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Data Storage

The Myth Of The 100-Year CD-Rom 671

Toshito writes "Are we putting too much faith in the ubiquitous "recordable CD", or CD-R? A lot of manufacturer claims 100 years of shelf life for a CD-R. But in real life, it can be much less. Expect failure after only 5 years... Personnaly I just discovered 6 audio cassettes with the voice of my late grandfather, talking about old times. These tapes are copies of reel to reel recorded in 1971, and they are still in excellent shape. I was thinking about digitizing everything, do a little noise reduction, and burning this on CD's, for my childrens and great grand-childrens enjoyment, but it seems that old analog tech from the '70 is more reliable than digital. The full story at Rense. Other links about the subject: Practical PC, Mscience, and an excellent reasearch by the Library of Congress (warning! PDF): Study of CD longevity, html version (google):Study html."
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The Myth Of The 100-Year CD-Rom

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  • by Anonymous Coward on Thursday April 22, 2004 @01:30PM (#8940726)
    Ever decreasing circles [independent.co.uk]
  • I know lots of people that have "worn out" cd's. The first time I heard that, I thought they were kidding, but no... even if you take super great care of say, an audio cd, it will eventually wear out. It's especially bad if you keep it in the original plastic jewel case, and take it out each time -- my friend's rare Pearl Jam CD's are nearly scratched beyond playability, but he was able to extract the digital information before it got lost. What makes CD's better than tapes is that the 0's and 1's will always "be the same" logically, unfortunately the physical media wears out quickly with use. I prefer to think of CD's as a temporary storage mechanism for a permanent idea, like a sketch on newsprint. Once the newsprint disintegrates, you'd better hope you made something good with the idea... it doesn't mean the idea is gone, but the medium isn't like stone.
  • Re:Nonsense! (Score:5, Informative)

    by cuzality ( 696718 ) on Thursday April 22, 2004 @01:32PM (#8940772) Journal
    Well, the recordings *will* go through decay, but that's what the constant backing-up process is about. Your basic point is right on the money, though.

    The only way to keep bits in any kind of order and in good condition over a long period of time with the kind of technology available to the average consumer is to keep making multiple fresh copies before each individual storage media begins to suffer loss of data.
  • by dankney ( 631226 ) on Thursday April 22, 2004 @01:32PM (#8940773) Homepage
    It's not exactly a fair comparison between CD-R and analog tape for audio. The audio tape isn't "more reliable." It just degrades differently.

    As the tape ages, the quality of the audio signal degrades dramatically, but because it is an analogue signal, it can still be deciphered by or ears.

    With digital medium, the audio never gets worse. As the media degrades, it just reaches a point where it isn't able to be deciphered as audio data.

    If you want to compare the mediums (magnetic tape vs. CR-R), data is probably a better place to do so. You can easily measure the amount of readable/unreadable data in bytes and make a fair, quantifiable comparison.
  • Redundancy (Score:4, Informative)

    by KalvinB ( 205500 ) on Thursday April 22, 2004 @01:33PM (#8940788) Homepage
    Keep original copies on the Harddrive, Cassette, ect and then make copies as needed.

    Tape isn't going to last forever. At least when it's digital you can easily transfer to new media without loss of quality.

    If it's really important you just need to make sure you keep ahead of obsolecence. Transfer the stuff to the new standard before the old standard completely goes away. There's always a transition period.

    Ben
  • 5 Years is accurate (Score:4, Informative)

    by nurb432 ( 527695 ) on Thursday April 22, 2004 @01:34PM (#8940790) Homepage Journal
    I have found most of my cdr's that are that age or older are starting to fail.

    Rather dissapointing the first time it happened.

    seems to be from several big brand names, so it must be a limitation of the Dye, not just a bad batch.

    But then again, it was designed to be written too ( i.e. physcially changed ) so how can one expect it to last forever?
  • by Anonymous Coward on Thursday April 22, 2004 @01:34PM (#8940802)
    The first link is to rense.com, a website that promulgates the theory that the US government is experimenting on us with "chem trails" emitted by otherwise innocuous-looking aircraft flying overhead. The webmaster at that site obviously has a very low threshold for rubbish, and no critical thinking ability!
  • Re:CD Rot (Score:5, Informative)

    by Liselle ( 684663 ) * <slashdot@lisWELTYelle.net minus author> on Thursday April 22, 2004 @01:37PM (#8940837) Journal
    It's the glue. It can corrode the top layer. I've seen some stories about it, still a few floating around, seems to depend largely on which one you use. The problem may be mitigated by this point, now that they know, but I still don't trust labels over cases/sleeves. You have to get that label on really well, air bubbles being your enemy. :D
  • by shawkin ( 165588 ) * on Thursday April 22, 2004 @01:37PM (#8940838)
    The BBC Library still uses vinyl records for long term audio storage. For some items they cut a lacquer master, plate the metal stampers on the lacquer and leave the metal stampers attached to the lacquer.

    They believe that this will preserve the audio for about 300 years and they say that vinyl is the only storage medium with a real and predictable life span.
  • by Just Some Guy ( 3352 ) <kirk+slashdot@strauser.com> on Thursday April 22, 2004 @01:38PM (#8940847) Homepage Journal
    I've said this before, but it bears repeating: do not filter or otherwise "enhance" the audio files before you store them. Instead, save them losslessly, hisses, pops, and all.

    Audio processing technology will get better. Don't ruin your grandkids' heirloom recordings by using today's technology to permanently alter them.

    Make working copies and filter those as much as you want, but keep those masters pristine! Maybe somewhere in the background you can hear your grandma yelling at dear ol' grandpa to put that thing away and paint the house, and a clumsy run with an agressive low-pass filter will throw that data away forever. You have something really valuable; please take care of it for the future.

  • by Anthony Boyd ( 242971 ) on Thursday April 22, 2004 @01:39PM (#8940855) Homepage

    ...is not that the CDs will decay and become unusable. The real problem will be that the file formats of today will be replaced in 10 years, and will be a legacy file format only readable with a compatibility layer in 20 years. In 50 years, that CD will be unreadable. Of course, storing it in ISO 9660 format would offer some protection. If nothing can read the CD 50 years from now, you could at least fall back to the standard spec write your own code to read it.

    Oddly enough, I note that UDF is getting pushed as a replacement to 9660. So maybe even 9660 will be outdated faster than I expect.

    Will CD drives exist then? I certainly can't get an old cassette tape drive these days, and that's only been 20 years. Hmm. I think in 100 years, the decay of your CD will be only 1 of many problems.

  • by FreeLinux ( 555387 ) on Thursday April 22, 2004 @01:39PM (#8940860)
    The testing that is being done on these CDs is extreme. If you stored your cassette tapes in 60-80 degrees celsius and 85% humidity, the cassettes would also fail. Neither media is intended to be stored under these conditions. Just as these CDs are failing so do cassettes. There have been numerous times where my cassettes have become unusable because the have spent too much time in a hot car ~60C.

    If your CDs are store in a cool dry place, out of direct sunlight they can certainly last 100 years your cassettes probably can too.
  • by John the Kiwi ( 653757 ) <kiwi.johnthekiwi@com> on Thursday April 22, 2004 @01:43PM (#8940902) Homepage
    It's all well and good to have a CD to back up your precious files (Audio, Video, documents etc) to but this doesn't cut it as a real backup.

    With disk space being so cheap now I keep a copy of all of my important data on my server, mapped drives to connect etc. I then have a login script that runs on a workstation and backs that data locally to the workstation (now I have two copies) - Windows users can use Robocopy and *nix users have rsync, both of these tools are exceptional and only copy the newer/changed files so the backup of 50+ gigs of data seldom takes more than 15 minutes.

    I then back that up to one of two external hard disks, one of which is always in a safety deposit box.

    CDs never were and never should have been a good backup solution. The technology will change. A good backup solution is one that changes with the technology. I know that these external drives will one day be obsolete but to there is no degradation of data like a CD that has flakes falling off of it after 2 months.

    It's also far more cost effective and as I upgrade my computers over time I know my files will be updated too and when the tech moves beyond external hard drives I'll change the solution then. Backing up to CD once like that is asking for trouble if you never test the media, like I do on a daily basis, I still have old school assignments from 10+ years ago, pictures and business data that I know I will never lose.

    John the Kiwi
  • Oblig 'Me Too' Post (Score:5, Informative)

    by da3dAlus ( 20553 ) <dustin.grau@gm[ ].com ['ail' in gap]> on Thursday April 22, 2004 @01:43PM (#8940909) Homepage Journal
    I'm sure what I'll say has already been said, but I can certainly attest to the shorter-than-advertised longevity of CDR media. I recently had to pull some long lost files off of CD's I burned back in the college days, probably 5 years ago or so. These consisted of several types of media, both cheap and expensive, green and blue dye, sticker and no sticker. Basically the dye color has little effect, and stickers really do call for the early death of the media. But most of all, I think it was the early CD burning software or the actual CD-Rec drive that I used. Some earlier CD's, that I know I burned at work (using the latest software at the time) were near flawless. But a batch burned later, on a friend's computer using some lesser known software, was completely corrupt (TOC and CRC errors abound). I now make sure I get decent CDR's like TDK's (not the cheap CompUSA stuff), don't use stickers, always keep them in a multi-CD case, and run a bit-for-bit check on the archive after burning with Nero. I have yet to have a problem since I started this practice at least 2 years ago...although time will certainly tell.
  • by bigberk ( 547360 ) <bigberk@users.pc9.org> on Thursday April 22, 2004 @01:44PM (#8940918)
    I now write myself a little note on my CDRs to indicate how much of the surface causes read errors. Nero's "CD Speed" tool is very useful for this, as it has a ScanDisc tool incorporated within it.

    When too much of my CD's surface has read errors, I make a new copy of the CDR. So far I've only had to do this for 3 of my discs over the past 6 years or so.
  • Burning at 2x... (Score:5, Informative)

    by ajutla ( 720182 ) <ajutla at gmail dot com> on Thursday April 22, 2004 @01:45PM (#8940928) Homepage
    Although it seems like burning at a slower speed means that your data lasts longer, for some newer CDs burning at 2x might actually cause your data to be less secure. Most CDs sold nowadays are optimized for faster burns, say at 48x. The "fast" media doesn't handle slow burn speeds quite as well as older media optimized for 2x would.
  • Re:Solution! (Score:5, Informative)

    by bhtooefr ( 649901 ) <bhtooefr@bhtooefr. o r g> on Thursday April 22, 2004 @01:46PM (#8940952) Homepage Journal
    Actually, 5.25" double-density disks have been shown to theoretically last 90 years, and many of these disks have lasted 20+ years IN PRACTICE (I have some 25 year old Apple II disks that STILL work without errors to this day).
  • Re:First of all... (Score:5, Informative)

    by Neon Spiral Injector ( 21234 ) * on Thursday April 22, 2004 @01:47PM (#8940959)
    Have you ever head of Reed-Solomon? There is redundancy built into CDs.
  • by tuffy ( 10202 ) on Thursday April 22, 2004 @01:48PM (#8940974) Homepage Journal
    Some of my first cds purchased in 86 (Are You Experienced and Electric Ladyland) are clearly losing sound quality.

    Pressed CDs shouldn't be as vulnerable to bit rot as burned CD-Rs. But I can't understand how the discs would lose quality. One either gets a valid frame of redbook audio or not. I can understand that some of the frames might go bad (even to the point where the built-in error correction can't help) and lead to audio defects, but I don't see how the whole disc would sound different than before.

  • Re:CD Rot (Score:5, Informative)

    by Wavicle ( 181176 ) on Thursday April 22, 2004 @01:51PM (#8941013)
    This is all true. You may not know the vast difference in materials used for CD's.

    If the CD feels sticky around the edges, it may (may) mean a low quality glue was used. It provides a potential path for fungus to migrate into your CD.

    Gold reflecting layers (very rare to find anymore) are the absolute best. Gold generally doesn't react with the stuff in the atmosphere.

    High quality archival stabilized dye layers are also hard to find anymore. Phthalocyanine was the absolute best last I looked (a few years ago) with an estimated stable lifetime of 200 years.

    A CD that you want to hold data for 100 years should have a quality glue job, gold reflective layer and Pthalocyanine dye. I know of only two brands that have ever been made to this quality. One was Kodak Gold (some marketing suffix here), but it went out of production several years ago. The other is Mitsui Gold, which cost about $1 each in 100 packs.

    And no matter how nice the CD manufacture is, it will not last unless properly stored. The three tenets of archival storage are: Cool, Dry and Dark. Don't leave your CD-R's on the shores of a tropical beach.
  • Re:Burning at 2x... (Score:4, Informative)

    by pair-a-noyd ( 594371 ) on Thursday April 22, 2004 @01:52PM (#8941028)
    I'll say this,
    I burn a lot of discs at max speed and they frequently won't run on OLDER pc's.

    So when I KNOW I have to burn one for an old pc I burn it at 4x or 6x (with k3b) and it always works.

  • Re:Nonsense! (Score:5, Informative)

    by Fweeky ( 41046 ) on Thursday April 22, 2004 @01:54PM (#8941052) Homepage
    You're better off storing audio as FLAC or so; the format's open, lossless, streamable, error checking, robust, and has a proper metadata standard. Use the space it saves to make a bunch of PAR2's [sourceforge.net], and you're laughing.

    Support for this stuff's not going to disappear overnight; you can keep specifications and reference implementations about if need be.
  • by debest ( 471937 ) on Thursday April 22, 2004 @01:56PM (#8941075)
    Analog methods of storage (such as good old paper*) will pretty much always be able to outlast any method we have to digitally store information, at least for each "generation" of copies that are required.

    The benefit of analog is that you can store the original content for a long time, perhaps even indefinately if properly cared for. Digital, so far, seems to suffer from a lack of "permanent" media onto which content can be written.

    The big difference, however, is that with some effort it is not required to have long-life media for digital. Unlike analog content (which degrades with each generation of copy), digital content copies perfectly from one generation of media to the next. Sure, it'd be nice if you could just archive one physical copy and store it forever, but since we realistically cannot, it's pretty good that a perfect copy can be made before it degrades.

    Think of it this way: for decent preservation of analog content, you must exercise excellent dilligence in physical care; for perfect preservation of digital content, you must exercise regular, but rare dilligence in copying to a new media.

    Besides, even if a "permanent" media is created for digital content, that's no guarantee that years from now the content can even be read. What good is it for your great-grandchildren to pull out your CD-ROMs 100 years from now, and have them find that no-one has manufactured compatible devices for over 80 years, and no one has serviced one for over 50 years? That data is just as lost as it would have been if the CD had degraded.

    * Yes, I also know that today's paper is unlikely to last very long (relatively speaking), either. The papers used centuries ago withstand the aging process much better than your standard photocopier paper will.
  • by the arbiter ( 696473 ) on Thursday April 22, 2004 @01:56PM (#8941080)
    Actually, most of the CDs from that era sound horrible...digital mastering has come a long way since then, as has playback equipment. A disc from 2001 is going to sound much better than one from the late 80's.
  • by Holi ( 250190 ) on Thursday April 22, 2004 @01:57PM (#8941096)
    Ever heard of google

    For the google impaired [bbc.co.uk]

    BTW it was the first link when I searched for CD eating fungus.
  • Re:FUD (Score:1, Informative)

    by Anonymous Coward on Thursday April 22, 2004 @01:57PM (#8941098)
    Nope! But I can tell you that I have bought very cheap media in the past, so cheap in fact that they were not even laminated, simply rubbing the CD with my thumb caused the silver coating off rendering the CD useless.

    Verbatim are the only blank CD's I have found which I can trust to burn at full speed without making coasters. I can buy a pack of Memorex or other midrange brand; Im sure that if i were to burn at full speed out of a pack of ten i'd get one or two coasters. I've never ever had a verbatim bum out on me.

    Okay my comment was a bit of a sweeping generalisation but generally speaking I have found that quite often in life opting for the cheaper alternative usually means you'll end up paying for a replacement in the future. In the long run you'll end up paying more, as cheap things fail more easily requiring replacement.

    nick ...
  • Writing speed (Score:5, Informative)

    by cdrguru ( 88047 ) on Thursday April 22, 2004 @01:59PM (#8941126) Homepage
    If you get a $20K+ testing system and a large number of CD-R samples, write them at various speeds and check the results, you will find that writing at a speed other than the "optimal" for the recorder results in a measurable degradation in the quality of the recording. This sort of testing has been done at Media Sciences (www.mscience.com [mscience.com]

    This means that if you have a 2X recorder, writing at 2X is *much* better than 1X. If you have a 32X recorder, writing at 32X will produce measurably better discs than writing at 4X, 2X or 1X. This has been true since around 1998 or so. It is quite true that you could get better results with some early 4X recorders when writing at 1X than 4X. However, none of those devices are current any longer.

    The "writing slower is better" story is a myth. Please don't spread it further. And yes, if you want more information about disc testing Media Sciences is a company that is dedicated to disc quality and testing. I do not work for them.

  • by Cecil ( 37810 ) on Thursday April 22, 2004 @02:02PM (#8941158) Homepage
    ... if you know what you're doing. First of all, there are specialty CD-Rs intended for archival purposes. These will inherently last longer than normal CDs for numerous reasons, assuming the manufacturers are not full of crap. To find these CD-Rs, check a photography store, as photographers tend to have a need for both archival and mass storage thanks to digital cameras. You will likely find some there.

    Second, the biggest mistake most people make in CD archival is to write on the CDs with magic marker -- DO NOT DO THIS. The ink will, given several years, leach through the extremely thin plastic on the labelled side of the CD and pollute the optical layer, resulting in a ruined CD. Adhesive stickers, I'm told, are not much better. There are special CD-labelling markers out there, I don't know if they work well as I haven't tried them, but I doubt they're worse than a magic marker. I have found that writing very lightly with a soft, dark graphite pencil works well. If you're very paranoid, you might consider not labelling the CD at all and just be meticulous in returing it to its (properly labelled) case when you're done.

    Additionally, store the CDs properly. Somewhere reasonable. Not in direct sunlight. Safely stowed in their jewel cases.

    Of course, even doing all this, no one can tell you that your CDs will still work in 100 years. It hasn't even been 100 years since we invented the damn things, how do we know how long they will last? Still, these are steps that should allow your CDs to last for at least as long as a magnetic tape, and with perfect accuracy, as opposed to the slow degradation of audio tapes.

    What we really need is something similar to the S.M.A.R.T. technology in harddrives nowadays, to alert you that "Listen, I'm getting close to reaching the limit of my error-correction techniques here. This media probably isn't going to last a whole lot longer. You may want to do something about that." Currently, there's really no way to tell until it's too late.
  • DVD-R Longevity (Score:1, Informative)

    by Anonymous Coward on Thursday April 22, 2004 @02:05PM (#8941194)
    According to Council on Library and Information Resources and National Institute of Standards and Technology [clir.org], DVD-R media can be susceptible to the CD-R 'paper label' issue, but in a slightly different way. It seems that the label can not only cause some surface issues, but as it peels it can imbalance the disc causing read errors or even total failure.

    There is a company [weddingdvd-r.com] that has come out with long-life silkscreened "Our Wedding" DVD-Rs just to make sure that your $3000 wedding video doesn't evaporate on your 5th anniversary.

  • People are cheap (Score:5, Informative)

    by Rex Code ( 712912 ) <rexcode@gmail.com> on Thursday April 22, 2004 @02:06PM (#8941199)
    Really, what do you expect when most people pick up spindles that all some from the crappy Ritek or Princo plants in Taiwan because they can get them for $9 a spindle? I've had those go blank on my shelf too, and now I know better.

    Want a long lasting CD-R? Search the spindles to find the ones that are made in Japan. Sometimes these will be on the same shelf with the Taiwan ones, wearing the same packaging, and for the same price (if you're lucky). Usually these are made by Taiyo-Yuden, a high-quality CD-R manufacturer (and one of the co-developers of CD-R technology). Look for a frosted hub for positive ID.

    For archival quality, you'll need to spend a couple of bucks a disc on media that has a gold reflective layer. The standard here has always been Mitsui (now branded as MAM-A). Even their silver discs are a cut above in quality.

    Oh, while I'm here. In 1996 I scribbled all over a burned CD-R with various colored Sharpies, then last year cleaned it all off with carb cleaner. It hadn't migrated into the disc at all, and cleaned off without a trace. The data was fine. Anyway, I mention this because I hear people claim Sharpies kill CD-Rs all the time, and think it's nonsense. These people probably bought the cheap-o discs and are looking for something other than their own cheapness to blame it on. Oh, BTW, the scribble disc was a Sony, made by Taiyo-Yuden.
  • Re:CD Rot (Score:5, Informative)

    by bgalehouse ( 182357 ) on Thursday April 22, 2004 @02:08PM (#8941220)
    As of a few months ago you could certainly still get gold reflecting layers with Phthalocyanine dye, though you have to pay for it. I ordered 100 Mitsui gold's (now apparently called MAM-A) from dsgi [dsgi.com] for digital photo archival.


    I have to burn them at less than max speed, apparently the more stable dye requires more laser power. Otherwise no surprises so far. (knock on wood)

  • by pongo000 ( 97357 ) on Thursday April 22, 2004 @02:11PM (#8941261)
    Or maybe you're hearing the effects of early CD mastering efforts that was the norm in the early years of the CD, especially in comparison to the "clean," almost sterile sound of today's CD. If you don't believe me, listen to an early CD of Pink Floyd's "Dark Side of the Moon." You can clearly hear the hiss of the master, along with other artifacts, in the really quiet parts. Later versions of this CD are very sterile-sounding with none of the "warmth" from the original analog master.

    So maybe you've gotten so used to the sterility of digitally-mastered CDs that your old Hendrix CDs sound like LPs by comparison.

  • by yellowstuff ( 142885 ) on Thursday April 22, 2004 @02:12PM (#8941268)
    Better yet, distribute an actual video of the Coors twins, and the recording of your grandfather included with steganography. This will encourage people to keep the file on their hard drives.
  • Re:NIST Study (Score:5, Informative)

    by CyberLord Seven ( 525173 ) on Thursday April 22, 2004 @02:14PM (#8941284)
    Sharpies should be OK as they are alchohol based. Beware of any "oil" based permanent markers as they will degrade the surface plastic.
  • Re:This bugs me. (Score:3, Informative)

    by 3terrabyte ( 693824 ) on Thursday April 22, 2004 @02:23PM (#8941392) Journal
    I suppose it depends on the total size you want to keep safe.

    RAID 5 is the way I'd go if I could afford it. If a drive goes down, you can replace it. This works well if you need constant access to the files.

    For archival needs only, I usually just make 2 copies of CD-r's. Of course now I use Princo DVD-R's.

    To be even more secure, you could make PAR files. That way if any individual files are bad, you can recreate from the PAR files. If the collection is big enough that spans many CD/DVD-r's, you can even have enough pars to recreate a WHOLE disc that went bad. Unfortunately, of course, if the medium is suspect... then obviously the PAR files are also vulnerable. Basically PAR files would only increase your chances of recovery based only on partial errors.

    And last but not least, put everything on a new hard drive, and pull it. Put it on the shelf. This illiminates almost all wear-and-tear, and you only have to worry about hard drive decomposition. (Which I believe is not really a big scare nowadays) You can even buy those Hard drive bracket/rack thingys so that you can cold-swap in and out of your case with ease.

  • by antdude ( 79039 ) on Thursday April 22, 2004 @02:23PM (#8941396) Homepage Journal
    From Subject: [7-5] How long do CD-Rs and CD-RWs last? [cdrfaq.org]
    (2004/02/17) in CD-Recordable FAQ [cdrfaq.org]:

    CD-RWs are expected to last about 25 years under ideal conditions (i.e. you write it once and then leave it alone). Repeated rewrites will ccelerate
    this. In general, CD-RW media isn't recommended for long-term backups or archives of valuable data.

    The rest of this section applies to CD-R.

    The manufacturers claim 75 years (cyanine dye, used in "green" discs), 100 years (phthalocyanine dye, used in "gold" discs), or even 200 years
    ("advanced" phthalocyanine dye, used in "platinum" discs) once the disc has been written. The shelf life of an unrecorded disc has been estimated at
    between 5 and 10 years. There is no standard agreed-upon way to test discs for lifetime viability. Accelerated aging tests have been done, but they may not provide a meaningful analogue to real-world aging.

    Exposing the disc to excessive heat, humidity, or to direct sunlight will greatly reduce the lifetime. In general, CD-Rs are far less tolerant of environmental conditions than pressed CDs, and should be treated with greater care. The easiest way to make a CD-R unusable is to scratch the
    top surface. Find a CD-R you don't want anymore, and try to scratch the top (label side) with your fingernail, a ballpoint pen, a paper clip, and
    anything else you have handy. The results may surprise you.

    Keep them in a cool, dark, dry place, and they will probably live longer than you do (emphasis on "probably"). Some newsgroup reports have complained of discs becoming unreadable in as little as three years, but without knowing how the discs were handled and stored such anecdotes are
    useless. Try to keep a little perspective on the situation: a disc that degrades very little over 100 years is useless if it can't be read in your
    CD-ROM drive today.

    One user reported that very inexpensive CD-Rs deteriorated in a mere six weeks, despite careful storage. Some discs are better than others.

    An interesting article by Fred Langa (of http://www.langa.com/ [langa.com]) on http://www.informationweek.com/story/showArticle.j html?articleID=15800263&pgno=1 [informationweek.com]
    describes how to detect bad discs, and discusses whether putting an adhesive label on the disc causes them to fail more quickly.

    By some estimates, pressed CD-ROMs may only last for 10 to 25 years, because the aluminum reflective layer starts to corrode after a while.

    One user was told by Blaupunkt that CD-R discs shouldn't be left in car CD players, because if it gets too hot in the car the CD-R will emit a gas that can blind the laser optics. However, CD-Rs are constructed much the same way and with mostly the same materials as pressed CDs, and the temperatures required to cause such an emission from the materials that are exposed would
    melt much of the car's interior. The dye layer is sealed into the disc, and should not present any danger to drive optics even if overheated.
    Even so, leaving a CD-R in a hot car isn't good for the disc, and will probably shorten its useful life.

    See also http://www.cd-info.com/CDIC/Technology/CD-R/Media/ Longevity.html [cd-info.com],
    especially http://www.cd-info.com/CDIC/Industry/news/media-ch ronology.html [cd-info.com] about some inaccurate reporting in the news media.

    See "Do gold CD-R discs have better longevity than green discs?" on http://www.mscience.com/faq53.html [mscience.com].

  • by lindsayt ( 210755 ) on Thursday April 22, 2004 @02:30PM (#8941478)
    I totally agree with your post (and in fact just metamoderated its "informative" mod as "fair", which is why I know about it). I don't want to be a pedantic asshole either. However, the pedant is a pedant and might as well come to terms with it, so here goes:

    The word "media" is plural; in the singular form it is "medium". The error of using "media" as a singular is extremely common in the computer world, but it's an error.

    Sorry for being a pedant. Otherwise, brilliant point by debest.
  • Suspect (Score:2, Informative)

    by KevinDumpsCore ( 127671 ) on Thursday April 22, 2004 @02:33PM (#8941505) Homepage

    The studies that are linked are very suspect... The linked articles mention that they use ordinary, off-the-shelf CD-ROMs. The Library of Congress study is skewed because all samples were for CDs manufactured before 1997. This is like studying current car safety by grabbing some old Corvairs out of a junkyard. (Were the CDs commercial-quality or archival-quality?)

    Well, I know that hospitals use more expensive, archival-quality CD+Rs. I wonder how the results would change if they used CD+Rs like these:

    Medical CD+Rs [mitsuicdr.com]

    Archive CD+Rs [mitsuicdr.com]

  • by bani ( 467531 ) on Thursday April 22, 2004 @02:43PM (#8941616)
    AFAICT, reading all the available literature from Mitsui on their gold MAM-A discs, the reflective metallized layer _is not actually gold_. It's aluminum.

    Mitsui is claiming their _special dye_ is what makes their MAM-A discs last so long, and the dye is what gives their discs their gold color. Not the metallized layer.

    And really when you think about it, it doesnt matter how long-lived the reflective layer is, if your dye deteriorates. Since you're recording your data onto the dye layer -- not the reflective layer.
  • by Anonymous Coward on Thursday April 22, 2004 @02:43PM (#8941624)
    How long a medium lasts is related to how well its cared for. I've seen cassettes that have lasted 30 years, but I've also seen 2 Inch multitrack tape (eg Ampex 499, around $300 for a 15-minute reel) become totally unusable after 10 years.

    Edison cyliders have lasted 100 years (with proper care), shellac 78's and magnetophon recordings have lasted 70 years (with proper care), reel-to-reel recordings have lasted 40 years (with proper care), and I suspect that CDs will last a long time - with proper care. Commercial CDs are nowhere near as resiliant as the inital marketing told us (who ever doubts marketing?), burned CDs substantially less so.

    So, for those who STILL haven't a clue on CD care, here it is again:

    1) Choose a CD that sandwiches that data layer between two polycarbonate sheets, rather than ones that have the data layer printed on (I'm looking at you, TDK). Make sure the rim of the disk is sealed with varnish (you can tell by looking closely);

    2) Keep away from light (of any kind). I know geeks don't get out much, but leaving anything in the sun is bad, and the polycarb in CDs is NOT UV stable, nor is the chemistry in the data layer (if it was that chemically stable, you wouldn't be able to burn it, would you? Think about it...);

    3) Store them somewhere not subject to large temerature variations (an old fire safe is good for this. I've said this before in other posts, but people got the wrong idea: a fire safe will not protect CDs from fire! It is simply a large, heavy, thermally stable box. Sure, you could use a cupboard in your basement, but most basements are not very dry, which brings up the next point);

    4) Keep 'em away from moisture & humidity. Don't throw out all those old silica gel packs, they're ideal. Tupperware is a good investment for archiving;

    5) Labels? Hmm, lets see, take a piece of paper covered with volatile solvents, and place it against your data layer. Anyone with half a brain could see that it was never a good idea (I've never labeled CDs with anything other than Xylene-free markers - not neat, but who cares what the CD looks like, I want my data intact). Labels, improperly positioned can cause imbalances in a CD which can make it unreadable, and gloss labels can cause CDs to become stuck in slot-load drives (iMac owner speaking from experience here, but it applies to car stereos too);

    6) Never, EVER, use CD-RW for permanent backups. They are less stable than CD-R, naturally. Use some logic, folks: if CD-RW were more stable that CD-R, it would be easier to erase a CD-R than a CD-RW, wouldn't it? Its more complicated in reality, but that sums it up in a nutshell (and I've already exceeded the attention span of most /.'ers)

    The down side of any digital medium is that in order to recover the data, you have to read ALL the 1's and 0's (or at least a good percentage of them, given reasonable error correction). Analog storage at least has the advantage that even a degraded signal is recoverable and intelligable, at least for speech applications. So while a cassette might be readable for much longer, it will start having problems like print-through, particle shedding and substrate stretch from day 1.

    No medium will last long if it isn't well cared for. Its as simple as that, but unfortunately some people are even more simple.
  • Re:Pressed vs DIY (Score:1, Informative)

    by Marxist Hacker 42 ( 638312 ) <seebert42@gmail.com> on Thursday April 22, 2004 @02:44PM (#8941636) Homepage Journal
    Cheap CD's the top label and the reflective layer are one and the same- no layer of plastic pressed in between like on a pressed CD. Thus it's EXTREMELY easy to scratch....
  • Re:Writing speed (Score:3, Informative)

    by CreatureComfort ( 741652 ) * on Thursday April 22, 2004 @02:47PM (#8941660)

    I have to agree with unothod0x. I have a Lite-On 48x24x48 CD-RW drive. If I burn any CD-R (tried using Memorex, Sony, and Maxell rated 24x up to 48x) at any speed higher than 4x my car CD player will not recognize the disk at all. At speeds of 4x or lower there seems to be no difference on that player. On my home stereo system, the CD player can read disks burned up to 12x, with some skipping, no skipping if burned at 4x or below. My APEX DVD player will only recognize VCDs burned at 8x or less. YMMV

  • Re:CD Rot (Score:2, Informative)

    by airjrdn ( 681898 ) on Thursday April 22, 2004 @02:47PM (#8941667) Homepage
    My problem with sleeves (with or without that felt material) is that they scratch CD's. I've got about 100 or so purchased audio CD's that are all but ruined from being in those things.

    I'll never use them again.
  • by bgalehouse ( 182357 ) on Thursday April 22, 2004 @02:52PM (#8941717)
    Umm... what literature would that be? There is a white paper [mitsuicdr.com] which explicitly states that the reflective later is 24k gold.
  • Cassette is the WORST FORMAT EVER RELEASED. It is the lowest quality, and the most error prone, even more error prone than r2r AND the fidelity is terrible. If you HAVE r2r then dear god, copy it to some high end format, not cassette.
  • Re:Writing speed (Score:5, Informative)

    by DroopyStonx ( 683090 ) on Thursday April 22, 2004 @03:21PM (#8942131)
    Honestly, I think it depends on the burner. I have no solid proof to back this up, but I have had experiences with it.

    It is a popular misconception that burned PS2 games will not work if burned over 1x. The reason this APPEARS to be true is because a lot of DVD burners suck ass, even the big brand name ones. Burn anything over 1x, and the PS2 can't read the data.

    Is it the PS2's fault? No. Reason being... I've witnessed DVD-Rs burned on 2.4-4x using a friend's DVD burner that will NOT play at all, but I take a DVD burned with MY DVD burner at 4x, it works perfectly! Same brand of disc and everything.

    Based on that, I think it's safe to say that it all depends on what you burn it with.
  • Re:NIST Study (Score:4, Informative)

    by mphase ( 644838 ) on Thursday April 22, 2004 @03:24PM (#8942175) Homepage
    Exactly WRONG! Alchohol based markers can in fact break down the layers whereas oil based ones cannot. I can't believe you could get it so completely ass backwards and be modded informative.
  • Re:Nonsense! (Score:2, Informative)

    by Niksie3 ( 222515 ) <nico@kist.nl> on Thursday April 22, 2004 @03:42PM (#8942462) Homepage
    two letters, dd

    For non unix users, dd can be used to copy a file bit for bit. Since Everything Is a File, you can copy a file to a harddrive without using a filesystem.
  • Comment removed (Score:2, Informative)

    by account_deleted ( 4530225 ) on Thursday April 22, 2004 @04:22PM (#8943066)
    Comment removed based on user account deletion
  • Re:Nonsense! (Score:3, Informative)

    by shokk ( 187512 ) <ernieoporto AT yahoo DOT com> on Thursday April 22, 2004 @04:31PM (#8943189) Homepage Journal
    When you have the amount of data you are talking about, you are not storing it on a single drive, but on some sort of RAID5 array. So long as that array supports hot spares and hot plug, like a Network Appliance box does, the system will automatically replace a failed drive from the spares spool and you can remove the failed drive to replace it with a good one. Storage eventually becomes a game of constantly juggling disks.

    Beyond this, you have to worry about redundant acccess to the data at the same location (drives are OK, but system board dies), and redundant data in case of catastrophic loss such as natural disaster or terrorist attach. In the first case you would probably cluster, and in the latter case you would perform some sort of mirroring. If you are further serious about this, you of course have redundant data lines between locations (of multiple types - satellite, some T1s, DSL, etc) so you can guarantee the mirroring, and you cluster at each location.

    Of course, none of the above will guarantee your data survives a comet strike, but perhaps someone will begin vaulting services on the bright side of the moon just in case.
  • Re:NIST Study (Score:2, Informative)

    by lkeagle ( 519176 ) on Thursday April 22, 2004 @06:47PM (#8944620) Homepage
    The original poster already responded to this in his link:

    2. Use a non solvent-based felt-tip permanent marker to mark the label side of the disc.

    Last I checked, alcohol is a pretty damn good solvent... Oh yeah, water is too, actually...

    Oil? Not so much, although it may degrade the surface of the media in other ways.
  • Early CD experiences (Score:3, Informative)

    by infolib ( 618234 ) on Thursday April 22, 2004 @07:40PM (#8945081)
    The nat'l library of Denmark is now copying CDs (pressed, not burned) that they archived in mid/early 80ies. They have an archive of 25'000 CDs - never played, never exposed to light or heat. Just last week an article [politiken.dk] (danish sorry) about it. Select quotes:

    On some there was an oily creamy layer on the bottom side. On others there were lots of needle thin holes in the disk - you could actually see light through. Still others had the different layers separating, with water in between [...] We've seen the phenomenon in the very first generation of CDs from the early 80ies. In a box of 50 CDs from the same year there were maybe two dissolving, so lifetime must depend on manufacturer and material
  • Re:Nonsense! (Score:3, Informative)

    by Eivind ( 15695 ) <eivindorama@gmail.com> on Friday April 23, 2004 @04:51AM (#8947670) Homepage
    par2. It's a program mostly used for posting big binaries on usenet, but it works perfectly for this purpose. The basic idea is that you split the file into n+x pieces in such a way that any n pieces is sufficient to recreate the entire file. So, for example, assuming the recording of grandpa is 100MB, you use par2 to split it into (for example) 6 25MB pieces in such a way that *ANY* 4 of those pieces can be reassembled to the original file. Offcourse you could just make multiple complete copies, but that would take more space. the 6*25MB pieces take only 1.5 times as much place as the original 100MB, but you're still safe aslong as no more than 2 of those 6 pieces go lost or corrupted.

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