Not All iPods — Vinyl and Turntables Gain Sales 405
Says the New York Times: "With the curious resurgence of vinyl, a parallel revival has emerged: The turntable, once thought to have taken up obsolescence with eight-track tape players, has been reborn."
My Reason - Loudness War (Score:3, Informative)
Re:Vinyl... (Score:5, Informative)
back when I was young (early 2k's) I used to listen to a lot of dance music and go to the occasional rave. When I first started going to these gigs, I asked one of my friends why the DJ's used vinyl instead of CD's.
Many years ago I worked at a radio station with mostly records and "carts" (like 8-track tapes); digital music was just becoming available. One thing I noticed was that it was much easier to mix songs and get the beats to mix using the record players. Being able to touch the media as it turned and subtly slow or speed up the records made it really easy to sync the beats. It was really fun to watch the DJs who were particularly good at it.
Re:Vinyl... (Score:5, Informative)
I've always thought that people buy vinyl because it's just a bit more romantic. Or they're fucking idiots.
DJs buy vinyl because it's a better user interface for mixing. "Scratching" on a CD player is just not the same. Also, many rare tracks come out on vinyl that don't come out on CD (well, this used to be the case).
Buy DVD-A and SACD then (Score:5, Informative)
The compression on CDs is not manditory, and indeed you find some CDs without it. However if high quality sound is your goal, well then DVD-A and SACD are the places to look. Like records, they are not produced for everything, but they tend to be extremely well mastered for what they are done with. Nice wide dynamic range. They also have the advantage of being all digital, and extremely high resolution: 96-192kHz 24-bit for DVD-A, 2.8MHz 1-bit for SACD (equivalent to about 20-bit 100kHz). You are also usually going to spend less on hardware (a cheap SACD/DVD-A player can be had for less than $200) and your recordings don't degrade every time they are played.
That's the problem I have with the audiophile record crowd: There ARE digital technologies better than CD, much better, and measurably so. Thus, if your goal is highest fidelity sound, then that is probalby what you should be getting. Goes double since most recordings these days are produced digitally, so you are getting "digital sound" like it or not.
I'm fine with people who like records for nostalgic reasons, but I don't get the "Oh records sound so much better crowd." No, not so much really. Sure, compare a $5000 turntable to a $10 CD player where the CD is limited all to hell, the record player sounds better (unless the record is scratched). However compares that same record player to a $200 DVD-A player and the DVD-A will be better.
Re:And there was no good digital interface (Score:5, Informative)
Re:Pfft... (Score:3, Informative)
What did you think of this sentence, Grandpa?
The turntable, once thought to have taken up obsolescence with eight-track tape players
These kids today, eight track tapes sucked and always did. And they don't listen, do they? I tolds these punks about eight tracks almost five years ago in Good Riddance to Bad Tech : [kuro5hin.org]
They don't understand vinyl, either. Led Zeppelin's Presence album sounds far better than the equivalent CD; it has more, well, presence. It has sharper highs and deeper lows than the CD version (that is, if you have a good turntable). But the CD of Nirvana's Smells Like Teen Spirit will sound better than the vinyl.
Zeppelin was mastered in analog, Nirvana was mastered in digital. If you make an analog recording from a digital source, or a digital recording for an analog source, you get the worst aspects of both mediums and the advantages of neither.
If your digital master for you LP is sampled at higher sampling rates than CD's 44.1, the LP may possibly sound better than the CD, but I'd guess it would take more than just twice the sampling rate to make an appreciable difference. Make the sampling rate ten times that of current CDs and the digital file would blow the LP away.
But taking a 44.1 master and putting it on LP is just silly. doubling that is less silly but still silly.
Re:And there was no good digital interface (Score:3, Informative)
Re:Audiophiles (Score:2, Informative)
so you actually have some dynamic range
you might want to read this [hydrogenaudio.org]
Did scanner sales increase? (Score:3, Informative)
No, I'd expect people would buy vinyl records and scan them [google.com]
Re:Betamax (Score:3, Informative)
Re:PlayStation 3 is a SACD player (Score:3, Informative)
PlayStation 3 is a SACD player ... And many DVD players are DVD-A players.
And most big music releases are available on one of the two formats. Why anyone still buys CDs, I'm unable to fathom.
PS3 WAS an SACD player. After the 2nd gen models, they dropped SACD playback, and the slim does not have it either.
As for DVD players, all of them are DVD-A players in the sense they will play back the low rez compressed surround mix, but very few of them will play back the hi resolution MLP versions of the music that are actually better than redbook CD.
Re:Blame the Sound Engineers (Score:3, Informative)
Any time you see the word "perfect" you have to doubt. If a 20 kHz modulated tone is "perfect" in a CD than if you doubled the sampling rate you would have twice perfect. Kind of like "twice infinity". There is no such thing as perfect.
You are entirely correct about "anti aliasing filters"; they only filter. It's similar to antialiasing in digital photos, in that you don't get less real aliasing, it just makes the aliasing less apparent. Ending the transition band at the Nyquist limit (or just below) rids you of the garbage noise trying to sample above the limit gives you.