Yes folks some sort of sporting event is occuring later today. Super something or other. And while I don't know what teams are playing, I believe that trailers for X-Men 2, and the first Matrix sequel are both supposed to air during the 2 million dollar 30 second ad spots. So this time around, you can tivo in reverse!

An anonymous reader writes "The Bar-Monkey is a bar built around a 486 running linux that can dispense an 8 ounce mixed drink in under 10 seconds. It uses a Matrix Orbital Serial LCD panel with a keypad built into the bar surface for user input. Three Harvey Mudd College students built the bar in their spare time last semester. The bar holds 16 ingredients with which it can currently mix 188 drinks stored in its drink database. Total project cost: $235."

QuietKarma writes "Consider this the first of next year's ads for Matrixx Reloaded and Matrixx Revolutions releases. Here's some semi-official poop from MSNBC with some spoilers. Or you can do what I did and read about halfway through without learning how Reloaded will end. Either that or wait until Harry at Ain't It Cool News comes out with his list of spoilers."

ChrisGoodwin asks: "Why do geeks support MPAA and RIAA? Here on Slashdot, the talk is all about how evil the film and record companies are. But when the next Star Wars or Matrix or Lord of the Rings comes out, it's all about camping out to get tickets. According to RIAA's web site, member companies distribute 90% of the legitimate sound recordings in the United States; chances are, if you've ever bought music, you've given them money. (Take a look at their list of members.) Heck, most of the film companies own, are owned by, or share a corporate parent with a record company, and many of us get our internet access from part of the MPAA/RIAA conglomerate. So why is it? Why do we continue to buy their product? Why are we giving them money so that they can harass us? Why hasn't there been a call for a boycott of the record and film industries?" This is in the FAQ, but this is certainly a discussion worth having. With the pervasiveness of media in our society, for some it is not as easy as "boycott" or "no boycott", and it may be unfair to the artists we like for us to do so, and as Big Media diversifies, a boycott on movies and music may still not be enough. So do you feel a boycott of mass media will help matters, or would such be counter-productive in some way?

mikvo asks: "I work for my state Department of Transportation, and we have a reasonably advanced traffic monitoring system, currently with almost 300 cameras (and expanding). However, our matrix (300x200) video switch is running out of life, and we have to replace it. The primary consultant on the project is recommending we move entirely to digital video, using VBrick encoders and decoders. It's a private network, though we know there are still security issues around that. However, the primary question is, are there viable open source alternatives for both encoding and decoding the live video streams, rather than relying on proprietary (read expensive) decoding hardware?"

The_Hiro writes ""Farenheit 451 - meets - Brave New World - meets - Matrix" (minus the overdone wire work). Created on a limited budget, Equilibrium combines the best of sci-fi with the action genre. Unfortunately, the marketing droids at Dimension have neglected to promote the film (release date: Dec. 6th). Chud.com has a glowing review of the film and some pretty pictures. Check out the trailer also."

gnat writes "Two New Zealand computer scientists have a paper accepted for OOPSLA called Notes on Postmodern Programming, which identifies shortcomings in traditional views of computer science. With a section on the difference between "The Matrix" and the net, a bulleted list of new approaches called "We're All Devo", and a section called "Messy is Good" consisting of nothing but a scan of a hand-drawn diagram, this is not your father's computer science paper. It's thought-provoking stuff, though. And you know they did their homework--they cite Larry Wall's Postmodern Perl talk."

Okay, former DrinkOrDie member and convicted warez dude Chris Tresco got his answers to your questions back to us, so here they are. (Note: Chris does not advise you to follow in his footsteps.)

Dalvenjah FoxFire writes "D-Box, a Canadian speaker company, has designed a system called the Odyssee consisting of four motor-driven actuators that go under your couch and a controller box with a CD-ROM drive for the control files. The controller reads the Dolby Digital bitstream from your DVD player, and plays back synchronized motion effects designed by the company. For about $20,000, you too can add motion simulation to your home theater. They have a list on their site of the movies they've encoded, including The Matrix, Drunken Master, Star Wars Episode I, and more, though it also has an 'audio driven' mode which will work with any source."

MBCook writes "Everybody's favorite Xbox hackers have got Linux running for roughly six weeks, and now it runs well enough to announce that Windows has been run inside Linux with common PC virtualization software. They even have a little video of it playing a MPEG 4 of The Matrix fullscreen!"

NeoCode writes "Like The Matrix? Like anime? Well, feast your eyes on this. The Matrix web site has released a preview trailer for Animatrix, a series of 9 anime stories set in the world of matrix, to be released on DVD. They are done rather beautifully, by the looks of the trailer, in both traditional anime and using computer graphics."

Slashback tonight with a few words on forcing Open software, NASA mind-reading tricks, a reminder of one nice way not to pay for an MP3 decoder, and more. Read on for the details. Update: 08/28 00:36 GMT by T : Oops -- No DoubleClick news tonight, as the original headline implied. Regrets.

An anonymous reader asks: "I'm curious as to what video capture cards are being used successfully by the linux user base. I need to capture screen shots from 4 video sources and collect the images in a manner that makes them easy to present in a web browser. A 4 input card would be nice! But I could always use a matrix switcher to grab frames from each source periodically. Matrix-Vision has a card - the mvDelta - that seems to work, but alas, they don't sell single units. What's out there? Who's using it? Any suggestions?"

kazama writes: "Toronto-based IMAX said that it had developed a new process called DMR (for "digital remastering") to digitally convert conventional 35mm films to the IMAX format without significant loss of detail. 'Our customers have been saying to us for years, "We want to see Star Wars on IMAX, we want to see The Matrix on IMAX." and DMR is the technology which is the enabler,' Co-CEO Bradley Wechsler told Reuters. 'That's going to be an increasingly important part of the company's performance.'" So what movies would you want to see on IMAX?

Your intrepid reporter took a jaunt down to the H2K2 conference this past weekend, held in the lovely Hotel Pennsylvania. The conference had much more floor space than they had two years ago, and it seemed like more attendance as well. Wireless networks were available, though overcrowded, and if you didn't encrypt your communications, well, you've probably already paid the price. My notes on the conference and the sessions I attended are below, followed by a couple of reader submissions.

We posted recently about the planned shutdown of part of Sydney for filming of the upcoming Matrix sequel. Now reader zobier points to a followup describing the shooting, and since he was on hand to see it first-hand, writes: "I went along to watch the filming, it was very cool (I love helicopters tho' ;) They didn't block off much city space, maybe (100 - 200m), and the chopper flew down the square (Martin Place) between the buildings about 5 - 10m above our heads. Many onlookers were videoing and photographing the scene. At about 5pm when it got dark the camera flashes started going off, this pissed off the director as it was interfering with his film." GoogolPlexPlex adds a link to coverage in the Sydney Morning Herald.

ro_len writes "News.com.au is reporting the producers of the Matrix Realoaded are looking to shut down Sydney for the filming of the final scene which involves flying a helicopter across the city at less than 600 feet above ground. It is supposed to be the most complicated sequence ever filmed." Just plain nuts. Here is a previous story about the trailer, and another one announcing the film.

kousik writes "The analysis of Bernstein's NFS by Arjen Lenstra, Adi Shamir, Jim Tomlinson, Eran Tromer has been put up on cryptosavvy. Seems interesting it comes from Lenstra and Shamir. Lenstra lead the 1994 factorisation of RSA 129. From the abstract: ... We also propose an improved circuit design based on a new mesh routing algorithm, and show that for factorization of 1024-bit integers the matrix step can, under an optimistic assumption about the matrix size, be completed within a day by a device that costs a few thousand dollars..."

shokk writes "Those of us who have played with CrystalFontz and Matrix Orbital serial LCD displays for geeky messaging will get a kick out of the 77k+ LED Solar Ark by Sanyo (only 21k of which are using as red/green/blue combinations for the presentation display). Not only does this behemoth show off its fantastically huge array of solar panels generating 530,000kWh/year and its high efficiency white LED technology, but it also sports a non-chemical water purification system in a very Feng Shui way. Lighting to restrooms underneath is provided by fiber optic paths from the white LEDs in the giant display above." It's a small plant as power plants go (600 kilowatts, when many plants are hundreds or thousands of megawatts) but it was cheap to produce, aesthetically pleasing, and of course, non-polluting, so that Godzilla won't visit.

Michael Jennings writes: "Here is a review of the Game On exhibition that is on at the Barbican centre in London, and which will tour Japan and the US in 2003." Here are two previous mentions of the exhibit. Below are Michael's detailed impressions of the exhibit.