YouTube Says It Has More Than 100 Million Premium and Music Subscribers (variety.com) 48
The announcement comes after Alphabet, in reporting fourth-quarter 2023 earnings, boasted that YouTube and Google subscription services generated more than $15 billion in revenue last year. That includes YouTube Premium and YouTube Music, as well as YouTube TV and Google One cloud storage.
Remembering The 1970s-Era Technology of Devo (msn.com) 43
As a new documentary about the group celebrates its Sundance world premiere, the Los Angeles Times explores how the band made innovative use of the technology of its time: With their yellow radiation suits, red "energy dome" hats and manic energy, part playful and part angry, the band Devo combined the futuristic glamour of new wave with atomic-age anxieties and post-'60s disillusionment.... Uniquely, the band developed a fully formed, intricate internal philosophy and mythology built around the idea that humans were "de-evolving" by becoming dumber and less sophisticated. The mascot of the band, known as "Booji Boy," was an infantile urchin in a rubber mask...
Was there an idea to document the band right from the very start? It's incredible that there's footage of the very first show in 1973.
GERALD CASALE: We were that delusional, yes. And we were trying to document ourselves when nobody was interested in doing that. And when it was quite expensive and clumsy to do it. You're dealing with Sony U-matic reel-to-reel recorders and big heavy cameras and a scarcity of equipment and very little interest. I mean, my God, if a Devo of now existed like we did, then clearly, there'd be a million cellphone videos.
MARK MOTHERSBAUGH: [...] Bob was the first of us to direct a video, back when he was in high school. Bob and me, our dad, starting when we were like babies, like 1 year old, he'd bring out an 8-millimeter camera that didn't have sound, and so he shot hundreds and hundreds of these films through the years, just family stuff. So we always kind of liked that. And Jerry was doing films at Kent State with Chuck Statler before Chuck said, "Hey, let's do a film with a couple of the songs in it." So we were always audio-visual. We were always thinking in both worlds...
[DOCUMENTARY DIRECTOR] CHRIS SMITH: One of my favorite details in looking through the old footage is, there's an early show that was recorded in black-and-white, and they have such limited materials to work with, yet they do this thing where the light goes on and off on both sides of the stage. And to me it was so emblematic of where they were going because they were making something that you hadn't seen before that was super creative and visually distinctive and interesting out of something we all had to work with... You could see in that footage, the inventiveness that wasn't a result of means — it was something that was just created out of what they had to work with at that time.
MARK MOTHERSBAUGH: [...] Sonically, a lot of what we did was just related to the fact that Bob Mothersbaugh bought a four-track TEAC. So we had this machine that could record four little skinny channels on a quarter-inch tape. It was an amateur home-tape machine, but it made us think about our parts, because we thought, well, OK, you're only going to get to do the bass on one track, and the guitar on one track and the drums on one track and the synth. You're not going to do all these overdubs. We had to think about it, what was an essential part. So we'd work on the song till you could play it just in one pass. Everything essential. I think it really made the early stuff sound really strong because of that.
You really get a sense of that on their 1978 song "Mongoloid." But the 2023 documentary's director doesn't see his film as an ending bookmark for the band. "They're still touring. They're all still actively creatively pursuing many different things, as I hope that you would expect after seeing the film."
And speaking specifically about the documentary. Mark Mothersbaugh says Booji Boy "describes it as a halfway point to the year of 2073, where we'll celebrate the 100-year anniversary." Booji Boy also says the next 50 years will be more about action. "And it'll be about positive mutation. Mutate, don't stagnate."
Now Musicians' Union Threatens Possible Strike Over AI, Streaming Media (cnn.com) 64
The AFM says it has roughly 70,000 members in the United States and Canada. Members include instrumental musicians working in orchestras, bands, clubs and theater who create music for film, television, commercials and other mediums.
Music Streaming Platforms Must Pay Artists More, Says EU (theverge.com) 58
The proposition was made to ensure European musical works are accessible and avoid being overshadowed by the "overwhelming amount" of content being continually added to streaming platforms like Spotify. MEPs also called for outdated "pre-digital" royalty rates to be revised, noting that some schemes force performers to accept little to no revenue in exchange for greater exposure. Imposing quotas for European musical works is being considered to help promote artists in the EU.
Apple's App Store Rule Changes Draw Sharp Rebuke From Critics (daringfireball.net) 55
Apple should have been looking for ways to lessen regulatory and legislative pressure over the past few years, and in today's climate that's more true than ever. But instead, their stance has seemingly been "Bring it on." Confrontational, not conciliatory, conceding not an inch. Rather than take a sure win with most of what they could want, Apple is seemingly hell-bent on trying to keep everything. To win in chess all you need is to capture your opponent's king. Apple seemingly wants to capture every last piece on the boardâ--âeven while playing in a tournament where the referees (regulators) are known to look askance at blatant poor sportsmanship (greed).
Apple's calculus should be to balance its natural desire to book large amounts of revenue from the App Store with policies that to some degree placate, rather than antagonize, regulators and legislators. No matter what the sport, no matter what the letter of the rulebook says, it's never a good idea to piss off the refs.
Harmonix Is Ending Rock Band DLC Releases After 16 Years, 2,800 Songs (arstechnica.com) 15
While official support for Rock Band DLC is finally ending, the community behind Clone Hero just recently hit an official Version 1.0 release for their PC-based rhythm game that's compatible with many guitars, drums, keyboards, gamepads, and adapters used in Rock Band and other console rhythm games (microphones excluded). While that game doesn't come with anything like Rock Band's list of officially licensed song content, it's not hard to find a bevy of downloadable, fan-made custom Clone Hero tracks with a little bit of searching.
Since shortly after its acquisition by Epic in 2021, Harmonix has been working on "Fortnite Festival," the incredibly Rock Band-esque mini-game embedded in Epic's Fortnite "metaverse." Sussman writes that a "rotating selection" of free-to-play songs will continue to cycle through that game mode, and that support for Rock Band 4 instruments will be coming to Fortnite in the future as well (peripheral-maker PDP looks like it will be getting in on the Fortnite guitar act as well). As for the last few weeks of Rock Band DLC offerings, Sussman writes that Harmonix is planning "some tear jerkers that sum up our feelings about this moment."
Ken Fritz Built a $1 Million Stereo. The Real Cost Was Unfathomable. (washingtonpost.com) 222
No, building the world's greatest stereo would mean transforming the very space that surrounded it -- and the lives of the people who dwelt there. The faded photos tell the story of how the Fritz family helped him turn the living room of their modest split-level ranch on Hybla Road in Richmond's North Chesterfield neighborhood into something of a concert hall -- an environment precisely engineered for the one-of-a-kind acoustic majesty he craved. In one snapshot, his three daughters hold up new siding for their expanding home. In another, his two boys pose next to the massive speaker shells. There's the man of the house himself, a compact guy with slicked-back hair and a thin goatee, on the floor making adjustments to the system. He later estimated he spent $1 million on his mission, a number that did not begin to reflect the wear and tear on the household, the hidden costs of his children's unpaid labor.
Linux Mint 21.3: Its First Official Release with Wayland Support (omgubuntu.co.uk) 71
It's the first version to offer Wayland support in its Cinnamon desktop: Following a successful bout of bug-busting in last month's beta release, Mint devs have gone ahead and rubber-stamped a stable release. Thus, you can reasonably expect to not encounter any major issues when installing or using it... [I]t's based on Ubuntu 22.04 LTS and continues to use the Linux 5.15 kernel by default, but newer kernels are available to install within the OS...
In my own testing I find Cinnamon's Wayland support to be well-rounded. It's not perfect but I didn't hit any major snafus that prevented me from working (though admittedly I did only attempt 'basic' tasks like web browsing, playing music, and adding applets). However, Cinnamon's Wayland support is in an early state, is not enabled by default, and Linux Mint devs expect it won't be good enough for everyone until the 23.x series (due 2026) at the earliest. Still, try it out yourself and see if it works for you. Select the 'Cinnamon on Wayland (Experimental)' session from the login screen session selector, and then login as normal...
Additionally, the latest version of Mozilla Firefox is pre-installed (as a deb, not a Snap)
Among the new features are a whole new category of desktop add-ons — "Actions" — which upgrade the right-clicking context menu. (So for .iso files there's two new choices: "Verify" or "Make bootable USB stick".)
The article says there's also "a raft of smaller refinements," plus "a bevvy of buffs and embellishments" for Linux Mint's homegrown apps.
Any Linux Mint users reading Slashdot? Share your thoughts or experiences in the comments...
California Tech Company's 'Return-to-Office' Video Mocked as Bizarre, Cringe-Worthy (sfgate.com) 240
Their solution? Create a cheery corporate video on the company's Vimeo account announcing a new (non-negotiable) hybrid return-to-office policy.
SFGate.com calls it "the return-to-office fight's most bizarre corporate messaging yet." Executives from Internet Brands' internet brands are so wide-eyed and declarative, they appear to be at their breaking point in wanting more workers at the office. "Too big of a group hasn't returned," CEO Bob Brisco complains, near the video's opening. The vehicle to deliver that message has it all: rapid jump cuts, odd sound mixing and executives clearly reading their lines from teleprompters. There's plainly faked office b-roll and the obvious use of green screens. There's even some enthusiastic (and awkward) sashaying to the New Orleans classic "Iko Iko" — one wonders if participating employees received compensation.
Interestingly, "Iko Iko" is a song about a collision between two rival tribes, which opens with a threat to "set your flag on fire." But subtitles on the video translate the song's Creole patois word "Jockamo" into the corporate-positive phrase "we mean business." It's like the executives started their brainstorming session by watching 12 music videos, an iMovie editing tutorial and the entirety of "The Office" Season 1. Mixed in with the corporate b-roll of a copy machine spitting out paper and a too-loud video of a hand crushing a Dr. Pepper can, the company's executives sketch out the vibe of a return-to-office plan — though no specifics.
The video ends with CEO Bob Brisco thanking the team, before gently adding "I want to leave you with this. We aren't asking or negotiating at this point. We're informing, of how we need to work together going forward....
"Thank you, in advance, for your help."
The video has since started going viral on Reddit's "Work Reform" subreddit, with a headline calling it a "bizarre and cringe video mocking working from home and threatening employees who continue to avoid the office." (This take drew 1,300 upvotes, and 241 comments, like " 'By the way this is a threat' is a nice way to end it.")
Footage of at least some of the executives was clearly just spliced in front of still photos showing what offices look like. But besides the wooden delivery, what really struck me is how generic all the words were:
- "Working together face-to-face helps us create ideas, faster, and better."
- "We're able to collaborate, and help each other to be better leaders."
- "We're better when we're together, and we need to be our best — to crush our competition." [Footage of the word "competition" being erased from a whiteboard. And then, of someone crushing a Dr. Pepper can...]
'Artificial Creativity' Music Software For Commodore Amiga Unearthed (breakintochat.com) 39
Kirschen's technology was used to help score a BBC TV documentary in 1988, and was covered by the New York Times and other major newspapers. None of the Amiga software was ever sold, though the technology was ported to PC and published under the name "The Music Creator" in 1989.
Startup Debuts Pocket AI Companion, Sells Out 10,000 In One Day (theverge.com) 22
Music Streams Hit 4 Trillion in 2023 (apnews.com) 21
Piracy Is Surging Again Because Streaming Execs Ignored The Lessons Of The Past (techdirt.com) 259
After several decades of kicking and screaming, studio and music execs somewhere around 2010 finally realized they needed to offer users affordable access to easy-to-use online content resources. They finally realized they needed to compete with piracy and focus on consumer satisfaction whether they liked the concept or not. And unsurprisingly, once they learned that lesson piracy began to dramatically decrease. That was until 2021, when piracy rates began to climb slowly upward again in the U.S. and EU. As the Daily Beast notes, users have grown increasingly frustrated at having to hunt and peck through a universe of different, often terrible streaming services just to find a single film or television program.
As every last broadcaster, cable company, broadband provider, and tech company got into streaming they began to lock down "must watch" content behind an ever-shifting number of exclusivity silos, across an ocean of sometimes substandard "me too" services. Initially competition worked, but as the market saturated and the most powerful companies started to silo content, those benefits have been muted. Now users have to hunt and peck between Disney+, Netflix, Starz, Max, Apple+, Acorn, Paramount+, Hulu, Peacock, Amazon Prime, and countless other services in the hopes that a service has the rights to a particular film or program. When you already pay for five different services, you're not keen to sign up to fucking Starz just to watch a single 90s film. And availability is constantly shifting, confusing things further.
ZDNet Calls Rhino Linux 'New Coolest Linux Distro' (zdnet.com) 52
Thanks to myriad configuration options, Xfce can be a bit daunting. At the same time, the array of settings makes Xfce highly customizable, which is exactly what the Rhino developers did when they designed this desktop. For those who want a desktop that makes short work of accessing files, the Rhino developers have added a really nifty tool to the top bar. You'll find a listing of some folders you have in your Home directory (Files, Documents, Music, Pictures, Video). If you click on one of those entries, you'll see a list of the most recently accessed files within the directory. Click on the file you want to open with the default, associated application...
Rhino opts for the Pacstall package manager over the traditional apt-get. That's not to say apt-get isn't on the system — it is. But with Rhino Linux, there's a much easier path to getting the software you want installed... [W]hen you first run the installed OS, you are greeted with a window that allows you to select what package managers you want to use. You can select from Snap, Flatpak, and AppImages (or all three). Next, the developers added a handy tool (rhino-pkg) that makes installing from the command line very simple.
When the distro launched in August, 9to5Linux described it as "a unique distribution for Ubuntu fans who wanted a rolling-release system where they install once and receive updates forever." The theming looks gorgeous and it's provided by the Elementary Xfce Darker icon theme, Xubuntu's Greybird GTK theme, and Ubuntu's Yaru Dark WM theme. It also comes with some cool features, such as a dedicated and full-screen desktop switcher provided by Xfdashboard...
Ask Slashdot: Does Anyone Still Use Ogg Vorbis Format? (slashdot.org) 148
But Slashdot reader joshuark admits when he first heard the name, it reminded him of the mushroom underworld in The Secret World of Og. I've downloaded videos from the Internet Archive, and one format is the OGG or Ogg Vorbis player format. I just was wondering with other formats, is Ogg still used anymore after approximately 20-years?
I'm not commenting on good/bad/whatever about the format, just is it still in use, relevant anymore?
The nonprofit Xiph.Org Foundation (which develops Orbis Vogg) started work in 2007 on the high-quality/low-delay format Opus, which their FAQ argues "theoretically" makes other lossy codecs obsolete. "From technical point of view (loss, delay, bitrates...) it can replace both Vorbis and Speex, and the common proprietary codecs too."
But elsewhere Xiph.org points out that "The bitstream format for Vorbis I was frozen Monday, May 8th 2000. All bitstreams encoded since will remain compatible with all future releases of Vorbis." So how is that playing out in 2024? Share your own thoughts in the comments.
Does anyone still use Ogg Vorbis format?
An AI-powered Holographic Elvis Concert is Coming to Las Vegas (and the UK) (miamiherald.com) 39
"Man, I really like Vegas," he once reportedly said. The British immersive entertainment company Layered Reality partnered with Authentic Brands Group, which owns the rights to Elvis' image, to create the event.
"The show peaks with a concert experience that will recreate the seismic impact of seeing Elvis live for a whole new generation of fans, blurring the lines between reality and fantasy," Layered Reality said on its website. "A life-sized digital Elvis will share his most iconic songs and moves for the very first time on a UK stage." The company previously made immersive experiences based on the Gunpowder Plot of 1605 and "The War of The Worlds."
Spotify's Editorial Playlists Are Losing Influence Amid AI Expansion (bloomberg.com) 14
As the automated submission system took hold, the editors gradually grew more anonymous and less associated with particular playlists. In a handbook for the editorial team, Spotify instructed curators not to claim ownership of any one playlist. At the same time, Spotify began introducing multiple splashy features meant to encourage algorithm-driven listening, including an AI DJ and Daylist, two features that constantly change to fit listeners' habits and interests. (Spotify says "human expertise" guides the AI DJ.) Last year, Spotify laid off members of the teams involved in making playlists as part of its various cuts. And over time, the shift in emphasis has had consequences outside the company as well. These days, the same music industry sources who in the late 2010s learned to obsess over what was included and excluded from key Spotify playlists have started noticing something else -- it no longer seems to matter as much. Employees at different major labels say they've seen streams coming from RapCaviar drop anywhere from 30% to 50%.
The trend towards automated music discovery at Spotify shows no sign of slowing down. One internal presentation titled "Recapturing the Zeitgeist" encourages editorial curators to better utilize data. According to the people who have seen the plan, in addition to putting together a playlist, editorial curators would tag songs to help the algorithm accurately place them on relevant playlists that are automatically personalized for individual subscribers. The company has also shifted some human-curated playlists to personalized versions, including selections with seven-figure followings, like Housewerk and Indie Pop. These days, Spotify is also promoting something called Discovery Mode, wherein labels and artist teams can submit songs for additional algorithm pushes in exchange for a lower royalty rate. These tracks can only surface on personalized listening sessions, a former employee said, meaning Spotify would have a financial incentive to push people to them over editorially curated playlists. (For now, Discovery Mode songs only surface in radio or autoplay listening sessions.) The shift toward algorithmic distribution isn't necessarily a bad thing, says Dan Smith, US general manager at Armada, an independent dance label. "The way fans discovered new music was radio back in the day, then Spotify editorial playlists, then there were a few years where people only discovered new music through TikTok," Brad said. "All those things still work ... we're all just trying different ways to make sure songs get to the right people."
Early Mickey Mouse Finally Enters Public Domain (bbc.co.uk) 65
Steamboat Willie, a 1928 short film featuring early non-speaking versions of Mickey and Minnie, is widely seen as the moment that transformed Disney's fortunes and made cinema history.
Their images are now available to the public in the US, after Disney's copyright expired.
It means creatives like cartoonists can now rework and use the earliest versions of Mickey and Minnie.
In fact, anyone can use those versions without permission or cost.
But Disney warned that more modern versions of Mickey are still covered by copyright.
'We will, of course, continue to protect our rights in the more modern versions of Mickey Mouse and other works that remain subject to copyright,' the company said.
US copyright law says the rights to characters can be held for 95 years, which means the characters in Steamboat Willie entered the public domain on Monday, 1 January 2024.
Those works can now legally be shared, performed, reused, repurposed or sampled.
The early versions of Mickey and Minnie are just two of the works entering the public domain in the US on New Year's Day.
Other famous films, books, music and characters from 1928 are now also available to the American public.
They include Charlie Chaplin's silent romantic comedy The Circus; English author AA Milne's book The House at Pooh Corner, which introduced the character Tigger; Virginia Woolf's Orlando; and DH Lawrence's Lady Chatterley's Lover.
Could We Build a Concert Venue in Space? (washingtonpost.com) 75
Before you dismiss this as a hallucination, consider that we're on the cusp of a new era of space travel. Engineer and space architect Ariel Ekblaw, founder of MIT's Space Exploration Initiative, says that within a decade, a trip off the planet could become as accessible as a first-class airline ticket — and that, in 15 or 20 years, we can expect space hotels in near-Earth orbit. She's betting on it, having founded a nonprofit to design spherical, modular habitats that can assemble themselves in space so as to be lightweight and compact at launch, much like the James Webb Space Telescope that NASA vaulted into deep space two years ago.
"The first era of space travel was about survival," she told me as I recently toured her lab. "We're transitioning now to build spaces that are friendlier and more welcoming so that people can thrive in space as opposed to just survive." There's no reason, Ekblaw said, that a concert hall can't be one of those structures.
The article ultimately calls this "an impulse for space travel I can get behind: curiosity about who we are and what more we can create when we reach beyond Earth. This is the realm of not just scientists and engineers but of all kinds of dreamers. It's a rendition of space exploration that can engage anyone to imagine what's possible."