The first year, Motown released a series of albums packed with outtakes by some of its major acts, and Sony released a limited-edition collection of 1962 outtakes by Bob Dylan, with the surprisingly frank title, "The Copyright Extension Collection, Vol. I." In 2013, Sony released a second Dylan set, devoted to previously unreleased 1963 recordings. Similar recordings by the Beatles and the Beach Boys followed. This year, Sony is releasing a limited-edition nine-LP set of 1964 recordings by Dylan, including a 46-second try at "Mr. Tambourine Man," which he would not complete until 1965. The Beach Boys released two copyright-extension sets of outtakes last week. And while there's no official word on a Beatles release, last year around this time, "The Beatles Bootleg Recordings 1963" turned up unannounced on iTunes.
But some funeral directors question if online funerals are helpful to the grieving process and eschew streaming funerals live because they do not want to replace a communal human experience with a solitary digital one. What happens if there's a technical problem with the webcast — will we grieve even more knowing we missed the service in person and online? Does webcasting bode well for the future of death acceptance, or does it only promote of our further alienation from that inevitable moment? "The physical dead body is proof of death, tangible evidence that the person we love is gone, and that we will someday be gone as well," says Caitlin Doughty, a death theorist and mortician. "To have death and mourning transferred online takes away that tangible proof. What is there to show us that death is real?"
Other times, the culprit is the perception of the sound itself: some letters and letter combinations sound remarkably alike, and we need further cues, whether visual or contextual, to help us out. In a phenomenon known as the McGurk effect, people can be made to hear one consonant when a similar one is being spoken. "There's a bathroom on the right" standing in for "there's a bad moon on the rise" is a succession of such similarities adding up to two equally coherent alternatives.
Finally along with knowledge, we're governed by familiarity: we are more likely to select a word or phrase that we're familiar with, a phenomenon known as Zipf's law. One of the reasons that "Excuse me while I kiss this guy" substituted for Jimi Hendrix's "Excuse me while I kiss the sky" remains one of the most widely reported mondegreens of all time can be explained in part by frequency. It's much more common to hear of people kissing guys than skies.
At the heart of the case is that Apple's use of DRM harmed customers by raising the price of the iPod and that Apple removed other competitor's music from the iPod — namely RealPlayer's Harmony music files. Apple does not dispute that it removed RealPlayer's files, but contends it was done for security reasons as RealPlayer was able to get the music files onto the iPod by posing as Apple FairPlay files. In testimony, Steve Jobs called RealPlayer's move "a hack" and there was considerable discussion at the time."
The media strategy that seems to be driving Jeff Bezos to make mobile consumption devices (with Amazon's media stores and Prime video/music) is flawed. No one makes money selling media for consumption anymore. That market is quickly and brutally dying. The media market is now so efficient that all profit is completely sucked out of the equation by the time you get to the consumption delivery system, to the point that it is barely possible to break even."