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In a recent podcast interview he had with Geoff Keighley, Valve CEO Gabe Newell opens up the current situation a bit more: "I'm a fan of TV shows, I'm a fan of writers, I'm a fan of movies, I'm a fan of games and I certainly understand why people are like, you know, hey I remember this awesome experience and I'm starting to get worried that I'm never going to have it again. I am a fan of Terry Pratchett and he has Alzheimer's, it's like, Oh my god, I may never get another great Discworld novel. [...] We aren't going to go all retro because there are too many interesting things that have been learned. The only reason we would go back and do a 'super classic' kind of product is if a whole bunch of people internally at Valve said they wanted to do it, and had a reasonable explanation for why it was."
The problem was that the view of the other side when travelling through a wormhole turns out to be visually indistinguishable from a conventional camera zoom and utterly unlike the impression Nolan wanted to portray, which was the sense of travelling through a shortcut from one part of the universe to another. So for the final cut, special effects artists had to add various animations to convey that impression. "The end result was a sequence of shots that told a story comprehensible by a general audience while resembling the wormhole's interior," admit Thorne and colleagues in a paper they have published about wormhole science in the film. In other words, they had to fudge it. Nevertheless, Thorne is adamant that the visualisations should help to inspire a new generation of students of film-making and of relativity.
From the announcement: "Under the deal, the new Spider-Man will first appear in a Marvel film from Marvel's Cinematic Universe (MCU). Sony Pictures will thereafter release the next installment of its $4 billion Spider-Man franchise, on July 28, 2017, in a film that will be co-produced by Kevin Feige and his expert team at Marvel and Amy Pascal, who oversaw the franchise launch for the studio 13 years ago. Together, they will collaborate on a new creative direction for the web slinger. Sony Pictures will continue to finance, distribute, own and have final creative control of the Spider-Man films. Marvel and Sony Pictures are also exploring opportunities to integrate characters from the MCU into future Spider-Man films."
The world of film and TV development is a confusing one, but it appears that NBC initially bought options to turn it into a mini series which were then optioned by Universal/Red Eagle Entertainment in conjunction with Red Eagle Games to do a coordinated release. Red Eagle games announced a combined effort with Jet Set games and around 2012 began releasing information on an "Aiel War" project to target mobile gaming platforms. But that appeared to die with its failed kickstarter attempt. It is suspected that Red Eagle Entertainment is behind the odd FXX airing last night. Was this an eleventh hour "use it or lose it" move by Red Eagle Entertainment without Universal's knowledge? In any case, it was a secretive, odd, low-budget, disappointing start to The Wheel of Time in film.