An anonymous reader shares a report: Netflix doubled down on its global anime strategy over the weekend, unveiling a slate of new titles and fresh footage during its showcase at Anime Expo in Los Angeles.

The company also shared updated viewership data highlighting just how far Japanese anime has come in expanding from its former niche into a powerhouse global content category. According to Netflix, more than 50 percent of its members -- amounting to over 150 million households, or an estimated 300 million viewers -- now watch anime. The company says anime viewership on the platform has tripled over the past five years, with 2024 marking a record-breaking year: 33 anime titles appeared in Netflix's Global Top 10 (Non-English) rankings, more than double the number in 2021.

Hong Kong authorities have invoked national security laws for the first time to ban the Taiwan-made video game Reversed Front: Bonfire, accusing it of promoting "secessionist agendas, such as 'Taiwan independence' and 'Hong Kong independence.'" Engadget reports: Reversed Front: Bonfire was developed by a group known as ESC Taiwan, who are outspoken critics of the China's Communist Party. The game disappeared from the Apple App Store in Hong Kong less than 24 hours after authorities issued the warning. Google already removed the game from the Play Store back in May, because players were using hate speech as part of their usernames. ESC Taiwan told The New York Times that that the game's removal shows that apps like theirs are subject to censorship in mainland China. The group also thanked authorities for the free publicity on Facebook, as the game experienced a surge in Google searches.

The game uses anime-style illustrations and allows players to fight against China's Communist Party by taking on the role of "propagandists, patrons, spies or guerrillas" from Hong Kong, Taiwan, Tibet, Mongolia and Xinjiang, which is home to ethnic minorities like the Uyghur. That said, they can also choose to play as government soldiers. In its warning, Hong Kong Police said that anybody who shares or recommends the game on the internet may be committing several offenses, including "incitement to secession, "incitement to subversion" and "offenses in connection with seditious intention." Anybody who has downloaded the game will be considered in "possession of a publication that has a seditious intention," and anybody who provides financial assistance to it will be violating national security laws, as well. "Those who have downloaded the application should uninstall it immediately and must not attempt to defy the law," the authorities wrote.

Long-time Slashdot reader invisik saw this story on Yahoo News: Comedian and voice actor George Lowe, who is well-known as the voice of Space Ghost on "Space Ghost Coast to Coast," died on March 2. He was 67...

He did some voice-over work for TBWS and Cartoon Network in the 1980s to mid-1990s before getting his lead role of Space Ghost in 1994 with the premiere of "Space Ghost Coast to Coast" on Cartoon Network. Space Ghost was a parody of talk shows with live-action celebrity guests, hosted by the Hanna Barbera character Space Ghost, which aired from 1994 to 1999 on Cartoon Network. The show later returned in 2001, airing on Adult Swim's late-night programming block until 2004, Deadline reported.
When animation pioneer William Hanna died in 2001, Slashdot founder CmdrTaco posted "the thing that I respect most about Hanna is the fact that a show like Space Ghost Coast to Coast was allowed to take their characters and do something truly unique with them. He even lent his voice to the show in one episode. Not a lot of people would be willing to allow one of their creations to be twisted like that, but the original Space Ghost was one of my childhood staples, and Space Ghost Coast to Coast stands in a class all its own proving that creativity isn't dead on TV."

"Adult Swim would not be the network it is today without Space Ghost Coast to Coast," argues ComicBook.com. (And as a tribute to Lowe, Adult Swim posted five minutes of surreal outtakes from Space Ghost Coast to Coast's 10th Anniversary celebration.)

A headline at Vulture.com makes the case that "Space Ghost Coast to Coast Only Worked Because of George Lowe." They've rounded up a collection of videos with surreal titles like "Marrying Bjork" and "Guesting on a MF DOOM track" (plus that time Lowe did a live interview — in his Space Ghost costume — with C-SPAN).

The boss of The Pokemon Company believes the series can last for at least another 50 years if it continues to innovate. From a report: First launched on Nintendo's Game Boy in 1996, the video game has expanded into films, TV and toys to become one of the world's highest-grossing media franchise. Most recently, the trading card game based on the cute creatures at the centre of its universe has seen a surge in popularity -- but it has also brought scalpers and frauds to the hobby.

[...] Pokemon has continued to bring new fans to the franchise by expanding into anime, card games, movies and toys alongside its video game titles. CEO Tsunekazu Ishihara says fans now "span several generations" and believes "the biggest reason behind their success is the fact that Pokemon became a tool of communication." Last weekend, about 13,000 Pokemon fans headed to the European leg of the International Championships at London's Excel Centre. It demonstrates Mr Ishihara's point that people have found their way into the series through various means.

Netflix calls it "a live-action reimagining of the acclaimed Nickelodeon animated series, Avatar: The Last Airbender. And this weekend Netflix shared a blooper reel from their live-action show's first season, reports Engadget, "giving fans a look at some cute behind the scenes antics while they wait for the next season." The first season was released a year ago, and Netflix announced shortly after that the show had been renewed for two more [with the third season being its last]. There's no release date yet for the new episodes, but the streaming service said on Saturday that production for the second season is underway.
"Just as the animated series matured and progressed, the live-action will also take these characters and worlds and grow them," executive producers Christine Boylan and Jabbar Raisani said in Netflix's announcement.

And speaking of Nickeloden's 2005 animated series, "The mythology and adventure of Avatar: The Last Airbender will continue," writes Deadline, "with Avatar: Seven Havens, a new 26-episode, 2D-animated series ordered by Nickelodeon, from original series creators Michael DiMartino and Bryan Konietzko and Avatar Studios....

"The duo also was originally involved in Netflix's live-action series adaptation but left in 2020 due to creative differences." Avatar: Seven Havens is set in a world shattered by a devastating cataclysm. A young Earthbender discovers she's the new Avatar after Korra — but in this dangerous era, that title marks her as humanity's destroyer, not its savior. Hunted by both human and spirit enemies, she and her long-lost twin must uncover their mysterious origins and save the Seven Havens before civilization's last strongholds collapse...

"When we created the original series, we never imagined we'd still be expanding the world decades later," said DiMartino and Konietzko....

Previously announced, Paramount Pictures and Nickelodeon Movies' Untitled Animated Aang Avatar film debuts only in theaters on January 30, 2026, featuring a voice cast that includes Dave Bautista, Dionne Quan, Jessica Matten, Román Zaragoza and introducing Eric Nam.

Sony-owned anime streaming service Crunchyroll plans to launch a manga reading app in 2025, its second attempt at entering the digital manga market after shuttering a similar service in 2023. The new app, Crunchyroll Manga, will be available initially in the United States and Canada in English, as a premium add-on for subscribers.

The move comes amid broader changes at Crunchyroll, including its recent decision to put popular anime series "One Piece" behind a paywall and Sony's pending merger with publisher Kadokawa.

Peter Jackson is co-executive producer of a new animated Lord of the Rings prequel called The War of the Rohirrim. "Set in an epic world 183 years before the events of The Lord of the Rings trilogy, the King of Rohan is forced into a last stand in ancient Hornburg after a sudden attack..." explains The Hollywood Reporter.

But Variety writes that the movie "fizzled" in its overseas debut this weekend: "Moana 2" has notched $600 million in global ticket sales, standing as the sixth-biggest movie of the year after just two weeks of release. Disney's animated sequel, which was developed as a TV series before pivoting to theaters, has generated $300 million overseas and $300 million domestically... Among new offerings, the Warner Bros. anime fantasy film "The Lord of the Rings: The War of the Rohirrim," faltered with $2 million from 3,410 screens in 31 territories... [The movie] opens in North America and an additional 42 offshore markets on Dec. 13. Top earning territories were Spain with $347,000 followed by Mexico with $239,000 and Thailand with $146,000...

Meanwhile, Paramount's "Gladiator II" collected $17 million in its fourth frame at the international box office, boosting its tally to $235 million overseas and $368.4 million globally. The quarter-century-in-the-making sequel Ridley Scott's Oscar-winning 2000 epic "Gladiator" has been far bigger in offshore markets... There's also "Red One," a Christmas-set action comedy starring the Rock as Santa's head of security, which collected $3.5 million from 4,000 screens in 75 overseas markets. The film, from Amazon MGM, has generated a soft $78.2 million from offshore territories and $164 million globally. "Red One" was originally destined for streaming before the studio opted for a theatrical release, so any coinage from the big screen could be viewed as a win for movie theaters, Amazon MGM and Warner Bros. (which has international rights on Amazon MGM releases). From a strictly theatrical standpoint, though, "Red One" carries a $250 million budget before marketing and stands as one of the year's biggest misfires.

For the first time, a U.S. court has ordered the exposure of identities behind anime leaker accounts on X following complaints from producers of Jujutsu Kaisen and Demon Slayer. The order was revealed by Japanese anti-piracy organization CODA (Content Overseas Distribution Association). CBR reports: The order to disclose their identities was issued on Aug. 20 and served on Aug. 30, meaning that these Jujutsu Kaisen and Demon Slayer leakers will be forced to out themselves, lest they face further legal troubles. Several CODA member companies, which include Kodansha (Attack on Titan), Toei Animation (One Piece) and more collected evidence on these accounts; CODA's report states that it has also received other inquiries about other anime and is preparing for further action. "We will continue to work with the rights holders of the victims to take strict action based on the information of the account owners that comes to light, and will demand severe punishment for these leak accounts," it concludes.

"It's going to be violent," warns the creator of Terminator Zero, an eight-episode anime series premiering Thursday August 29th on Netflix. "It's going to be dark, it's going to be horrific, and it's going to be arresting."

And the Netflix blog has now shared the first six minutes online: In the world of Terminator, the future is never set, yet some things are guaranteed: The Terminator is still a cyborg that feels no remorse, pity, or fear. The anime series TERMINATOR ZERO, landing on Netflix on Aug. 29 — known to fans as Judgment Day — looks different from any incarnation of the Terminator franchise we've seen before, but you can tell from these opening six minutes that the brutal, sophisticated action will remain.

"I realized the first minutes of the show have to declare what it is," creator and executive producer Mattson Tomlin tells Tudum. A joint production between Skydance and the Japanese animation studio Production I.G, TERMINATOR ZERO has the challenge of drawing in both anime fans and fans of the Terminator series. "The way to do that was to have a sequence that had no dialogue, that was really planting a flag in letting everybody know this is going to be violent, it's going to be dark, it's going to be action-driven, it's going to be horrific, and it's going to be arresting," says Tomlin, who previously wrote Project Power for Netflix and is currently writing The Batman Part II. "That's just what it has to be."
The series follows "a new batch of characters who live in Japan in 1997," writes CBR — and in an interview the show's director said "There's a balance" when representing Japan's actual culture while keeping the show futuristic: One of the things that I really took for granted was guns. [Points to self] Dumb American over here had to write a scene where Eiko gets into a parking lot and smashes the window of a car, goes to the glove box, takes out a revolver, and it instantly gets flagged. [Other people working on the series] were like, "No, we don't have guns. What you are describing, that's over there. We're over here in civilization where that can't happen." That triggered a really fruitful and creatively challenging discussion about weapons. The military has guns and the police have guns. That's kind of it. So these characters have to arm themselves. How are they going to do it? What could we do? And that's why the Terminator has a crossbow. Eiko has all of these different weapons that she concocted from a hardware store. It was all born out of that.

An anonymous reader writes: Netflix and Crunchyroll titles leaked on Thursday, with full episodes of shows released on social media including the anticipated "Heartstopper" Season 3 and anime fare like "Arcane" and the Season 3 premiere of "Re:Zero."

The leak was first reported internationally, as fans spotted clips of unfinished footage on social media, "One of our post-production partners has been compromised and footage from several of our titles has unfortunately leaked online," a Netflix spokesperson said in a statement exclusively to TheWrap Thursday night. "Our team is aggressively taking action to have it taken down."

Sony's Crunchyroll streaming service dedicated to anime has passed 15 million monthly paid subscribers. "Today marks an exciting milestone not only for Crunchyroll, but for the entire anime industry," Rahul Purini, president of Crunchyroll, said in a press release. "It is proof that the rich stories, characters and experiences that our partners create are resonating deeply with fans at record numbers all over the world. As the number of people excited about anime continues to explode and the breadth of content continues to widen, we believe it has never been a better time to be an anime fan." TheWrap reports: Currently, the streamer has the world's largest streaming library dedicated to anime, including 50,000 episodes and more than 25,000 hours of anime series, music and films. Every season, the streamer brings in between 45 and 60 new and returning series to its service. Those include series such as "Demon Slayer Kimetsu no Yaiba," "JUJUTSU KAISEN," "One Piece," "Chainsaw Man" and "Solo Leveling." Last year, the streamer also partnered with SMEJ (Sony Music Entertainment Japan) to bring anime-related music to the platform, a collaboration that has resulted in 3,300 music videos and concerts so far.

An anonymous reader quotes a report from TorrentFreak: With dozens of millions of monthly visits, Animeflix positioned itself as one of the most popular anime piracy portals. The site also has an active Discord community of around 35k members, who actively participate in discussions, art competitions, even a chess tournament. While rightsholders take no offense at these side-projects, the site's core business was streaming pirated videos. That hasn't gone unnoticed; last December Animeflix was listed as one of the shutdown targets of anti-piracy coalition ACE.

Whether these early enforcement efforts were responsible for the site's closure is unclear. In May, rightsholders increased the pressure through the High Court of India, obtaining a broad injunction that effectively suspended Animeflix's main domain name; Animeflix.live. This follow-up action didn't seem to hurt the site too much. It simply moved to new domains, Animeflix.gg and Animeflix.li, informing its users that the old domain name had become "unavailable." Yesterday, the site became unreachable again, initially returning a Cloudflare error message. This time, the domain wasn't the problem but, for reasons unknown, the team decided to shut down the site without prior notice.

"It is with a heavy heart that we announce the closure of Animeflix. After careful consideration, we have decided to shut down our service effective immediately. We deeply appreciate your support and enthusiasm over the years." "Thank you for being a part of our journey. We hope the joy and excitement of anime continue to brighten your days through other wonderful platforms," the Animeflix team adds. The Animeflix team doesn't provide any insight into its reasoning, but it's clear that keeping a site like that online isn't without challenges. And, when a pirate site shuts down, voluntarily or not, copyright issues typically play a role. It's clear that rightsholders were keeping an eye on the site, and were actively seeking out options to take it offline. That might have played a role in the shutdown decision but without more information from the team, we can only speculate.

An anonymous reader quotes a report from TorrentFreak: Hikari-no-Akari, a long-established and popular pirate site that specializes in Japanese music, is being targeted in U.S. federal court by Sony Music. [...] The music download portal, which links to externally hosted files, has been operating for well over a decade and currently draws more than a million monthly visits. In addition to the public-facing part of the site, HnA also has a private forum and Discord channel. [...] Apparently, Sony Music Japan has been keeping an eye on the unauthorized music portal. The company has many of its works shared on the site, including anime theme music, which is popular around the globe.

For example, a few weeks ago, HnA posted "Sayonara, Mata Itsuka!" from the Japanese artist Kenshi Yonezu, which is used as the theme song for the asadora series "The Tiger and Her Wings." Around the same time, PEACEKEEPER, a song by Japanese musician STEREO DIVE FOUNDATION, featured in the third season of the series "That Time I Got Reincarnated as a Slime", was shared on the site. Sony Music Japan is a rightsholder for both these tracks, as well as many others that were posted on the site. The music company presumably tried to contact HnA directly to have these listings removed and reached out to its CDN service Cloudflare too, asking it to take action. [...] They are a prerequisite for obtaining a DMCA subpoena, which Sony Music Japan requested at a California federal court this week.

Sony requested two DMCA subpoenas, both targeted at hikarinoakari.com and hnadownloads.co. The latter domain receives the bulk of its traffic from the first, which isn't a surprise considering the 'hnadownloads' name. Through the subpoena, the music company hopes to obtain additional information on the people behind these sites. That includes, names, IP-addresses, and payment info. Presumably, this will be used for follow-up enforcement actions. It's unclear whether Cloudflare will be able to hand over any usable information and for the moment, HnA remains online. Several of the infringing URLs that were identified by Sony have recently been taken down, including this one. However, others remain readily available. The same applies to private forum threads and Discord postings, of course.

SoftBank has developed AI voice-conversion technology aimed at reducing the psychological stress on call center operators by altering the voices of angry customers to sound calmer. Japan's The Asahi Shimbun reports: The company launched a study on "emotion canceling" three years ago, which uses AI voice-processing technology to change the voice of a person over a phone call. Toshiyuki Nakatani, a SoftBank employee, came up with the idea after watching a TV program about customer harassment. "If the customers' yelling voice sounded like Kitaro's Eyeball Dad, it would be less scary," he said, referring to a character in the popular anime series "Gegege no Kitaro."

The voice-altering AI learned many expressions, including yelling and accusatory tones, to improve vocal conversions. Ten actors were hired to perform more than 100 phrases with various emotions, training the AI with more than 10,000 pieces of voice data. The technology does not change the wording, but the pitch and inflection of the voice is softened. For instance, a woman's high-pitched voice is lowered in tone to sound less resonant. A man's bass tone, which may be frightening, is raised to a higher pitch to sound softer. However, if an operator cannot tell if a customer is angry, the operator may not be able to react properly, which could just upset the customer further. Therefore, the developers made sure that a slight element of anger remains audible.

According to the company, the biggest burdens on operators are hearing abusive language and being trapped in long conversations with customers who will not get off the line -- such as when making persistent requests for apologies. With the new technology, if the AI determines that the conversation is too long or too abusive, a warning message will be sent out, such as, "We regret to inform you that we will terminate our service." [...] The company plans to further improve the accuracy of the technology by having AI learn voice data and hopes to sell the technology starting from fiscal 2025. Nakatani said, "AI is good at handling complaints and can do so for long hours, but what angry customers want is for a human to apologize to them." He said he hopes that AI "will become a mental shield that prevents operators from overstraining their nerves."

Samantha Cole reports via 404 Media: A Japan-based online art platform is banning kink content for users based in the US and UK, as laws in these countries continue to tighten around sites that allow erotic content. Pixiv is an image gallery site where artists primarily share illustrations, manga, and novels. The site announced on April 22 that starting April 25, users whose account region is set to the US or UK will be subject to Pixiv's new terms of use, "Restrictions for Healthy Expression in Specific Countries and Regions."

The restrictions include several kinds of content that are illegal in the US, including sexualized depictions of minors and bestiality, as well as non-consensual depictions and deepfakes. But it also includes "content that appeals to the prurient interest, is patently offensive in light of community standards where you are located or where such content may be accessed or distributed, lacks serious literary, artistic, political, or scientific value, or otherwise violates any applicable obscenity laws, rules or regulations." This is an invocation of the Miller test, which determines non-constitutionally protected obscenity. "I'd never say this a few years ago, but it's my personal fear that the next step is most major internet hosting services implementing these policies on an infrastructure level," said an artist who goes by kradeelav. "My colleagues are certainly planning for it by specifically looking for kink-friendly hosts, to actually making homebrew servers themselves in worst-case scenarios."

North Korean animators have been secretly working on major international TV shows, including an Amazon superhero series and an upcoming HBO Max children's anime, according to a report by cybersecurity researchers. The findings, detailed in a report by the Stimson Center think tank's 38 North Project and Google-owned security firm Mandiant, provide a glimpse into how North Korea can use skilled IT workers to raise funds for its heavily sanctioned regime.

Researcher Nick Roy discovered a misconfigured cloud server on a North Korean IP address in December, containing thousands of animation files, including cells, videos, and notes discussing ongoing projects. Some images appeared to be from Amazon's "Invincible" and HBO Max's "Iyanu: Child of Wonder." The server, which mysteriously stopped being used at the end of February, likely allowed work to be sent to and from North Korean animators, according to Martyn Williams, a senior fellow on the 38 North Project. U.S. sanctions prohibit companies from working with North Korean entities, but the researchers say it is unlikely that the companies involved were aware of the animators' origins. The report suggests the contracting arrangement was several steps removed from the major producers.

Movie exhibitors still face "serious risks," the Los Angeles Times reported Tuesday: Attendance was on the decline even before the pandemic shuttered theaters, thanks to changing consumer habits and competition for people's time and money from other entertainment options. The industry has demonstrated an over-reliance on Imax-friendly studio action tent poles, when theater chains need a deep and diverse roster of movies in order to thrive... It remains to be seen whether the global box office will ever get back to the $40 billion-plus days of 2019 and earlier years. A clearer picture will emerge in 2025 when the writers' and actors' strikes are further in the past. But overall, there's a strong case that moviegoing has proved to be relatively sturdy despite persistent difficulties.
Which brings us to this year's CinemaCon convention, where multiplex operators heard from Hollywood studios teasing upcoming blockbusters like Joker: Folie à Deux, Furiosa: A Mad Max Saga, Transformers One, and Deadpool & Wolverine. Exhibitors pleaded with the major studios to release more films of varying budgets on the big screen, while studios made the case that their upcoming slates are robust enough to keep them in business... Box office revenue in the U.S. and Canada is expected to total about $8.5 billion, which is down from $9 billion in 2023 and a far cry from the pre-pandemic yearly tallies that nearly reached $12 billion... Though a fuller release schedule is expected for 2025, talk of budget cuts, greater industry consolidation and corporate mergers has forced exhibitors to prepare for the possibility of a near future with fewer studios making fewer movies....

As the domestic film business has been thrown into turmoil in recent years, Japanese cinema and faith-based content have been two of movie theaters' saving graces. Industry leaders kicked off CinemaCon on Tuesday by singing the praises of Sony-owned anime distributor Crunchyroll's hits — including the latest "Demon Slayer" installment. Mitchel Berger, senior vice president of global commerce at Crunchyroll, said Tuesday that the global anime business generated $14 billion a decade ago and is projected to generate $37 billion next year. "Anime is red hot right now," Berger said. "Fans have known about it for years, but now everyone else is catching up and recognizing that it's a cultural, economic force to be reckoned with.... " Another type of product buoying the exhibition industry right now is faith-based programming, shepherded in large part by "Sound of Freedom" distributor Angel Studios...

Theater owners urged studio executives at CinemaCon to put more films in theaters — and not just big-budget tent poles timed for summer movie season and holiday weekends... "Whenever we have a [blockbuster] film — whether it be 'Barbie' or 'Super Mario' ... records are set," added Bill Barstow, co-founder of ACX Cinemas in Nebraska. "But we just don't have enough of them."

Longtime Slashdot reader AmiMoJo shares a report from The Guardian: Akira Toriyama, the influential Japanese manga artist who created the Dragon Ball series, has died at the age of 68. He died on March 1 from an acute subdural haematoma. The news was confirmed by Bird Studio, the manga company that Toriyama founded in 1983.

"It's our deep regret that he still had several works in the middle of creation with great enthusiasm," the studio wrote in a statement. "Also, he would have many more things to achieve." The studio remembered his "unique world of creation". "He has left many manga titles and works of art to this world," the statement read. "Thanks to the support of so many people around the world, he has been able to continue his creative activities for over 45 years." [...]

Based on an earlier work titled Dragon Boy, Dragon Ball was serialized in 519 chapters in Weekly Shonen Jump from 1984 to 1995 and birthed a blockbuster franchise including an English-language comic book series, five distinct television adaptation -- with Dragon Ball Z the most familiar to western audiences -- and spin-offs, over 20 different films and a vast array of video games. The series -- a kung fu take on the shonen (or young adult) manga genre -- drew from Chinese and Hong Kong action films as well as Japanese folklore. It introduced audiences to the now-instantly familiar Son Goku -- a young martial arts trainee searching for seven magical orbs that will summon a mystical dragon -- as well as his ragtag gang of allies and enemies. You can learn more about Toriyama via the Dragon Ball Wiki.

The Associated Press, Washington Post, and New York Times, among others, have all reported on his passing.

An anonymous reader quotes a report from Ars Technica: Sony is making an effort to appease customers who will lose their entire Funimation digital libraries when the anime streaming service merges into Crunchyroll. Currently, though, the company's plan for giving disappointed customers "an appropriate value" for their erased digital copies isn't very accessible or clear. Earlier this month, Sony-owned Funimation announced that customers' digital libraries would be unavailable starting on April 2. At that time, Funimation accounts will become Crunchyroll accounts. Sony acquired Crunchyroll in 2021, so some sort of merging of the services was expected. However, less expected was customers' lost access to online copies of beloved anime that they acquired through digital codes provided in purchased Funimation DVDs or Blu-rays. Funimation for years claimed that customers would be able to stream these copies "forever, but there are some restrictions."

Rahul Purini, Crunchyroll's president, explained the decision while speaking to The Verge's latest Decoder podcast, noting that the feature was incorporated into the Funimation platform. "As we look at usage of that and the number of people who were redeeming those and using them, it was just not a feature that was available in Crunchyroll and isn't in our road map," Purini said. The executive claimed that Funimation is "working really hard directly" with each affected customer to "ensure that they have an appropriate value for what they got in the digital copy initially." When asked what "appropriate value" means, Purini responded: "It could be that they get access to a digital copy on any of the existing other services where they might be able to access it. It could be a discount access to our subscription service so they can get access to the same shows through our subscription service. So we are trying to make it right based on each user's preference."

It could be that they get access to a digital copy on any of the existing other services where they might be able to access it. It could be a discount access to our subscription service so they can get access to the same shows through our subscription service. So we are trying to make it right based on each user's preference. Clarifying further, Purini confirmed that this means that Sony is willing to provide affected customers with a new digital copy via a streaming service other than Crunchyroll. The executive said that the company is handling subscribers' requests as they reach out to customer service. Notably, this approach to compensating customers for removing access to something that they feel like they purchased (digital copies are considered a free addition to the physical copies, but some people might not have bought the discs if they didn't come with a free digital copy) puts the responsibility on customers to reach out. Ahead of Purini's interview, Sony didn't publicly announce that it would offer customers compensation. And since Funimation's terms of use include caveats that content may be removed at any time, customers might have thought that they have no path for recourse.

Funimation is shutting down on April 2nd, 2024. The anime streaming service will start migrating existing subscribers to Crunchyroll -- a move that will not only affect subscription prices, but will also wipe digital libraries. From a report: A support page on Funimation's website says the service will automatically transfer existing subscribers to Crunchyroll, noting that the transfer "may vary depending on your specific payment platform, subscription type and region." But the page -- unhelpfully -- doesn't say how much subscribers will have to pay following the transition, only that legacy subscribers will see a price increase. You'll have to check your email to see how much you'll have to pay.