, who memorably portrayed the original films' villain, lamented in a 2020 interview how people "will take something that they think is cool and they will repurpose it to fit themselves when the original intention or meaning of that thing was quite the opposite...." [T]he Wachowskis have been largely silent about the "meaning" of their creation — a movie franchise that not only became a ubiquitous cultural phenomenon, but predicted the cultural tenor of politics in the digital age with an eerie, oracular accuracy. We know they got it right, but what did they think about it?

Wednesday saw the release of "The Matrix Resurrections," a long-delayed sequel from one of the original writer/directors (Lana directed; Lilly sat it out) — and also an answer to that question. As a movie, it's everything its predecessors was, an impressive feat of visual-effects artistry, action choreography and original sci-fi worldbuilding. But even more, it's a two hour and 27-minute-long piece of cultural criticism. The film interrogates, to a jarringly specific degree, not just its own iconography, but how American culture has evolved around and bastardized it over the past two decades. "The Matrix Resurrections" is both wildly successful popcorn entertainment and a window into a long-misunderstood creative mind. But in refitting its entire premise to the social media age, it illustrates just how much the contours of American society have changed in the intervening decades....

The original "Matrix" was deeply of its time. Reeves' Neo a was a quintessential late 1990s corporate drone, captive to the professional ennui also depicted in films of the era like "Fight Club" and "Office Space." Its modern incarnation is a cry of protest against something else: society's willingness to trade individual agency for the neurological reward pellets of the Online. Visual metaphors abound, with Reeves disoriented by a procession of mirrors that serve as gateways to another world, another possible truth. "Your brain is hooked on this shit the Matrix has been feeding you for years," one character tells him. "They don't know you like I do.

"I know exactly what you need...."
The movie is streaming now on HBOMax for subscribers in their $15 ad-free tier — but, like, Dune, only during its 31-day theatrical run.

SFGate visits a San Francisco elementary school where there's absolutely no trace of warehouse that used to be there where Tim Burton kicked a hole in the wall during the arduous two-year filming of "The Nightmare Before Christmas".

At least one animator remembers Burton at the time was directing Batman Returns, and only stopped by every month or so to check on the film's progress and "actually got to witness, proof positive, how the crew suffered to create his vision...."

Slashdot reader destinyland shares SFGate's report: Disney initially had reservations about the film, releasing it under the Touchstone banner with a PG rating that was uncommon for an animated feature at the time. Nonetheless, "The Nightmare Before Christmas" became a sleeper hit — Disneyland's Haunted Mansion is annually remodeled with a seasonal overlay inspired by the film, and it clocks in at #7 on Rotten Tomatoes' list of the best Christmas movies of all time. It was immortalized in a Blink-182 song, and Roger Ebert went as far as to compare the originality of the worlds captured in "The Nightmare Before Christmas" to the planets in the "Star Wars" franchise....

[A] team of 120 animators, puppet fabricators, camera operators, and more moved into San Francisco Studios — later renamed Skellington Productions — in July of 1991, with production expected to begin later that October. The 35,000-square-foot warehouse on 375 7th Street was outfitted with 19 soundstages where 227 puppets — many of them duplicates of the main characters — were painstakingly assembled and animated. Passersby in SoMa likely had no idea the studio existed, and if they did, they were completely unaware of what was going on inside.

Unlike studios such as Pixar and Dreamworks, where each animator is usually seated at a computer in a cubicle, these soundstages were massive and sectioned off with thick black curtains, said animator Justin Kohn, who lived in a Sausalito apartment next to Smitty's Bar during filming and still resides in Marin. "It was like visiting this crazy museum," he said. "You'd part the curtain, and it was like visiting a whole new world with clouds and stars everywhere." Set pieces were built no larger than two feet tall and wide so an animator could easily reach inside and move the puppets around. Each character had to be posed 24 times for every second of animated footage, while many of the scenes required 20-30 lighting instruments on top of that to create lifelike visual effects. "It was the most sophisticated stop motion ever done in the world up until that point," said Kohn...

All the while, they wondered if the hours of tedious work would pay off. When the film was completed, most of the sets and puppets were thrown away, with animators taking home some of them as keepsakes — Kohn still has a Jack Skellington puppet and the sleigh displayed in an office.

Microsoft has notified earlier this month a select group of Azure customers impacted by a recently discovered bug that exposed the source code of their Azure web apps since at least September 2017. The vulnerability was discovered by cloud security firm Wiz and reported to Microsoft in September. The issue was fixed in November, and Microsoft has spent the last few weeks investigating how many customers were impacted. The Record reports: The issue, nicknamed NotLegit, resides in Azure App Service, a feature of the Azure cloud that allows customers to deploy websites and web apps from a source code repository. Wiz researchers said that in situations where Azure customers selected the "Local Git" option to deploy their websites from a Git repository hosted on the same Azure server, the source code was also exposed online.

All PHP, Node, Ruby, and Python applications deployed via this method were impacted, Microsoft said in a blog post today. Only apps deployed on Linux-based Azure servers were impacted, but not those hosted on Windows Server systems. Apps deployed as far back as 2013 were impacted, although the exposure began in September 2017, when the vulnerability was introduced in Azure's systems, the Wiz team said in a report today. [...] The most dangerous exposure scenarios are situations where the exposed source code contained a .git configuration file that, itself, contained passwords and access tokens for other customer systems, such as databases and APIs.

votsalo writes: The California Coastal Commission approved dropping rodenticide on Farallon Islands. "The rocky outcrop of sea stacks and islands west of the Golden Gate is home to 300,000 breeding seabirds, as well as five species of seals and sea lions," reports SFGate. "That unique biodiversity, however, also includes more than 1,000 mice per acre, a population that has exploded in recent years." The mice "were first introduced by sailors over a century ago." Dr. Jane Goodall argued against the poison at the hearing, but the Commission decided 5-3 to airdrop 3,000 pounds of poison by helicopters. ["The agency plans on dropping the poisoned bait in the winter months when bird numbers are lowest," the report adds.]

SFGate pan's Disney's efforts at "hyping up its mega-expensive, hyper-immersive Star Wars hotel in Walt Disney World" — the Galactic Starcruiser — as its March 1st opening approaches: Guests must book two nights — which will set you back nearly $5,000 for two people or $6,000 for a family of four — and will spend most of their time inside the spaceship resort, much like a cruise. There's an "excursion" into the Galaxy's Edge part of Disney World, while the remainder of the stay includes interactions with characters, lightsaber training (more on that later) and exclusive restaurants...

The look and feel of the hotel has been criticized as looking plastic and cheap, and reception to one sneak peek video was so bad, it has since disappeared from Disney's YouTube channel.

The video showed actor Sean Giambrone of "The Goldbergs" being given a tour of some of the ship's features, which look pretty bare and antiseptic for the Star Wars universe, and listening to a strange musical performance. (Another user uploaded the deleted video here.) The promo prompted one Twitter user to comment, "Bro this isn't Star Wars, this is 'Space Conflicts.'" Fans responded similarly to a demo of Disney Parks Chairman Josh D'Amaro testing out the vaunted lightsaber training. Instead of a flashy, super realistic adventure, the training consisted of a standard light-up lightsaber and some lasers...

Reservations booked up quickly when the hotel was announced but now, as the 90-day deadline to cancel approaches, people appear to be ducking out of their expensive commitments; a number of openings have begun popping up in March, April and June.

"In 2022 we will very likely see the experimental Rust programming language support within the Linux kernel mainlined," writes Phoronix, citing patches sent out Monday "introducing the initial support and infrastructure around handling of Rust within the kernel."

This summer saw the earlier patch series posted for review and discussion around introducing Rust programming language support in the Linux kernel to complement its longstanding C focus. In the months since there has been more progress on enabling Rust for the Linux kernel development, Linus Torvalds is not opposed to it, and others getting onboard with the effort. Rust for the Linux kernel remains of increasing interest to developers over security concerns with Rust affording more memory safety protections, potentially lowering the barrier to contributing to the kernel, and other related benefits....

Miguel Ojeda sent out the "v2" patches for Rust support in the kernel. With these updated packages, the Rust code is now relying on stable Rust releases rather than the beta compiler state previously, new modularization options added, stricter code enforcements, extra Rust compiler diagnostics enabled, new abstractions for in-kernel use, and other low-level code improvements.

Red Hat is also now joining Arm, Google, and Microsoft in voicing their support for Rust code within the Linux kernel.
ZDNet contributing editor Steven J. Vaughan-Nichols also expects the first Rust code in Linux's kernel sometime in 2022: As Ryan Levick, a Microsoft principal cloud developer advocate, explained, "Rust is completely memory safe." Since roughly two-thirds of security issues can be traced back to handling memory badly, this is a major improvement. In addition, "Rust prevents those issues usually without adding any runtime overhead," Levick said.

An anonymous reader quotes a report from Motherboard: Wikipedia co-founder Jimmy Wales' auction of an NFT and the iMac he used to build the website has stirred up drama in the notoriously rigid Wikipedia community. The trouble began when Wales posted an announcement about the auction on his user talk page -- a kind of message board where users communicate directly with each other. Wikipedia has strict rules against self-promotion and some editors felt that Wales' announcement violated that rule. "Am I crazy? Jimbo has posted a thread on his user talk page promoting an auction of some of his stuff, which he has refused to confirm would not benefit him personally," editor Floquenbeam said on December 3.. "This is self-promotion 101, right? I've told him if he doesn't remove it, I will. That's policy, right? [...] Wales pushed back, saying he'd spoken to the WMF communications and legal departments and that they'd agreed a simple post about the auction on his user talk page would be fine.

The conversation went on like this for about a day before another editor shut it down, saying it was "past the point of productive discourse." The thread announcing the auction on Wales' talk page was removed but another thread remains where he's answering questions about the auction and NFTs from other users. An email thread on the Wikimedia-L listserv is more measured but still has some pedantic arguments that is common with Wikimedia drama. Some users are concerned that he's taking something from Wikimedia and could use the money to fund his commercial enterprise WT:Social. Another user said "The concept of NFT seems to go against the very principles of Wikipedia. On one hand, we share our work freely, both in terms of access and by using a copyleft license. On the other hand, this NFT takes something that was shared freely and then restricts it so that it can be sold." The NFT Wales is selling is a website that allows users to relive the moment of Wikipedia's creation. The site looks like Wikipedia did in its fledgling moments, and whoever wins the auction can edit it as they will.

The second big controversy among Wikipedia's editors was whether Wales had the right to auction off something like this and if he was even recreating the site correctly at the moment of its inception. The discussion devolved into a lengthy conversation about who owns the rights to what they edit on Wikipedia and the state of servers and timestamps from 2001. It's worth mentioning here that Wales' NFT is a recreation of a memory and not an actual editable bit of code that will be reflected on Wikipedia in any way. Eventually, all sides relented. "There is at least one good thing that should be coming out of this," editor Smallbones said. "The community has made it very clear that anything that is considered to be promotional or an advertisement, even if it is for a charitable cause, on any page in Wikipedia, posted by any editor -- even the most senior and most respected -- may be removed by any editor at any time."

On Monday JetBrains (creators of the Kotlin programming language and makers of the integrated development environment IntelliJ IDEA) made an announcement: a preview for a lightweight new multi-language IDE called Fleet using IntelliJ's code-processing engine with a distributed IDE architecture and a reimagined UI.

By Friday they'd received an "overwhelming" number of requests, and announced the preview program had stopped accepting new requests. ("To subscribe for updates and the public preview announcement at jetbrains.com/fleet or follow @JetBrains_Fleet on Twitter.")

They'd received 80,000 requests in just the first 30 hours, reports Visual Studio magazine: Although JetBrains didn't even mention VS Code in its Nov. 28 announcement, many media pundits immediately characterized it along the lines of an "answer to Visual Studio Code," a "response to Visual Studio Code," a "competitor to Visual Studio Code" and so on...

"When you first launch Fleet, it starts up as a full-fledged editor that provides syntax highlighting, simple code completion, and all the things you'd expect from an editor," JetBrains said. "But wait, there's more! Fleet is also a fully functional IDE bringing smart completion, refactorings, navigation, debugging, and everything else that you're used to having in an IDE — all with a single button click."
"It starts up in an instant so you can begin working immediately..." boasts the Fleet web page, adding that Fleet "is designed to automatically detect your project configuration from the source code, maximizing the value you get from its smart code-processing engine while minimizing the need to configure the project in the IDE." And it also offers "project and context aware code completion, navigation to definitions and usages, on-the-fly code quality checks, and quick-fixes..."

Fleet also offers a collaborative environment allowing developers to work together — not just sharing the editor, but also terminals and debugging sessions. (There's even a diff view for reviewing changes.) "Others can connect to a collaboration session you initiate on your machine, or everyone can connect to a shared remote dev environment," explains Fleet's web page. "It supports a number of remote work scenarios and can be run locally on the developer's computer, in the cloud, or on a remote server," reports SD Times. (And Fleet's home page says soon it will even run in Docker containers configured with an appropriate environment for your project.)

SD Times adds that Fleet "currently supports Java, Kotlin, Go, Python, Rust, and JavaScript. The company plans to extend support to cover PHP, C++, C#, and HTML, which are the remaining languages that have IntelliJ IDEs." It's multi-platform — running on Linux, MacOS, or Windows — and Fleet's web page promises "a familiar and consistent user experience" offering one IDE for the many different technologies you might end up using.

And yes, there's a dark theme.

As wafer costs increase, so are the costs of GPUs. According to a post on the Board Forums, AMD says it's increasing the price of its RX 6000 series GPUs by 10 percent across the board. ExtremeTech reports: This pricing change will apparently occur in the next shipment of GPUs to its partners, which will apparently drive up the price of these GPUs by $20 to $40 USD. This news arrives just in time for the holiday shopping season, when demand for GPUs is expected to increase even more, as if that is even possible.

According to a translation of the board posting, AMD is citing TSMC wafer costs as the reason for the change, and as we reported earlier, sub-16nm prices, including 12nm, 7nm, and 5nm, are said to have increased roughly 10 percent, while TSMC's older nodes have gone up by as much as 20 percent. AMD seems to be passing this price increase along to its partners, who in turn are passing it along to us, the customer, or the scalper, as it were. Then the scalper passes it along to us, the gamers. Although, as Videocardz points out AMD also produces its CPUs at TSMC and there hasn't been a similar across-the-board increase, which is curious.

How many members of your team are so irreplaceable that if they were hit by a bus, your project would grind to a halt?

For PHP, that number is: two. (According to a post by PHP contributor Joe Watkins earlier this year that's now being cited in Mike Melanson's "This Week in Programming" column.) "Maybe as few as two people would have to wake up this morning and decide they want to do something different with their lives in order for the PHP project to lack the expertise and resources to move it forward in its current form, and at current pace," Watkins wrote at the time, naming Dmitry Stogov and Nikita Popov as those two. Well, last week, Nikita Popov was thankfully not hit by a bus, but he did decide to move on from his role with PHP to instead focus his activities on LLVM.

Also thankfully, Watkins' article earlier this year opened some eyes to the situation at hand and, as he writes in a follow-up article this week, JetBrains (Popov's employer) reached out to him at the time regarding starting a PHP Foundation. This week, with Popov's departure, the PHP Foundation was officially launched with the goal of funding part/full-time developers to work on the PHP core in 2022. At launch, the PHP Foundation will count 10 companies — Automattic, Laravel, Acquia, Zend, Private Packagist, Symfony, Craft CMS, Tideways, PrestaShop, and JetBrains — among its backers, with an expectation to raise $300,000 per year, and with JetBrains contributing $100,000 annually. Alongside that, the foundation is being launched using foundation-as-a-service provider Open Collective, and just under 700 contributors have already raised more than $40,000 for the foundation.

One of the key benefits to creating a foundation, rather than sticking with the status quo, goes beyond increasing the bus factor — it diversifies the influences on PHP. Watkins points out that, for much of the history of PHP, Zend, the employer of Dmitry Stogov, has been a primary financial backer, and as such has had some amount of influence on the language's direction. Similarly, JetBrains had increased influence during its time employing Popov on PHP."To say they have not influenced the direction of the language as a whole would just not be true...." While Watkins says that everything has been above board and gone through standard processes to ensure so, influence is nonetheless indisputable, and that "The Foundation represents a new way to push the language forward..."

The current RFC process, JetBrains writes, "will not change, and language decisions will always be left to the PHP Internals community."
And in addition, Watkins adds, "It provides us the mechanism by which to raise the bus factor, so that we never face the problems we face today, and have faced in the past."