An anonymous reader writes: After years of rulings against The Pirate Bay around Europe, a Swedish court has now ruled that the country's ISPs can't be forced to block access to the torrent indexer. The case centers around copyright holders and an ISP called Bredbandsbolaget. The ISP refused to comply with demands that music pirates be cut off from internet access. When rightsholders couldn't get traction that way, they added Bredbandsbolaget to their list of targets. The court found that the ISP does not "participate" in copyright infringement carried out by its subscribers, and is thus not liable for any damages incurred.
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An anonymous reader writes: A judge allowed a software pirate to make a anti-piracy PSA and get away from paying a $373,000 / €351,000 fine he owed Microsoft and other software manufacturers. The only condition was that his video should get over 200,000 views on YouTube. From the BBC's coverage of the trial's unusual outcome: [The defendant, known only as Jakub F] came to the out-of-court settlement with a host of firms whose software he pirated after being convicted by a Czech court. In return, they agreed not to sue him. ... The firms, which included Microsoft, HBO Europe, Sony Music and Twentieth Century Fox, estimated that the financial damage amounted to 5.7m Czech Crowns (£148,000). But the Business Software Alliance (BSA), which represented Microsoft, acknowledged that Jakub could not pay that sum. Instead, the companies said they would be happy to receive only a small payment and his co-operation in the production of the video. In order for the firms' promise not to sue to be valid, they said, the video would have to be viewed at least 200,000 times within two months of its publication this week. ... But, if the video did not reach the target, the spokesman said that — "in theory" — the firms would have grounds to bring a civil case for damages."
An anonymous reader writes with news that Cox Communications' insurer, Lloyds Of London underwriter Beazley, is refusing to cover legal costs and any liabilities from the case brought against it by BMG and Round Hill Music. TorrentFreak reports: "Trouble continues for one of the largest Internet providers in the United States, with a Lloyds underwriter now suing Cox Communications over an insurance dispute. The insurer is refusing to cover legal fees and potential piracy damages in Cox's case against BMG Rights Management and Round Hill Music. Following a ruling from a Virginia federal court that Cox is not protected by the safe-harbor provisions of the DMCA, the Internet provider must now deal with another setback. Following a ruling from a Virginia federal court that Cox is not protected by the safe-harbor provisions of the DMCA, the Internet provider must now deal with another setback."
SysKoll writes: The DMCA is well-known for giving exorbitant powers to copyright holders, such as taking down a page or a whole web site without a court order. Media companies buy services from vendors like Rightscorp, a shake-down outfit that issues thousands of robot-generated take-down notices and issues threats against ISPs and sites ignoring them. Cox, like a lot of ISPs, is inundated with abusive take-down notices, in particular from Rightscorp. Now, BMG Rights Management and Round Hill Music are suing Cox for refusing to shut off the Internet access of subscribers that Rightscorp accused of downloading music via BitTorrent. Cox argues that as an ISP, they benefit from the Safe Harbor provision that shields access providers from subscribers' misbehavior. Not so, says U.S. District Judge Liam O'Grady. The judge sided with the media companies ahead of trial, saying Cox should have terminated the repeat offenders accused by Rightscorp. Cox's response is quite entertaining for a legal document (PDF): its description of Rightscorp includes the terms "shady," "shake-down," and "pay no attention to the facts." O'Grady also derided the Electronic Frontier Foundation's attempt to file an amicus brief supporting Cox, calling them hysterical crybabies.
retroworks writes: According to a recent tweet from the #OpParis account, Anonymous are delivering on their threat to hack Isis, and are now flooding all pro-Isis hastags with the grandfather of all 2007 memes — Rick Astley's "Never Gonna Give You Up" music video. Whenever a targeted Isis account tries to spread a message, the topic will instead be flooded with countless videos of Rick Astley circa 1987. Not all are praising Anonymous methods, however. While Metro UK reports that the attacks have been successful, finding and shutting down 5,500 Twitter accounts, the article also indicates that professional security agencies have seen sources they monitor shut down. Rick Astley drowns out intelligence as well as recruitment.
An anonymous reader writes: Pandora is acquiring music subscription service Rdio for $75 million in cash. "The transaction is contingent upon Rdio seeking protection in the United States Bankruptcy Court for the Northern District of California. Upon approval of the proposed transaction by the bankruptcy court, Rdio will be winding down the Rdio-branded service in all markets," Pandora said in a statement. TechCrunch reports: "That was fast: just as soon as it was reported that Pandora was in talks to buy Rdio, the two sides have confirmed that an acquisition is indeed taking place. Pandora has acquired "key assets" from Rdio for $75 million, the company has just announced. But as part of it, the Rdio service as we know it is tanking: the streaming service is shutting down and Rdio is filing for bankruptcy."
An anonymous reader writes: The music industry has long argued that evidence of BitTorrent is evidence of piracy, and ISPs have generally gone along with them. But now, ISP Cox Communications is pushing back against that claim. They have been sued by publishers for failing to halt service for users alleged to have pirated music. Not only has Cox argued that the piracy evidence is invalid, they're also contesting the idea that BitTorrent is only used for piracy (PDF). "Instead of generalizing BitTorrent traffic as copyright infringement, the music companies should offer direct proof that Cox subscribers pirated their work. Any other allegations are inappropriate and misleading according to Cox." The company says, "the Court should preclude Plaintiffs from relying on mere innuendo that BitTorrent inherently allows individuals to infringe Plaintiffs' copyrights."
alphadogg writes: It's one of those "You mean it was still alive?" moments: Microsoft today officially has killed off its Zune music streaming and download service. The company notified users in September that Zune services would be retired on Nov. 15. Microsoft has been phasing out its Zune brand for some time now, with Zune music service being morphed into Xbox music and then Groove music. Devices were discontinued in 2011.
UnknowingFool writes: After November 30, Beats Music subscriptions will be cancelled and no longer work, according to Apple. Subscribers can use Apple Music, which has many of the same features. This shutdown was not unexpected when Apple purchased Beats last year for $3 billion, as Apple has a history of buying companies for various reasons other the products. Many former companies have been absorbed into Apple in one form or another in this manner: the technology of Fingerworks peripherals was the start of multi-touch for iPhones; PA Semi and Intrinsity personnel were the core of Apple's internal chip design teams; and AuthenTec made biometric technology that became the backbone of Touch ID.
An anonymous reader writes with a cool hack for making an electric wheelchair voice activated. Robotics Trends reports: "Amazon Echo, which is designed around your voice, answers to 'Alexa' and can tell you scores, read your book, play your music, or check your calendar. And if you have a smart home, Echo can control lights and other technology. Bob Paradiso, however, wondered if he 'could push Echo's utility a little further.' He certainly did. Paradiso turned an electric wheelchair into a voice-controlled wheelchair using Echo, a Raspberry Pi and Arduino Uno. Echo thinks it's turning lights on and off, but it's really controlling the wheelchair. Paradiso says, 'Alexa, turn on left 4' and the wheelchair spins. He then says, 'Alexa, turn on forward 4' and the wheelchair moves forward."
jones_supa writes: Finland has rolled out images of a couple in a sauna, a legendary Nokia phone (the 3310) and a heavy metal music fan as part of a set of official national emojis to be used in communication. Billing the use of national symbols for themed emojis as a world first, the government plans to publish the full set in December – for anyone in the world to download on its promotional website. "The Finland emojis were designed with a tongue in cheek approach, but I hope that they will tell the world not only about our special features but also something about our strengths," said Petra Theman, director for public diplomacy at the foreign ministry.
New submitter IMightB writes: My question is basically what is the best smart watch style device for runners. Must have features GPS, bluetooth and music storage for roughly 5 hours of use during a marathon. Pretty much everything else is a nice to have. My wife has recently decided to enter her first marathon and unfortunately, the other day during a training run her 7gen iPod Mini gave up the ghost due to moisture accumulating in the armband and her Garmin Forerunner 15 only lasts about 3 hours with GPS on (despite Manufacturer claims to the contrary). She would like to consolidate devices down to something with a watch style format and start using a bluetooth headset. I currently use, and really like, a pair of aging Jaybird JF3's for a bluetooth headset and will probably recommend to her whatever Jaybirds current equivalent is in their lineup. But the watch portion is eluding me still. Based on my current research, the Sony SmartWatch 3 may be the only one that fits my wife's 'Must have Requirements' Are there other options available? Can anyone with marathon or distance running experience share their thoughts on this subject? Thanks in Advance.
AmiMoJo writes: A tweet from Tom Conrad has highlighted an issue with Apple's Siri digital assistant. When asked certain questions about music, Siri refuses to answer unless you subscribe to Apple Music. Instead of falling back to a web search for the information, Siri tells the user that it cannot respond due to the lack of a subscription. Apple Music has been the source of music related data for Siri since it launched, but until now did not require a subscription to answer questions.
alphadogg writes: Hackers really have had their way with Sony over the past year, taking down its Playstation Network last Christmas Day and creating an international incident by exposing confidential data from Sony Pictures Entertainment in response to The Interview. Some say all this is karmic payback for what's become known as a seminal moment in malware history: Sony BMG sneaking rootkits into music CDs 10 years ago in the name of digital rights management. 'In a sense, it was the first thing Sony did that made hackers love to hate them,' says Bruce Schneier, CTO for Resilient Systems. Sony's scheme was revealed on Halloween of 2005, and was followed by a botched response, issuing and reissuing of rootkit removal tools, and lawsuits. There are object lessons from the incident which are relevant today.
An anonymous reader writes: Mitch Martinez creates high-resolution stock video footage, and then licenses it out to people who need footage to go along with their creative projects. He has written an article at PetaPixel explaining his bizarre interaction with Sony Music Entertainment, and the hassle they put him through to fix it. Martinez licensed one of his videos to Epic Records, and they used it as background for a music video on YouTube. Less than two months later, his original video on YouTube was hit with a copyright claim from Sony. After figuring out that Epic Records was a subsidiary to Sony, he disputed the copyright claim — which is usually the end of it. But after reviewing the videos, Sony rejected it, saying their claim was still valid. Martinez then tried to contact the person at Epic Records to whom he issued the license. None of his emails got a response. Then he had to get in touch with Epic's legal department. After a lengthy series of emails, voicemails, and phone calls, he finally got somebody to admit it was his video. It still took a few more calls to work out the details, but the company finally released the copyright claim. Martinez concludes by offering some tips on how to resolve such claims.
An anonymous reader writes: YouTube is launching a subscription plan in the U.S. called Red that combines ad-free videos, new original series and movies. The official blog post reads in part: "On October 28, we’re giving fans exactly what they want. Introducing YouTube Red -- a new membership designed to provide you with the ultimate YouTube experience. YouTube Red lets you enjoy videos across all of YouTube without ads, while also letting you save videos to watch offline on your phone or tablet and play videos in the background, all for $9.99 a month. Your membership extends across devices and anywhere you sign into YouTube, including our recently launched Gaming app and a brand new YouTube Music app we’re announcing today that will be available soon."
New submitter dbosman writes: A donation from Rovi Corp. announced Monday is bringing a gigantic media collection to Michigan State University that includes more than 850,000 CDs, DVDs, Blu-rays and video games. “We are honored to be the proprietors of the largest media archive in the country, which has quickly become the most requested material in the Michigan inter-library loan system,” said Clifford H. Haka, director of libraries, Michigan State University. “The ‘Rovi Media Collection’ dramatically enhances our teaching curriculum and research within the College of Music, popular culture and film studies, and an emerging gaming program. Assembling a collection of such cultural and historic importance and overall magnitude would simply not have been feasible with our current budget. On behalf of all of our users at MSU and across Michigan, we thank Rovi for this generous gift.”
An anonymous reader writes: As music distribution has flourished, the popularity of live performances in certain genres has begun to wane. Symphony orchestra attendance has been dropping for years. A new report says ticket sales have dropped by 2.8% annually for the past decade. The downward trend has caused many performing groups to experiment with ways to appeal more to modern audiences. One way they're finding success is by including music from video games. "Orchestral videogame concerts first gained a following in Japan in the mid-1980s and spread to parts of Europe in the early 2000s. They began appearing regularly in pops repertoires in the U.S. about a decade ago as orchestras sought younger, more diverse audiences. Unlike classical-music performances, videogame shows feature arrangements that blend looping tracks of music designed to match various moments in a game, such as a slow, eerie medley of piano, percussion and string as the videogame character navigates a castle dungeon. ... The story of The Legend of Zelda isn't a far cry from such classics as Mozart's The Magic Flute. Both tales involve a brave fellow in a quest to rescue a damsel from a villain's clutches